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Chorale SATB
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How Love Bleeds
7.40
How Love Bleeds
Chorale SATB
SATB A Cappella
Boosey and Hawkes
These well-known words seem endlessly fruitful for the composer and conjure up s...
(+)
These well-known words seem endlessly fruitful for the composer and conjure up such lovely images which strike each of us in our own way. For me it was the beauty of the language with its flower imagery which made me want to set the words with richly warm harmony and to temper that with gently imitative refrains. The important element in approaching the performance of this carol is the blend and balance of voices. With divisi writing and characteristically colourful harmonies, it is important that each note in the texture is given equal weight. It is also desirable that the tempo should be flexible and that phrase ends should be given a little time, especially at those moments marked either with a comma or tenuto. The final section starting with the upper voices should be ethereal and when the tenors and basses join they should do so gently to balance the upper parts. The bulk of the carol should be conducted in a minim beat, as indicated by the 2/2 time signature. Subdivisions should only be necessary at rallentandos. The piece should flow freely. 3/4 bars can be conducted in one to continue to encourage the carol's flow. Recommended recording: Come out, Lazar - The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College, Cambridge, directed by Sarah MacDonald. / Choeur Mixte (SATB) A Cappella
7.40 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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There Is No Rose Of Such Virtue
Chorale SATB
SATB A Cappella
Boosey and Hawkes
These well-known words seem endlessly fruitful for the composer and conjure up s...
(+)
These well-known words seem endlessly fruitful for the composer and conjure up such lovely images which strike each of us in our own way. For me it was the beauty of the language with its flower imagery which made me want to set the words with richly warm harmony and to temper that with gently imitative refrains. The important element in approaching the performance of this carol is the blend and balance of voices. With divisi writing and characteristically colourful harmonies, it is important that each note in the texture is given equal weight. It is also desirable that the tempo should be flexible and that phrase ends should be given a little time, especially at those moments marked either with a comma or tenuto. The final section starting with the upper voices should be ethereal and when the tenors and basses join they should do so gently to balance the upper parts. The bulk of the carol should be conducted in a minim beat, as indicated by the 2/2 time signature. Subdivisions should only be necessary at rallentandos. The piece should flow freely. 3/4 bars can be conducted in one to continue to encourage the carol's flow. Recommended recording: Come out, Lazar - The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College, Cambridge, directed by Sarah MacDonald. / Choeur Mixte (SATB) A Cappella
4.00 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Couverture
Praise Be To The Lord
3.50
Praise Be To The Lord
Chorale SATB
SATB/SATB (Double)
Hal Leonard
Light and celebratory, this joyous anthem uses rhythmic, ostinato-like vocal lin...
(+)
Light and celebratory, this joyous anthem uses rhythmic, ostinato-like vocal lines to support the melodic theme. A sustained middle section provides contrast, capturing the majesty and mystery of God. Time signature changes and interesting harmonic writing make this a good challenge for more advanced choirs. / Choeur Mixte (SATB)
3.50 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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For Your Eyes Only
5.60
For Your Eyes Only
Chorale SATB
SATB, Piano
Novello & Co Ltd.
This James Bond theme tune was released in 1981 with the film starring Roger Moo...
(+)
This James Bond theme tune was released in 1981 with the film starring Roger Moore. The vocalist, Scottish singer Sheena Easton , beat out the band Blondie to record the song which went on to become a chart success and nominated for an Academy Award. The soaring love song integrates the signature style of Bond themes usually composed by John Barry, but this time written by Bill Conti and Mick Leeson. With a great use of dynamic range this SATB arrangement by Thomas Lydon captures the seduction of the classic Bond film. / Choeur Mixte (SATB) Et Piano
5.60 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Prayers For Peace. SATB Unacc. (Fncw) (L'ESTRANGE ALEXANDER)
4.40
Prayers For Peace. SATB Unacc. (Fncw) (L'ESTRANGE ALEXANDER)
Chorale SATB
SATB
[Partition]
Faber Music Limited
Par L'ESTRANGE ALEXANDER. Prayers for Peace is a collection of three beautiful p...
(+)
Par L'ESTRANGE ALEXANDER. Prayers for Peace is a collection of three beautiful prayer settings by Alexander L'Estrange: God be in my head, Lighten our Darkness, and The Lord's Prayer. Ideal as introits, anthems or in a concert programme, the pieces are testament to L'Estrange's ability to write music which is simple and accessible yet at the same time full of expression and exquisite harmonies. The settings are for unaccompanied SATB but they have an optional piano/organ part to provide support if required. Prayers for Peace is part of Faber Music's exciting ChoralSignature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers, offering a thrilling array of varied styles./ Feuillet / Choeur
4.40 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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