Par VAUGHAN WILLIAMS RALPH. This Fantasia is founded on the following traditional English carols: The Truth Sent From Above (Herefordshire) words and tune; Come All You Worthy Gentlemen (Somerset) words and tune; On Christmas Night (Sussex) words and tune; There Is A Fountain (Herefordshire) tune only; together with fragments of other well-known carol tunes. The work is scored for ordinary full Orchestra with Organ and set of bells (ad lib. ), or String Orchestra with Organ or Piano. Alternatively, it may be accompanied by Organ or Piano alone, played from the Vocal score, with an optional solo Cello part (H212). A chorus part for performance bysolo Baritone and TTBB is also available (W41). The chorus is required to sing in four different ways: 1. Singing the words. 2. Singing with closed lips. 3. Singing 'Ah'. 4. Singing with half-closed lips i. e. with a short 'u' sound as in the word 'but'. Watch Pasadena Master Chorale performing Ralph Vaughan Williams ' Fantasia On Christmas Carols :/ Répertoire / SATB, Bar Solo et Piano ou Orgue

Hear the Angels Sing is a collection of 24 Christmas carols composed and arranged by Jonathan Rathbone for choir and small orchestra. Primarily intended for choral society carol concerts, the selection includes both concert pieces and classic congregation/audience-participation carols. Requiring only minimal rehearsal, this collection provides a highly practical means of delivering a full choir and orchestra carol concert or service within a sensible budget.24 arrangements of favourite carolsScored for SATB and small orchestra (minimum 13 players), including woodwind, brass, percussion and stringsCan also be performed with piano or organ accompanimentOrchestral scores and parts available separately for hire (contact: rentals.uk@editionpeters.com) / Choeur Mixte (SATB) Et Piano

Référence unique par son ISBN 73999390254 cette partition musique de Haendel George Friedrich n'est autre que Handel Samson Full Score Satb qui a été composée pour Piano Et Chant. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50324010. / Piano Et Chant / 196 pages / Partition

Par BRAHMS JOHANNES. Brahms? elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the poem, Brahms? Nänie ends full of hope: after earthly decline, beauty can live on in art. As in his Deutsches Requiem op. 45, in Nänie Brahms creates a musical connection between mourning and consolation in an incomparable way. Inspired by the model of classical Roman-Greek laments, the work adopts the classical verse form chosen by Schiller ? surely alluding to Feuerbach?s classically-inspired art.Scored for mixed chorus and orchestra, we are publishing the work in a modern Urtext edition. One or more harps can be used ad lib. The primary source is the first printed edition of 1881. The latest scholarly discoveries as well as practical requirements have been taken into consideration. Performance material is available on sale as well as a vocal score, based on Brahms?s original vocal score, but in a revised performing version. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

Messa d'morti. Par DURANTE FRANCESCO. The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. - First publication - Urtext edition - Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) - Full score and orchestral material also available (EP73044) The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music. Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as achurch composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience. - First publication - Urtext edition - Particularly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum) - Full score and orchestral material also available (EP73044)./ Répertoire / Solistes, Choeurs et Piano

This valuable resource is a must for every choral director that prepares a chorus to sing Handel's Messiah! In three sections, Part I - Introduction to Preparing Messiah highlights Baroque performance practice and Ideals, Practical Considerations for Performing Messiah and other helpful information: Part II includes warm-ups for 20 choruses: Part III includes Appendices with a historical context of Messiah, primary sources supporting Baroque style and expression and a recommended reading list. The director score includes the full text and warm-ups with piano accompaniments, along with a code for accessing downloadable singer parts online. The singer book includes a handy folder-sized print edition of the vocal warm-ups. / Choeur SATB Et Piano

Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig)./ Répertoire / Chœur Mixte et Piano

Par GOODALL HOWARD. Never To Forget is a powerfully emotive choral work written in honour of the NHS health and care workers in the UK who died caring for others during the COVID-19 pandemic. The text comprises their names, each sung separately in turn, in a poignant and moving homage. The piece is designed as a living tribute, to memorialise their dedication and sacrifice through each performance. This is a work of remembrance, respect and gratitude for these courageous workers, never to be forgotten. The work is scored for SATB choir and chamber ensemble, with this vocal score including a piano reduction. Instrumental parts are available to hire from hire@fabermusic.com./ Répertoire / Voix Mixtes et Piano

Par BRAHMS JOHANNES. The conductor Hermann Levi, a friend of Brahms, prepared a piano-vocal score of the work in 1871, prior to the works publication. Brahms revised it upon receiving it. He wanted a symphonic sound from the piano part; what he created fully corresponds to the monumentality of the Song of Destiny. Piano Vocal Score by Hermann Levi und Johannes Brahms. New Edition with a preface by Ulrich Mahlert./ Répertoire / Chœur Mixte et Piano