For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. Sws. Octavo. 16 pages. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9650. Published by Carl Fischer Music

By Bruce Neswick. For SATB choir, Brass quartet, timpani and organ. Choral, Easter. Medium Difficult. Choral octavo. Published by Paraclete Press

By John A. Behnke. For SATB choir, soloist, keyboard. Choral Music. Published by MorningStar Music Publishers.

Choral (SATB)

SKU: HL.357210

Composed by Kile Smith. Craig Hella Johnson Series. Concert, Festival, Patriotic. Octavo. Published by Hal Leonard (HL.357210).

UPC: 840126943078. 6.75x10.5x0.036 inches.

Here is a brand new melody to the famous words by Francis Scott Key. Inspired by a story from Native American Sarah Winnemucca Hopkins, Kile wondered what a Star-Spangled Banner, untethered to memory, feeling its way through pride, atrocity, and respect for an ideal might sound like. Imagining a wonder at our now well-known words in this early light, with their questions and fear. Does the flag still fly? Are the people still free and brave?

By Don Besig, Nancy Price. For SATB Choir and Flute. Sheet Music. Published by Harold Flammer Music.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001811

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 1. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Violin 1. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/11. Published by Carus Verlag (CA.4001811).

ISBN 9790007248932. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001849

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Organ. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Organ. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/49. Published by Carus Verlag (CA.4001849).

ISBN 9790007240691. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001814

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Basso continuo. Sacred vocal music, Psalms, Latin, Psalms. Single Part, basso continuo. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/14. Published by Carus Verlag (CA.4001814).

ISBN 9790007248963. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001812

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 2. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Violin 2. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/12. Published by Carus Verlag (CA.4001812).

ISBN 9790007248949. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001819

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Complete orchestral parts. Sacred vocal music, Psalms, Latin, Psalms. Set of Orchestra Parts. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/19. Published by Carus Verlag (CA.4001819).

ISBN 9790007248970. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and parts available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001805

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Psalms, Latin, Psalms. Choral Score. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/05. Published by Carus Verlag (CA.4001805).

ISBN 9790007240684. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score available separately - see item CA.4001800.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001800

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Psalms, Latin, Psalms. Full score. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/00. Published by Carus Verlag (CA.4001800).

ISBN 9790007240677. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings.

SATB Choir, 2 Violins, Viola, Basso continuo - Level 2

SKU: CA.4001813

Composed by Antonio Vivaldi. Edited by Daniel Ivo de Oliveira. Arranged by Daniel Ivo de Oliveira. Sacred vocal music, Psalms,. Stuttgart Urtext Edition: Vivaldi-Archiv. Viola. Sacred vocal music, Psalms, Latin, Psalms. Single Part, Viola. RV 604. Duration 4 minutes. Carus Verlag #CV 40.018/13. Published by Carus Verlag (CA.4001813).

ISBN 9790007248956. Language: Latin.

Vivaldi's setting of Psalm 113 (Psalm 114 in the Protestant Bible) In exitu Israel was probably composed in 1739. Strings and basso continuo accompany the homophonically-written vocal parts. The text of this psalm - the longest of all the vesper psalms - was set by Vivaldi in an extremely condensed composition. Despite its brevity, his fine feeling for the emotional content of the text is wonderfully expressed. Even in this one-movement work the composer creates space for variety by not only varying the string accompaniment, but also playing with the keys effectively and sometimes in surprising ways, or hinting at the responsorial style of psalm settings. Score and part available separately - see item CA.4001800.