(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
Composed by Richard Rodgers. Octavo for SATB chorus and piano accompaniment. Wit...(+)
Composed by Richard
Rodgers. Octavo for SATB
chorus and piano
accompaniment. With chord
names. Series: Hal
Leonard Broadway Choral.
80 pages. Published by
Hal Leonard.
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Composed by Gilbert and Sullivan, edited by Bryceson Treharne. Vocal score for S...(+)
Composed by Gilbert and
Sullivan, edited by
Bryceson Treharne. Vocal
score for SATB chorus,
piano accompaniment and
11 solo voices. Contains
all dialogue. With vocal
melody, piano reduction,
lyrics and introductory
text. 208 pages.
Published by G. Schirmer,
Inc.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Arranged by John Carter. Choir Sacred. SATB choir. Choral (Sacred); Choral Octav...(+)
Arranged by John Carter.
Choir Sacred. SATB choir.
Choral (Sacred); Choral
Octavo; Worship
Resources. Jubilate.
Pentecost; Sacred;
Spring. Published by
Jubilate Music
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
Choir Secular (SATB choir) SKU: AP.49763 Composed by Mark Burrows. MakeMu...(+)
Choir Secular (SATB
choir)
SKU:
AP.49763
Composed by
Mark Burrows. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas;
Peace/Brotherhood;
Secular; Winter. Choral
Octavo. 8 pages. Alfred
Music #00-49763.
Published by Alfred Music
(AP.49763).
UPC:
038081568508.
English.
When
considering various
winter holidays, what is
the common thread? A
candle and a song.
Beautiful in its
simplicity, here's a
quiet celebration crafted
to resonate universally.
Mark's delicate melody
and sweet sonorities
float effortlessly over a
flowing piano
accompaniment. With
readable rhythms, easy to
learn notes, and sensible
vocal ranges, it's
intentionally
uncomplicated so that the
message of the text will
clearly speak. Hushed and
heartfelt, a memorable
moment. This title is
available in MakeMusic
Cloud.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfre...(+)
Arranged by Alan
Billingsley.
Performance Music
Ensemble;
Single Titles. Alfred
Choral
Designs. Form: Medley.
Christmas; Secular;
Winter.
Choral Octavo. 16 pages.
Alfred Music #00-46349.
Published by Alfred Music
Choral (SATB) SKU: HL.1332353 Composed by Robert Sirota. Judith Clurman C...(+)
Choral (SATB)
SKU:
HL.1332353
Composed
by Robert Sirota. Judith
Clurman Choral Series.
Concert. Octavo.
Published by Hal Leonard
(HL.1332353).
UPC:
196288185925. 6.75x10.5
inches.
Migrants
all over the globe are
seeking refuge for
numerous different
reasons: for new life,
new joy, new destiny. It
takes courage to dream of
a life afresh, especially
when uprooting one's
beginnings for a chance
to start over again and
the Sirota's have crafted
a choral work brimming
with daring
consonance.
SATB Choir SKU: BT.MUSMF272 Composed by Blandet Kor Antologi. Arranged by...(+)
SATB Choir
SKU:
BT.MUSMF272
Composed
by Blandet Kor Antologi.
Arranged by Svend-G.
Asmussen and Thomas
Alvad. Hymns & Chorals.
Book Only. Composed 2013.
184 pages. Edition
Wilhelm Hansen #MUSMF272.
Published by Edition
Wilhelm Hansen
(BT.MUSMF272).
ISBN
9788774840954.
Anth
ology for mixed choir.
Suitable for use
colleges, high schools
etc.
SATB choir, piano SKU: WD.080689498237 Composed by Marty Hamby. Arranged ...(+)
SATB choir, piano
SKU:
WD.080689498237
Composed by Marty Hamby.
Arranged by Marty Hamby.
Choral. Sacred Anthem,
Christmas. Octavo. Word
Music #080689498237.
Published by Word Music
(WD.080689498237).
UPC:
080689498237.
From
Integrity Music’s
Christmas musical
“The
Arrival,†arranged
and orchestrated by
Dove-award winner Marty
Hamby, comes this sweet,
angelic ballad,
When Love Crossed
Over. The
familiar Appalachian
tune, beautifully and
simply singable, lets us
rest and take in the
moment God gifted us with
His Son…God with
us. Marvel in awe and
wonder at this precious
moment in time, when
unconditional Love
entered our world with
the birth of our
Savior…our
adored, Promised
One.
By Paul D. Weber. For SATB choir, optional congregation, children's choir, organ...(+)
By Paul D. Weber. For
SATB choir, optional
congregation, children's
choir, organ, brass
ensemble, timpani,
percussion. Sacred Music
from Lenoir-Rhyne Choral
Series. Reformation, Word
of God. Medium. Choral
score. Scripture: Psalms
46. Published by Morning.
choral score.
Reformation, Word of God.
Composed by Jean Sibelius (1865-1957). Arranged by Lloyd Larson. Hymntune, Hym...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Lloyd Larson. Hymntune,
Hymn
Arrangements, Funeral and
Memorial, General
Worship,
Assurance, Encouragement,
Eternal Life,
Faithfulness,
Grief. Octavo. 12 pages.
Duration 12 minutes. Hope
Publishing Company
#C6209.
Published by Hope
Publishing
Company
Mixed choir SKU: FG.55011-857-7 Composed by ŽibuoklÄ— MartinaitytÄ...(+)
Mixed choir
SKU:
FG.55011-857-7
Composed by
Žibuoklė
MartinaitytÄ—.
Classical, contemporary.
Book. Fennica Gehrman
#55011-857-7. Published
by Fennica Gehrman
(FG.55011-857-7).
Žibuoklė
MartinaitytÄ— tells
about the background of
Aletheia (2022) for mixed
choir (SSSSAAAATTTTBBBB):
Aletheia is variously
translated from Greek as
unconcealedness,
revealing or
unclosedness. It is
uncovering of the Truth -
the one we are afraid to
face, the truth that can
only be expressed
directly through the
pre-verbal communication.
How do you find words for
the horrors of the war,
for all unimaginable
global atrocities? How do
you even allow yourself
to feel it out? Solely
through art, through
music that offer a safe
space and a formalized
framework for processing
these accumulated complex
emotions and sharing them
with others in a moment.
This piece has no verbal
text and it is based on
various combinations of
vowels and consonants,
thus connecting us on a
deeper level through the
immediate emotional
experience.
The
war in Ukraine in spring
of 2022 had an impact on
all of us and shattered
my deeply rooted
Lithuanian identity. When
the freedom is threatened
and innocent people are
dying, it is hard to make
sense out of the reality.
Yet there is poetry even
in the worst nightmares.
I was imagining that the
only instrument people
have even in situations
of destruction, in the
midst of the war, is
their VOICE. It brought
back memories of my youth
when Singing revolution
was taking place in the
Baltic countries. Human
voice was the only weapon
that people used to
express their
determination for freedom
and independence. Voice
is our first and the very
last instrument we have
in our lifetime. Thinking
in these terms brings
almost a sacred dimension
to the voice as an
expression of the life
itself - from the very
first baby's scream until
the last breath and
whisper.
Duration
c. 15'
The works
of New York -based
Lithuanian composer
Žibuoklė
MartinaitytÄ— (b.
1973) have been lauded as
breathtaking and
profoundly moving. Her
stimulating music
bristles with energy and
tension and revolves
often around the subject
of beauty, which she
calls both a guiding
principle and an
aesthetic measure for
sonic quality.
Praise
Gathering Choral.
Patriotic. Softcover. 126
pages. PraiseGathering
#A08416. Published by
PraiseGathering
(HL.2050266).
ISBN
9781705145784. UPC:
797242010194.
6.75x10.5x0.332
inches.
Randy
Vader, Jay Rouse, and
Camp Kirkland present the
powerful sequel to With
Freedom's Holy Light. The
excitement of celebrating
freedom is deeply
ingrained into our
National psyche. The
right to celebrate our
independence did not come
without cost and
sacrifice. The singular
goal of pursuing the
dream of a government of
the people, by the
people, and for the
people, uniquely bonded
our ancestors into a
truly United States. Well
into the third century of
this great and blessed
country, it is important
and appropriate to
examine once again what
we mean when we pledge to
be one nation under God,
indivisible...with
liberty and justice for
all.
SATB a cappella, piano reduction - Early intermediate SKU: GI.G-009047 Co...(+)
SATB a cappella, piano
reduction - Early
intermediate
SKU:
GI.G-009047
Composed
by William Billings.
Arranged by Kyle Johnson.
Holy Week, Lent 5 A, Palm
Sunday, Good Friday. Tune
Name: When Jesus Wept.
Sacred. Octavo. 8 pages.
GIA Publications #009047.
Published by GIA
Publications
(GI.G-009047).
UPC:
641151090474. Text
Source: The New England
Psalm Singer ,
1770.
Kyle Johnson
has taken the traditional
canon “When Jesus
Wept†and
creatively deconstructed
it. We never hear more
than two parts in canon
with each other at the
same time. Then he
introduces a new
counter-melody in the
other parts and fills out
the harmonies in other
ways. While the words can
be lost in
the traditional
four-part canon, the
overall effect of
Johnson’s approach
is to create a moving
meditation on
the text. Easily
accessible and highly
recommended for small
SATB choirs, but any size
group will appreciate
the artistry of this
piece.
Evidence Of Grace (A Worship Musical Tracing God's Hand of Mercy). By David T. C...(+)
Evidence Of Grace (A
Worship Musical Tracing
God's Hand of Mercy). By
David T. Clydesdale and
Steve Moore. Arranged by
David Clydesdale. For
SATB Choir. Musical.
Modern Christian. Choral
Book. Duration 50'00".
Published by Word Music
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689705021 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689705021
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Christmas. Practice
trax. Word Music
#080689705021. Published
by Word Music
(WD.080689705021).
UPC:
080689705021.
Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best!
Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time.
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689505676 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689505676
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Southern Gospel.
Orchestration. Word Music
#080689505676. Published
by Word Music
(WD.080689505676).
UPC:
080689505676.
Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best!
Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time.
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689801723 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689801723
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Eastertide. Bulk CD
(10-pak). Word Music
#080689801723. Published
by Word Music
(WD.080689801723).
UPC:
080689801723.
Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best!
Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time.