Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB),
Piano
SKU:
BA.BA11309
Composed
by Camille Saint-Saens.
Edited by Christina M.
Stahl. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11309. Published by
Baerenreiter Verlag
(BA.BA11309).
ISBN
9790006577705. 27 x 19 cm
inches. Text Language:
English.
It is a
small music history
sensation: Thanks to Yves
Grard an unknown and
unpublished manuscript
penned by Camille
Saint-Saëns has been
unearthed in the
Mdiathèque Jean Renoir
in Dieppe in
France.
It is the
top four instrumental
parts which make this
manuscript something of a
sensation. Placed under
each other are
â??Saxophone Soprano en
Si bâ?, â??Saxophone
Alto en Mi bâ?,
â??Saxophone Tnor en Si
bâ? and â??Saxophone
Baryton en Mi bâ?,
strings, soprano solo
with chorus and organ.
Musical history has
hitherto credited
Jean-Baptiste Singele
(1812â??1875) with
having written the first
saxophone quartet, his
opus 53, which he
completed in 1857. Now
this historiography
clearly has to be
revised. The date 1854
has been found under the
first page of the
treasure from Dieppe,
which is pasted over and
also sewn, meaning that
Saint-Saënsâ?? work
was written three years
earlier than that of
Singele.
In
contrast to Singele,
Saint-Saëns does not
have the wind instruments
taking solo parts but
rather uses their tonal
colour to depict textual
moods and nuances. On the
one hand the saxophones
accompany the choral
parts (certainly singable
by amateurs) and support
the human voices in fugal
passages. On the other
hand, they take the
melody in the purely
orchestral
passages.
Saint-Sa
ëns wrote the motet in
the period when he had
taken up his first
permanent appointment as
organist at the Church of
Saint-Merri in Paris. He
revised the work several
times over the decades,
changing the motifs at
the beginning, correcting
obvious mistakes,
reworking the ending,
eventually changing the
instrumentation several
times and even â??
probably in the final
stage â?? replacing the
Latin text with an
English one. Today,
three-and-a-half versions
have been handed down,
one of them stopping
after just a few pages.
The compositional steps
have been successfully
reconstructed by means of
detailed detective work.
Furthermore, the first
saxophone version (BA
11305) and the last
English piano version (BA
11309) have been edited
to produce a
scholarly-critical
edition.
The
present edition of the
English version for
soprano solo, choir and
piano (BA 11309) serves
both as a full score and
as a vocal score due to
the
instrumentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Romantic drama in four
acts. Composed by
Franz Schubert. Edited by
Christine Martin and
Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition II, 9. Complete
edition, Score. D 797.
Duration 50 minutes.
Baerenreiter Verlag
#BA05570_01. Published by
Baerenreiter Verlag
(BA.BA05570-01).
ISBN
9790006497386. 33 x 26 cm
inches. Language: German.
Preface: Christine
Martin. Text: Helmina von
Chezy.
On 20
December 1823 Helmina von
Chezy'sRosamundereceived
its premiere performance
at Vienna's Theater an
der Wien.
Unfortunately the
Viennese version of this
drama with ghosts,
pirates, attempted
poisonings and other
horrifying ingredients
has not survived - unlike
Schubert's popular
incidental music which
also includes choruses
and dances. This music
was already highly
praised by contemporary
critics, with special
acknowledgment given
tothe genius of this
much-loved master. As
evidence of its
popularity, the overture
and theHunters' Chorushad
to be encored at the
premiere.
Now
Barenreiter is issuing
one of Schubert's
best-known compositions
in a complete vocal score
with piano
reduction.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, choir,
orchestra (SATB voice
Solos, SATB Choir,
4Fl(Flote 3 muta in
Piccolo-Flote), 2 Ob,
EnglHn, 3clar, clar-B,
3bsn, bsn-Co, 4Hn, 4Trp,
3tbn, Tb, timp, Tri,
Tr-Kl, Be, Be-Hang, Tam,
Glsp, Gl, Cel, 2 harp,
Org, 2 Violin, Viola,
Cello, Double Bass)
SKU: BA.BA06862
Final version.
Composed by Leos Janacek.
Edited by JirÃ
Zahrádka and Leoš
Faltus. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek.
Series B, Volume 5-I.
Complete edition, Score.
Duration 40 minutes.
Baerenreiter Verlag
#BA06862_00. Published by
Baerenreiter Verlag
(BA.BA06862).
ISBN
9790260105300. 34.2 x
27.3 cm inches. Text
Language: Church
Slavic.
The
Glagolitic Mass, one of
the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
The
recently published
scholarly-critical
edition presents two
different versions of the
work in two separate
volumes: the
“September
1927†version (BA
6863) which the composer
completed before the
first rehearsals and
subsequent premiere in
Brno and the version he
partly reworked for the
first Prague performance
in April 1928 (BA 6862).
This second version was
then revised further and
published after
Janácek’s death
by Universal Edition Wien
in 1930. Known as the
“final authorised
versionâ€, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janácek’s
regular copyist Václav
Sedlácek.
The
“final authorised
version†is the
significant version and
most suited to
performance purposes. The
instrumentation is
richer, it is more
straightforward to
rehearse and several
important passages are
more coherent than in the
earlier version. It is
the later version that is
presented in the vocal
score. The Old Church
Slavonic text has been
prepared by the slavicist
Radoslav Vecerka.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB choir, a cappella SKU: AU.9781451492552 Composed by Jonathan Kohrs. ...(+)
SATB choir, a cappella
SKU:
AU.9781451492552
Composed by Jonathan
Kohrs. Octavo. Published
by Augsburg Fortress
(AU.9781451492552).
This heartfelt
(but lesser-known) text
by the writer of I Heard
the Voice of Jesus Say is
given an equally
heartfelt setting for
SATB choir by Jonathan
Kohrs. Repeated musical
material for each of the
three stanzas makes this
unaccompanied anthem
easier to learn.
Praise
Gathering Choral.
Christmas. Softcover. 128
pages. Duration 2880
seconds. PraiseGathering
#A08439. Published by
PraiseGathering
(HL.2050289).
UPC:
797242852596.
6.75x10.5x0.302
inches.
Peace on
earth. Has there ever
been such a thing - will
there ever be? Wars and
rumors of wars are the
mile markers of history.
Wars seem to be the
events by which history
is recorded. Did you ever
hear of World Peace I or
World Peace II - or the
years of Civil Peace? Did
the Holy Scriptures
really promise Peace On
Earth? Did an angel from
heaven really proclaim
“Glory to God in the
highest, and on earth
peace among those with
whom He is pleased!” ?
(Luke 2:14) The answer
is...YES!Butwhatabout...?
- Butwhatabout...? -
Butwhatabout...?We could
spend most of our lives
filling in these blanks.
However - if we take the
cognizant, courageous
leap of faith - if we
choose to believe God's
Word is true - then we
must refine our
understanding of peace.
Jesus said - “Peace I
leave with you; my peace
I give you. I do not give
to you as the world
gives. Do not let your
hearts be troubled and do
not be afraid.” John
14:27Jesus knows about
peace - He is indeed the
Prince of Peace. How then
can we define peace...?
Peace is not the absence
of conflict - Peace is
the presence of God.God
made His presence known
in a spectacular,
miraculous way long ago
in the ancient city of
Bethlehem. His presence
remains just as real -
just as powerful - just
as loving.Thanks be to
God for His tender mercy
and all sufficient grace.
May we be instruments
used of God to live out
and reach others with the
good news. Glory to God
in the highest! There Is
Peace in the World
Tonight.
Choral (SATB) SKU: HL.2050290 Praise Gathering Choral. General Worship, N...(+)
Choral (SATB)
SKU:
HL.2050290
Praise
Gathering Choral. General
Worship, Non-Seasonal.
Softcover. 160 pages.
PraiseGathering #A08440.
Published by
PraiseGathering
(HL.2050290).
UPC:
797242864094.
6.75x10.5x0.383
inches.
“There is
one body and one
Spirit--just as you were
called to one hopewhen
you were called-- one
Lord, one faith, one
baptism; one God
andFather of all, who is
over all and through all
and in all.”
Ephesians4:4-6There are
those who claim that many
paths exist that lead to
whomeverwe believe or
define God to be.
However, we do not define
God - Hedefines us. And
there is only ONE path to
the Father and it
isclearly marked by a
bloodstained cross and an
empty tomb.Those who
claim the Master are
reborn into a bloodline
that does nottrace its
origin to a culture - but
to a cross. . .does not
dependupon what we bring
- but upon what He freely
gives . . .not based
intrying to know about
God - but actually
knowing God.“Yes - we
know that there is only
one God, the Father, who
createdeverything, and we
live for Him. And there
is only one Lord,
JesusChrist, through whom
God made everything and
through whom we havebeen
given life.” 1
Corinthians 8:6“I am
not ashamed of the
gospel, because it is the
power of God forthe
salvation of everyone who
believes . . .” Romans
1:16.
Assembly, SATB choir, and organ, with optional brass quartet (Instrumental Parts...(+)
Assembly, SATB choir, and
organ, with optional
brass quartet
(Instrumental Parts
include: Trumpets I and
II in B-flat and C, Horn
in F (substitute for
Trombone I), Trombone I
and II) - Early
Intermediate
SKU:
MN.80-106
Composed by
Matthew Koraus. Advent,
Baptism of Our Lord,
Christmas. Instrumental
part. MorningStar Music
Publishers #80-106.
Published by MorningStar
Music Publishers
(MN.80-106).
UPC:
688670801068.
English.
This
cheerful set of
Eucharistic Acclamations,
based on the Christmas
melody Resonet in
laudibus, was
written for assembly,
SATB, and organ with
optional brass quartet.
It is clear that Matthew
Koraus knows what works
for an assembly. The
Holy, Holy and the Amen
involve the congregation
in a call-and-response
fashion, which, combined
with the use of a
familiar melody, makes it
very easy for them to
participate. Each of the
three memorial
acclamations are
included, as are two
versions of the Amen, one
simple and one more
involved. For Christmas
through the Baptism of
the Lord; also
appropriate for Advent in
a pared down
presentation.
