SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, violin 1, violin 2, cello, guitar - Early intermediate

SKU: GI.G-10297

Composed by Peter M. Kolar. Mass. Sacred. Octavo. With guitar chord names. 64 pages. GIA Publications #10297. Published by GIA Publications (GI.G-10297).

UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición

A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice” is a term used to reference Christ with respect to his second coming, as found in the ancient “O” antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like” in nature—joyful and filled with hope.  ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodías para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodía de soprano, y las líneas de alto y tenor comparten esencialmente una sola armonía en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodía más completa. Los discante y divisi opcionales amplían aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antífonas O antiguas. Este título aparece en el Leccionario entre las opciones de Aleluya para el común de la Santísima Virgen María y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.

By Brian Doerksen. Arranged by Arnold B. Sherman. (SATB). Scripture References: Psalm 29:2 -- Psalm 95:6,9 -- Psalm 100:2 -- Isaiah 55:1 -- Philippians 2:5-11. Call To Worship, Gathering, Jazz/SwingStyle, Praise and Worship, Worshiping, Contemporary and Sacred. Print Music Single (SATB with optional Handbells and Rhythm). 12 pages. Published by Hope Publishing Company.

Composed by J. Rosamond Johnson. Arranged by Heather Sorenson. Shawnee Sacred. Concert, General Worship, Sacred. Octavo. 12 pages. Duration 285 seconds. Published by Shawnee Press

By Henri A. Cesar Malan. Arranged by Jack Schrader. (SATB). Scripture References: Psalm 9:1 -- Psalm 51:15 -- 2 Corinthians 5:14-15. Commitment, Dedication, Devotion, Discipleship, Hymntune, Stewardship, Hymntune and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Arranged by Jack Schrader. For SATB choir. Scripture References: 2 Corinthians 4:7-12 -- 2 Corinthians 12:10. Confidence, Blues, Gospel, Spirituals, Hymntune, Sacred Spiritual. Choral octavo. 12 pages

Composed by Israeli Folk Song. Arranged by Dan Davison. Sws. Octavo. 16 pages. Duration 2 minutes, 57 seconds. BriLee Music #BL1151. Published by BriLee Music

By Stan Pethel. (SATB). Scripture References: Matthew 1:23 -- John 1:14. Hymntune, Hymntune and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

SATB choir

SKU: BP.JH577

Composed by Joan Pinkston. Arranged by Joan Pinkston. Sacred octavos. Sacred. Octavo. Beckenhorst Press #JH577. Published by Beckenhorst Press (BP.JH577).

Printed product.

A tender new setting of the old favorite with freshened lyrics and just enough references to the original tune to warm our hearts with memories. Scored for SATB choir and keyboard. Within the reach of the typical church choir. This piece will become an immediate favorite. Suitable for a time of contemplation in any service of worship.

SATB chorus, piano - late intermediate

SKU: BP.BP2285

Composed by Dan Forrest. Creation; General; Praise / Adoration. With Percussion. Secular. Octavo. Beckenhorst Press #BP2285. Published by Beckenhorst Press (BP.BP2285).

6.875 x 10.5 inches.

Dan Forrest's three settings of Hallelujah Psalms (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement Hallelu Yah, just as the three Psalms do. Optional percussion (inspired by the text of Psalm 150 and the scriptural account the psalmist Asaph playing the cymbals; 1-2 players) adds an additional layer of sparkling energy. May be performed as a set as individual movements, suitable for worship or concert settings.
School, Church, Community AdultCollegiate
Script ure reference: Psalms.

SATB chorus, piano - late intermediate

SKU: BP.BP2286

Composed by Dan Forrest. General; Praise / Adoration; Unity. With Percussion. Secular. Octavo. Beckenhorst Press #BP2286. Published by Beckenhorst Press (BP.BP2286).

6.875 x 10.5 inches.

Dan Forrest's three settings of Hallelujah Psalms (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement Hallelu Yah, just as the three Psalms do. Optional percussion (inspired by the text of Psalm 150 and the scriptural account the psalmist Asaph playing the cymbals; 1-2 players) adds an additional layer of sparkling energy. May be performed as a set as individual movements, suitable for worship or concert settings.
School, Church, Community AdultCollegiate
Script ure reference: Psalms.

SATB chorus, piano - late intermediate

SKU: BP.BP2287

Composed by Dan Forrest. General; Praise / Adoration. With Percussion. Secular. Octavo. Beckenhorst Press #BP2287. Published by Beckenhorst Press (BP.BP2287).

6.875 x 10.5 inches.

Dan Forrest's three settings of Hallelujah Psalms (for SATB choir and piano) range from invigorating to deeply touching to dancing for joy! Each movement begins and ends with the statement Hallelu Yah, just as the three Psalms do. Optional percussion (inspired by the text of Psalm 150 and the scriptural account the psalmist Asaph playing the cymbals; 1-2 players) adds an additional layer of sparkling energy. May be performed as a set as individual movements, suitable for worship or concert settings.
School, Church, Community AdultCollegiate
Script ure reference: Psalms.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106969

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. BWV BWV 69a. Duration 25 minutes. Carus Verlag #CV 31.069/69. Published by Carus Verlag (CA.3106969).

ISBN 9790007206734. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and parts available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106999

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity. Single Part, Organ. BWV BWV 69a. 16 pages. Duration 25 minutes. Carus Verlag #CV 31.069/99. Published by Carus Verlag (CA.3106999).

ISBN 9790007206741. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106959

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. 1x 31.069/71 recorder, 1x 31.069/72 oboe 1, 1x 31.069/73 oboe 2, 1x 31.069/74 oboe 3, 1x 31.069/75 bassoon, 4x 31.069/81 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. BWV BWV 69a. Duration 25 minutes. Carus Verlag #CV 31.069/59. Published by Carus Verlag (CA.3106959).

ISBN 9790007206680. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and parts available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106953

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Vocal score. BWV BWV 69a. 36 pages. Duration 25 minutes. Carus Verlag #CV 31.069/53. Published by Carus Verlag (CA.3106953).

ISBN 9790007186371. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106955

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Choral Score. BWV BWV 69a. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.069/55. Published by Carus Verlag (CA.3106955).

ISBN 9790007186388. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.

Soli SATB, SATB Choir, Blfl, 3 Ob (Ob I auch Obda, Obca), Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3106950

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Full score. BWV BWV 69a. 60 pages. Duration 25 minutes. Carus Verlag #CV 31.069/50. Published by Carus Verlag (CA.3106950).

ISBN 9790007181529. Language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score available separately - see item CA.3106900.