Composed by Vincent Scotto, Geo Koger, Henri Varna, Jean Gauffriau. Collection. Secular. 100 pages. Published by Editions a Coeur Joie (CJ.A135300032).

Composed by Julien Clerc, Jean-Loup Dabadie, Pierre-Gerard Verny. Secular, Chanson. Choir and piano part. 4 pages. Published by Editions a Coeur Joie (CJ.A112200099).

4-Part Choir (SATB)

SKU: HL.48188054

Chants De Noces No 3 Chant. Composed by Emil Cossetto. Leduc. Softcover. Composed 2015. Heugel & Cie #HE32030. Published by Heugel & Cie (HL.48188054).

Cossetto A Plusieurs Voix Pj119 Chants De Noces No 3 Chant 4 Part.

4-Part Choir (SATB)

SKU: HL.48187970

C'Est Le Jour De Noel. Leduc. Softcover. Composed 2015. Heugel & Cie #HE31896. Published by Heugel & Cie (HL.48187970).

Anonym Grimbert A Plusieurs Voix Pj45 C'est Le Jour De Noel 3 & 4 Part.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706000

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Full score. Composed 1856. Op. 4. 112 pages. Duration 45 minutes. Carus Verlag #CV 27.060/00. Published by Carus Verlag (CA.2706000).

ISBN 9790007181697. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706019

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Complete orchestral parts. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1856. Op. 4. Duration 45 minutes. Carus Verlag #CV 27.060/19. Published by Carus Verlag (CA.2706019).

ISBN 9790007199784. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and parts available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706005

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Choral Score. Composed 1856. Op. 4. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.060/05. Published by Carus Verlag (CA.2706005).

ISBN 9790007187095. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706049

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Organ. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Organ. Composed 1856. Op. 4. 32 pages. Duration 45 minutes. Carus Verlag #CV 27.060/49. Published by Carus Verlag (CA.2706049).

ISBN 9790007199791. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706003

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Vocal score. Composed 1856. Op. 4. 60 pages. Duration 45 minutes. Carus Verlag #CV 27.060/03. Published by Carus Verlag (CA.2706003).

ISBN 9790007187088. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, organ, organ ripieno

SKU: CA.2706009

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. 1x 27.060/21 flute 1, 1x 27.060/22 flute 2, 1x 27.060/23 English horn 1, 1x 27.060/24 English horn 2, 5x 27.060/31 trumpet 1, 2 and trombones, 1x 27.060/42 harp. Harmony parts. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Set of Orchestra Parts. Composed 1856. Op. 4. Duration 45 minutes. Carus Verlag #CV 27.060/09. Published by Carus Verlag (CA.2706009).

ISBN 9790007199777. Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and parts available separately - see item CA.2706000.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, Org, Org ripieno

SKU: CA.2706015

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Double bass. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Double Bass. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/15. Published by Carus Verlag (CA.2706015).

Language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Composed by Edgar Cosma. Secular. Full score. 72 pages. Published by Editions a Coeur Joie (CJ.A121900633).