By Alexandre Gretchaninoff. For chorus. (SATB(DIV)). Russian Title: Otche nash. Published by Musica Russica. (Gr 037)

By Alexander Gretchaninoff (1864-1956). For SATB choir (div). Russian Title: Svete tihiy. Language: Church Slavonic. Published by Musica Russica

((Medley)). Arranged by John Leavitt. For Choral, String Bass, Percussion 1, Percussion 2 (SATB). Festival Choral. 16 pages. Published by Hal Leonard

Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass setting! Liturgy. Published by CanticaNOVA Publications (C5.3136-2).

By Albert (Mike) Dempsey. For SATB Chorus, Solo, Piano accompaniment, and Flute. Christmas. Sacred. Level: easy. 12 pages. Published by GIA Publications.

By John A. Behnke. For SATB choir, piano or organ. Justice/Peace/Social Concerns. Moderately Easy. Octavo. Published by MorningStar Music Publishers

By Cherwien, David M. For SATB choir and Organ, with opt. Handbells, Brass Quartet, and Congregation . Octavo. Published by MorningStar Music Publishers.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709669

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Separate instruments. Sacred vocal music, Mass sections. Set of Orchestra Parts. CG 74. Duration 35 minutes. Carus Verlag #CV 27.096/69. Published by Carus Verlag (CA.2709669).

ISBN 9790007239800. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and parts available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709611

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Violin. Sacred vocal music, Mass sections. Single Part, Violin. CG 74. 2 pages. Duration 35 minutes. Carus Verlag #CV 27.096/11. Published by Carus Verlag (CA.2709611).

ISBN 9790007239831. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709631

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. 4 Trrumpets + 3 Trombones. Sacred vocal music, Mass sections. Single Part, 4 Trumpets + 3 Trombones. CG 74. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.096/31. Published by Carus Verlag (CA.2709631).

ISBN 9790007239848. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709600

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Sacred vocal music, Mass sections. Full score. CG 74. 56 pages. Duration 35 minutes. Carus Verlag #CV 27.096/00. Published by Carus Verlag (CA.2709600).

ISBN 9790007186272. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709619

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. CG 74. Duration 35 minutes. Carus Verlag #CV 27.096/19. Published by Carus Verlag (CA.2709619).

ISBN 9790007239794. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and parts available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709603

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Sacred vocal music, Mass sections. Vocal score. CG 74. 40 pages. Duration 35 minutes. Carus Verlag #CV 27.096/03. Published by Carus Verlag (CA.2709603).

ISBN 9790007187644. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709648

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Pianoforte. Sacred vocal music, Mass sections. Single Part, Piano. CG 74. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.096/48. Published by Carus Verlag (CA.2709648).

ISBN 9790007239862. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709605

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Sacred vocal music, Mass sections. Choral Score. CG 74. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.096/05. Published by Carus Verlag (CA.2709605).

ISBN 9790007186289. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709647

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Harp. Sacred vocal music, Mass sections. Single Part, Harp. CG 74. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.096/47. Published by Carus Verlag (CA.2709647).

ISBN 9790007239855. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709649

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Organ. Sacred vocal music, Mass sections. Single Part, Organ. CG 74. 28 pages. Duration 35 minutes. Carus Verlag #CV 27.096/49. Published by Carus Verlag (CA.2709649).

ISBN 9790007239879. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119414

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1724. BWV 194. 24 pages. Duration 39 minutes. Carus Verlag #CV 31.194/14. Published by Carus Verlag (CA.3119414).

ISBN 9790007210342. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119413

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/13. Published by Carus Verlag (CA.3119413).

ISBN 9790007210335. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119423

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 3. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 3. Composed 1724. BWV 194. 4 pages. Duration 39 minutes. Carus Verlag #CV 31.194/23. Published by Carus Verlag (CA.3119423).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119422

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 2. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/22. Published by Carus Verlag (CA.3119422).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119411

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/11. Published by Carus Verlag (CA.3119411).

ISBN 9790007210311. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.