SATB choir and orchestra (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, harp, violin 1&2, viola, cello/bassoon, string bass) - Moderate

SKU: LP.765762202108

A Christmas Celebration for Every Choir. Composed by Thomas Fettke. Arranged by Tom Fettke & Russell Mauldin. Musical. Excel Series. Traditional, Christmas and Sacred. Orchestration on CD-ROM. Duration 38 minutes. Published by Lillenas Publishing Company (LP.765762202108).

UPC: 765762202108. Orchestrated by Russell Mauldin.

Noel & Alleluia! Jesus Is Born, created by Tom Fettke and orchestrated by Russell Mauldin, is the ideal Christmas offering for church choirs of all sizes. With music by some of the Christian music world's most popular artists; such as Michael W. Smith, Keith & Kristyn Getty, Lowell Alexander, and Tom Fettke; this narrated music will resonate with congregations that lean toward a more traditional style of worship, as well as those with a more contemporary bent.

Highlights include a new version of Carol of the Bells by Tom Fettke, Michael W. Smith's Christmas Angels, the beautiful and moving Jesus, Joy of Highest Heaven from contemporary hymn writers Keith and Kristyn Getty, and the fun Hallelujah Jesus Is Born! All of these songs are intertwined and held together by the masterful narrative writings of Claire Cloninger.

For SATB choirs of any size, with minimal solo opportunities, your choir and congregation will be singing Noel & Alleluia! Jesus Is Born all year long.

Arranged by Pamela Robertson. For SATB choir. Advent. Octavo. 8 pages. Published by Hope Publishing Company

Composed by Traditional French Melody. Arranged by Lloyd Larson. Christian. Octavo. Celebrating Grace #810043. Published by Celebrating Grace

SATB choir with children's choir - Moderate

SKU: LP.765762175501

Composed by Dave Clark & Henrietta E. Blair Lelia N. Marris. Arranged by Dave Williamson. Anthems. Praise & Worship and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762175501).

UPC: 765762175501.

Choir s and congregations of all shapes and sizes will love the international flavor and ethnic rhythms of this energetic piece for combined children's and adult choirs. Easy teachable melodies and accessible vocal parts make this a perfect choice for less experienced choirs or those with limited rehearsal time. Infectious fun for all! Instrumentation: Flute Clarinet Horn 1 & 2 Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3 Percussion Rhythm Violin 1 & 2 Viola Cello/Bassoon Substitute Instruments: Keyboard String Reduction; Alto Sax (sub for Horn 1 & 2); Baritone T.C. (sub for Trombone 1 & 2); Clarinet 3 (sub for Viola); Bass Clarinet (sub for Cello/Bassoon).

Composed by Folk melody (Land of Rest). Arranged by Brian Hanson. Sacred. Octavo. Published by Chorister's Guild (CG.CGA1515).

SATB Choir

SKU: HP.8944

Composed by Joel Raney. Cantata. Instrumental parts. 153 pages. Hope Publishing Company #8944. Published by Hope Publishing Company (HP.8944).

UPC: 763628189440.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB choir

SKU: HP.8947

Composed by Joel Raney. Cantata. Listening CD. Hope Publishing Company #8947. Published by Hope Publishing Company (HP.8947).

UPC: 763628189471.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB choir

SKU: HP.8948

Composed by Joel Raney. Cantata. Accompaniment CD. Hope Publishing Company #8948. Published by Hope Publishing Company (HP.8948).

UPC: 763628189488.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB choir

SKU: HP.8943

Composed by Joel Raney. Cantata. Accompaniment CD. Hope Publishing Company #8943. Published by Hope Publishing Company (HP.8943).

UPC: 763628189433.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB Choir

SKU: HP.8949

Composed by Joel Raney. Cantata. Instrumental parts. 24 pages. Hope Publishing Company #8949. Published by Hope Publishing Company (HP.8949).

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

SATB Choir

SKU: HP.8942

Composed by Joel Raney. Cantata. Listening CD. Hope Publishing Company #8942. Published by Hope Publishing Company (HP.8942).

UPC: 763628189426.

Lent & Easter Musical
Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. '

Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112305

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Choral Score. BWV 123. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.123/05. Published by Carus Verlag (CA.3112305).

ISBN 9790007166519. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112349

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. BWV 123. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.123/49. Published by Carus Verlag (CA.3112349).

ISBN 9790007207519. Language: German/English. Text: Fritsch, Ahasverus. Text by Ahasverus Fritsch.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112300

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. BWV 123. 44 pages. Duration 22 minutes. Carus Verlag #CV 31.123/00. Published by Carus Verlag (CA.3112300).

ISBN 9790007164843. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112319

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. BWV 123. Duration 22 minutes. Carus Verlag #CV 31.123/19. Published by Carus Verlag (CA.3112319).

ISBN 9790007166564. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and parts available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112303

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Vocal score. BWV 123. 28 pages. Duration 22 minutes. Carus Verlag #CV 31.123/03. Published by Carus Verlag (CA.3112303).

ISBN 9790007166465. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score available separately - see item CA.3112300.

Orchestra ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112307

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Study score. BWV 123. 44 pages. Duration 22 minutes. Carus Verlag #CV 31.123/07. Published by Carus Verlag (CA.3112307).

ISBN 9790007166748. Language: German/English. Text: Fritsch, Ahasverus. Text by Ahasverus Fritsch.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112313

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. BWV 123. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.123/13. Published by Carus Verlag (CA.3112313).

ISBN 9790007207496. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112314

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. BWV 123. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.123/14. Published by Carus Verlag (CA.3112314).

ISBN 9790007207502. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

By Alisa Bair. For SATB choir, piano, violin, bass tambourine, conga. Concert. Octavo

Composed by Joel Raney. Christmas, Sacred. Octavo. Published by Hope Publishing Company (HP.C6028).

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323819

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. Complete orchestral parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1769. BR-CPEB D 1 (Wq 238). Duration 75 minutes. Carus Verlag #CV 33.238/19. Published by Carus Verlag (CA.3323819).

ISBN 9790007142360. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score and parts available separately - see item CA.3323800.

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323809

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. 1x 33.238/21 flute 1, 1x 33.238/22 flute 2, 1x 33.238/23 oboe 1, 1x 33.238/24 oboe 2, 1x 33.238/25 bassoon, 1x 33.238/31 horn 1, 1x 33.238/32 horn 2, 1x 33.238/33 trumpet 1, 1x 33.238/34 trumpet 2, 1x 33.238/35 trumpet 3, 1x 33.238/41 timpani. Harmony parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1769. BR-CPEB D 1 (Wq 238). Duration 75 minutes. Carus Verlag #CV 33.238/09. Published by Carus Verlag (CA.3323809).

ISBN 9790007212193. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score and parts available separately - see item CA.3323800.

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323849

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. Organ. Sacred vocal music, Oratorios. Single Part, Organ. Composed 1769. BR-CPEB D 1 (Wq 238). 48 pages. Duration 75 minutes. Carus Verlag #CV 33.238/49. Published by Carus Verlag (CA.3323849).

ISBN 9790007212247. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score and part available separately - see item CA.3323800.