(As performed by the cast of Glee (featuring: Express Yourself / Open You...(+)
(As performed by the cast
of Glee
(featuring: Express
Yourself / Open Your
Heart / Like a Prayer)).
By Madonna Ciccone,
Stephen Bray, Gardner
Cole, Peter Rafelson, and
Pat Leonard. Arranged by
Alan Billingsley. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. TV. 24 pages.
Published by Alfred Music
Publishing
SATB and Piano Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045962...(+)
SATB and Piano Choral;
Piano Accompaniment (SATB
with Piano)
SKU:
HL.49045962
Classics Newly
Arranged: 8 Classical
Themes SATB and
Piano. Edited by
Manfred Sievritts. Choral
Collection. Classical.
Softcover. 48 pages.
Schott Music #ED20506.
Published by Schott Music
(HL.49045962).
Famous catchy
tunes of classical
instrumental music have
been rearranged for
four-part mixed choir in
the pop, swing, rock and
Latinstyles. This express
transfer from the
'serious' world of the
original versions into
the 'more modern' genres
makes us smile - not
least due to the
not-so-serious texts.
Bach, Mozart, Vivaldi,
Haydn, even Beethoven:
Would they have smiled
too? You bet! Content
text: The Quattro
Stagioni-Song (Antonio
Vivaldi: Violinkonzert
op. 8) Siciliano Bossa
Nova (J. S. Bach:
Siziliano aus der
Flotensonate BWV 1031)
Our Little Nightmusic (W.
A. Mozart: Eine kleine
Nachtmusik KV 525) The
Alla Turca (W. A. Mozart:
Alla Turca, 3. Satz aus
der Klaviersonate KV 331)
Fate of Beethoven (L. van
Beethoven: 5. Symphonie
op. 67) Elisa's
Dedication (L. van
Beethoven: Fur Elise)
John the Bastian (J.S.
Bach) Kettledrum Song (J.
Haydn).
Arranged by Teena Chinn. Original motion picture selections by Glen Ballard and ...(+)
Arranged by Teena Chinn.
Original motion picture
selections by Glen
Ballard and Alan
Silvestri. For Choir.
(SATB). Choral Octavo.
Pop Choral Series. Movie,
Christmas. Choral Octavo.
Published by Alfred
Publishing. Level:
Moderate (grade 3).
Holiday Medley for Choir, Band and Strings. Composed by Alan Silvestri and G...(+)
Holiday Medley for Choir,
Band and Strings.
Composed
by Alan Silvestri and
Glen
Ballard. Arranged by
Audrey
Snyder and Paul Murtha.
Secular Christmas Choral.
Octavo. Published by Hal
Leonard
By Alan Silvestri and Glen Ballard. Arranged by Mark Hayes. Choir Secular. SATB ...(+)
By Alan Silvestri and
Glen Ballard. Arranged by
Mark Hayes. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Christmas; Movie;
Secular; Winter. 12
pages. Published by
Alfred Music Publishing
(Featuring: Believe / Hot Chocolate / When Christmas Comes to Town / Santa Claus...(+)
(Featuring: Believe / Hot
Chocolate / When
Christmas Comes to Town /
Santa Claus Is Coming to
Town / Rockin' on Top of
the World / Spirit of the
Season). By Alan
Silvestri. Arranged by
Teena Chinn. Choir
Secular. Choral Octavo.
Christmas; Movie; Winter.
Instrumental Parts
Commissioned by American Composers Forum. Composed by Rene Clausen. ChoralQues...(+)
Commissioned by American
Composers Forum. Composed
by
Rene Clausen.
ChoralQuest.
Chamber, Concert. Octavo.
12
pages. Published by
American
Composers Forum
Tota pulchra es Chorale SSATB SSATB A Cappella Oxford University Press
Composed by David Bednall. Sacred choral - mixed voices. Vocal score. 12 pages...(+)
Composed by David
Bednall.
Sacred choral - mixed
voices.
Vocal score. 12 pages.
Duration 4'. Oxford
University Press
#9780193524279. Published
by
Oxford University Press
Ne adverseris mihi Chorale SATB SATB divisi, A Cappella - Facile Oxford University Press
SATB choir, a cappella (SATB) - easy SKU: OU.9780193517967 Composed by Ho...(+)
SATB choir, a cappella
(SATB) - easy
SKU:
OU.9780193517967
Composed by Howard
Helvey. Sacred choral -
mixed voices. Vocal
score. 8 pages. Duration
4.5'. Oxford University
Press #9780193517967.
Published by Oxford
University Press
(OU.9780193517967).
ISBN 9780193517967.
6.9 x 10.5
inches.
For SATB
unaccompanied This gentle
anthem is built around a
warm, hymn-like refrain,
which gives way first to
a free-flowing and
expressive section and
then to a more sombre
section. With a Latin
text from Ruth 1, this
affecting piece with
highly-expressive harmony
will serve well for
weddings, services, and
concerts.
SSATB Choir, Piano SKU: CA.927600 Composed by Gabriel Faure. Arranged by ...(+)
SSATB Choir, Piano
SKU: CA.927600
Composed by Gabriel
Faure. Arranged by Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Op. 6,2.
Duration 3 minutes.
Published by Carus Verlag
(CA.927600).
ISBN
9790007296117. French.
Text: Gautier,
Theophile.
A
prevailing melancholy
mood is characteristic of
Theophile Gautier's
(1811-1872) poetry; a
melancholy mood which
inspired composers such
as Hector Berlioz and
Gabriel Faure to compose
settings. Tristesse
(Sadness) is taken from
the 1838 collection La
Comedie de la Mort (The
Comedy of Death). With
over 50 poems this is
regarded as Gautier's
major Romantic work.
Although the narrator in
the poem is conscious of
the joy and zest for life
of spring coming into
bloom around him, he
cannot share this: Helas!
j'ai dans le coeur une
tristesse affreuse.
(Alas, in my heart I bear
a terrible grief.).
Faure's setting portrays
this effect less as a
dramatic sigh than a
melancholic unworldliness
with peaceful piano
accompaniment in the
minor key. This
art song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing any of the
qualities of the original
in the process. Each part
in the choir has a
melodic line drawn from
the harmonic and rhythmic
framework. In the
process, the variety and
refinement of the choral
language combines with an
enormous flexibility in
form and expression, as
French melodies or German
art song demand from a
soloist and
pianist.The songs
have been recorded by the
figure humaine chamber
choir on the CD ... Wo
die Zitronen bluhn (Carus
83.514).
SSATB Choir, Piano SKU: CA.924400 Composed by Peter Cornelius. Arranged b...(+)
SSATB Choir, Piano
SKU: CA.924400
Composed by Peter
Cornelius. Arranged by
Denis Rouger. Secular
choral music. Separate
edition with CD. Lieder,
Secular choral music.
Full score. Op. 15, No.
1. Duration 2 minutes.
Carus Verlag #CV
09.244/00. Published by
Carus Verlag (CA.924400).
ISBN 9790007244392.
Key: B flat major.
Language: German. Text:
Cornelius,
Peter.
Sei mein!
was written and composed
by Peter Cornelius in
1865 for his future wife
Bertha Jung. The composer
set the poem in short
rhyming lines using the
scheme aaabcccb,
recounting with loving
humor what his beloved
means to him. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
SSATB Choir, Piano SKU: CA.924100 Composed by Charles Francois Gounod. Ar...(+)
SSATB Choir, Piano
SKU: CA.924100
Composed by Charles
Francois Gounod. Arranged
by Denis Rouger. Lieder.
Secular choral music.
Lieder, Secular choral
music. Full score.
Duration 4 minutes. Carus
Verlag #CV 09.241/00.
Published by Carus Verlag
(CA.924100).
ISBN
9790007244361. Language:
French. Text: Gounod,
Charles.
In Charles
Gounod's L'absent,
composed in 1873, the
absent one asks at night
time whether the beloved
remembers him in the
light of the moon and at
the sound of the evening
prayer bells. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
SSATB Choir, Piano SKU: CA.924000 Composed by Claude Debussy. Arranged by...(+)
SSATB Choir, Piano
SKU: CA.924000
Composed by Claude
Debussy. Arranged by
Denis Rouger. Lieder.
Secular choral music.
Lieder, Secular choral
music. Full score.
Duration 2 minutes. Carus
Verlag #CV 09.240/00.
Published by Carus Verlag
(CA.924000).
ISBN
9790007244354. Language:
French. Text: Bourget,
Paul.
Claude
Debussy's romance L'ame
evaporee et souffrante is
a setting of Paul
Bourget's Romance from
the collection Les aveux
(1882). The song was
first published in 1891
with Les cloches, but had
probably been composed
earlier in 1885. These
art songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Verborgenheit Chorale SSATB SSATB, Piano Carus Verlag
SSATB Choir, Piano SKU: CA.924500 Composed by Hugo Wolf. Arranged by Deni...(+)
SSATB Choir, Piano
SKU: CA.924500
Composed by Hugo Wolf.
Arranged by Denis Rouger.
Secular choral music.
Separate edition with CD.
Lieder, Secular choral
music. Full score.
Duration 3 minutes. Carus
Verlag #CV 09.245/00.
Published by Carus Verlag
(CA.924500).
ISBN
9790007244408. Key: E
flat major. Language:
German. Text: Morike,
Eduard.
Hugo Wolf
composed over 250 songs
to texts by the greatest
poets of his day. One of
the best-known of these
is Verborgenheit. In
Denis Rouger's
arrangement it reveals
its own momentum which
does not conflict with
the original masterpiece,
but presents new facets
alongside it, inviting us
to discover something new
in the old. These art
songs were originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted
them to suit the
requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Soiree en mer Chorale SSATB SSATB, Piano Carus Verlag
SSATB Choir, Piano SKU: CA.926400 Composed by Camille Saint-Saens. Arrang...(+)
SSATB Choir, Piano
SKU: CA.926400
Composed by Camille
Saint-Saens. Arranged by
Denis Rouger, Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Composed
1862. Op. 13, No. 1.
Duration 5 minutes.
Published by Carus Verlag
(CA.926400).
ISBN
9790007261870. French.
Text: Victor
Hugo.
In his poem
Soiree en mer, Victor
Hugo describes how the
sea can be perceived very
differently by two lovers
at the same time in the
same place. While the man
perceives the deepening
shadows on the dancing
waves, the woman marvels
at the stars shining ever
brighter in the
firmament. In nature, as
in the words of the poem,
the painful ambiguity
that represents life at
its core can be
experienced. Like no
other poet, Hugo captures
this almost unbearable
simultaneity of living
and dying, of love and
suffering. Saint-Saens
translates this into
music - probably the most
ephemeral and
contemporary of all art
forms. His balanced
musical form leaves
plenty of room for the
poetry and his subtle
variations in timbre,
which also inspired Denis
Rouger to his choral
arrangement, create a
seething motion under the
surface of the
sea.
This art song
was originally composed
not for chamber choir,
but for solo voice and
piano. Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
any of the qualities of
the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
...wo die Ztronen bluhn
(Carus 83.514).
SATB choir, piano SKU: LO.10-5731MD Composed by Phil Nitz. Choral. Sacred...(+)
SATB choir, piano
SKU:
LO.10-5731MD
Composed
by Phil Nitz. Choral.
Sacred Anthem, Christmas,
General. Medallion Music
#10/5731MD. Published by
Medallion Music
(LO.10-5731MD).
ISBN
9780787777807.
Befo
re the King is an
expressive song that
acknowledges the humility
of Jesus in his birth and
life even though being
God’s son. The
words encourage us to
bring before the King all
our worries and burdens
in exchange for the hope
He gives. This
arrangement begins with
an expressive solo before
being joined by the choir
and building together
into a powerful bridge
that incorporates the
melody of ODE TO JOY
before going back into a
brief breakdown chorus
with choir, solo, and
drums, and ending softly
with the encouraging
words “Bring all
you are before the
King.â€.
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Composed
by George Frideric
Handel. Edited by
Clifford Bartlett. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. German title:
Israel In Egypt Ii+Iii
Ga-Format. Innovative
practice aids, Sacred
vocal music, Oratorios.
Vocal score. Composed
1739. HWV. 176 pages.
Carus Verlag #CV
55.054/04. Published by
Carus Verlag
(CA.5505404).
ISBN
9790007095192. Language:
German/English.
Con
tains part II-III Israel
in Egypt is one of the
most popular of Handel's
oratorios, because of its
large number of choruses,
and has long enjoyed a
firm place in the concert
repertoire of many
choirs. With its many
movements scored for
double choir, Israel in
Egypt offers a
widely-contrasting
expressive spectrum,
ranging from the
expressive lament on the
dramatic depictions of
the plagues to the
festive-triumphant
rejoicing of the
liberated Israelites.
This outstanding work
amongst Handel's
oratorios is available as
a critical edition in the
Stuttgart Handel Edition
(Urtext). It contains the
complete three-part
version of the work of
1739. English
musicologist Clifford
Bartlett, an experienced
specialist on the
international early music
scene, is the editor.
Score available
separately - see item
CA.5505400.
You Guided Me Chorale SATB - Facile Hampton Roads Music Group
SATB chorus - early intermediate SKU: XC.HRMG1830 Composed by Michael Joh...(+)
SATB chorus - early
intermediate
SKU:
XC.HRMG1830
Composed
by Michael John Trotta.
General. Michael John
Trotta. Sacred. Octavo. 8
pages. Hampton Roads
Music Group LLC
#HRMG1830. Published by
Hampton Roads Music Group
LLC (XC.HRMG1830).
UPC: 785147101956.
Text by Rabindranath
Tagore.
A heartfelt
expression of thanks for
guidance, this a cappella
work speaks to seeking
and finding a loving
presence that is all
around us. This text
from Rabindranath Tagore
is expressively set with
gently moving harmonies
and a soaring optional
descant or solo. You
guided me all day long.
Let all the strains of
joy now mingle in my
song. Â .