Chorus; Organ; Trumpet (SATB) SKU: HL.14047936 For SATB, organ and 2 t...(+)
Chorus; Organ; Trumpet
(SATB)
SKU:
HL.14047936
For
SATB, organ and 2
trumpets. Composed by
Judith Weir. Choral.
Classical. Octavo. 26
pages. Chester Music
#CH84381. Published by
Chester Music
(HL.14047936).
UPC:
888680643348.
6.75x10.0x0.08
inches.
Judith
Weir's Praise Him with
Trumpets, a work for 2
trumpets, SATB choir and
organ was commissioned by
Historic Royal Palaces in
collaboration with The
Choral Foundation. The
piece was composed for
the Hampton Court Chapel
Royal Choir in
celebration of Hampton
Court 500. A setting of
text from Psalms 146 and
150, this work can also
be performed without
trumpets.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
SATB choir with three part praise team or ensemble SKU: LP.AC-2024 Con...(+)
SATB choir with three
part praise team or
ensemble
SKU:
LP.AC-2024
Contemporized Hymns
for Choir, Praise Team
and Congregation.
Composed by Marty Parks.
Choral. Contemporized
Hymns Series. Blended and
Sacred. Anthem
collection. Published by
Lillenas Publishing
Company (LP.AC-2024).
ISBN
9780834173521.
At
last... a way for
congregations to sing
traditional hymns in a
more contemporary setting
- without losing the
essence of the hymn
itself. Three hymns of
the majesty of Jesus (All
Hail the Power of Jesus'
Name; Crown Him with
Man.
Without Him Chorale SATB SATB, Piano Lorenz Publishing Company
SATB choir, piano SKU: LO.10-5745L Composed by Mary McDonald. Choral. Sac...(+)
SATB choir, piano
SKU:
LO.10-5745L
Composed
by Mary McDonald. Choral.
Sacred Anthem, General.
Octavo. Lorenz Publishing
Company #10/5745L.
Published by Lorenz
Publishing Company
(LO.10-5745L).
ISBN
9780787777975.
Mylo
n LeFevre's classic
gospel song is given a
fresh treatment in Mary
McDonald's new setting.
Written for SATB choir,
piano, and optional
rhythm, your singers will
enjoy preparing and
presenting this inspired
arrangement. The music
opens with an a cappella
presentation of the
famous chorus, and then
settles into a slow
gospel groove that is one
of Mary's signatures. A
modulation leads the
anthem to its compelling
conclusion.
Give Him Thanks! Chorale SATB SATB A Cappella [Octavo] Lorenz Publishing Company
Composed by Marty Parks. For SATB choir (a cappella) (with optional percussion)....(+)
Composed by Marty Parks.
For SATB choir (a
cappella) (with optional
percussion). Sacred
Anthem, General,
Thanksgiving. Octavo.
Lorenz Publishing Company
#10/4769L. Published by
Lorenz Publishing Company
SATB choir with three part praise team or ensemble SKU: LP.AC-2026 Con...(+)
SATB choir with three
part praise team or
ensemble
SKU:
LP.AC-2026
Contemporized Hymns
for Choir, Praise Team
and Congregation.
Composed by Marty Parks.
Choral. Contemporized
Hymns Series. Blended and
Sacred. Anthem
collection. Published by
Lillenas Publishing
Company (LP.AC-2026).
ISBN
9780834173545.
At
last... a way for
congregations to sing
traditional hymns in a
more contemporary setting
- without losing the
essence of the hymn
itself. Three hymns of
the love of Jesus (Tis So
Sweet to Trust in Jesus;
O, How I Love Jesus;
My.
SATB choir SKU: LP.OR-2656 Arranged by David McDonald & Ed Hogan. This ed...(+)
SATB choir
SKU:
LP.OR-2656
Arranged
by David McDonald & Ed
Hogan. This edition:
Loose-Leaf. Anthems.
Sacred. Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-2656).
UPC:
765762085206.
Compl
ete parts for
accompaniment by live
orchestra. Includes full,
transposed conductor's
score and parts for
instruments which you may
photocopy (for your
church's use only).
Orchestra Soli TBar, SATB Choir, Fl, Ob, Clt, Cor, Fg, Timp, 2 Vl, Va, Vc, Cb (+)
Orchestra Soli TBar, SATB
Choir, Fl, Ob, Clt, Cor,
Fg, Timp, 2 Vl, Va, Vc,
Cb
SKU: CA.5600150
Composed by Giacomo
Puccini. Edited by
Joachim Linckelmann.
Arranged by Joachim
Linckelmann. Carus sheet
music series: Great
choral works in small
scorings. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore, Praise and
thanks. Full score. 192
pages. Duration 43
minutes. Carus Verlag #CV
56.001/50. Published by
Carus Verlag
(CA.5600150).
ISBN
9790007186937. Language:
Latin.
Puccini
composed his Messa a 4
voci con orchestra in
1878-1880. The musical
quality, the energy, and
the freshness of this
youthful work led the
composer to quote from
his Mass in later operas,
ensuring an ever-growing
popularity for the work
after its rediscovery in
1952. With this
arrangement for chamber
orchestra (flute, oboe,
clarinet, horn, bassoon,
timpani, and strings),
more choirs now have the
opportunity of performing
this work without the
choir being dominated by
a full-scale symphony
orchestra. The symphonic
character of the work is
nevertheless preserved.
This scoring offers an
optimal balance between
transparency and
orchestral sound. All the
vocal parts (soloists and
chorus) are identical
with the original version
(56.001), so that the
vocal score and chorus
score of that version can
be used. Score available
separately - see item
CA.5600100.
Arranged by David McDonald & Ed Hogan. Anthems. Sacred. Stereo & split-channel a...(+)
Arranged by David
McDonald & Ed Hogan.
Anthems. Sacred. Stereo &
split-channel
accompaniment CD with
demo. Published by
Lillenas Publishing
Company (LP.MU-2656T).
Choral SSATB Chorus SKU: CF.CM9569 For jilted lovers everywhere. C...(+)
Choral SSATB Chorus
SKU: CF.CM9569
For jilted lovers
everywhere. Composed
by English Ballad.
Arranged by Ian Loeppky.
Mjts. Performance Score.
With Standard notation.
16 pages. Duration 3
minutes, 37 seconds. Carl
Fischer Music #CM9569.
Published by Carl Fischer
Music (CF.CM9569).
ISBN 9781491153680.
UPC: 680160911189. 6.75 x
10.5 inches. Key: Gb
minor. English. English
Ballad.
An old
English ballad,
Scarborough Fair
relates the tale of
a jilted maiden who
instructs her listener to
tell her former lover
that she will have him
back after he performs a
series of impossible
tasks: making a shirt
without a seam, washing
it . An old English
ballad, Scarborough Fair
relates the tale of a
jilted maiden who
instructs her listener to
tell her former lover
that she will have him
back after he performs a
series of impossible
tasks: making a shirt
without a seam, washing
it in a dry well, to name
a few. A modern
equivalent might be when
pigs fly. Keep it light
and bring out the
differing accents in the
meters, especially the
dotted quarter notes.
While there is no
percussion part written
in the score, we had a
djembe player play along
to bring out the various
accents. Feel free to add
your own as well. Have
fun!. An old English
ballad, Scarborough
Fair relates the tale
of a jilted maiden who
instructs her listener to
tell her former lover
that she will have him
back after he performs a
series of impossible
tasks: making a shirt
without a seam, washing
it in a dry well, to name
a few. A modern
equivalent might be when
pigs fly.Keep it light
and bring out the
differing accents in the
meters, especially the
dotted quarter notes.
While there is no
percussion part written
in the score, we had
a djembe player play
along to bring out the
various accents. Feel
free to add your own as
well. Have fun!
Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir)
SKU:
HL.277282
SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282).
UPC:
840126915006. 6.75x10.5
inches.
Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo.
SSATB Choir, Piano SKU: CA.927600 Composed by Gabriel Faure. Arranged by ...(+)
SSATB Choir, Piano
SKU: CA.927600
Composed by Gabriel
Faure. Arranged by Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Op. 6,2.
Duration 3 minutes.
Published by Carus Verlag
(CA.927600).
ISBN
9790007296117. French.
Text: Gautier,
Theophile.
A
prevailing melancholy
mood is characteristic of
Theophile Gautier's
(1811-1872) poetry; a
melancholy mood which
inspired composers such
as Hector Berlioz and
Gabriel Faure to compose
settings. Tristesse
(Sadness) is taken from
the 1838 collection La
Comedie de la Mort (The
Comedy of Death). With
over 50 poems this is
regarded as Gautier's
major Romantic work.
Although the narrator in
the poem is conscious of
the joy and zest for life
of spring coming into
bloom around him, he
cannot share this: Helas!
j'ai dans le coeur une
tristesse affreuse.
(Alas, in my heart I bear
a terrible grief.).
Faure's setting portrays
this effect less as a
dramatic sigh than a
melancholic unworldliness
with peaceful piano
accompaniment in the
minor key. This
art song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing any of the
qualities of the original
in the process. Each part
in the choir has a
melodic line drawn from
the harmonic and rhythmic
framework. In the
process, the variety and
refinement of the choral
language combines with an
enormous flexibility in
form and expression, as
French melodies or German
art song demand from a
soloist and
pianist.The songs
have been recorded by the
figure humaine chamber
choir on the CD ... Wo
die Zitronen bluhn (Carus
83.514).
SSATB Choir, Piano SKU: CA.924400 Composed by Peter Cornelius. Arranged b...(+)
SSATB Choir, Piano
SKU: CA.924400
Composed by Peter
Cornelius. Arranged by
Denis Rouger. Secular
choral music. Separate
edition with CD. Lieder,
Secular choral music.
Full score. Op. 15, No.
1. Duration 2 minutes.
Carus Verlag #CV
09.244/00. Published by
Carus Verlag (CA.924400).
ISBN 9790007244392.
Key: B flat major.
Language: German. Text:
Cornelius,
Peter.
Sei mein!
was written and composed
by Peter Cornelius in
1865 for his future wife
Bertha Jung. The composer
set the poem in short
rhyming lines using the
scheme aaabcccb,
recounting with loving
humor what his beloved
means to him. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
SSATB Choir, Piano SKU: CA.924100 Composed by Charles Francois Gounod. Ar...(+)
SSATB Choir, Piano
SKU: CA.924100
Composed by Charles
Francois Gounod. Arranged
by Denis Rouger. Lieder.
Secular choral music.
Lieder, Secular choral
music. Full score.
Duration 4 minutes. Carus
Verlag #CV 09.241/00.
Published by Carus Verlag
(CA.924100).
ISBN
9790007244361. Language:
French. Text: Gounod,
Charles.
In Charles
Gounod's L'absent,
composed in 1873, the
absent one asks at night
time whether the beloved
remembers him in the
light of the moon and at
the sound of the evening
prayer bells. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Composed by Lerner & Loewe. Vocal score for SATB chorus, 5 solo voices and piano...(+)
Composed by Lerner &
Loewe. Vocal score for
SATB chorus, 5 solo
voices and piano
accompaniment. Includes
all incidental music and
cues. With vocal score,
lyrics and piano
reduction. 256 pages.
Published by Hal Leonard.
Composed by Camille Saint- Saens (1835-1921). Arranged by Denis Rouger. Carus ...(+)
Composed by Camille
Saint-
Saens (1835-1921).
Arranged
by Denis Rouger. Carus
digital: Extra digital
products. Full Score.
Composed 1868. Duration 3
minutes. Published by
Carus
Verlag
SATB choir, piano SKU: CA.965600 Composed by Daniel Elder. Edited by Stef...(+)
SATB choir, piano
SKU:
CA.965600
Composed by
Daniel Elder. Edited by
Stefan Schuck. CARUS
CONTEMPORARY. Full score.
20 pages. Carus Verlag
#CV 09.656/00. Published
by Carus Verlag
(CA.965600).
ISBN
9790007165062. Text
language:
English.
In A Dream
Within a Dream Edgar
Allan Poe writes of a
traumatic grief that
shakes him to the core,
affecting his perception
of reality itself.
Through this setting, his
exploration continues
into the musical realm.
The piano textures here
represent something that
is not quite real, and
fading mercilessly in and
out between whimsical
fantasy and crushing
reality. This aids the
tone of Poe's words and
provides a backdrop for
the voices to speak his
emotions in a more solid
context, albeit not
always quite rationally.
There is such a two-sided
nature to the emotions at
play that it is almost
laughable to compare them
musically, except when
placing oneself into the
mindset of a desperate
mind. Poe needs no help
in expressing his
feelings - the power of
his words carries an
inherent statement
without calling for
musical aid. However, in
Dreamscape we will
attempt to explore them
in the context of the
modern psyche and
hopefully one may see
Poe's struggle arise
within oneself in sensory
ways not often accessible
through poetry alone.
(Daniel Elder).
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral...(+)
SATB chorus and piano
SKU: JK.19990
Composed by Janice Kapp
Perry. Choral General
Conference, Choral SATB,
Difficulty Medium, Piano
Choir, Special Events
Home and Family, Hope,
Jesus Christ - Savior.
Christian, Inspirational.
Jackman Music Corporation
#19990. Published by
Jackman Music Corporation
(JK.19990).
Hebrews
9:28, John 14:6*** Some
Janice Kapp Perry
products may require a
few days additional
shipping time. Thank
you!
46 new hymns,
inspired by the General
Conference addresses of
Elder Jeffry R. Holland.
(October 1994 - April
2017). Collection
includes: All Ye Who
Watch the Master's
Sheep Are the Heavens
Truly Open? Are We
Not All Beggars? As
an Ensign to the
Nations A Sinless,
Pure and Holy Man Be
Clean, Oh House of
Israel Be Not Afraid,
But Be Believing
Bless Me to Be a Little
More Like Thee Do You
Love Me? Christ Can
Heal the Broken
Hearted ever We'll
Remember For God
Loves Us With All His
Heart For God So
Loved the World God
Has Raised Up Noble
Daughters God will
Never Leave the Weary
He Will Bring Rest to
Your Soul His More
Excellent Way Holy
Father, King of
Heaven How Fair Upon
the Mountain I Am a
Child of Destiny I
Bear My Witness of the
Lord In Heaven There
Is a Law Inviting All
to Come to Christ I
Testify I Would Be
Thy True Disciple let
Not Your Heart Be
Troubled Let Thy Word
Be In Our Hearts
Lord, Accept My Humble
Offering Lord, I
Believe Lord, I'll
Strive to Live Worthy of
Thy Love Lord, We
Pray For All the
Children May We Have
the Tongues of Angels
My Life is Not My Own
None Were With Him Oh
Come Ye Heavy Laden
Come Our Faith Unites
Us With One Heart The
Keys of the Kingdom
The Love of God Is
Without End The
Mother of All Living
The Words of God Will
Never Cease The Worth
of Souls Is Great
Indeed Through a
Thousand Generations
To the Rising
Generation Who Will
Now Speak For the
Widow? Wilt Thou,
Lord, In Me Abide You
Can Always Come Back
Home Composer: Janice
Kapp Perry Lyricist:
David B.
Larsen Reference:
Hebrews 9:28, John
14:6 *** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ulrich
Konrad. Choir; stapled.
Partitur-Bibliothek
(Score Library).
Mozart wrote the
Vesperae solennes de
Dominica in Salzburg
in 1779, the same year as
the Coronation
Mass - a work, which
the composer himself held
in high esteem.
Classical period. Study
Score. 60 pages. Duration
24'. Breitkopf and
Haertel #PB 5603-07.
Published by Breitkopf
and Haertel
(BR.PB-5603-07).
ISBN
9790004215005. 6.5 x 9
inches.
It was no
doubt this work that
Mozart presented to Baron
van Swieten when he later
sought to introduce
himself to the Viennese
musical world as a
composer of church music
in the serious stile
antico. This new edition
by the Mozart expert
Ulrich Konrad is based on
the autograph and on
authentic part material
from the estate of
Leopold
Mozart.
Mozart
wrote the Vesperae
solennes de Dominica in
Salzburg in 1779, the
same year as the
Coronation Mass - a work,
which the composer
himself held in high
esteem.
SSATB Choir, Piano - Level 3 SKU: CA.925800 Composed by Peter Cornelius. ...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.925800
Composed by
Peter Cornelius. Arranged
by Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Composed 1854. Op. 4, No.
1. Duration 3 minutes.
Carus Verlag #CV
09.258/00. Published by
Carus Verlag (CA.925800).
ISBN 9790007249205.
Key: A flat major.
German. Text: Cornelius,
Peter.
Peter
Cornelius once described
himself as a
poet-composer, for he
wrote the texts for many
of his songs himself.
This is the case with In
Lust und Schmerzen, the
first song of the three
Liebeslieder which make
up op. 4. Cornelius
composed these songs in
1854 in Weimar, where he
was living near Franz
Liszt whom he greatly
admired. Liszt's
influence can be
discerned in the urgent
piano accompaniment and
the cumulative
chromaticism which
Cornelius chose as a
means of expressing the
emotional content of the
text in music,
alternating between Lust
und Leiden, between Kampf
und Ruh. The marking
Leidenschaftlich bewegt
[passionately agitated]
aptly describes the
character of the song.
This art song was
originally composed not
for chamber choir, but
for solo voice and piano.
Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Edited
by Gerd-Peter Munden.
Stapled. Choral score,
anthology. 32 pages.
Baerenreiter Verlag
#BA08957_91. Published by
Baerenreiter Verlag
(BA.BA08957-91).
ISBN
9790006525522. 27 x 19 cm
inches. Text Language:
German, English,
Latin.
Year after
year, during Advent and
the Christmas season,
compositions are sought
which present well-known
carols in a new light,
whether it be
compositions set for
small or larger groups,
for children or adults,
with or without
accompanying keyboard
instruments. This
collection by Gerd-Peter
Munden presents carols in
new settings as a welcome
addition to the Christmas
literature and will
enrich the repertoire of
an adults' or children's
choir.
-
Well-known Advent and
Christmas carols in new
settings - With texts
in German and
English - With short
Latin introductions as a
part of each motet -
Ideal for a children's or
adults' choir during the
Christmas
season
Contents There comes a galley,
laden / Es kommt ein
Schiff, geladen O
saviour, open heaven's
gate / O Heiland, reiss
die Himmel auf O Lord,
how shall I meet you /
Wie soll ich dich
empfangen Angels from
the realms of Glory /
Hort der Engel helle
Lieder As I was
watching o'er my sheep /
Als ich bei meinen
Schafen wacht Good
Christian men rejoice /
Nun singet und seid
froh
The
Editor Gerd-Peter
Munden is one of the most
creative German
church-musicians today.
From 1992 to 1999 he
worked as the cantor in
Minden, where he also
directed the music school
for choristers. From 1999
he has been the
Cathedral-Cantor at the
Braunschweig Cathedral
and the director of the
cathedral school for
choristers. He is the
initiator and artistic
director of a successful
school project throughout
Germany encouraging
youngsters to sing.
Erstausgabe nach den
Klosterneuburger
Stimmen. Composed by
Franz Schubert. Edited by
Bernhard Paul. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Messe In G-Dur
(Klosterneuburg).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
Composed 1696. D 167. 8
pages. Duration 25
minutes. Carus Verlag #CV
40.675/64. Published by
Carus Verlag
(CA.4067564).
ISBN
9790007220075. Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score and part available
separately - see item
CA.4067500.
Erstausgabe nach den
Klosterneuburger
Stimmen. Composed by
Franz Schubert. Edited by
Bernhard Paul. This
edition: urtext.
Stuttgart Urtext Edition:
Stuttgart Schubert
Edition. Messe In G-Dur
(Klosterneuburg).
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Single
Part, Viola. D 167. 8
pages. Duration 25
minutes. Carus Verlag #CV
40.675/63. Published by
Carus Verlag
(CA.4067563).
ISBN
9790007220068. Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score and part available
separately - see item
CA.4067500.
Composed by Franz
Schubert. Carus CD
series: Carus Choir
Coach; Sacred vocal
music, Masses, Latin.
Carus Choir Coach. Mp3,
Practice-CD, alto. Sacred
vocal music, Masses,
Latin. Compact Disc. D
167. Duration 25 minutes.
Carus Verlag #CV
40.675/92. Published by
Carus Verlag
(CA.4067592).
Key: G
major. Language:
Latin.
Franz
Schubert's Mass in G
major is one of the most
popular settings of the
mass ordinary: the
charming song-like
melodic writing,
especially in the Kyrie
and the Credo, forms a
magical counterpoint to
more concertante passages
in the Gloria and the
Sanctus. For a long time
it was thought that
Schubert's final version
was scored for purely
string orchestra, whilst
a version with wind,
brass, and timpani was
thought to be an expanded
orchestration by his
brother Ferdinand
Schubert. However, since
the mid-1990s it has been
known that the parts for
trumpets and timpani were
additionally composed by
Franz Schubert himself
for use ad libitum. The
present edition offers
this Klosterneuburg
Version - with trumpets
and timpani ad libitum,
but without Ferdinand's
wind parts - in an Urtext
edition reflecting
Schubert's own intended
orchestration. This work
is available in carus
music, the choir app!
Score available
separately - see item
CA.4067500.