| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo SK...(+)
STB vocal soli, SATB
choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101814 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 4.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 4.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/14. Published by
Carus Verlag
(CA.3101814). ISBN
9790007204877. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108105 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1724. BWV 81. 2
pages. Duration 19
minutes. Carus Verlag #CV
31.081/05. Published by
Carus Verlag
(CA.3108105). ISBN
9790007045432. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score available
separately - see item
CA.3108100. $2.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo SK...(+)
STB vocal soli, SATB
choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101849 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Holy Week. Single Part,
Organ. Composed 1715(?).
BWV 18. 12 pages.
Duration 21 minutes.
Carus Verlag #CV
31.018/49. Published by
Carus Verlag
(CA.3101849). ISBN
9790007204907. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108149 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Organ. Composed 1724. BWV
81. 20 pages. Duration 19
minutes. Carus Verlag #CV
31.081/49. Published by
Carus Verlag
(CA.3108149). ISBN
9790007206864. Key: E
minor. Text language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo SK...(+)
STB vocal soli, SATB
choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101812 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 2.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 2.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/12. Published by
Carus Verlag
(CA.3101812). ISBN
9790007204853. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
Orchestra STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso cont...(+)
Orchestra STB vocal soli,
SATB choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101807 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Holy
Week. Study score.
Composed 1715(?). BWV 18.
32 pages. Duration 21
minutes. Carus Verlag #CV
31.018/07. Published by
Carus Verlag
(CA.3101807). ISBN
9790007165680. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score available
separately - see item
CA.3101800. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins,...(+)
Orchestra ATB vocal soli,
SATB choir, 2 recorders
f1, 2 oboe d'amore, 2
violins, viola, basso
continuo - Level 3
SKU: CA.3108107
Cantata for the 4th
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Study score.
Composed 1724. BWV 81. 52
pages. Duration 19
minutes. Carus Verlag #CV
31.081/07. Published by
Carus Verlag
(CA.3108107). ISBN
9790007045449. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score available
separately - see item
CA.3108100. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108111 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 1. Composed 1724.
BWV 81. 8 pages. Duration
19 minutes. Carus Verlag
#CV 31.081/11. Published
by Carus Verlag
(CA.3108111). ISBN
9790007045463. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108114 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1724. BWV 81. 8
pages. Duration 19
minutes. Carus Verlag #CV
31.081/14. Published by
Carus Verlag
(CA.3108114). ISBN
9790007045494. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo SK...(+)
STB vocal soli, SATB
choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101815 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Cello/Double
Bass. Composed 1715(?).
BWV 18. 8 pages. Duration
21 minutes. Carus Verlag
#CV 31.018/15. Published
by Carus Verlag
(CA.3101815). ISBN
9790007204884. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo SK...(+)
STB vocal soli, SATB
choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101800 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Holy
Week. Full score.
Composed 1715(?). BWV 18.
32 pages. Duration 21
minutes. Carus Verlag #CV
31.018/00. Published by
Carus Verlag
(CA.3101800). ISBN
9790007143190. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108109 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.081/21 recorder 1, 1x
31.081/22 recorder 2, 1x
31.081/23 oboe d'amore 1,
1x 31.081/24 oboe d'amore
2. German title: Jesus
schlaft 4. Sacred vocal
music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1724. BWV 81. 12 pages.
Duration 19 minutes.
Carus Verlag #CV
31.081/09. Published by
Carus Verlag
(CA.3108109). ISBN
9790007045456. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and parts
available separately -
see item CA.3108100. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108112 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1724.
BWV 81. 8 pages. Duration
19 minutes. Carus Verlag
#CV 31.081/12. Published
by Carus Verlag
(CA.3108112). ISBN
9790007045470. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo SK...(+)
STB vocal soli, SATB
choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101811 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola 1.
Sacred vocal music,
Cantatas, Holy Week.
Single Part, Viola 1.
Composed 1715(?). BWV 18.
8 pages. Duration 21
minutes. Carus Verlag #CV
31.018/11. Published by
Carus Verlag
(CA.3101811). ISBN
9790007204846. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and part
available separately -
see item CA.3101800. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Just as the rain and snow fall from heaven (Gleichwie der Regen und Schnee vom Himmel fallt) Chorale SATB Carus Verlag
STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo SK...(+)
STB vocal soli, SATB
choir, 2 recorders,
bassoon, 4 violas, basso
continuo SKU:
CA.3101819 Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Holy Week. Set of
Orchestra Parts. Composed
1715(?). BWV 18. Duration
21 minutes. Carus Verlag
#CV 31.018/19. Published
by Carus Verlag
(CA.3101819). ISBN
9790007204891. Text
language:
German/English. The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800. $121.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108100 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Jesus
schlaft, was soll ich
hoffen. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1724. BWV 81. 52
pages. Duration 19
minutes. Carus Verlag #CV
31.081/00. Published by
Carus Verlag
(CA.3108100). ISBN
9790007045418. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus sleeps, is hope now fading (Jesus schlaft, was soll ich hoffen) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, ba...(+)
ATB vocal soli, SATB
choir, 2 recorders f1, 2
oboe d'amore, 2 violins,
viola, basso continuo -
Level 3 SKU:
CA.3108113 Cantata
for the 4th Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Jesus
schlaft. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Viola. Composed 1724. BWV
81. 8 pages. Duration 19
minutes. Carus Verlag #CV
31.081/13. Published by
Carus Verlag
(CA.3108113). ISBN
9790007045487. Key: E
minor. Language:
German/English. Bac
h composed the cantata
Jesus schlaft, was soll
ich hoffen [Jesus sleeps,
what hope have I] BWV 81
for the fourth Epiphany
Sunday, 1724. The cantata
is structured as a little
drama: In the beginning,
fear prevails. The seas
rage and Jesus is asleep.
The threateningly foaming
waves are vividly
depicted in the soughing
string accompaniment of
the tenor aria. Jesus's
words Ihr Kleinglaubigen,
warum seid ihr so
furchtsam? [You of little
faith, why are you so
fearful?] are set as a
bass arioso at the center
of the cantata; they
provide the turning
point. In the subsequent
bass aria, the towering
seas are silenced. A
recitative - Wohl mir
[Well for me] - leads
into the closing chorale
with its certainty Unter
deinen Schirmen bin ich
vor den Sturmen aller
Feinde frei [Under Your
protection I am spared
the tempests of my
enemies]. Score and part
available separately -
see item CA.3108100. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ariodante, HWV 33 Chorale SATB SATB [Vocal Score] Barenreiter
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
(1)$72.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arioso from Cantata No. 156 Chorale SATB SATB Carl Fischer
By Johann Sebastian Bach (1685-1750). Arranged by Merle J. Isaac. Standard notat...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Merle J. Isaac. Standard
notation
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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