By F Jackson. For Choral Collection: Mixed Choir. Published by Oxford University Press.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 2 Tenor Voice Solo, Bass Voice Solo, SATB Choir, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 3trombone, timpani, Str, Org)

SKU: BA.BA05531

Composed by Franz Schubert. Edited by Talia Pecker Berio. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series I, Volume 1a. Complete edition, Score, anthology. D 105. Baerenreiter Verlag #BA05531_00. Published by Baerenreiter Verlag (BA.BA05531).

ISBN 9790006472284. 33.1 x 26.3 cm inches. Key: F major.

Urtext of the New Schubert Edition.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By African-American Spiritual. Arranged by Carla Giomo. For Voices: SATB. Piano. Choral Sacred. Level: easy. 9 pages. Published by GIA Publications.

Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5054).

By Wolfgang Amadeus Mozart. Arranged by Donald Moore. For Opt. Flute. (SATB (with Opt. Sign Language)). Choral Octavo. Peace/Brotherhood. Level: Level 4 (grade L4). Choral Octavo. 8 pages. Published by Alfred Publishing.

For SATB voices (with optional guitar chords). Format: SATB songbook. With choral notation, lyrics, chord names and guitar chord diagrams. Americana, traditional pop and pop vocal. Series: Everybody's Favorite Series #67. 127 pages. 9x12 inches. Published by Music Sales.

SATB choir

SKU: LP.765762187900

Composed by Nick Robertson & Dan Dean Dave Clark. Arranged by Russell Mauldin. Anthems. Inspirational and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762187900).

UPC: 765762187900.

Quiet and worshipful in spirit, All That I Can Say is simply beautiful. Russell Mauldin's light-handed, largely acoustic, orchestration is the perfect complement to the moving lyrics and immensely sing-able melody. Don't miss this gentle reminder that sometimes Holy! Holy! Holy! is all that you can say!

SATB Choir (Mixed choir)

SKU: BA.BA02938

Composed by Leonhard Lechner. Edited by Walther Lipphardt. This edition: complete edition, urtext edition. Linen. Leonhard Lechner Works 8. Messen (Masses). Complete edition, Singing Score, anthology. Composed 1584. Baerenreiter Verlag #BA02938_00. Published by Baerenreiter Verlag (BA.BA02938).

ISBN 9790006427772. 27.6 x 19.8 cm inches.

3 Mess-Kompositionen, 10 Introitus-Kompositionen. Anhang: 3 Modell-Kompositionen zu den Messen. Urtext der Lechner-Gesamtausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB choir/orchestra (Mixed choir: SSATB, Orch)

SKU: BA.BA10557

Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557).

ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911314

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. TVWV 1:1724. Violoncello/double bass. Sacred vocal music, Trinity. Single Part, Cello/Double Bass. TVWV 1:1724. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.113/14. Published by Carus Verlag (CA.3911314).

ISBN 9790007215521. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score and part available separately - see item CA.3911300.

Chorus; Organ (SATB)

SKU: HL.14048029

For SATB Chorus and Organ. Composed by Judith Weir. Choral. Classical. Octavo. Composed 2016. 16 pages. Chester Music #CH82038. Published by Chester Music (HL.14048029).

ISBN 9781785583445. UPC: 888680651626. 6.75x9.75x0.041 inches. English.

Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can enjoy this accessible and festive work.

Choral (SATB) - intermediate

SKU: HL.49001420

(Two Canons). Composed by Gyorgy Ligeti. This edition: Folding. Sheet music. Schott Chorverlag (Choral Music). Beide Kanons sind im strengen Stil gehalten, wirken aber ganz unterschiedlich: Wahrend der erste das Stromen des Flusses in tonaler Harmonik illustriert, versinnbildlicht der zweite (fur Frauenchor gedachte) Kanon wildes Tratschen durch Klangballungen und. Classical. Choral Score. Composed 1947-1952. 4 pages. Duration 3'. Schott Music #C47267. Published by Schott Music (HL.49001420).

ISBN 9790001128063. UPC: 884088085261. 7.5x10.75x0.012 inches. Hungarian - English - German.

Beide Kanons sind im strengen Stil gehalten, wirken aber ganz unterschiedlich: Wahrend der erste das Stromen des Flusses in tonaler Harmonik illustriert, versinnbildlicht der zweite (fur Frauenchor gedachte) Kanon wildes Tratschen durch Klangballungen und Akzentverschiebungen. Die ungarischen, deutschen und englischen Sprachvarianten haben jeweils einen ganz eigenen sprachlichen Reiz.

Solo voices, choir, orchestra (3Soprano Voice Solo, Mezzo Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, bassoon, 2 Hn, 2 Trp, timpani, Str, Continuo)

SKU: BA.BA04070

Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 41. Complete edition, Score. HWV 42. Duration 3 hours. Baerenreiter Verlag #BA04070_00. Published by Baerenreiter Verlag (BA.BA04070).

ISBN 9790006495870. 33 x 26 cm inches. Text Language: Italian. Text: Paolo Antonio Rolli.

Handel� ��s “Deidamia” was premièred on 10 January 1741 only a few weeks after “Imeneo”.
The librettist Paoli Rolli , a previously unsucessful librettist for Handel, delivered with his finest work “Deidamia”. On 10 February 1741 the third and final opera performances of this work took place under Handel’s direction. Oddly enough “Deidamia” would not be performed again until the beginning of the 20th century. This opera is based on the themes of humour and seriousness. The personal harmonising of Heroism (Achilles) and Love ( Deidamia ) build on the essential dramatic features of this work. “Deidamia” is the last great opera in a series of masterpieces: “Orlando”, “Poro”, “Ezio”, “Ariodante”, “Alcina”, “Serse” and “Imeneo”. The vocal score is based on the Urtext of the Halle Handel Editon.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Arranged by Lloyd Larson. For Musicals and Cantatas. (SATB). Sacred. Print Music Collection (Score). 64 pages. Published by Hope Publishing Company.

SATB choir, piano

SKU: LO.30-3859L

Composed by Mark Hayes. Choral. Sacred Anthem. Instrumental score and parts. Lorenz Publishing Company #30/3859L. Published by Lorenz Publishing Company (LO.30-3859L).

UPC: 000308158045.

By John Ness Beck Foundation. (SATB). Choral. Sacred. Published by Beckenhorst Press.

By Lani Smith. For SATB choir. Eastertide, Palm Sunday, Holy Week, Sacred. Level: Easy. Cantata. Published by Lorenz Publishing Company.

Vocal soli, mixed choir, orchestra (Soli, SATB Choir, Orchestra)

SKU: BA.BA05032-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/27. Complete edition, Score, anthology. Baerenreiter Verlag #BA05032_01. Published by Baerenreiter Verlag (BA.BA05032-01).

ISBN 9790006462049. 33 x 26 cm inches. Language: German. Preface: Dürr, Alfred.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Laura Farnell. For SATB choir. Choral. Sacred. Octavo. Published by Neil A. Kjos Music Company

By Thomas. For SATB choir. Sacred. Collection. Published by Concordia Publishing House.

By Bart Millard; Mark Hayes. For SATB choir and piano. Sacred. Sacred Anthem. Published by Monarch Music. (10/3619M)

Featuring: When You Tell Me That You Love Me / When a Man Loves a Woman / To Love Somebody / I'm Gonna Make You Love Me / Love Can Build a Bridge / You Raise Me Up / The Greatest Love of All. Arranged by Greg Gilpin. For Choir. (SATB). Choral Octavo. Pop Choral. Pop. Choral Octavo. 20 pages. Published by Alfred Publishing.

By Seth Houston. For SATB choir, piano. Donald Brinegar Choral Series. Concert. Octavo. Published by Santa Barbara Music Publishing

SATB choir

SKU: LP.765762074323

Arranged for Any Choir. Arranged by Marty Parks. Choral. Any Choir Series. Multicultural and Sacred. Split-channel accompaniment CD. Published by Lillenas Publishing Company (LP.765762074323).

UPC: 765762074323.

Split -channel accompaniment CD can be used for both rehearsal and performance. Each contains the instrumental accompaniment on one channel, vocals on the other. For performance purposes, only the accompaniment channel is normally used. Includes multiple r.

For SATB Choir. Christmas, Choral. Sheet Music. 280 pages. Published by Novello and Co Ltd.

SATB Choir

SKU: BT.MUSM570368679

For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679).

Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.

Choral (SATB)

SKU: HL.35032412

Composed by Joseph M. Martin. Shawnee Sacred. Cantata, General Worship, Sacred, Eastertide. Softcover. Duration 2820 seconds. Published by Shawnee Press (HL.35032412).

ISBN 9781540036537. UPC: 888680826604. 6.75x10.5x0.306 inches.

Festival of Faith is a celebration of the life and ministry of Christ. Through hymns, original anthems and scripture readings, we travel with Him down the dusty roads of Galilee and the ancient stone streets of Jerusalem. We climb the windswept hill of Calvary and enter the garden of resurrection. The orchestration creates a soundscape for this dramatic retelling and a full line of companion products are available to support your rehearsals and performance. This significant work is ideal for performances during Eastertide and will have a lasting impact on your community as they remember the life of the Savior. Songs include: Procession of Faith; And Can It Be That I Should Gain; A Call to Faith; Come to the Mountain; Prayer of Restoration; Festival of Palms; In the Breaking of the Bread; Shadow Garden; I Saw the Cross of Jesus; Easter People, Rise; A Call to Alleluia. Score and Parts for Full Orchestra (fl 1-2, ob/enghn, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Consort (fl, cl, tpt 1-2, tbn, perc, kybd) available as a Printed Edition and as a digital download.

By Many. Arranged by Donald H. Ripplinger. Text: Many. For SATB Choir. Christmas. Published by Jackman Music Corporation.
Level: Medium.