By Daniel Pinkham. For SATB Choir, wind quintet. (Mixed Voices). Christmas. Latin texts. Choral. 72 pages. Published by Ione Press.

By Daniel Pinkham. For SATB Choir, wind quintet. (Mixed Voices). Christmas. Latin Texts. Choral. 36 pages. Published by Ione Press.

By Daniel Pinkham. For SATB Choir, wind quintet. (Mixed Voices). Christmas. Choral. 60 pages. Published by Ione Press.

Arrangement for wind quintet. Composed by Antonin Dvorak (1841-1904). Arranged by Joachim Linckelmann. This edition: Paperbound. Latin Masses. Full score. 72 pages. Duration 43 minutes. Published by Carus Verlag (CA.4065350).

Composed by Jonathan Stockstill. Arranged by Harold Ross. Integrity Choral. Contemporary, Praise, Sacred, Worship. Octavo. 12 pages. Published by Integrity

By Traditional. Arranged by Neil Harmon. For SATB choir, piano (or harp) and oboe; or optional wind quintet. Choral, Christmas, Sacred. Octavo. 15 pages. Duration c. 3 minutes 20 seconds. Published by Hinshaw Music Inc

Mixed Choir [SATB] and Wind Quintet - Grade 3

SKU: HL.14043679

Composed by Per Drud Nielsen. Arranged by Per Drud Nielsen. Music Sales America. Hymns & Chorals. Softcover. Composed 2015. Edition Wilhelm Hansen #WH32691. Published by Edition Wilhelm Hansen (HL.14043679).

ISBN 9788759836491.

Af Sommernattagernes Spind by Per Drud Nielsen is a suite for Mixed Choir and Wind Quintet based on 6 songs by Carl Nielsen. Lyrics by Ludvig Holstein.

SATB chorus

SKU: CA.221570

Composed by Andreas N. Tarkmann. Arranged by Markus Pohlmann. Gattungen vokal: Lieder for choir. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.221570).

ISBN 9790007294632. German. Text: Zuccalmaglio, Anton Wilhelm.

In this a cappella version, the composer Andreas N. Tarkmann extends the well-known folk song Kein schoner Land by adding vocal introductions and interludes (text: Markus Pohlmeyer, 2021). These match the original verses of the song by Anton Wilhelm von Zuccalmaglio both textually and musically. These sections can be sung by a choir, a choral group, or by soloists (ATB). Alternatively, the introductions and interludes can be omitted, so that just the four verses of the song (indicated by numbers) are heard in sequence.Other versions of Kein schoner Land (with instrumental introductions and interludes) by Andreas N. Tarkmann in the LIEDERPROJEKT:in Carus 2.215 for SATB choir and piano duetin Carus 2.215/11 for SATB choir and wind quintetThe wind version has been recorded on CD Carus 83.037 with Canadian Brass and the Hanover Boys' Choir, conducted by Jorg Breiding . Score available separately - see item CA.221500.

SATB choir, Brass Quintet & Piano

SKU: ST.Y354

Composed by Brian Knowles. Wind & brass music. Score and parts. Stainer & Bell Ltd. #Y354. Published by Stainer & Bell Ltd. (ST.Y354).

ISBN 9790220225925.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707549

Composed by Peter Schindler. Contemporary Choir Music. Organ. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Single Part, Organ. 12 pages. Duration 15 minutes. Carus Verlag #CV 27.075/49. Published by Carus Verlag (CA.2707549).

ISBN 9790007200091. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707508

Composed by Peter Schindler. Contemporary Choir Music. Cantus firmus. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choir part. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.075/08. Published by Carus Verlag (CA.2707508).

ISBN 9790007200077. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707506

Composed by Peter Schindler. Contemporary Choir Music. Soprano. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choir part. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.075/06. Published by Carus Verlag (CA.2707506).

ISBN 9790007200060. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707505

Composed by Peter Schindler. Contemporary Choir Music. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choral Score. 24 pages. Duration 15 minutes. Carus Verlag #CV 27.075/05. Published by Carus Verlag (CA.2707505).

ISBN 9790007161613. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score available separately - see item CA.2707500.

SATB choir, organ accompaniment, flute, oboe, clarinet in B-flat, horn in f, bassoon - Early intermediate

SKU: GI.G-7261

Composed by Ronald Krisman. Pentecost, Pentecost A, Pentecost B, Pentecost C. Oramos cantando series. Sacred. Octavo. GIA Publications #7261. Published by GIA Publications (GI.G-7261).

UPC: 785147726104. English, Spanish. Translation: Mary Louise Bringle. Text by Francisco Luis Bernárdez.

This easily sung piece is perfect for celebrations of the Spirit. The simple congregational melody, intertwined with the Latin chant “Veni Creator Spritus” sung by the choir, makes this an effective processional piece. Multiple reprint boxes are included for use with English, Spanish, or bilingual assemblies. Wind quintet part is optional

Easily sung, perfect for celebrations of the Spirit.

Wind quintet, SATB choir, organ

SKU: GH.SK-783S

Composed by Anders Ohrwall. Parts. With Language: English. Gehrmans Musikforlag #SK 783S. Published by Gehrmans Musikforlag (GH.SK-783S).

By David W. Music. For SATB choir, organ accompaniment or piano accompaniment, opt brass quintet, timpani. Pentecost. Moderately Easy. Published by MorningStar Music Publishers

Composed by Libby Larsen (1950-). For SATB choir, wind quintet & piano. Secular. Instrument parts. Published by E.C. Schirmer Publishing

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative blaserfassung: oboe, english horn, bassoon, bass-trombone), organ - Level 2

SKU: CA.2707509

Composed by Peter Schindler. 1x 27.075/31 trumpet 1, 1x 27.075/32 trumpet 2, 1x 27.075/33 trumpet 3, 1x 27.075/34 trombone, 1x 27.075/35 tuba, 1x 27.075/41 timpani. Contemporary Choir Music. Harmony parts. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Set of Orchestra Parts. Duration 15 minutes. Carus Verlag #CV 27.075/09. Published by Carus Verlag (CA.2707509).

ISBN 9790007200084. Language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and parts available separately - see item CA.2707500.

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

Psalm for Mass during the Night. Composed by Marc Cerisier. Christmas Night. Sacred. Octavo. 8 pages. GIA Publications #8411. Published by GIA Publications (GI.G-8411).