(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Advent, Christmas, Epiphany, Easter, Sacred, Secular. Paperback. 388 pages. Published by Oxford University Press

By David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Christmas Choral Collection. Pack of 10 copies. 384 pages

By Willcocks and John Rutter. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

By Various. Edited by Kreuels, Matthias / Ducker, Martin / Essl, Jurgen / Geismann, Wilm / Kohlmann, Mathias / Langer, Leo / Ochs, Jurgen / Drescher, Thomas / Frohlich, Brigitte / Maag, Jurgen / Rommelspacher, Stephan. Sacred, Hymns, Hymn settings, Magnificat, Masses, Latin, Mass Sections, Motets, Psalms, German, Psalms, Latin; Choral Collections, Mixed Choir; Occasions: Eucharist, Communion, Peace and Justice, Prayer, First Communion, Confirmation, Praise and thanks, F. Choral collection. 256 pages

By David Hill (Editor). For SATB Choir. Christmas, Religious, Choral. Sheet Music. 268 pages. Published by Novello and Co Ltd.

Composed by Philip Lane Ledger. Edited by Philip Lane Ledger. Mixed Voices. Secular, Choral Collection. Vocal score. 408 pages. Oxford University Press #9780193436640. Published by Oxford University Press

SATB choir

SKU: ST.EM25

Composed by Francis Pilkington. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM25. Published by Stainer & Bell Ltd. (ST.EM25).

ISBN 9790220212574.

CONT ENTS
All in a cave (SAA (or T) B)
Amyntas with his Phyllis fair (SATB)
Dorus, a silly shepherd (SST)
Have I found her? (SATB)
Here rest, my thoughts (SATB)
I follow, lo, the footing (SST)
Is this thy doom? (SST)
Love is a secret feeding fire (SAA (or T) B)
My heart is dead (SST (or A) TB)
No, no, no it will not be (SSATB)
Now I see thou floutest me (SSATB)
Pour forth, mine eyes (SST)
See where my love (SST)
Sing we, dance we (SSATB)
Stay, nymph, O stay (SST)
Sweet Phillida, my flocks (SSATB)
The messenger of the delightful Spring (SATB)
Under the tops of Helicons (SSATB)
What though her frowns? (SATB)
When Oriana walked (SSATB)
Why do I fret? (SAT (or A) B)
Why should I grieve? (SATB).

By David Hill (Editor). For SATB Choir, Organ. Sacred, Religious, Celebrations, Choral. Sheet Music. 128 pages. Published by Novello and Co Ltd.

By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred, Choral, Religious. Sheet Music. 264 pages. Published by Novello and Co Ltd.

By Alan Bullard (1947-). For Flexible forces. Mixed Voices. Christmas Choral Collection. Paperback. 288 pages

By Alan Bullard (1947-). For Flexible forces. Mixed Voices. Christmas Choral Collection. Spiral-bound paperback. 288 pages

A Cantata for Christmas (SATB Choral Score). Composed by Mark Hayes (1953-) and Lloyd Larson. This edition: SATB Choral Score. Choral (Sacred); Choral Worship Cantata; Church Musicals; Performance Music Ensemble; Worship Resources. Jubilate Music. Christmas; Sacred. Choral score. Jubilate Music Group #00-47944. Published by Jubilate Music Group

For SATB voices (with optional guitar chords). Format: SATB songbook. With choral notation, lyrics, chord names and guitar chord diagrams. Americana, traditional pop and pop vocal. Series: Everybody's Favorite Series #67. 127 pages. 9x12 inches. Published by Music Sales.

Composed by Gottfried August Homilius. Edited by Uwe Wolf. For SATB choir. Stuttgart Urtext Edition. Motets. Collection. 440 pages. Published by Carus Verlag

A Cantata for Christmas (Preview Pack). Composed by Lloyd Larson and Mark Hayes (1953-). This edition: Preview Pack (SATB Choral Score & Listening CD). Choral (Sacred); Choral Worship Cantata; Church Musicals; Performance Music Ensemble; Worship Resources. Jubilate Music. Christmas; Sacred. CD; Score. Jubilate Music Group #00-47953. Published by Jubilate Music Group

SATB choir

SKU: ST.EM28

Composed by Henry Youll. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Note: Print on demand. Spiral-bound A4. Madrigals. Collection. Stainer & Bell Ltd. #EM28. Published by Stainer & Bell Ltd. (ST.EM28).

ISBN 9790220218798.

CONT ENTS
Awake, sweet love (SSA (or T))
But behold where they return (SST)
But though poor sheep (SST)
Cease, restless thoughts (SST)
Come, love, let's walk (SSA (or T))
Come, merry lads, let us away (SSA)
Each day of thine (SST)
Early before the day doth spring (SSA)
In the merry month of May (SSA)
In pleasant summer's morning (SST)
In yonder dale (SST (or A))
Now the country lasses hie them (SSB (or T))
Of sweet and dainty flowers (SAT)
Once I thought to die for love (SST)
Only joy, now here you are (SST)
Pipe, shepherds, pipe (SSB (or T))
Pity me, mine own sweet jewel (SST)
Say, shepherd, say (SST)
See where this nymph (SSA (or T))
Slow, slow, fresh fount (SST)
Sweet Phyllis, stay (SST)
The shepherd's daughters (SST)
Where are now those jolly swains? (SSB)
Whiles joyful springtime lasteth (SST).

SATB Choir - Grade 3

SKU: BT.HU-4349-250

Composed by Hans Leenders. Harmonia Concert Series. Choral Score. Composed 2013. 16 pages. Harmonia #HU 4349-250. Published by Harmonia (BT.HU-4349-250).

9x12 inches. German.

The poetry on which this composition is based is the Ballad of External Life (the Ballade des äußeren Lebens) from the pen of Viennese author Hugo von Hofmansthal (1874-1929). He is known for, amongst other things, his libretti for the works of Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) and as founder of the Salzburg Festival. Von Hofmansthal was one of the last of the German Symbolists. Central to this literary movement was the unification of the internal and external worlds. The search for meaning was a cornerstone of this fin-de-siècle movement.In the Ballade des äußeren Lebens (Ballad of External Life), the meaninglessness ofexistence is expressed in restricting, oppressive metaphors—an ambience that is reflected in the music. Ultimately, man is capable of establishing order from seeming chaos. The poet expresses this powerfully in a non-rhyming line of poetry: ‘And yet, he who says “evening” says much, A word, from which profundity and sorrow flow’.This composition follows the overall structure of the ballad, which is written in terza rima—interlocking three-line rhymes.The choral work can be performed by a chamber choir, but also by a much larger ensemble. The parts are mainly in four voices (SATB), although there are also six parts (SAATBB). One chord is arranged for eight voices.The composer conducted this work at its première, to open the 2013 International Choir Biennial in Aachen. The choir was comprised of four chamber choirs: Aachen Youth Choir, Carmina Mundi, Aachen Chamber Choir and Aachen Madrigal Choir.

Het dichtwerk waarop deze compositie is gebaseerd, de Ballade des äußeren Lebens (Ballade van het uiterlijke leven), is geschreven door de in Wenen geboren schrijver Hugo von Hoffmansthal (1874-1929), die onder meer bekend is als librettist van Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) en medeoprichter was van de Salzburger Festspiele. Von Hoffmansthal behoorde tot de laatste vertegenwoordigers van het Duitse symbolisme. Deze stroming stelde zich ten doel de innerlijke en uiterlijke wereld met elkaar te verenigen. Zingeving vormde een van de hoofdthematieken binnen deze fin de siècle-cultuur.In de Ballade des äußeren Lebens wordt dezinloosheid van het bestaan verwoord in beklemmende metaforen - een atmosfeer die in de muziek wordt weerspiegeld. Uiteindelijk blijkt de mens toch in staat te zijn orde te scheppen in de schijnbare willekeur. De dichter benadrukt dit in zijn enige versregel zonder rijm: Und dennoch sagt der viel, der “Abend” sagt. De compositie volgt in hoofdlijnen de structuur van de ballade, die in terzinen is opgebouwd.Het werk kan worden uitgevoerd door kamerkoor, maar ook door een veel grotere bezetting. De zetting is voornamelijk vierstemmig (SATB), maar er zijn tevens zesstemmige delen (SAATBB). Een enkel akkoord is zelfs achtstemmig.Het werk ging onder leiding van de componist tijdens de Internationale Chorbiennale Aachen 2013 als openingswerk in première. Het koor was samengesteld uit vier kamerkoren: Der Junge Chor Aachen, Carmina Mundi, Aachener Kammerchor en Der Madrigalchor Aachen.

Die Dichtung, auf welcher diese Komposition basiert, ist die Ballade des äußeren Lebens aus der Feder des gebürtigen Wiener Schriftstellers Hugo von Hoffmansthal (1874-1929), der unter anderem als Librettist von Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) und Mitbegründer der Salzburger Festspiele bekannt ist. Von Hoffmansthal gehörte zu den letzten Vertretern des Deutschen Symbolismus. Diese literarische Richtung machte sich zur Aufgabe, die innere und die äußere Welt miteinander zu vereinen. Sinngebung bildete eine der Hauptthematiken innerhalb dieser Fin-de-Siècle-Strömung. In der Ballade des äußeren Lebens wird die Sinnlosigkeitdes Daseins in beklemmenden Metaphern formuliert - eine Atmosphäre, die sich in der Musik widerspiegelt. Letztendlich scheint der Mensch doch imstande zu sein, Ordnung in der scheinbaren Willkür zu schaffen. Der Dichter betont dies nachdrücklich in der einzigen Verszeile ohne Reim: Und dennoch sagt der viel, der Abend“ sagt. Die Komposition folgt in ihren Hauptzügen der Struktur der Ballade, die in Terzinen geschrieben ist.Das Chorwerk kann von einem Kammerchor, aber auch von einem viel größeren Ensemble aufgeführt werden. Der Satz ist hauptsächlich vierstimmig (SATB), aber es gibt auch sechsstimmige Teile (SAATBB). Ein einzelner Akkord ist gar achtstimmig.Das Werk ging unter der Leitung des Komponisten während der Internationalen Chorbiennale Aachen 2013 als Eröffnungswerk in Premiere. Der Chor setzte sich aus vier Kammerchören zusammen: Der Junge Chor Aachen, Carmina Mundi, der Aachener Kammerchor und der Madrigalchor Aachen.

Composed by Kenley Kristofferson. Octavo. Published by Cypress Choral Music (C3.CP1208).

By David Hill (Editor). For SATB Choir, Organ. Sacred, Religious, Celebrations, Choral. Sheet Music. 128 pages. Published by Novello and Co Ltd.

By Stroope. For SATB/SATB choir, a cappella. Choral octavo. Published by Alliance Music Publications. (AMP 0525)

By Lee Dengler. For SATB choir and piano. Holy Week, Sacred. Octavo. Published by Laurel Press.

(Medley). By Pete Seeger. Arranged by Kirby Shaw. For Choral (SATB). Pop Choral Series. Published by Hal Leonard

Madrigal Collection. Composed by John Farmer, John Wilbye, Thomas Morley, Thomas Tomkins, William Byrd. Edited by Philip Lawson. De Haske Choral Music. Madrigal. Octavo. 32 pages. Published by De Haske Publications (HL.216063).

SATB choir

SKU: WD.080689862120

The Promise Of Easter. Composed by Allan Douglas, Deborah Craig-Claar, and Phillip Keveren. Arranged by Phillip Keveren. Choral, cantatas. Christmas. Accompaniment CD (split). Word Music #080689862120. Published by Word Music (WD.080689862120).

UPC: 080689862120.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includ es songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.

SATB choir

SKU: WD.080689752728

The Promise Of Easter. Composed by Allan Douglas, Deborah Craig-Claar, and Phillip Keveren. Arranged by Phillip Keveren. Choral, cantatas. Easter, Musical. Bulk CD (10-pak). Word Music #080689752728. Published by Word Music (WD.080689752728).

UPC: 080689752728.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includ es songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.