112 Stucke fur gemischten Chor a cappella. Composed by Andreas Gopfert. Edited by Matthias Gopfert. The Mitteldeutsches Chorbuch, the official choirbook of the Deutsches Chorfest [German Choral Festival] 2020 in Leipzig, was compiled by Prof. Andreas Gopfert on commission of the Deutscher Chorverband [German Choral Society]. Breitkopf and Haertel #CHB 5365-00. Published by Breitkopf and Haertel

Composed by Gregor Aichinger. Edited by Andrea Angelini. Text: Liturgy of the Hours. Renaissance treasure. Easter, Marian. Octavo. Published by CanticaNOVA Publications (C5.7080).

By Benjamin Britten (1913-1976). Choir Sacred. For with Piano (SATB choir). Choral (Sacred); Choral Octavo; Masterworks; Worship Resources. Faber Edition. 20th Century; Masterwork; Sacred. Published by Faber Music . 20th Century; Masterwork; Sacred.

Choral SATB Choir and Piano

SKU: PR.412410950

S. N2O. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Performance Score. 58 pages. Duration 19 minutes. Theodore Presser Company #412-41095. Published by Theodore Presser Company (PR.412410950).

UPC: 680160688524.

Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text: Hail Mary. Renaissance treasure. Marian. Octavo. Published by CanticaNOVA Publications (C5.7019).

By Kauflin/Fettke. Choral Anthem and Sacred. Published by Lillenas Publishing Co.

Mixed choir

SKU: HL.49044555

Composed by Hans-Martin Linde. This edition: Saddle stitching. Sheet music. Choral. Octavo. 20 pages. Schott Music #SKR20089. Published by Schott Music (HL.49044555).

ISBN 9790001198622. 8.25x11.75x0.07 inches. German.

Hans-Martin Linde hat nicht nur das Spiel von Blockflote bzw. Traverso auf neue Weise gepragt und zahlreiche Werke fur 'sein' Instrument geschaffen, sondern sich auch als Komponist u.a. von Chormusik einen Namen gemacht. Seine Sechs Eichendorff-Gesange, darunter Vertonungen von bekannten Versdichtungen wie 'Der Abend', 'Der Einsiedler' und 'Wunschelrute' fur vier- bis achtstimmigen gemischten Chor (SSAATTBB) a cappella, hat er Prof. Raphael Immoos und dem Kammerchor der Hochschule fur Musik Basel gewidmet. In der Tat bedarf es bei der Ausfuhrung dieser sechs weltlichen Kompositionen echter Chormusikspezialisten. Doch der Probenaufwand lohnt sich: Denn Linde versteht es auf meisterhafte Weise, die Stimmung dieser romantischen Kleinode einzufangen und ebenso sensibel wie klangintensiv ins neuzeitliche Poetisch-Musikalische zu transportieren.

SATB choir, assembly, keyboard accompaniment, C instrument - Beginning

SKU: GI.G-8598

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Eastertide, OT 28 A, Body and Blood of Christ, OT 22 C, Easter PM, Easter 3 A, Holy Thursday, Easter Vigil, OT 13 A. Celebration Series. Tune Name: Banquet, Ewing. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8598. Published by GIA Publications (GI.G-8598).

UPC: 785147859802. English. Text by Adam M. L. Tice. Scripture: Matthew 22:1–14, Mark 14:22–24, Luke 14:7–24, Luke 24:30–31, John 6:35, 1 Corinthians 11:23–26, Romans 6:8–13, Romans 12:1–2.

Patt erns, a new hymn tune by Sally Ann Morris, is the setting for an intriguing but simple text by Adam Tice that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. Coming Together for Wine and for Bread has a tune that sounds as though it has always been with us—but in actuality, it is from the creative mind of Sally Ann Morris. The coupling of a Morris tune with an Adam Tice text can prove to be very enriching to those who sing the new creation, as well as to those who hear it. This edition offers two such gems! EWING is yoked with an intriguing but simple text that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. C Instrument part is only for This Is My Body, Holy and Good.

SATB Choir

SKU: BT.MUSM570368679

For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679).

Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.

By David Angerman. For SATB Choir. Choral, Lite Trax, Thanksgiving and Sacred. Sheet Music. Published by Shawnee Press.

By Lee Dengler. For SATB Choir. Choral, Communion and Sacred. Sheet Music. Published by Shawnee Press.

Composed by John Rutter (1945-). For SATB choir, a cappella. John Rutter Anniversary Edition. Sacred. Very easy. Vocal score. 8 pages. Duration 2 minutes. Published by Oxford University Press

By Brian Tate. For SATB choir and piano. Octavo. Published by Cypress Choral Music

SATB choir, piano

SKU: LO.10-5397L

Composed by Mark Hayes. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5397L. Published by Lorenz Publishing Company (LO.10-5397L).

ISBN 9780787768065.

This stately collaboration by composer Mark Hayes and lyricist Terry York premiered at the 2019 National ACDA Conference in Kansas City, Missouri. It is a profoundly moving call for living in peace and harmony in all communities--locally, nationally, and internationally. An equally appropriate anthem for community, school, or church choirs, it is accessible and inspiring with piano only or with the optional brass quintet.

SATB choir, piano

SKU: LO.10-5769L

Composed by Ruth Elaine Schram. Choral. Sacred Anthem, Holy Week, Lent. Octavo. Lorenz Publishing Company #10/5769L. Published by Lorenz Publishing Company (LO.10-5769L).

ISBN 9780787778897.

The text of Ruth Elaine Schramâ??s unique Lenten anthem is full of vulnerable honesty, and the beautifully conceived original tune is profoundly melodic. There is just the right amount of repetition in the choral writing which will aid in the learning process, and the melodic keyboard accompaniment creates the perfect atmosphere for Lent, especially with the addition of the optional oboe part.

By Pepper Choplin. For SATB choir, congregation and piano accomapniment (optional orchestration). Choral. Octavo. Published by Shawnee Press.

Composed by Joshua Evanovich. For SATB choir, organ. Sacred Anthem, General, Lent. Octavo. Lorenz Publishing Company #10/4671L. Published by Lorenz Publishing Company

By Joseph M. Martin. For SATB choir. Choral. Octavo. Published by Shawnee Press.

Composed by David Bednall. Secular Choral - Mixed Voices. Vocal score. 20 pages. Duration 8.5'. Oxford University Press #9780193524262. Published by Oxford University Press

SATB choir with piano or full orchestra or wind ensemble (Men's Voices)

SKU: EC.RBM-115

Composed by Randol Alan Bass. Christmas. 21st Century. Choral score. Randol Bass Music #RBM-115. Published by Randol Bass Music (EC.RBM-115).

English.

This work was originally scored for mixed chorus and symphonic wind ensemble, in 2005, for the opening of a new concert hall in Corpus Christi, Texas. The commissioning institution, Texas A & M University at Corpus Christi, asked one of their professors – Dr. Robb Jackson – to write a poem for the occasion and the result formed the basis used by the composer to create this new work. Since the academic institution in question is situated on the Texas coast the writer chose to fill his poem with sea imagery and musical metaphors related to shore-side living. This portrayed well the sense of an ocean-side artistic retreat – appropriate to the dedication of a new concert hall in a coastal community.

SATB choir with piano or full orchestra or wind ensemble

SKU: EC.RBM-115A

Composed by Randol Alan Bass. 21st Century. Choral score. Randol Bass Music #RBM-115A. Published by Randol Bass Music (EC.RBM-115A).

French.

This work was originally scored for mixed chorus and symphonic wind ensemble, in 2005, for the opening of a new concert hall in Corpus Christi, Texas. The commissioning institution, Texas A & M University at Corpus Christi, asked one of their professors – Dr. Robb Jackson – to write a poem for the occasion and the result formed the basis used by the composer to create this new work. Since the academic institution in question is situated on the Texas coast the writer chose to fill his poem with sea imagery and musical metaphors related to shore-side living. This portrayed well the sense of an ocean-side artistic retreat – appropriate to the dedication of a new concert hall in a coastal community.

SATB/opt. Cello Cello; Choral (SATB + Cello)

SKU: HL.374943

Composed by Heather Sorenson. Brookfield Choral Series. Easter, Holy Week. Octavo. Duration 245 seconds. Published by Brookfield Press (HL.374943).

UPC: 196288017370. 6.75x10.5x0.029 inches. Matthew 26:39-45.

The garden of Gethsemane is the scene for this profoundly emotional sacred tone poem. Full spectrum harmonic writing in the vocal parts brings the shadows of this important moment to life. As the anthem unfolds, the mists of betrayal and abandonment are conveyed with unflinching passion. The dialogue between choir and piano adds an additional layer to this Holy Week offering of musical integrity. Profound!

From Considering Matthew Shepard. Composed by Craig Hella Johnson. Craig Hella Johnson Series. Concert, Festival, Inspirational. Octavo. 20 pages. Published by Hal Leonard

Composed by Brad Nix. Brookfield Easter Choral. A Cappella, Holy Week, Sacred. Octavo. 8 pages. Published by Brookfield Press