Composed by Eric Barnum. For SATB choir, a cappella. Octavo. Published by Alliance Music Publications

By Daniel Semsen. For SATB choir with optional children's voices. Moderate. Choral score. Duration 50 minutes. Published by Word Music

By Daniel Semsen. For SATB choir with optional children's voices. Moderate. DVD preview pack. Duration 50 minutes. Published by Word Music

Composed by William Bradley Roberts. For SATB choir, Percussion (Cowbell, Gourd, Djembe). National Lutheran Choir Series. Christmas. Medium. Octavo. Published by MorningStar Music Publishers

By Mark Patterson. For SATB choir with optional handbells (keyboard accompaniment). Sacred. Difficulty: Medium (Adult). Octavo. 8 pages. Duration 4 minutes 30 seconds. Published by Hinshaw Music Inc.

SATB choir, voice soloist or voice soloists, keyboard accompaniment

SKU: GI.G-008871

Composed by Michael A. Perza. Epiphany, Christmas. Sacred. Octavo. 4 pages. GIA Publications #008871. Published by GIA Publications (GI.G-008871).

UPC: 641151088716.

Micha el Perza is well regarded in lutirgical music circles for choral works that are lyrical, a pleasure to perform, easy to learn, and enjoyable to listen to. This sweet a cappella Christmas anthem presents the verses in a four-part hymn-like texture, the refrain employs moving contrapuntal lines in the three lower voices with expressive dynamic shading. A gift for both singers and listeners!

SATB Choir - Grade 3

SKU: BT.DHP-0991451-050

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050).

English.

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 4 pages. Peermusic #62330-122. Published by Peermusic

SATB a cappella Choral (SATB ACAPPEL)

SKU: HL.370173

Composed by Irving Berlin. Arranged by Mark Hayes. Shawnee Press. Concert, Festival, Patriotic. Octavo. Duration 150 seconds. Published by Shawnee Press (HL.370173).

ISBN 9781705146422. UPC: 840126993462. 6.75x10.5x0.029 inches.

Mark Hayes is one of our finest arrangers and now he has used his expertise in vocal arranging on this Irving Berlin treasure from the American Song Book. A cappella voices richly present the well-known lyric, capturing its emotional patriotism. Beautiful and dynamic musical interpretation weaves throughout the piece, building to a glorious final “home sweet home.” For “game day” performances, the piece can be shortened by simply beginning at meas. 24. No matter the event or concert, this is a fantastic selection to be sung all year long!

(Bogoroditse Devo). By Vasily Sergeyevich Kalinnikov (1866-1901). For SATB choir (div). Choral octavo. Language: Church Slavonic. Published by Musica Russica . Choral octavo.

Composed by K. Lee Scott. Multi-Movement/Large Choral Work. All Saints/All Souls, Martin Luther King Day, Memorial, 21st Century, Justice/Peace/Social Concerns. Choral score. Published by MorningStar Music Publishers (MN.70-850).

By Z. Randall Stroope. For SATB and Organ. General. Level: Medium. Choral Score. Published by MorningStar Music Publishers.

Composed by Victor C Johnson. Secular Christmas. Octavo. Heritage Music Press #15/3323H. Published by Heritage Music Press (LO.15-3323H).

By Bruce Sled. For SSATBB choir, a cappella. Octavo. Published by Cypress Choral Music

By Jamie Owens-Collins. Arranged by Fred Bock. For SATB choir, piano (trumpet). Eastertide. Octavo. Published by Crystal Sea Music Publishing

For Wind Orchestra and opt. SATB Choir 25 choir parts. Composed by Johan De Meij. Amstel Music. Symphonic, Concert, African. Softcover. Amstel Music #AM158-050. Published by Amstel Music (HL.4005109).

SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, violin 1, violin 2, cello, guitar - Early intermediate

SKU: GI.G-10297

Composed by Peter M. Kolar. Mass. Sacred. Octavo. With guitar chord names. 64 pages. GIA Publications #10297. Published by GIA Publications (GI.G-10297).

UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición

A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice” is a term used to reference Christ with respect to his second coming, as found in the ancient “O” antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like” in nature—joyful and filled with hope.  ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodías para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodía de soprano, y las líneas de alto y tenor comparten esencialmente una sola armonía en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodía más completa. Los discante y divisi opcionales amplían aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antífonas O antiguas. Este título aparece en el Leccionario entre las opciones de Aleluya para el común de la Santísima Virgen María y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.

(Bring Favorite Classical Composers Into Your Classroom). By Janet Vogt. For unison choir and performance/accompaniment CD. General music

Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass setting! Liturgy. Published by CanticaNOVA Publications (C5.3136-2).

(From Manchester Carols). By Carol Ann Duffy and Sasha Johnson Manning. Choir Sacred. For with Piano (SATB choir). Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Published by Faber Music

SATB divisi a cappella Choral (SATB a cappella)

SKU: HL.1428501

Arranged by Ken Burton. Gentry Publications. Octavo. 16 pages. Gentry Publications #JG2733. Published by Gentry Publications (HL.1428501).

UPC: 196288202677. 6.75x10.5x0.036 inches.

Ken Burton's “Swing Down, Chariot,” showcased in the Jason Max Ferdinand Choral Series, intricately weaves a tapestry of musical genres intrinsic to Black American sacred music. This arrangement harmonizes African influences, quartet styles, close harmony jazz, big band, and classical elements, delivering a vibrant and diverse sonic landscape. While its entertaining aspects shine, the piece maintains a heartfelt essence, reflecting a deep yearning for freedom. Inspired by twentieth-century gospel quartets like the Fairfield Four and Golden Gate Quartet, Burton's arrangement infuses percussive articulation and dynamic flexibility. Choirs are encouraged to explore creative articulation options, ensuring a spirited and engaging rendition. Ideal for collegiate, chamber, honor, and all-state choirs, this arrangement captivates effortlessly, resonating with its rich musical essence. Excellent choice for your advanced and professional choirs. You can never go wrong with a Ken Burton arrangement or composition.

By Joel Raney. For SATB choir, piano. Concert. Octavo. Published by Heritage Music Press