((with Apologies to the Master) - Optional Score and Parts). By David Eddleman. ...(+)
((with Apologies to the
Master) - Optional Score
and Parts). By David
Eddleman. For SATB,
Synthesizer, Electric
Keyboard, Marimba,
Vibraphone, Guitar, Bass
Guitar, Contrabass, Drum
Set. Choral Part(s).
Standard notation. 18
pages
Abana Chorale SATB SATB, Clavier [Octavo] GIA Publications
(Arabic Lord's Prayer). Composed by Laila Constantine. Arranged by Greg Scheer. ...(+)
(Arabic Lord's Prayer).
Composed by Laila
Constantine. Arranged by
Greg Scheer. For SATB
choir, keyboard
accompaniment. OT 17 C.
Calvin Institute. Sacred.
Easy. Octavo. 8 pages.
Published by GIA
Publications
Early, My God Chorale SATB SATB A Cappella Pavane Publishing
With works by Poncar, Borovicka, Manas and others. Composed by Kevin A. Memley...(+)
With works by Poncar,
Borovicka, Manas and
others.
Composed by Kevin A.
Memley.
This edition: Saddle
stitching. Sheet music.
Pavane Secular. A
Cappella,
Concert, Sacred. 1499. 4
pages. Pavane Publishing
#P1499. Published by
Pavane
Publishing
Choral SATB choir SKU: CF.CM9515 Musica popular de Cantabria. Comp...(+)
Choral SATB choir
SKU:
CF.CM9515
Musica
popular de Cantabria.
Composed by Javier Busto
Sagrado. Fold.
Performance Score. With
Standard notation. 12
pages. Carl Fischer Music
#CM9515. Published by
Carl Fischer Music
(CF.CM9515).
ISBN
9781491149928. UPC:
680160907427. 6.875 x
10.5 inches.
Javier
Busto's Tres Cantas
Cantabras for SATB a
cappella, edited by John
Ratledge, was written
with a strong desire to
not ruin such beautiful
popular melodies. In the
first lullaby, the child
is being put to bed,
while the second lullaby
represents the child
being warned that the
boogeyman is coming. In
the third and final
lullaby, the child
finally drifts off to
sleep.
Choir (SATB choir) SKU: AP.48897 Arranged by Victor C Johnson. Performanc...(+)
Choir (SATB choir)
SKU: AP.48897
Arranged by Victor C
Johnson. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Carol
Arrangement; Christmas;
Multicultural; Sacred;
Traditional; World.
Choral Octavo. 12 pages.
Alfred Music #00-48897.
Published by Alfred Music
(AP.48897).
UPC:
038081562216. English.
Traditional Spanish
Carol.
Victor's
arrangement of this
gentle nativity carol
from Spain is sung
entirely in the original
language (a pronunciation
and translation are
included). This sensitive
treatment captures the
lullaby mood and adds a
light rhythmic
undercurrent in moderate
3/4 time. The tonality
shifts seamlessly between
D minor and D major to
reflect a text that moves
from quieting the baby to
a rushing fountain and
singing birds. While the
words do return, no two
verses are set in the
same manner, creating an
ever-evolving
arrangement. Piano
fingers dance over the
keys with triplet turns
and easily grasp the
bigger chords in the
supportive and stylistic
accompaniment. A nice
contrast on holiday
programs.
Hussar's Dance.
Composed by Eva Kollar
and Jozsef Karai.
Separate edition with
choral collection. Folk
songs and settings of
folk songs, Secular
choral music. Full score.
Composed 2004. Duration 2
minutes. Carus Verlag #CV
03.203/60. Published by
Carus Verlag (CA.320360).
ISBN 9790007156749.
Key: E minor. Language:
Hungarian. Text: Laszlo,
Amade. Text: Amade
Laszlo.
(SATB) SKU: HL.1189830 Composed by T. Villaflor. Arranged by George G. He...(+)
(SATB)
SKU:
HL.1189830
Composed
by T. Villaflor. Arranged
by George G. Hernandez.
Pavane Choral. Octavo.
Duration 205 seconds.
Pavane Publishing #P1736.
Published by Pavane
Publishing (HL.1189830).
UPC: 196288131366.
6.75x10.5x0.029
inches.
George
Hernandez's
ââ¬ÅSaringhimig
Singers Philippine Folk
Song Choral
Seriesââ¬Â has
been delighting choirs
for years. This selection
centers around a charming
and unusual subject: the
flight of the dragonfly.
Using onomatopoetic
sounds to accompany the
story brings life and
energy to the piece. This
is definitely a crowd
pleaser, well suited for
advanced high school or
college choirs.
Composed by Charlie Midnight, Idina Menzel, and Walter Afanasieff. Arranged by G...(+)
Composed by Charlie
Midnight, Idina Menzel,
and Walter Afanasieff.
Arranged by Greg Gilpin.
Choir Secular. SATB
choir. Choral Octavo. Pop
Choral. Christmas;
Secular; Winter. 12
pages. Published by
Alfred Music
Choir Secular (SATB choir) SKU: AP.50250 Composed by Julian R. Fleisher. ...(+)
Choir Secular (SATB
choir)
SKU:
AP.50250
Composed by
Julian R. Fleisher.
Arranged by Lisa DeSpain.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Jazz; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-50250.
Published by Alfred Music
(AP.50250).
UPC:
038081574202.
English.
Broadway
veteran and comedian Ana
Gasteyer's holiday album
is filled with clever
gems like this nifty
novelty number. Can you
think of a rhyme for the
word Christmas? It's
nearly impossible. After
several failed attempts,
grins, chuckles, and
one-liners throughout the
jazzy tune, the lyrics
conclude that we don't
need a rhyme for
Christmas, only you!
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Kantáta pro
sóla, SmÃseny sbor
a orchestr - Kantate
für Soli, gemischten
Chor und Orchester
(1897). Composed by
Leos Janacek. Edited by
Leoš Faltus, Marie
Kucerová, and Miloš
Å tedron. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek
B/1. Complete edition,
Score. Composed 1897.
Duration 28 minutes, 4
seconds. Baerenreiter
Verlag #BA06851_00.
Published by Baerenreiter
Verlag (BA.BA06851).
ISBN 9790006496723.
34.3 x 27.3 cm
inches.
Over the
years Janácek’s
uvre has increasingly
received the recognition
it so richly merits and
performances of his works
are becoming more and
more frequent. This
development is, however,
offset by a manuscript
tradition so disorderly
that some of
Janácek’s works
continue, as before, to
be played in versions
which are heavily
adapted, corrupt or
otherwise contrary to the
composer’s
intentions. Thus, a
critical edition of
Janácek’s music
is indispensable for
scholars and performers
alike.
This
edition presents an
authentic printed text
based on all available
sources for each work. In
addition to the musical
text, each volume also
contains a critical
report (Czech/German), a
rendition of deleted or
rejected versions, and a
comprehensive appendix of
facsimiles.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Solo voices, choir,
orchestra (SATB voice
Solos, SATB Choir,
4Fl(Flote 3 muta in
Piccolo-Flote), 2 Ob,
EnglHn, 3clar, clar-B,
3bsn, bsn-Co, 4Hn, 4Trp,
3tbn, Tb, timp, Tri,
Tr-Kl, Be, Be-Hang, Tam,
Glsp, Gl, Cel, 2 harp,
Org, 2 Violin, Viola,
Cello, Double Bass)
SKU: BA.BA06862
Final version.
Composed by Leos Janacek.
Edited by JirÃ
Zahrádka and Leoš
Faltus. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek.
Series B, Volume 5-I.
Complete edition, Score.
Duration 40 minutes.
Baerenreiter Verlag
#BA06862_00. Published by
Baerenreiter Verlag
(BA.BA06862).
ISBN
9790260105300. 34.2 x
27.3 cm inches. Text
Language: Church
Slavic.
The
Glagolitic Mass, one of
the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
The
recently published
scholarly-critical
edition presents two
different versions of the
work in two separate
volumes: the
“September
1927†version (BA
6863) which the composer
completed before the
first rehearsals and
subsequent premiere in
Brno and the version he
partly reworked for the
first Prague performance
in April 1928 (BA 6862).
This second version was
then revised further and
published after
Janácek’s death
by Universal Edition Wien
in 1930. Known as the
“final authorised
versionâ€, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janácek’s
regular copyist Václav
Sedlácek.
The
“final authorised
version†is the
significant version and
most suited to
performance purposes. The
instrumentation is
richer, it is more
straightforward to
rehearse and several
important passages are
more coherent than in the
earlier version. It is
the later version that is
presented in the vocal
score. The Old Church
Slavonic text has been
prepared by the slavicist
Radoslav Vecerka.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Dramma per musica in 3 acts. Composed by Francesco Cavalli (1602-1676). E...(+)
Dramma per musica in 3
acts. Composed by
Francesco Cavalli
(1602-1676). Edited by
Alvaro Torrente; Nicola
Badolato. This edition:
Edition of selected
works, Urtext edition.
Linen. Francesco Cavalli.
Opere. Score. Duration 3
hours. Baerenreiter
Verlag #BA08901-01.
Published by Baerenreiter
Verlag (BA.BA08901-01).
Hallelujah Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-8618 From Mes...(+)
SATB choir, piano
accompaniment -
Intermediate
SKU:
GI.G-8618
From
Messiah. Composed by
George Frideric Handel.
Edited by Dennis Shrock.
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day, Easter Day. GIA
Historical Music. Music
Education. Octavo. 12
pages. GIA Publications
#8618. Published by GIA
Publications (GI.G-8618).
The
“Hallelujahâ€
chorus is the final
movement of part two of
Handel’s Messiah,
the part that comments on
Christ’s
crucifixion,
resurrection, and
ascension. The text of
the chorus, assembled
from Biblical passages by
the oratorio’s
librettist, Charles
Jennens, is from
Revelation 19:6, 11:15,
and 19:16:
“Hallelujah, for
the Lord God omnipotent
reigneth. The kingdom of
this world is become the
kingdom of our Lord and
of his Christ, and he
shall reign for ever and
ever. KING OF KINGS, AND
LORD OF LORDS.â€
This edition has been
prepared from the first
published score in 1767,
with comparisons to
Handel’s autograph
manuscript now housed in
the British Museum. The
text has been reproduced
here without alterations.
However, the beamings of
the vocal parts have been
modernized for ease of
reading (the original
material has flags
instead of beams for
every separate syllable).
The piano accompaniment
is a reduction of the
orchestral material: the
first and second violin
parts are represented in
the upper staff, with
only occasional inclusion
of the viola, trumpet,
and timpani parts, the
basso continuo, in its
original form, is in the
bottom staff. The GIA
Historical Music Series
edited by Dennis Shrock,
presents repertoire
suitable for performance
by public school, college
and university, church,
and community ensembles,
with the purpose of
making available to
today’s conductors
lesser-known and
previously
difficult-to-procure
historical masterpieces.
The music, drawn from the
Renaissance through the
Romantic eras, is in
performance editions
based on the most current
and rigorous scholarly
research. The musical
scores reflect original
intent of notation, with
all editorial markings
and emendations clearly
identified as such. In
addition, preface
material accompanying the
music contains literal
translations of foreign
language texts and
information regarding the
lives of the composers,
genres, and relevant
performance practices.
Dennis Shrock is Director
of Choral Activities at
Texas Christian
University. He has been
called one of the top
choral scholars in the
United States and has
received a number of
awards for his work. He
received a bachelor's
degree in music education
from Westminster Choir
College and both master's
and doctoral degrees in
choral conducting from
Indiana University.
By Sebastian Temple. Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. ...(+)
By Sebastian Temple.
Arranged by Mark Hayes.
For Choir. (SATB).
Choral Octavo. Level:
Level 4 (grade L4).
Choral Octavo. 16 pages.
Published by Alfred
Publishing.
Choral SATB Choir, keyboard SKU: CF.CM8767 For SATB Voices with Keyboa...(+)
Choral SATB Choir,
keyboard
SKU:
CF.CM8767
For SATB
Voices with Keyboard.
Composed by Dana Mengel.
None. Choral. Performance
Score. With Standard
notation. 8 pages. Carl
Fischer Music #CM8767.
Published by Carl Fischer
Music (CF.CM8767).
ISBN 9780825846878.
UPC: 798408046873. 6.875
X 10.5 inches. Key: C
major.
The simple
elegance of unison
men’s and
women’s voices and
graceful accompaniment in
the first verse grows
into an increasingly rich
and compelling four-part
texture that is supported
by a powerful keyboard
accompaniment. Your
congregation will be
embraced by the warmth of
this touching anthem.
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
(Stille Nacht, Heilige Nacht) for SATB Voices and Treble Solo with Keyboard Acco...(+)
(Stille Nacht, Heilige
Nacht) for SATB Voices
and Treble Solo with
Keyboard Accompaniment.
By Franz Gruber. Arranged
by Dana Mengel. Text:
Joseph Mohr. Mixed choir.
For SATB Chorus,
Keyboard, High Voice
Solo. Choral. Choral
Part(s). 12 pages.
Published by Carl
Fischer.