Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged b...(+)
Composed by George
Frideric
Handel (1685-1759) and
James
Chepponis. Arranged by
James
Chepponis. Easter, Christ
the
King, Building
Dedication,
Church Anniversary,
Ordination/Installation,
21st
Century,
Praise/Thanksgiving.
Choral score. MorningStar
Music Publishers
#50-4710.
Published by MorningStar
Music Publishers
Composed by Normand Gouin. Cathedral Series. Catholic Year C Christ the King. Ca...(+)
Composed by Normand
Gouin. Cathedral Series.
Catholic Year C Christ
the King. Catholic
Liturgical Setting,
Chrism Mass,
Entrance/Communion
Antiphon Setting,
Ordination, Responsorial
Psalm/Canticle Setting,
Christ the King,
Ordination/Installation.
Octavo. Published by
MorningStar Music
Publishers (MN.80-430).
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violin 2. Sacred vocal
music, Requiem. Single
Part, Violin 2. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/12. Published by
Carus Verlag
(CA.2731812).
ISBN
9790007201876. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violin 1. Sacred vocal
music, Requiem. Single
Part, Violin 1. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/11. Published by
Carus Verlag
(CA.2731811).
ISBN
9790007201869. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 3. Sacred vocal
music, Requiem. Single
Part, Viola 3. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/15. Published by
Carus Verlag
(CA.2731815).
ISBN
9790007201906. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 2. Sacred vocal
music, Requiem. Single
Part, Viola 2. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/14. Published by
Carus Verlag
(CA.2731814).
ISBN
9790007201890. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violoncello. Sacred vocal
music, Requiem. Single
Part, Cello. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/17. Published by
Carus Verlag
(CA.2731817).
ISBN
9790007201920. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 1. Sacred vocal
music, Requiem. Single
Part, Viola 1. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/13. Published by
Carus Verlag
(CA.2731813).
ISBN
9790007201883. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Organ. Sacred vocal
music, Requiem. Single
Part, Organ. 16 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/49. Published by
Carus Verlag
(CA.2731849).
ISBN
9790007201937. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Basso continuo. Sacred
vocal music, Requiem.
Single Part, basso
continuo. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/16. Published by
Carus Verlag
(CA.2731816).
ISBN
9790007201913. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
By C. 1710 From Oude En Nieuwe Hollantse Boerenlities En Contradanseu Dutch Melo...(+)
By C. 1710 From Oude En
Nieuwe Hollantse
Boerenlities En
Contradanseu Dutch
Melody. Arranged by
Richard Proulx. For
Voices: SATB, assembly.
Instruments: Brass
quintet: 2 trumpets (Bb
or C), horn in F (or
trombone substitute),
trombone, tuba; and
timpani. Organ.
*Restricted reprint box
for "Christ has called."
only; no reprint box for
"Lord, whose love." (see
Worship 3, #?). Chamber
Music Sacred. 14 pages.
Published by GIA
Publications. Level:
easy/medium.
Mixed choir (SATB) and 4 instruments (wind instruments, strings) or organ (piano...(+)
Mixed choir (SATB) and 4
instruments (wind
instruments, strings) or
organ (piano) (3ST F) -
very easy
SKU:
HL.49001294
Kantate uber
auslandische
Weihnachtslieder.
Composed by Karl Haus.
Sheet music. Schott
Chorverlag (Choral
Music). Classical.
Individual part. 4 pages.
Duration 12'. Schott
Music #C 45028-17.
Published by Schott Music
(HL.49001294).
ISBN
9790001014496.
8.25x11.75x0.008 inches.
German.
Composed by Robert A. Hobby (1962-). For Congregation, SATB Choir, Brass Quintet...(+)
Composed by Robert A.
Hobby (1962-). For
Congregation, SATB Choir,
Brass Quintet, Timpani,
opt. Cymbals, and Organ
or opt. Full Orchestra.
Cathedral Series.
Catholic Year C Most Holy
Body and Blood of Christ;
Catholic Year C Easter
Sunday; Catholic Year C
Ascension/Easter7. Christ
the King, Building
Dedication, Church
Anniversary,
Ordination/Installation,
21st Century. Moderately
Easy. Octavo. Published
by MorningStar Music
Publishers
Congregation, soprano descant, SATB choir, and organ, with optional brass quarte...(+)
Congregation, soprano
descant, SATB choir, and
organ, with optional
brass quartet and timpani
(Instrumental Parts
include: Trumpets I and
II in B-flat and C, Horn
in F (substitute for
Trombone I), Trombone I
and II, Timpani, Organ) -
Early Intermediate
SKU: MN.60-5021
Composed by Robert A.
Hobby. Pentecost, All
Saints/All Souls,
Ordination/Installation,
21st Century, Healing.
MorningStar Music
Publishers #60-5021.
Published by MorningStar
Music Publishers
(MN.60-5021).
UPC:
688670650215.
English.
A festive
concertato for All
Saints, Pentecost, and
general use, this begins
with a lengthy
introduction (options for
a shorter intro are
specified). Using the
tune WIE SCHON LEUCHTET,
the composer has
fashioned an upbeat
setting of this hymn for
congregation, soprano
descant, SATB choir, and
organ. The use of brass
quartet and timpani is
optional. Stanza one is
in unison, stanza two is
a choral variation for
SATB choir, accompanied.
There is an interlude
which draws from the
introduction, and stanza
four is unison with
descant.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Sacred vocal music,
Requiem. Vocal score. 56
pages. Duration 28
minutes. Carus Verlag #CV
27.318/03. Published by
Carus Verlag
(CA.2731803).
ISBN
9790007164638. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score
available separately -
see item CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Sacred vocal music,
Requiem. Full score. 72
pages. Duration 28
minutes. Carus Verlag #CV
27.318/00. Published by
Carus Verlag
(CA.2731800).
ISBN
9790007164614. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. 1x
27.318/31 trombone 1, 1x
27.318/32 trombone 2, 1x
27.318/33 trombone 3.
Sacred music from
Salzburg. Harmony parts.
Sacred vocal music,
Requiem. Set of Orchestra
Parts. Duration 28
minutes. Carus Verlag #CV
27.318/09. Published by
Carus Verlag
(CA.2731809).
ISBN
9790007201852. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
parts available
separately - see item
CA.2731800.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Complete orchestral
parts. Sacred vocal
music, Requiem. Set of
Orchestra Parts. Duration
28 minutes. Carus Verlag
#CV 27.318/19. Published
by Carus Verlag
(CA.2731819).
ISBN
9790007164645. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
parts available
separately - see item
CA.2731800.
Music by David Lantz III, lyrics by John Parker. Octavo for SATB choir and piano...(+)
Music by David Lantz III,
lyrics by John Parker.
Octavo for SATB choir and
piano accompaniment. F
Major. Series: Alfred
Choral Designs. 12 pages.
Published by Alfred
Publishing.
By Daniel Pinkham (1923-2006). For SATB choir, brass quintet and organ. General,...(+)
By Daniel Pinkham
(1923-2006). For SATB
choir, brass quintet and
organ. General, Psalm.
Instrument parts.
Scripture: Psalms. 48
pages. Published by Ione
Press . instrument
parts. General, Psalm.
Silent Night Chorale SATB SATB, Orgue GIA Publications
By Franz Xaver Gruber. Arranged by Dolores Hruby. For Voices: SATB. Instruments:...(+)
By Franz Xaver Gruber.
Arranged by Dolores
Hruby. For Voices: SATB.
Instruments: String
quartet (2 violins,
viola, cello)
(instruments required).
Organ. Christmas Sacred.
Published by GIA
Publications.
(A Christmas Musical). By Joel Raney. For SATB choir. This edition: Complete. Ch...(+)
(A Christmas Musical). By
Joel Raney. For SATB
choir. This edition:
Complete. Christmas,
Cantata. Christmas,
Sacred. Preview Pack
(Score and Listening CD)
- Limit 1 per customer.
84 pages. Published by
Hope Publishing Company
Congregation, soprano descant, SATB choir, and organ, with optional brass quarte...(+)
Congregation, soprano
descant, SATB choir, and
organ, with optional
brass quartet or quintet
and timpani (Instrumental
Parts include: Trumpets I
and II in B-flat and C,
Horn in F (substitute for
Trombone I), Trombone I
and II, Timpani) - Early
Intermediate
SKU:
MN.60-0004
Composed
by Hal H. Hopson and
Michael Burkhardt.
Advent, Hanging of the
Green, Lessons and
Carols, 21st Century.
Instrument parts.
MorningStar Music
Publishers #60-0004.
Published by MorningStar
Music Publishers
(MN.60-0004).
UPC:
688670600043.
English.
This
setting pairs Kathleen R.
Moore's 2010 text with
MERLE'S TUNE, a Hal
Hopson hymn tune found in
over 30 hymnals. First
used for the 2019
Presbyterian Association
of Musicians conference
at Montreat, this hymn
concertato has optional
brass quintet and timpani
parts. Stanza 1 is in
unison, Stanza 2 could be
for solo voices, quartet,
or SATB, Stanza 3 is for
sopranos accompanied by
the rest of the choir
humming (using Hopson's
original harmonization)
and Stanza 4 is unison
with descant concluding
with Amens.
Composed by Stuart K. Hine (1899-1989) and Eric Nelson. Arranged by Eric Nelso...(+)
Composed by Stuart K.
Hine
(1899-1989) and Eric
Nelson.
Arranged by Eric Nelson.
21st
Century, Creation/Nature.
Choral score. MorningStar
Music Publishers
#50-7106.
Published by MorningStar
Music Publishers
Mixed Choir (SATB) with Children's Choir, with Soloists ad libitum, Speakers, Or...(+)
Mixed Choir (SATB) with
Children's Choir, with
Soloists ad libitum,
Speakers, Organ or Wind-
and String Instruments
and other instruments
(Carillonse, Percussion)
(INSTR SPP) -
intermediate
SKU:
HL.49032184
Das
Ottowinder
Christspiel. Composed
by Franz Moeckl. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Playing
score. 20 pages. Schott
Music #ED 6724-18.
Published by Schott Music
(HL.49032184).
Composed by Donald Mccullough. Easter, 21st Century. Instrument parts. Mornin...(+)
Composed by Donald
Mccullough. Easter, 21st
Century. Instrument
parts.
MorningStar Music
Publishers
#50-4070. Published by
MorningStar Music
Publishers
The music from Leonard Bernstein's landmark Broadway musical West Side Story has...(+)
The music from Leonard
Bernstein's landmark
Broadway musical West
Side Story has become an
important part of our
musical heritage. With
lyrics by Stephen
Sondheim, these two songs
create a powerful
showcase for choral
groups in schools and
communities.Available for
SATB, SAB, SSA, an
optional Instrumental Pak
(parts for Trumpet I and
II, Tenor Sax, Trombone,
Synthesizer, Guitar, Bass
and Drums) for
accompaniment.
Die Musik aus
Leonard Bernsteins
weltberühmtem Musical
West Side Story ist
längst zu einem
bedeutenden Teil des
musikalischen Erbes
Amerikas geworden. Diese
beiden Lieder (Text:
Stephen Sondheim) sind
wundervolle
Bühnenstücke für
Laienchöre in Schulen
und Gemeinden.Lieferbar
sind Ausgaben für 3-
oder 4-stimmigen
gemischten Chor (SATB und
SAB), für Frauenchor
(SSA), sowie optionale
Instrumentalstimmen zur
Begleitung (Trompete,
Tenor-Saxophon, Posaune,
Synthesizer, Gitarre,
Kontrabass und
Schlagzeug)