SATB choir, flute, viola, violin - Intermediate

SKU: GI.G-005832

Arranged by Keith S. Kalemba. Christmas, Epiphany. Tune Name: Irish Carol. Sacred. Octavo. 12 pages. GIA Publications #005832. Published by GIA Publications (GI.G-005832).

Keith Kalemba has intelligently arranged this Irish Christmas carol for four-part chorus with an appealing instrumental duo of flute and viola. We begin with an introduction reminiscent of medieval instrumental performance--a string drone under the ornamented melodic tune on the flute. The soprano melody on the first verse is complemented by the tenor line in a clever, highly effective canon at the eighth note. The instruments reappear as a musical conclusion for each stanza and an interlude introduces verse 3 for soprano and alto voices in canon. Verse 4, for a cappella men's voices, musically builds to the final verse for full four-part chorus and instruments. This well designed arrangement will prove to be a worthy challenge for your seasonal choral library. A violin part may be purchased to substitute for viola (e05842).

Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Rushton. For SATB choir (wordless), viola solo, and orchestra (flute/piccolo, oboe, clarinet, bassoon, horn, trumpet, 2 percussion, celeste, strings). Level D (difficult). Viola Part. 16 pages. Duration 18 minutes. Published by Oxford University Press

By Gabriel Faure (1845-1924). Arranged by John Rutter. For SATB choir and keyboard/strings (Violin 1 [optional], violin 2 [optional], viola 1, viola 2, cello 1, cello 2, double bass, harp). Orchestral. Classic Choral Works. Miscellaneous. Set of parts (co

Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Rushton. For SATB choir (wordless), viola solo, and orchestra (flute/piccolo, oboe, clarinet, bassoon, horn, trumpet, 2 percussion, celeste, strings). Level D (difficult). Vocal score. 52 pages. Duration 18 minutes. Published by Oxford University Press

By Bob Chilcott. For SATB choir (with divisions) and viola obbligato. This edition: BC111. Mixed Voices. Secular Choral Leaflet. Vocal (full) score and viola part. 16 pages. Duration 6'

By Thomas Hewitt Jones. For SATB choir and piano/organ/strings (2 violins, viola, clarinet, doublebass (optional, )). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 2.5'. Published by Oxford University Press

Hymn to the Spirit. (From Christus: A Cycle of Hymns for Choir and Viola). By John Ferguson. For SATB choir divisi, viola, clarinet. Pentecost. Moderately Difficult. Octavo. 12 pages. Published by MorningStar Music Publishers

Composed by Raymond H Haan. For SATB choir, organ accompaniment, viola. OT 13 B. Sacred. Easy. Octavo. Text language: English. 8 pages. Published by GIA Publications

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/O rgan)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113613

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613).

ISBN 9790007208134. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113614

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/14. Published by Carus Verlag (CA.3113614).

ISBN 9790007208141. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113612

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/12. Published by Carus Verlag (CA.3113612).

ISBN 9790007208127. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113611

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/11. Published by Carus Verlag (CA.3113611).

ISBN 9790007208110. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113609

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. 1x 31.136/21 oboe 1, 1x 31.136/22 oboe 2, 1x 31.136/31 horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 136. Duration 22 minutes. Carus Verlag #CV 31.136/09. Published by Carus Verlag (CA.3113609).

ISBN 9790007208103. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and parts available separately - see item CA.3113600.

SATB choir, english horn (or clarinet, or viola) and organ (SATB) - Easy to Moderately Difficult

SKU: OU.9780193359802

Composed by John Rutter. This edition: paperback. Sacred choral - mixed voices. Sacred, Choral Leaflet. Part for clarinet in A. 8 pages. Duration 7'. Oxford University Press #9780193359802. Published by Oxford University Press (OU.9780193359802).

ISBN 9780193359802. 12 x 8 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

SATB choir & continuo/ensemble (oboe, ca, bassoon, violin, viola 1, viola 2, cello/double bass (optional)) - Moderately Difficult

SKU: OU.9780193415997

Composed by Johann Sebastian Bach. Edited by John Rutter. Sacred choral - mixed voices. Oxford Choral Classics Octavos. Vocal score. 24 pages. Duration 7'. Oxford University Press #9780193415997. Published by Oxford University Press (OU.9780193415997).

ISBN 9780193415997. 11 x 9 inches.

For SATB and continuo The irresistibly joyful motet Lobet den Herrn, alle Heiden features concise contrapuntal writing and a sophisticated harmonic language, and John Rutter's edition includes helpful performance suggestions and background information. Full scores and instrumental parts are available on hire from the publisher.

SATB choir, English horn (or clarinet, or viola) and organ (SATB) - Easy to Moderately Difficult

SKU: OU.9780193359796

Composed by John Rutter. This edition: paperback. Sacred choral - mixed voices. Sacred, Choral Leaflet. English horn part. 8 pages. Duration 7'. Oxford University Press #9780193359796. Published by Oxford University Press (OU.9780193359796).

ISBN 9780193359796. 12 x 8 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

SATB choir, english horn/clarinet/viola & organ (SATB) - Easy to Moderately Difficult

SKU: OU.9780193359413

Composed by John Rutter. This edition: paperback. Sacred choral - mixed voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 7'. Oxford University Press #9780193359413. Published by Oxford University Press (OU.9780193359413).

ISBN 9780193359413. 10 x 7 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

SSATB choir, a cappella

SKU: OU.9780193502598

Composed by Arnold Cooke. Sacred choral - mixed voices. Vocal score. 8 pages. Oxford University Press #9780193502598. Published by Oxford University Press (OU.9780193502598).

ISBN 9780193502598. 10 x 7 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

SATB Choir (Mixed choir (SATB))

SKU: BA.BA03133

Edited by Hans Albrecht. This edition: complete edition, urtext edition. Half-cloth binding. Georg Rhau. Musikdrucke aus den Jahren 1538-1545, 3. Complete edition, Singing Score, anthology. Composed 1538. Baerenreiter Verlag #BA03133_00. Published by Baerenreiter Verlag (BA.BA03133).

ISBN 9790006429899. 27.8 x 19.8 cm inches.

52 geistliche und weltliche Kompositionen von anonymen und 21 bekannten Meistern des 15. und 16. Jahrhunderts. Urtext der Rhau-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
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ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115613

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/13. Published by Carus Verlag (CA.3115613).

ISBN 9790007208790. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

By Dan Forrest. For SATB choir with Violin 1-2, Viola, Cello, Bass (Accompaniment: Keyboard). Dan Forrest Series. Main Key: D Flat Major. Sacred. Medium Adult. Octavo. 12 pages. Duration 4 minutes 20 seconds. Published by Hinshaw Music Inc.

ATB vocal soli, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5528313

Dettingen Te Deum. Composed by George Frideric Handel. Edited by Benedikt Poensgen. This edition: urtext. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Viola. Composed 1743. HWV 283. 12 pages. Duration 40 minutes. Carus Verlag #CV 55.283/13. Published by Carus Verlag (CA.5528313).

ISBN 9790007227081. Language: English/German.

- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and part available separately - see item CA.5528300.

Arranged by Joel Raney. For SATB choir. Musicals. Christmas, Sacred. Choral score. Published by Hope Publishing Company

SATB choir and organ/chamber orchestra (violin solo, 2 optional bassoon, 2 optional horns, harp, organ, viola I/II, cello I/II, db) - easy

SKU: OU.9780193418042

From Requiem. Composed by Gabriel Faure. Edited by John Rutter. Sacred choral - mixed voices. Oxford Choral Classics Octavos. Vocal score. 8 pages. Duration 6'. Oxford University Press #9780193418042. Published by Oxford University Press (OU.9780193418042).

ISBN 9780193418042. 11 x 7 inches.

For SATB and organ/chamber orchestra. Taken from Rutter's edition of Faure's Requiem, this famous movement features both the original French words and an optional English text. John Rutter's complete edition of Faure's Requiem (1893 version) is available from Oxford University Press, with scores and parts available on sale and on hire from the publisher.

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genres: Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use during church year: Special Days. Level 3. Part: Viola. Language: German/English. Composed 1727 (?). 4 pages. Duration 16 min. Published by Carus Verlag

SATB choir and chamber ensemble (Horn in F, Chamber Organ, Piano, Harp, 2 Violins, Viola, 2 Cellos, Double Bass) - Intermediate

SKU: MN.56-0134

Composed by Howard Goodall. Score. MorningStar Music Publishers #56-0134. Published by MorningStar Music Publishers (MN.56-0134).

UPC: 688670221576. English.

A powerfully emotive choral work written in honour of the UK health and care workers who lost their lives during the COVID-19 pandemic. The text comprises their names, each sung separately in turn, in a poignant and moving homage. The piece is designed as a living tribute, to memorialise their dedication and sacrifi ce through each performance. This is a work of remembrance, respect and gratitude for these courageous workers, never to be forgotten. Commissioned by the London Symphony Chorus.