(First Edition). By Samuel Barber (1910-1981). Edited by Joshua Parman. SATB A C...(+)
(First Edition). By
Samuel Barber
(1910-1981). Edited by
Joshua Parman. SATB A
Cappella. Choral. 8
pages. G. Schirmer
#ED4485. Published by G.
Schirmer
Take Him, Earth Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402020 In Memoriam John F. Kennedy...(+)
Choral SATB choir, piano
SKU: PR.342402020
In Memoriam John F.
Kennedy, 1917-1963.
Composed by Steven
Stucky. Sws. Premiered by
ACDA National Conference,
Craig Jessop, cond.;
Meyerson Symphony Center,
Dallas, TX. Secular
choral. Performance
Score. With Standard
notation. Composed
November 3 2012. 24
pages. Duration 13
minutes. Theodore Presser
Company #342-40202.
Published by Theodore
Presser Company
(PR.342402020).
ISBN
9781598064995. UPC:
680160616084. 8.5 x 11
inches. English. Text:
William Shakespeare;
Aurelius Prudentius
Clemens; Aeschylus.
Aurelius Clemens, William
Shakespeare, Aeschylus.
Texts from Aurelius
Prudentius Clemens,
Aeschylus, and William
Shakespeare.
When
Tim Sharp, Executive
Director of the ACDA,
offered Stucky the Brock
Memorial Commission, it
was decided that the text
would commemorate the
50th anniversary of the
assassination of John F.
Kennedy, since the annual
convention would take
place in Dallas of that
year. To that end, Stucky
chose four different but
pertinent texts to honor
the occasion, although
never referencing JFK by
name. Take Him, Earth was
premiered at the ACDA
convention in March,
2013. Originally scored
for chorus and chamber
ensemble of nine
instruments (available on
a rental basis), Take
Him, Earth is presented
here in piano reduction.
For advanced choirs.
Duration: 13'. When
Tim Sharp, Executive
Director of the American
Choral Directors
Association, very
kindlyoffered me the
Raymond W. Brock Memorial
Commission for 2013, he
suggested that because
thepremiere would take
place at the national
conference in Dallas in
the 50th year since the
assassinationof John F.
Kennedy in that city, the
text might refer in some
way to that grim
anniversary. Hesuggested,
too, that I consider
using a chamber ensemble
or chamber orchestra to
accompany thechorus.I
took these suggestions to
heart, but at the same
time I wanted to write
something universal
enoughto be appropriate
on other occasions, in
other settings. Thus the
score is dedicated to
PresidentKennedy’s
memory, but otherwise he
is never referred to by
name. Instead, I
assembled a group oftexts
that are associated with
him in some way, but that
also stand alone as a
more general eulogy.As a
refrain, there are a few
lines from the early
Christian burial hymn
that begins “Take
him,Earth, for
cherishingâ€
— lines that were
earlier set to music by
Herbert Howells in his
classic motetcommissioned
for Kennedy’s
memorial service in 1963.
The lines of Aeschylus
“Drop, drop
— inour sleep,
upon the heart sorrow
falls†from
Agamemnon were quoted by
Robert F. Kennedy uponthe
death of Martin Luther
King in April 1968. The
celebrated “When he
shall die, cut him out
inlittle starsâ€
from Act III of
Shakespeare’s
Romeo and Juliet was
cited by RFK a few months
after hisbrother’s
murder.
Version
II. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Johannespassion 1725.
Sacred vocal music,
Passions, Lent and
Passiontide. Set of
Orchestra Parts. Composed
1725. BWV 245. Duration
120 minutes. Carus Verlag
#CV 31.245/69. Published
by Carus Verlag
(CA.3124569).
ISBN
9790007097097. Language:
German/English.
The
St. John Passion ranks
alongside the St. Matthew
Passion, the Christmas
Oratorio, the Magnificat
and the B minor Mass as
one of the great vocal
works from Johann
Sebastian Bach's Leipzig
years. In contrast to his
other large-scale choral
works, however, Bach
never gave this work a
definitive final form.
Rather, for every
performance he
substantially revised the
general concept of the
piece and also changed
numerous details. All
previous editions of the
St. John Passion have
combined readings from
various layers of sources
and thus present the work
in a form which was never
heard during Bach's
lifetime. Consequently,
the wish often expressed
by conductors to perform
an authentic version by
Bach could not be easily
achieved. The present
critical, new edition of
the St. John Passion
fulfills this wish and
for the first time makes
available the complete
music of the second
version of the work as it
was performed under
Bach's direction in 1725.
Since a number of
movements were replaced
by others, including the
opening chorus, this
version differs most
dramatically from the
standard version which is
well known today. Score
and parts available
separately - see item
CA.3124500.
Version
II. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Johannespassion 1725.
Sacred vocal music,
Passions, Lent and
Passiontide. Full score.
Composed 1725. BWV 245.
208 pages. Duration 120
minutes. Carus Verlag #CV
31.245/50. Published by
Carus Verlag
(CA.3124550).
ISBN
9790007058272. Language:
German/English.
The
St. John Passion ranks
alongside the St. Matthew
Passion, the Christmas
Oratorio, the Magnificat
and the B minor Mass as
one of the great vocal
works from Johann
Sebastian Bach's Leipzig
years. In contrast to his
other large-scale choral
works, however, Bach
never gave this work a
definitive final form.
Rather, for every
performance he
substantially revised the
general concept of the
piece and also changed
numerous details. All
previous editions of the
St. John Passion have
combined readings from
various layers of sources
and thus present the work
in a form which was never
heard during Bach's
lifetime. Consequently,
the wish often expressed
by conductors to perform
an authentic version by
Bach could not be easily
achieved. The present
critical, new edition of
the St. John Passion
fulfills this wish and
for the first time makes
available the complete
music of the second
version of the work as it
was performed under
Bach's direction in 1725.
Since a number of
movements were replaced
by others, including the
opening chorus, this
version differs most
dramatically from the
standard version which is
well known today. Score
available separately -
see item CA.3124500.
Version
II. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Johannespassion 1725.
Sacred vocal music,
Passions, Lent and
Passiontide. Single Part,
Organ. Composed 1725. BWV
245. 140 pages. Duration
120 minutes. Carus Verlag
#CV 31.245/89. Published
by Carus Verlag
(CA.3124589).
ISBN
9790007211455. Text
language:
German/English.
The
St. John Passion ranks
alongside the St. Matthew
Passion, the Christmas
Oratorio, the Magnificat
and the B minor Mass as
one of the great vocal
works from Johann
Sebastian Bach's Leipzig
years. In contrast to his
other large-scale choral
works, however, Bach
never gave this work a
definitive final form.
Rather, for every
performance he
substantially revised the
general concept of the
piece and also changed
numerous details. All
previous editions of the
St. John Passion have
combined readings from
various layers of sources
and thus present the work
in a form which was never
heard during Bach's
lifetime. Consequently,
the wish often expressed
by conductors to perform
an authentic version by
Bach could not be easily
achieved. The present
critical, new edition of
the St. John Passion
fulfills this wish and
for the first time makes
available the complete
music of the second
version of the work as it
was performed under
Bach's direction in 1725.
Since a number of
movements were replaced
by others, including the
opening chorus, this
version differs most
dramatically from the
standard version which is
well known today. Score
and part available
separately - see item
CA.3124500.
Five Centuries Of Choral Music For Mixed Voices by Various. For Choral (SATB). C...(+)
Five Centuries Of Choral
Music For Mixed Voices by
Various. For Choral
(SATB). Choral
Collection. Renaissance,
Baroque, Classical
Period, 20th Century and
Vocal Standards.
Difficulty: medium. Vocal
score (6 copies needed
for performance). Vocal
score and piano
accompaniment. 156 pages.
G. Schirmer #ED2529.
Published by G. Schirmer
Composed
by Marten Jansson.
Stapled. Choral score. 14
pages. Baerenreiter
Verlag #BA08521_00.
Published by Baerenreiter
Verlag (BA.BA08521).
ISBN 9790006563203. 27
x 19 cm inches. Key:
E-flat minor. Text
Language:
Latin.
The
“Missa brevis in E
flat minor†for
mixed choir a cappella
has been composed in the
tradition of the short
Mass (without Credo) and
can be easily managed by
most choirs. Thanks to
its conciseness, it is
suitable for use in
church services, while
its delightful harmonic
layout and consciously
simple melodies (with
clear allusions to folk
music) also make it
perfect for concert
performance.
â€
œMy music is my own and
I have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings’ but also as
‘the happiest
classical music that we
have ever
heard‘. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.“
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of
Uppsala.
Please
find a recording of the
“Missa
brevis†performed
by the Ensemble Sonoro,
Neil Ferris (Conductor)
by clicking on
Multimedia.
Choir Secular (SATB choir) SKU: AP.49702 Composed by Lynn Ahrens and Step...(+)
Choir Secular (SATB
choir)
SKU:
AP.49702
Composed by
Lynn Ahrens and Stephen
Flaherty. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-49702. Published by
Alfred Music (AP.49702).
UPC: 038081567891.
English.
This
powerful choral anthem
was written by Broadway
songwriters Lynn Ahrens
and Stephen Flaherty in
honor of the 40th
anniversary of The Gay
Men's Chorus of
Washington, DC. Lynn's
text uses harmony as a
metaphor to represent
acceptance, and Stephen's
inspirational music is a
canvas of hope and
strength. Robust piano,
bass, and drum parts
provide a sturdy pop
accompaniment for three
full voicings designed to
accommodate any four-part
group.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
(Har ar din himmel). Composed by Marten Jansson. For SATB choir. Stapled. Level ...(+)
(Har ar din himmel).
Composed by Marten
Jansson. For SATB choir.
Stapled. Level 4. Choral
score. Language:
Swedish/English. 7 pages.
Published by Baerenreiter
Verlag
1828. Composed by
Franz Schubert. Edited by
Rudiger Bornhoft. This
edition: Urtext. String
Orchestra Conductor
Score. Edition Peters.
Classical. Score.
Composed 1828. 140 pages.
Edition Peters
#98-EP11268. Published by
Edition Peters
(PE.EP11268).
ISBN
9790014110338.
German.
Mass No.6
in Eb Major D950 - SATTB
Soli, SATB Chorus,
Orchestra (full score) -
This mass was written in
1828 in the final months
of Schubert's life. Like
many of his late works,
such as the C Major
Symphony or Die
Winterreise, Schubert
never heard the Mass
himself. The premiere,
given by his brother
Ferdinand in October
1829, met with great
acclaim from the
audience, and further
performances soon
followed. One
contemporary reviewer
called Schubert's final
Mass surely one of his
most profound and perfect
creations. Our new urtext
edition is based on the
autograph score.on the
autograph score.