Composed by Paul M. French. For Cantor, SATB, Assembly, Organ, opt. Harp. Christmas, 21st Century. Moderately Easy. Octavo. Scripture: Psalms 96:1-2a, 2b-3, 11-12, 13; Text Language: English. Published by MorningStar Music Publishers

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7x10.5 inches. 14 pages. Published by Boosey and Hawkes.

SATB choir - Moderate

SKU: WD.080689661174

Composed by Cliff Duren. Book. Word Music #080689661174. Published by Word Music (WD.080689661174).

UPC: 080689661174.

Follo wing on the heels of the success of The Worship Mashups Collection, from Word Music and Church Resources, and riding on the cusp of Church music innovation, comes the latest release in the Worship Mashups Series, The Hymn Mashups Collection, arranged and orchestrated by Cliff Duren. In these unique Hymn Mashups featuring two or more hymns joined together by flawless transitions, with lyrics weaving in and out, back and forth, creating a thematic canvas resulting in a new, hybrid composition, at once both fresh and familiar. These 9 uplifting, new hymn mashup arrangements iconic hymn titles such as Great Is Thy Faithfulness; It Is Well with My Soul; I Surrender All; This Is My Father’s World; I Sing The Mighty Power of God; Take My Life, and Let It Be Consecrated; To God Be the Glory; My Jesus, I Love Thee; At Calvary and many more.

ST vocal soli, SATB/SATB/SATB/SATB choir, organ

SKU: CA.2708303

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Sacred vocal music, Masses, Latin. Vocal score. FWV. 104 pages. Duration 23 minutes. Carus Verlag #CV 27.083/03. Published by Carus Verlag (CA.2708303).

ISBN 9790007182090. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.

Composed by Mary McDonald. Arranged by Michael Lawrence. Choral, cantatas. SATB with performance CD. Lorenz Publishing Company #65/2114L. Published by Lorenz Publishing Company

Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged by James Chepponis. Easter, Christ the King, Building Dedication, Church Anniversary, Ordination/Installation, 21st Century, Praise/Thanksgiving. Choral score. MorningStar Music Publishers #50-4710. Published by MorningStar Music Publishers

(Choir/Worship Team Edition (No Accompaniment)). By Various. Sacred Folio. 272 pages. Word Music #080689444173. Published by Word Music

By Greg Gilpin. For SATB choir unaccompanied with percussion (triangle, finger cymbals, tambourine, drum). Choral. Octavo. Published by Shawnee Press.

By Lloyd Larson. For SATB choir and piano. General, Memorial Services, Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3732L)

(Choir/Worship Team Edition (No Accompaniment)). Composed by Various. For Choral. Sacred Folio. Word Music #080689516177. Published by Word Music

Composed by Mary McDonald. Arranged by Michael Lawrence. Choral, cantatas. Christmas. Choral score. Lorenz Publishing Company #65/2113L. Published by Lorenz Publishing Company

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Madrigals and Partsongs by Clifford Bartlett. Arranged by John Rutter. For SATB choir, mainly a cappella. Mixed Voices. Oxford Choral Classics Collections. Secular, Choral Collection. Vocal score. 384 pages. Published by Oxford University Press

Assembly, SATB choir, and organ, with optional brass quartet (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II) - Early Intermediate

SKU: MN.80-106

Composed by Matthew Koraus. Advent, Baptism of Our Lord, Christmas. Instrumental part. MorningStar Music Publishers #80-106. Published by MorningStar Music Publishers (MN.80-106).

UPC: 688670801068. English.

This cheerful set of Eucharistic Acclamations, based on the Christmas melody Resonet in laudibus, was written for assembly, SATB, and organ with optional brass quartet. It is clear that Matthew Koraus knows what works for an assembly. The Holy, Holy and the Amen involve the congregation in a call-and-response fashion, which, combined with the use of a familiar melody, makes it very easy for them to participate. Each of the three memorial acclamations are included, as are two versions of the Amen, one simple and one more involved. For Christmas through the Baptism of the Lord; also appropriate for Advent in a pared down presentation.

SATB Choir

SKU: HL.14041435

Composed by Geoffrey Burgon. Large Choral. Classical. Book [Softcover]. Composed 2010. Chester Music #CH74250. Published by Chester Music (HL.14041435).

UPC: 884088915070. 6.75x9.75x0.257 inches.

Features five songs, also known as St John Of The Cross (Canciones Entre El Alma Y El Esposo).

• Where can your hiding be
• But have been found again
• Of flowers and emeralds sheen
• Now, as she longaspired
• Rejoice, my love, with me

Cancion es entre el alma y el esposo is a poem consisting of forty verses, reproduced below. Havingpreviously set two sections of it as separate a cappella choruses and one fortwo countertenors andstrings, I've long wanted to make a complete setting of the work and, by arranging the countertenorpiece for a cappella chorus and setting the remaining verses as two more anthems for the same forces,I'vecompleted the task. The five pieces can of course still be performed separately, or brought togetheras a twenty-five minute setting of Roy Campbell's translation from the original Spanish of this vivid andintense poem.Geoffrey Burgon, May 2008.

By Gabriel Jackson (1962-). For SATB choir, a cappella. Mixed Voices. New Horizons. Sacred, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press . Vocal Score. Sacred, Choral Leaflet.

By Robert P. Manookin. Text: Robert P. Manookin. For SATB Choir. Christmas. Level: Medium. Duration 1:30. Published by Jackman Music Corporation.

SATB choir, assembly, keyboard accompaniment, guitar - Beginning

SKU: GI.G-9002

Three Songs for the Communion Procession. Composed by Michel Guimont. Choral. Choral. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9002. Published by GIA Publications (GI.G-9002).

UPC: 785147900207. English. Text by Delores Dufner.

Though intended for Communion, each setting has its own theme, making them suitable at other times—whether in praise of the risen Christ, as a song to answer Christ’s invitation to the banquet, or when we gather in his name and then go forth to share his life with the world. While scored for SATB voices, the settings are versatile enough for use by cantor and assembly or by smaller, unison choirs. The accompaniments work well on organ, piano, or guitar. Contents: Alleluia, Alleluia, Praise the Risen Son!, Happy Are All Who Are Called to the Feast and Where Two or More Have Come.

Choral SATB choir, piano

SKU: PR.312419280

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280).

ISBN 9781491137925. UPC: 680160692613.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

SATB choir, cantor, Assemby

SKU: GI.G-005279

Composed by William Byrd & Tomás Luis de Victoria. Arranged by Richard Proulx. Lent. Tune Name: Agnus Dei Xvi
Adapted From Litany Of The Saints, Missa Dominicalis. Sacred. Octavo. GIA Publications #005279. Published by GIA Publications (GI.G-005279).

Latin.

Alternati m is a practice dating from the early Christian church that utilizes two or more performing groups or contrasting styles of composition in the presentation of a liturgical text. In these two Agnus Dei settings, plainchant is contrasted with polyphony. Richard Proulx has edited these useful settings that seamlessly combine a familiar chant dialogue (Agnus Dei XVI) for cantor and assembly with choral extensions by Renaissance composer William Byrd based on this same melody. These settings from the rich heritage of the Church can easily be integrated into your community's Communion rite.

Composed by Mack Wilberg (1955-). Vocal score. 8 pages. Duration 4 minutes. Published by Oxford University Press (OU.9780193518001).

Composed by Mary McDonald. For SATB choir choir. Musicals. Holy Week. Choral score. Published by Hope Publishing Company

By Lloyd Larson. For SATB / 2-part mixed choir and piano. Christmas, Eastertide, General, Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3757L)

(No. 3 from Rilke Songs ). Composed by Julian Wachner (1969-). For SATB choir, divisi. Secular. Octavo. 20 pages. Published by E.C. Schirmer Publishing

Soloists, Choir, Orchestra (2 Soprano Voice Solo, Tenor Voice Solo, BarSolo, SATB Choir, ballet, Orch)

SKU: BA.BA08862

Pastorale héroïque in one act. Composed by Jean-Philippe Rameau. Edited by Érik Kocevar. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/22. Complete edition, Score. Duration 1 hour. Baerenreiter Verlag #BA08862_00. Published by Baerenreiter Verlag (BA.BA08862).

ISBN 9790006558216. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Kocevar, Érik. Text: Charles Colle.

The heroic pastoral Daphnis et Egl was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.

This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Congregation, SATB choir, and organ, with optional brass quartet/quintet, timpani, suspended cymbal, and handbells - Early Intermediate

SKU: MN.60-5010

Composed by James Chepponis. Thanksgiving, Pentecost, Confirmation, Ordination/Installation, 21st Century, Praise/Thanksgiving. Choral score. MorningStar Music Publishers #60-5010. Published by MorningStar Music Publishers (MN.60-5010).

UPC: 688670650109. English.

This hymn concertato on Holst's noble tune THAXTED provides two texts: one by Delores Dufner, OSB, for Pentecost/Confirmation, and Michael Perry's more familiar general text. The opening fanfare and interlude for brass, timpani, and handbells facilitate festive processions, but the piece may be adapted for use with only organ accompaniment. An elegant SATB harmonization of the middle stanza may be sung by choir alone.