SATB choir, piano

SKU: LO.10-5745L

Composed by Mary McDonald. Choral. Sacred Anthem, General. Octavo. Lorenz Publishing Company #10/5745L. Published by Lorenz Publishing Company (LO.10-5745L).

ISBN 9780787777975.

Mylo n LeFevre's classic gospel song is given a fresh treatment in Mary McDonald's new setting. Written for SATB choir, piano, and optional rhythm, your singers will enjoy preparing and presenting this inspired arrangement. The music opens with an a cappella presentation of the famous chorus, and then settles into a slow gospel groove that is one of Mary's signatures. A modulation leads the anthem to its compelling conclusion.

By Ruth Elaine Schram. For SATB choir (a cappella) and piano. Advent, Christmas, Sacred. Octavo. Published by Laurel Press. (10/3416LA)

Composed by Marty Parks. For SATB choir (a cappella) (with optional percussion). Sacred Anthem, General, Thanksgiving. Octavo. Lorenz Publishing Company #10/4769L. Published by Lorenz Publishing Company

SATB choir

SKU: LP.OR-2656

Arranged by David McDonald & Ed Hogan. This edition: Loose-Leaf. Anthems. Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-2656).

UPC: 765762085206.

Compl ete parts for accompaniment by live orchestra. Includes full, transposed conductor's score and parts for instruments which you may photocopy (for your church's use only).

Arranged by David McDonald & Ed Hogan. Anthems. Sacred. Stereo & split-channel accompaniment CD with demo. Published by Lillenas Publishing Company (LP.MU-2656T).

Choral SSATB Chorus

SKU: CF.CM9569

For jilted lovers everywhere. Composed by English Ballad. Arranged by Ian Loeppky. Mjts. Performance Score. With Standard notation. 16 pages. Duration 3 minutes, 37 seconds. Carl Fischer Music #CM9569. Published by Carl Fischer Music (CF.CM9569).

ISBN 9781491153680. UPC: 680160911189. 6.75 x 10.5 inches. Key: Gb minor. English. English Ballad.

An old English ballad, Scarborough Fair relates the tale of a jilted maiden who instructs her listener to tell her former lover that she will have him back after he performs a series of impossible tasks: making a shirt without a seam, washing it .
An old English ballad, Scarborough Fair relates the tale of a jilted maiden who instructs her listener to tell her former lover that she will have him back after he performs a series of impossible tasks: making a shirt without a seam, washing it in a dry well, to name a few. A modern equivalent might be when pigs fly. Keep it light and bring out the differing accents in the meters, especially the dotted quarter notes. While there is no percussion part written in the score, we had a djembe player play along to bring out the various accents. Feel free to add your own as well. Have fun!.
An old English ballad, Scarborough Fair relates the tale of a jilted maiden who instructs her listener to tell her former lover that she will have him back after he performs a series of impossible tasks: making a shirt without a seam, washing it in a dry well, to name a few. A modern equivalent might be when pigs fly.Keep it light and bring out the differing accents in the meters, especially the dotted quarter notes. While there is no percussion part written in the score,  we had a djembe player play along to bring out the various accents.  Feel free to add your own as well. Have fun!

SSATB Choir, Piano

SKU: CA.927600

Composed by Gabriel Faure. Arranged by Denis Rouger. Carus digital: Extra digital products. Full Score. Op. 6,2. Duration 3 minutes. Published by Carus Verlag (CA.927600).

ISBN 9790007296117. French. Text: Gautier, Theophile.

A prevailing melancholy mood is characteristic of Theophile Gautier's (1811-1872) poetry; a melancholy mood which inspired composers such as Hector Berlioz and Gabriel Faure to compose settings. Tristesse (Sadness) is taken from the 1838 collection La Comedie de la Mort (The Comedy of Death). With over 50 poems this is regarded as Gautier's major Romantic work. Although the narrator in the poem is conscious of the joy and zest for life of spring coming into bloom around him, he cannot share this: Helas! j'ai dans le coeur une tristesse affreuse. (Alas, in my heart I bear a terrible grief.). Faure's setting portrays this effect less as a dramatic sigh than a melancholic unworldliness with peaceful piano accompaniment in the minor key. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist.The songs have been recorded by the figure humaine chamber choir on the CD ... Wo die Zitronen bluhn (Carus 83.514).

SSATB Choir, Piano

SKU: CA.924400

Composed by Peter Cornelius. Arranged by Denis Rouger. Secular choral music. Separate edition with CD. Lieder, Secular choral music. Full score. Op. 15, No. 1. Duration 2 minutes. Carus Verlag #CV 09.244/00. Published by Carus Verlag (CA.924400).

ISBN 9790007244392. Key: B flat major. Language: German. Text: Cornelius, Peter.

Sei mein! was written and composed by Peter Cornelius in 1865 for his future wife Bertha Jung. The composer set the poem in short rhyming lines using the scheme aaabcccb, recounting with loving humor what his beloved means to him. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

SSATB Choir, Piano

SKU: CA.924100

Composed by Charles Francois Gounod. Arranged by Denis Rouger. Lieder. Secular choral music. Lieder, Secular choral music. Full score. Duration 4 minutes. Carus Verlag #CV 09.241/00. Published by Carus Verlag (CA.924100).

ISBN 9790007244361. Language: French. Text: Gounod, Charles.

In Charles Gounod's L'absent, composed in 1873, the absent one asks at night time whether the beloved remembers him in the light of the moon and at the sound of the evening prayer bells. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

Composed by Lerner & Loewe. Vocal score for SATB chorus, 5 solo voices and piano accompaniment. Includes all incidental music and cues. With vocal score, lyrics and piano reduction. 256 pages. Published by Hal Leonard.

Composed by Camille Saint- Saens (1835-1921). Arranged by Denis Rouger. Carus digital: Extra digital products. Full Score. Composed 1868. Duration 3 minutes. Published by Carus Verlag

SATB choir, piano

SKU: CA.965600

Composed by Daniel Elder. Edited by Stefan Schuck. CARUS CONTEMPORARY. Full score. 20 pages. Carus Verlag #CV 09.656/00. Published by Carus Verlag (CA.965600).

ISBN 9790007165062. Text language: English.

In A Dream Within a Dream Edgar Allan Poe writes of a traumatic grief that shakes him to the core, affecting his perception of reality itself. Through this setting, his exploration continues into the musical realm. The piano textures here represent something that is not quite real, and fading mercilessly in and out between whimsical fantasy and crushing reality. This aids the tone of Poe's words and provides a backdrop for the voices to speak his emotions in a more solid context, albeit not always quite rationally. There is such a two-sided nature to the emotions at play that it is almost laughable to compare them musically, except when placing oneself into the mindset of a desperate mind. Poe needs no help in expressing his feelings - the power of his words carries an inherent statement without calling for musical aid. However, in Dreamscape we will attempt to explore them in the context of the modern psyche and hopefully one may see Poe's struggle arise within oneself in sensory ways not often accessible through poetry alone. (Daniel Elder).

SATB chorus and piano

SKU: JK.19990

Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990).

Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017).
Collection includes:
All Ye Who Watch the Master's Sheep
Are the Heavens Truly Open?
Are We Not All Beggars?
As an Ensign to the Nations
A Sinless, Pure and Holy Man
Be Clean, Oh House of Israel
Be Not Afraid, But Be Believing
Bless Me to Be a Little More Like Thee
Do You Love Me?
Christ Can Heal the Broken Hearted
ever We'll Remember
For God Loves Us With All His Heart
For God So Loved the World
God Has Raised Up Noble Daughters
God will Never Leave the Weary
He Will Bring Rest to Your Soul
His More Excellent Way
Holy Father, King of Heaven
How Fair Upon the Mountain
I Am a Child of Destiny
I Bear My Witness of the Lord
In Heaven There Is a Law
Inviting All to Come to Christ
I Testify
I Would Be Thy True Disciple
let Not Your Heart Be Troubled
Let Thy Word Be In Our Hearts
Lord, Accept My Humble Offering
Lord, I Believe
Lord, I'll Strive to Live Worthy of Thy Love
Lord, We Pray For All the Children
May We Have the Tongues of Angels
My Life is Not My Own
None Were With Him
Oh Come Ye Heavy Laden Come
Our Faith Unites Us With One Heart
The Keys of the Kingdom
The Love of God Is Without End
The Mother of All Living
The Words of God Will Never Cease
The Worth of Souls Is Great Indeed
Through a Thousand Generations
To the Rising Generation
Who Will Now Speak For the Widow?
Wilt Thou, Lord, In Me Abide
You Can Always Come Back Home
Composer: Janice Kapp Perry
Lyricist: David B. Larsen
Reference: Hebrews 9:28, John 14:6
*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

Solo SATB voices, SATB choir, orchestra (solos: SATB - choir: SATB - 0.0.0.1 - 0.2.3(ad lib).0 - timp - org - str(without va))

SKU: BR.PB-5603-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Konrad. Choir; stapled. Partitur-Bibliothek (Score Library).

Mozart wrote the Vesperae solennes de Dominica in Salzburg in 1779, the same year as the Coronation Mass - a work, which the composer himself held in high esteem.

Classical period. Study Score. 60 pages. Duration 24'. Breitkopf and Haertel #PB 5603-07. Published by Breitkopf and Haertel (BR.PB-5603-07).

ISBN 9790004215005. 6.5 x 9 inches.

It was no doubt this work that Mozart presented to Baron van Swieten when he later sought to introduce himself to the Viennese musical world as a composer of church music in the serious stile antico. This new edition by the Mozart expert Ulrich Konrad is based on the autograph and on authentic part material from the estate of Leopold Mozart.

Mozart wrote the Vesperae solennes de Dominica in Salzburg in 1779, the same year as the Coronation Mass - a work, which the composer himself held in high esteem.

SSATB Choir, Piano - Level 3

SKU: CA.925800

Composed by Peter Cornelius. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Composed 1854. Op. 4, No. 1. Duration 3 minutes. Carus Verlag #CV 09.258/00. Published by Carus Verlag (CA.925800).

ISBN 9790007249205. Key: A flat major. German. Text: Cornelius, Peter.

Peter Cornelius once described himself as a poet-composer, for he wrote the texts for many of his songs himself. This is the case with In Lust und Schmerzen, the first song of the three Liebeslieder which make up op. 4. Cornelius composed these songs in 1854 in Weimar, where he was living near Franz Liszt whom he greatly admired. Liszt's influence can be discerned in the urgent piano accompaniment and the cumulative chromaticism which Cornelius chose as a means of expressing the emotional content of the text in music, alternating between Lust und Leiden, between Kampf und Ruh. The marking Leidenschaftlich bewegt [passionately agitated] aptly describes the character of the song. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

By Steven Sametz (1954-). For 2 Soprano voice soli, Tenor voice solo, SATB/SATB choir. Secular. Choral score. Published by E.C. Schirmer Publishing

Mixed choir: SSATBB - Level 3

SKU: BA.BA08957-91

Edited by Gerd-Peter Munden. Stapled. Choral score, anthology. 32 pages. Baerenreiter Verlag #BA08957_91. Published by Baerenreiter Verlag (BA.BA08957-91).

ISBN 9790006525522. 27 x 19 cm inches. Text Language: German, English, Latin.

Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Munden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults' or children's choir.

- Well-known Advent and Christmas carols in new settings
- With texts in German and English
- With short Latin introductions as a part of each motet
- Ideal for a children's or adults' choir during the Christmas season

Contents
There comes a galley, laden / Es kommt ein Schiff, geladen
O saviour, open heaven's gate / O Heiland, reiss die Himmel auf
O Lord, how shall I meet you / Wie soll ich dich empfangen
Angels from the realms of Glory / Hort der Engel helle Lieder
As I was watching o'er my sheep / Als ich bei meinen Schafen wacht
Good Christian men rejoice / Nun singet und seid froh

The Editor
Gerd-Peter Munden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

By Franz Schubert. Edited by Paul, Bernhard. For Soli STB, SATB Choir, [2 Trumpets, Timpani], 2 Violins, Viola, Cello/Contrabass, Organ. D 167. Masses, Latin; Stuttgart Urtext editions. Score. Language: Latin. 88 pages. Duration 25 min. Published by Carus Verlag (German import).

STB vocal soli, SATB choir, [2 trumpets, timpani], 2 violins, viola, cello/contrabass, organ - Level 3

SKU: CA.4067564

Erstausgabe nach den Klosterneuburger Stimmen. Composed by Franz Schubert. Edited by Bernhard Paul. This edition: urtext. Stuttgart Urtext Edition: Stuttgart Schubert Edition. Messe In G-Dur (Klosterneuburg). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1696. D 167. 8 pages. Duration 25 minutes. Carus Verlag #CV 40.675/64. Published by Carus Verlag (CA.4067564).

ISBN 9790007220075. Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score and part available separately - see item CA.4067500.

STB vocal soli, SATB choir, [2 trumpets, timpani], 2 violins, viola, cello/contrabass, organ - Level 3

SKU: CA.4067563

Erstausgabe nach den Klosterneuburger Stimmen. Composed by Franz Schubert. Edited by Bernhard Paul. This edition: urtext. Stuttgart Urtext Edition: Stuttgart Schubert Edition. Messe In G-Dur (Klosterneuburg). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Viola. D 167. 8 pages. Duration 25 minutes. Carus Verlag #CV 40.675/63. Published by Carus Verlag (CA.4067563).

ISBN 9790007220068. Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score and part available separately - see item CA.4067500.

STB Voices, SATB Choir, [2 Tr, Timp], 2 Vl, Va, Vc/Cb, Org - Level 3

SKU: CA.4067592

Composed by Franz Schubert. Carus CD series: Carus Choir Coach; Sacred vocal music, Masses, Latin. Carus Choir Coach. Mp3, Practice-CD, alto. Sacred vocal music, Masses, Latin. Compact Disc. D 167. Duration 25 minutes. Carus Verlag #CV 40.675/92. Published by Carus Verlag (CA.4067592).

Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score available separately - see item CA.4067500.