| Why We Sing SATB Chorale SATB SATB Shawnee Press
By Greg Gilpin. For SATB Choir. Choral. Sheet Music. Published by Shawnee Press....(+)
By Greg Gilpin. For SATB
Choir. Choral. Sheet
Music. Published by
Shawnee Press.
(1)$2.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Why We Sing SA(T)B Chorale SATB SATB Shawnee Press
By Patsy Ford Simms. For SATB Choir. Choral, Graduation, Multi-Cultural, General...(+)
By Patsy Ford Simms. For
SATB Choir. Choral,
Graduation,
Multi-Cultural, General
Repertory, Sacred. Sheet
Music. Published by
Shawnee Press.
(1)$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Why We Sing A Cappella Chorale SATB SATB A Cappella Shawnee Press
Composed by Greg Gilpin. Shawnee Press. Concert. Octavo. 12 pages. Published ...(+)
Composed by Greg Gilpin.
Shawnee Press. Concert.
Octavo. 12 pages.
Published
by Shawnee Press
$2.35 $2.2325 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Sing Because Chorale SATB SATB A Cappella Pavane Publishing
Composed by Christoper Rust. Pavane Choral. General Worship, Traditional. ...(+)
Composed by Christoper
Rust.
Pavane Choral. General
Worship, Traditional.
Octavo. 8 pages. Pavane
Publishing #P1687.
Published
by Pavane Publishing
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Why Do We Sing Chorale SATB SATB, Piano Boosey and Hawkes
Sounds of a Better World Series. Composed by Jim Papoulis. BH Sounds of a Bet...(+)
Sounds of a Better World
Series. Composed by Jim
Papoulis. BH Sounds of a
Better World. Concert,
Festival, World Music.
Octavo. 20 pages. Boosey
and
Hawkes #M051484720.
Published
by Boosey and Hawkes
$2.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Celebrate! Chorale SATB SATB, Orgue Sacred Music Press
SATB choir, organ, narrator SKU: LO.55-1088S A Cantata Proclaiming the...(+)
SATB choir, organ,
narrator SKU:
LO.55-1088S A
Cantata Proclaiming the
Glory of Easter.
Composed by Stephen
Walters. Choral,
cantatas. Eastertide,
Sacred. Choral score.
Sacred Music Press
#55/1088S. Published by
Sacred Music Press
(LO.55-1088S). UPC:
000308092882. Someo
ne asked Mr. Walters, Why
write an Easter cantata
that's completely focused
on the resurrection
experience? He replied,
Simple. I just thought it
was time. After a week of
music dedicated to the
persecution, death and
apparent failure that
immediately preceded the
resurrection, how much
time is left, then, for
us to celebrate the gift
Jesus gave us? And so
generously and
completely? Here, then,
is his talented response:
a glorious compendium of
anthems celebrating and
rejoicing in the victory
of the cross and the
beginning, once again, of
personal renewal. $8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Are the Music Makers Chorale SATB Gentry Publications
Choral (SATB) SKU: HL.1311615 Composed by Stan Pethel. Gentry Publication...(+)
Choral (SATB) SKU:
HL.1311615 Composed
by Stan Pethel. Gentry
Publications. Concert,
Poetry. Octavo. Gentry
Publications #JG2554.
Published by Gentry
Publications
(HL.1311615). UPC:
196288177487.
6.75x10.5x0.019
inches. Written for
Berry College Concert
Choir, this delightful
poetry setting by Stan
Pethel expresses why we
do what we do as singers
and musicians. Stan's
setting is accessible,
engaging, and meaningful,
especially for those in
the choral profession.
This is a piece that
singers and directors
will especially
appreciate. An exquisite
concert selection for
mixed voices at all
levels. Highly
recommended! $2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Without Form and Void Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230). ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English. When the
Texas Choral Consort
asked Welcher to write a
short prologue to Haydn's
The Creation, his first
reaction was that Haydn
already presents Chaos in
his introductory
movement. As he thought
about it, Welcher began
envisioning a truer void
to precede Haydn's
depiction of Chaos within
the scope of 18th-century
classical style - quoting
some of Haydn's themes
and showing human voices
and inhuman sounds in a
kind of pre-creation
melange of color, mood,
and atmosphere. Welcher
accepted this challenge
with the proviso that his
prologue would lead
directly into Haydn's
masterpiece without
stopping, and certainly
without applause in
between. Scored for mixed
chorus and Haydn's
instrumentation, Without
Form and Void is a
dramatically fresh yet
pragmatic enhancement to
deepen any performance of
Haydn's The Creation.
Orchestral score and
parts are available on
rental. When Brent
Baldwin asked me to
consider writing a short
prologue to THE CREATION,
my first response was
“Why?â€Â
THE CREATION already
contains a prologue;
it’s called
“Representation of
Chaosâ€, and
it’s
Haydn’s way of
showing the formless
universe. How could a
new piece do anything but
get in the way? But
the more I thought about
it, the more it made
sense. The Age of
Enlightenment’s
idea of
“Chaos†was
just extended
chromaticism, no more
than Bach used (in fact,
Bach went
further).Perhaps there
might be a way to use the
full resources of the
modern orchestra (or at
least, a Haydn-sized
orchestra) and the modern
chorus to really present
a cosmic soup of unborn
musical atoms, just
waiting for
Haydn’s sure touch
to animate them.Â
Perhaps it could even
quote some of
Haydn’s themes
before he knew them
himself, and also show
human voices and inhuman
sounds in a kind of
pre-creation mélange
of color, mood, and
atmosphere. So I
accepted the challenge,
with the proviso that my
new piece not be treated
as some kind of
“overtureâ€,
but would instead be
allowed to lead directly
into Haydn’s
masterpiece without
stopping, and certainly
without applause. I
crafted this five minute
piece to begin with a
kind of “music of
the spheresâ€
universe-hum, created by
tuned wine glasses and
violin harmonics. The
chorus enters very soon
after, with the opening
words of Genesis
whispered simultaneously
in as many languages as
can be found in a
chorus. The first two
minutes of my work are
all about unborn human
voices and unfocused
planetary sounds,
gradually becoming more
and more
“coherentâ€
until we finally hear
actual pitches, melodies,
and words. Three of
Haydn’s melodies
will be heard, to be
specific, but not in the
way he will present them
an hour from now.Â
It’s almost as if
we are listening inside
the womb of the universe,
looking for a faint
heartbeat of worlds,
animals, and people to
come. At the end of
the piece, the chorus
finally finds its voice
with a single word:
“God!â€,Â
and the orchestra finally
finds its own pulse as
well. The unstoppable
desire for birth must now
be answered, and it
is----by Haydn’s
marvelous oratorio. I
am not a religious man in
any traditional
sense. Neither was
Haydn, nor Mozart, nor
Beethoven. But all of
them, as well as I, share
in what is now called a
humanistic view of how
things came to be, how
life in its many forms
developed on this planet,
and how Man became the
recorder of history.Â
The gospel according to
John begins with a parody
of Genesis: “In
the beginning was the
Word, and the Word was
with God, and the Word
was God.â€Â  I
love that phrase, and
it’s in that
spirit that I offer my
humble
“opener†to
the finest work of one of
the greatest composers
Western music has ever
known. My piece is
not supposed to sound
like Haydn.Â
It’s supposed to
sound like a giant
palette, on which a
composer in 1798 might
find more outrageous
colors than his era would
permit…but which, I
hope, he would have been
delighted to hear. $3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Singer Chorale SATB Pavane Publishing
Choral (SATB) SKU: HL.346283 Composed by David C. Dickau. Pavane Secular....(+)
Choral (SATB) SKU:
HL.346283 Composed by
David C. Dickau. Pavane
Secular. Concert,
Traditional. Octavo. 12
pages. Pavane Publishing
#P1669. Published by
Pavane Publishing
(HL.346283). UPC:
840126923469.
6.75x10.5x0.029
inches. Why do we
love to sing? How does it
affect us? The joyful
answer is first stated
youthfully, and becomes
more mature as the song
continues. The chorus
unites everyone together
in a rousing ending.
Great for a spring
concert, with the
possibility of using
multiple choirs of
different ages (as it was
first commissioned) or
with various groups
staged dramatically. Easy
to medium in
difficulty. $2.55 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| First Book of Balletts to Five Voices (1595/1600) Chorale SATB Stainer and Bell
SATB choir SKU: ST.EM4 Composed by Thomas Morley. Edited by Edmund H Fell...(+)
SATB choir SKU:
ST.EM4 Composed by
Thomas Morley. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd. #EM4.
Published by Stainer &
Bell Ltd. (ST.EM4).
ISBN
9790220211263. CONT
ENTS About the
maypole (SATTB)
Dainty fine sweet nymph
(SSATB) Fire, fire my
heart (SST (or A) TB)
I love, alas, I love thee
(SAABB) I saw my
lovely Phillis
(SSATB) Lady those
cherries plenty (ST (or
A) TTB) Leave alas
this tormenting
(SSATB) Lo she flies
(SSATB) My bonny lass
she smileth (Questo dulce
sirena) (SAATB) My
lovely wanton jewel
(SSATB) No no Nigella
(SSATB) Now is the
month of Maying
(SATTB) Phillis I
fain would die now
(Dialogue SSAATTB)
Shoot false love I care
not (SSATB) Sing we
and chant it (A lieta
vita) (SSATB) Singing
alone (SAATB) Those
dainty daffadillies (SAT
(or A) BB) Thus saith
my Galatea (SSATB)
What saith my dainty
darling? (SSAA (or T)
B) Why weeps alas
(SATTB) You that want
to my pipes sound
(SSATB). $44.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| HMP CD Accompaniment Trak 21 Fall 09 SOS/New Horizons Chorale SATB SATB [CD d'accompagnement] Heritage Music Press
| | |
| Seven Last Words (Septem Ultima Verba) (Choral Score) Chorale SATB - Intermédiaire MorningStar Music Publishers
Composed by Michael John Trotta. Presbyterian Association of Musicians Series. H...(+)
Composed by Michael John
Trotta. Presbyterian
Association of Musicians
Series. Holy Week/Three
Days, Lent, 21st
Century. Choral score.
Published by MorningStar
Music Publishers
(MN.70-390).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Why Do We Sing? Chorale SATB SATB, Clavier GIA Publications
By Gale Murphy. For SATB Chorus and Keyboard accompaniment. Bible Reference: Pra...(+)
By Gale Murphy. For SATB
Chorus and Keyboard
accompaniment. Bible
Reference: Praise.
African American Church
Music Series. Sacred.
Level: Difficult. Text
language: English. 12
pages. Published by GIA
Publications.
$1.85 $1.7575 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| And He Died Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
By Jay Althouse. (SATB). Cross of Christ, Good Friday, Holy Week, Sacrifice and...(+)
By Jay Althouse. (SATB).
Cross of Christ, Good
Friday, Holy Week,
Sacrifice and Sacred.
Print Music Single (SATB
& Narrator). 8 pages.
Published by Hope
Publishing Company.
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Carol of the Stork Chorale SATB - Facile GIA Publications
SATB choir, Sopano voice solo, alto voice solo, tenor voice solo, Bass voice sol...(+)
SATB choir, Sopano voice
solo, alto voice solo,
tenor voice solo, Bass
voice solo, reduction,
none accompaniment -
Early intermediate
SKU: GI.G-9725
Composed by Jan Michael
Joncas. Christmastide,
Christmas Vigil,
Christmas Night, Holy
Family. Christmas.
Sacred. Octavo. 12 pages.
GIA Publications #9725.
Published by GIA
Publications (GI.G-9725).
UPC: 785147972501.
English. Text Source:
From the prayer book of
King Edward VI,
1537–1553. U
sing an old English
carol, Michael Joncas has
composed a modal anthem,
hinting at the
text’s origin. The
use of soloists is
optional. The
heartwarming story
reveals, perhaps, why we
continue to link the
stork and newborn babies
to this very day! A
new setting of a
16th-century carol. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Only Love Can Answer Why Chorale SATB SATB [Octavo] Hope Publishing Company
By John Carter. For Choir. (Satb). Sacred. Print Music Single (SATB). Published...(+)
By John Carter. For
Choir. (Satb). Sacred.
Print Music Single
(SATB). Published by Hope
Publishing Company.
$2.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| First Set of Madrigals (1613) Chorale SATB Stainer and Bell
SATB choir SKU: ST.EM25 Composed by Francis Pilkington. Edited by Edmund ...(+)
SATB choir SKU:
ST.EM25 Composed by
Francis Pilkington.
Edited by Edmund H
Fellowes. Library
Volumes. Edited Edmund
Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM25. Published by
Stainer & Bell Ltd.
(ST.EM25). ISBN
9790220212574. CONT
ENTS All in a cave
(SAA (or T) B)
Amyntas with his Phyllis
fair (SATB) Dorus, a
silly shepherd (SST)
Have I found her?
(SATB) Here rest, my
thoughts (SATB) I
follow, lo, the footing
(SST) Is this thy
doom? (SST) Love is a
secret feeding fire (SAA
(or T) B) My heart is
dead (SST (or A) TB)
No, no, no it will not be
(SSATB) Now I see
thou floutest me
(SSATB) Pour forth,
mine eyes (SST) See
where my love (SST)
Sing we, dance we
(SSATB) Stay, nymph,
O stay (SST) Sweet
Phillida, my flocks
(SSATB) The messenger
of the delightful Spring
(SATB) Under the tops
of Helicons (SSATB)
What though her frowns?
(SATB) When Oriana
walked (SSATB) Why do
I fret? (SAT (or A)
B) Why should I
grieve? (SATB). $47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Power of the Cross (Bulk Cds) Chorale SATB Lillenas Publishing Co.
SATB choir, or flexible voicing - Moderately Easy SKU: LP.765762089228 (+)
SATB choir, or flexible
voicing - Moderately Easy
SKU:
LP.765762089228 A
Musical Praising Christ,
the Risen Lamb.
Arranged by Marty Parks.
This edition: Paperback.
Musical. Excel Series.
Inspirational and Sacred.
Bulk CDs (10 pack).
Published by Lillenas
Publishing Company
(LP.765762089228).
UPC:
765762089228. Value
-priced bulk pack of ten
performance demo CDs,
each in a paper sleeve;
useful as an aid for
choir members learning
music on their own.
Rehearsal time is a
precious commodity; why
spend all of it learning
individual parts? $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108149 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Organ. Composed 1724. BWV
81. 20 pages. Duration 19
minutes. Carus Verlag #CV
31.081/49. Published by
Carus Verlag
(CA.3108149). ISBN
9790007206864. Key: E
minor. Text language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108111 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 1. Composed 1724.
BWV 81. 8 pages. Duration
19 minutes. Carus Verlag
#CV 31.081/11. Published
by Carus Verlag
(CA.3108111). ISBN
9790007045463. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108114 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1724. BWV 81. 8
pages. Duration 19
minutes. Carus Verlag #CV
31.081/14. Published by
Carus Verlag
(CA.3108114). ISBN
9790007045494. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108112 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1724.
BWV 81. 8 pages. Duration
19 minutes. Carus Verlag
#CV 31.081/12. Published
by Carus Verlag
(CA.3108112). ISBN
9790007045470. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108113 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1724. BWV
81. 8 pages. Duration 19
minutes. Carus Verlag #CV
31.081/13. Published by
Carus Verlag
(CA.3108113). ISBN
9790007045487. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fourth Set of Books (1618) Chorale SATB Stainer and Bell
SATB choir SKU: ST.EM31B Composed by Michael East. Edited by Edmund H Fel...(+)
SATB choir SKU:
ST.EM31B Composed by
Michael East. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM31B. Published by
Stainer & Bell Ltd.
(ST.EM31B). ISBN
9790220205958. CONT
ENTS But let all
those SSAAT (verse)
SSAATB (chorus) Come
shepherd swains (SS
(verse) SSATB
(chorus)) Dear love,
be not unkind (SSAT)
Fair Daphne, gentle
shepherdess (SS (verse)
SSATB (chorus))
Farewell, sweet woods
(SSAT) Fly away, Care
(SSAT (or A) T (or B)
B) God is gone up
(SSTTB (verse
&chorus)) Haste
thee, 0 God (SSAATB
(verse & chorus))
I did woo her (SSAA)
I heard three virgins
(SSATB) No haste but
good (SSAA (or T) B (or
T) B) O clap your
hands (SSTTB (verse and
chorus)) O Lord of
whom I do depend (SS
(verse) SSATB
(chorus)) Quick,
quick, away, despatch!
(SSAA (or T) B (or T)
B) Thyrsis, sleepest
thou? (SSAA (or T) B)
To hear men sing
(SSATB) Weep not,
dear love (SSATBB)
What heart such doubled
force? (SSATB) When
David heard (SSATTB)
When I lament (SSAT)
Whenas I glance (SSAT (or
A)) Why are our
Summer sports? (SSAT (or
A)) You meaner
beauties (S (verse),
SSATB (chorus)) Your
shining eyes (SSAB)
Your shining eyes
(SSATBB). $47.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Live to See Another Day Chorale SATB SATB, Piano Shawnee Press
Composed by Burt Bacharach and Rudy Perez. Arranged by Mark Hayes. Shawnee Pre...(+)
Composed by Burt
Bacharach
and Rudy Perez. Arranged
by
Mark Hayes. Shawnee
Press.
Pop. Octavo. 12 pages.
Published by Shawnee
Press
$2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108119 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft, was soll ich
hoffen. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1724. BWV 81. Duration 19
minutes. Carus Verlag #CV
31.081/19. Published by
Carus Verlag
(CA.3108119). ISBN
9790007136345. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and parts
available separately -
see item CA.3108100. $117.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108105 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1724. BWV 81. 2
pages. Duration 19
minutes. Carus Verlag #CV
31.081/05. Published by
Carus Verlag
(CA.3108105). ISBN
9790007045432. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score available
separately - see item
CA.3108100. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins,...(+)
Orchestra ATB vocal soli,
SATB choir, 2 recorders
f1, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3108107
Cantata for the 4th
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Study score.
Composed 1724. BWV 81. 52
pages. Duration 19
minutes. Carus Verlag #CV
31.081/07. Published by
Carus Verlag
(CA.3108107). ISBN
9790007045449. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score available
separately - see item
CA.3108100. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108109 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.081/21 recorder 1, 1x
31.081/22 recorder 2, 1x
31.081/23 oboe d'amore 1,
1x 31.081/24 oboe d'amore
2. German title: Jesus
schlaft 4. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1724. BWV 81. 12 pages.
Duration 19 minutes.
Carus Verlag #CV
31.081/09. Published by
Carus Verlag
(CA.3108109). ISBN
9790007045456. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and parts
available separately -
see item CA.3108100. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108100 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Jesus
schlaft, was soll ich
hoffen. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1724. BWV 81. 52
pages. Duration 19
minutes. Carus Verlag #CV
31.081/00. Published by
Carus Verlag
(CA.3108100). ISBN
9790007045418. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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