(A Festival of Carols). By Mark Hayes. For SATB choir. Cantatas. Christmas, Sacred. Bulk performance CDs (10 pack). Duration 35 minutes. Published by Lorenz Publishing Company

Composed by Thomas Fettke. Arranged by Thomas Grassi. For SATB choir, piano (with optional orchestration). Cantatas. Christmas. Score with performance CD. Lorenz Publishing Company #65/2067L. Published by Lorenz Publishing Company

Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.

By Russell L. Robinson. For Choir. (SATB). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

(Recalling Christ's Sacrifice). Composed by Lloyd Larson. Arranged by Joel Raney. For SATB choir, piano (with optional full orchestra). Cantatas. Holy Week, Eastertide, Lent. Choral score with performance CD. Lorenz Publishing Company #55/1181L. Published by Lorenz Publishing Company

Composed by Mary McDonald. For SATB choir choir. Musicals. Holy Week. Choral score. Published by Hope Publishing Company

Composed by Michael Trotta. For choir, a cappella. Choral. Grade 3-4. Octavo. Published by Neil A. Kjos Music Company

By Joel Raney / Herbert Frombach. For SATB choir with optional Flute & Cello. Scripture References: Luke 5:20 -- Luke 7:47-50 -- John 11:38-43. Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

Composed by Mark A. Miller. For SATB choir with piano. Sacred anthem. General. Octavo. Published by Chorister's Guild

Composed by Behzad Ranjbaran. SATB chorus. For SATB Choir. Premiere: Ithaca College, Lawrence Doebler conducting. Duration 5 minutes. Theodore Presser Company #312-41854. Published by Theodore Presser Company

SATB chorus and piano - Medium

SKU: JK.01311

Composed by Will L. Thompson ( 1847-1909). Arranged by Brent Jorgensen. Choral A cappella, Choral SATB, Difficulty Medium, Piano Choir, Comfort, Forgiveness, Jesus Christ - Example, Jesus Christ - Savior, Jesus Christ - Second Coming, Love, Mercy, Plan of Salvation, Prayer, Repentance. Christian, Inspirational. Duration 2:15. Jackman Music Corporation #01311. Published by Jackman Music Corporation (JK.01311).

Mark 4:39-41, Psalm 48:14.

New arrangement of the classic hymn for mixed chorus (SATB) and piano, with one verse optional a cappella.
Softly and tenderly Jesus is calling,
Calling for you and for me;
See, on the portals He's waiting and watching,
Watching for you and for me.
Composer: Will L. Thompson ( 1847-1909)
Arranger: Brent Jorgensen
Difficulty: Medium
Performance time: 2:15
Reference: Mark 4:39-41, Psalm 48:14.

Edited by Bob Dingley, composed by George Gershwin (1898-1937), arranged by Mac Huff. Octavo for SATB choir and piano accompaniment. With chord names. Series: Pop choral octavo (SATB). 80 pages. Published by Alfred Publishing.

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7x10.5 inches. 14 pages. Published by Boosey and Hawkes.

Arranged by Mac Huff. SATB Score for SATB chorus. With vocal score, lyrics and spoken text. 55 pages. Published by Hal Leonard.

Choral SATB choir, piano

SKU: CF.CM9713

Composed by Jacob Narverud. 16 pages. Duration 4:01. Carl Fischer Music #CM9713. Published by Carl Fischer Music (CF.CM9713).

ISBN 9781491160084. UPC: 680160918683. Key: G major. English. Robert Bode. Original.

The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support. Performance Notes This lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs: Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto) Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choir Rehearsal Letter C: Middle Level choir only Rehearsal Letter D: High School choir only Rehearsal Letter E to the end: Everyone! Song of the Sound: Running on the beach, digging in the sand, Seaweed in my toes, bucket in my hand. When I'm at the shore, way above the rest, These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam, Swimming far where the land cannot hold us, where the lighthouse calls us home. Flying free above the marshes, soaring high above the sea, Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore: Where the gentle breezes whisper and the mighty breakers roar. We will look to the shining ocean, to the East, where the new day dawned: We will sing a song of the edge of the world and the waiting sky beyond. -Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019) About the Composer: Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com YouTube & Spotify: @jacobnarverud.
The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support.Performance NotesThis lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs:Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto)Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choirRehearsal Letter C: Middle Level choir onlyRehearsal Letter D: High School choir onlyRehearsal Letter E to the end: Everyone!Song of the Sound:Running on the beach, digging in the sand,Seaweed in my toes, bucket in my hand.When I'm at the shore, way above the rest,These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam,Swimming far where the land cannot hold us, where the lighthouse calls us home.Flying free above the marshes, soaring high above the sea,Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore:Where the gentle breezes whisper and the mighty breakers roar.We will look to the shining ocean, to the East, where the new day dawned:We will sing a song of the edge of the world and the waiting sky beyond.-Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019)About the Composer:Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com  YouTube & Spotify: @jacobnarverud.

Choral (SATB)

SKU: HL.1169180

Composed by John Purifoy. Brookfield Christmas Choral. Advent, Christmas, Christmas/Advent Sacred. Octavo. Duration 180 seconds. Published by Brookfield Press (HL.1169180).

UPC: 196288124627. 6.75x10.5x0.029 inches. Colossians 1:5-20, Isaiah 40:9-11, Luke 2:1-7.

A well-known seasonal folk song is given wings in a text designed especially for Advent. Articulating the themes of hope, peace, love, joy and light, this winsome tune is creatively arranged for choirs of any size.

By Hillier. For Choral Collection: Mixed Choir. Published by Oxford University Press.

By Daniel Semsen. For SATB choir with optional children's voices. Moderate. Choral score. Duration 50 minutes. Published by Word Music

By Daniel Semsen. For SATB choir with optional children's voices. Moderate. DVD preview pack. Duration 50 minutes. Published by Word Music

By John Foley. Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Mark A. Miller. For SATB choir with piano. Sacred anthem. General. Octavo. Published by Chorister's Guild

The Spirit Of Christmas (Sights and Sounds of the Season). By Phil Barfoot and Lari Goss. Arranged by Lari Goss. For SATB choir. Collection. Modern Christian, Christmas. Choral Book. Published by Word Music

(No. 3 from Three Sacred Songs ). Composed by Derek Healey. For SATB choir, flute, piano ad lib. General, 21st Century. Moderately Difficult. Octavo. Text Language: English. 12 pages. Published by Ione Press

By Carl Nygard, Jr.. For Choral (SATB). Pavane Choral. 4 pages. Pavane Publishing #P1370. Published by Pavane Publishing

SATB choir, piano

SKU: LO.65-2105MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Choral score with performance CD. Medallion Music #65/2105MD. Published by Medallion Music (LO.65-2105MD).

ISBN 9780787767518.

Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

For SATB voices (with optional guitar chords). Format: SATB songbook. With choral notation, lyrics, chord names and guitar chord diagrams. Americana, traditional pop and pop vocal. Series: Everybody's Favorite Series #67. 127 pages. 9x12 inches. Published by Music Sales.

Composed by Colin Brumby. Text: Mark 11:12-14. A tuneful melody for this Scripture passage. General. Octavo. Published by CanticaNOVA Publications (C5.5244).

SATB choir, cantor, priest, assembly, organ accompaniment, flute, oboe, clarinet in B-flat, bassoon, violin 1, violin 2, viola, cello, bass, harp, timpani, percussion

SKU: GI.G-3137S

Composed by Jan Michael Joncas. This edition: Spiral edition. Mass. Sacred. Collection. 96 pages. GIA Publications #3137S. Published by GIA Publications (GI.G-3137S).

Recorded in 1988 and still considered one of the most beautiful mass settings ever written, Michael Joncas's No Greater Love offers cathedral-style music that invites congregational participation. Multiple arrangements allow for flexibility in format and variety of instrumentation. Perfectly suited for Lenten liturgies, No Greater Love uses the Eucharistic Prayer for Reconciliation II, which has as its theme the mystery of reconciliation. The setting includes the beloved song No Greater Love, which has become a popular classic and is used regularly at Catholic Masses year after year. .

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?