SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119764

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas. Single Part, basso continuo. BWV 197. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.197/64. Published by Carus Verlag (CA.3119764).

ISBN 9790007210557. Text language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
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STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101813

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 3. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 3. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/13. Published by Carus Verlag (CA.3101813).

ISBN 9790007204860. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909911

On the hymn for Pentecost Komm, Heiliger Geist, Herre Gott. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Komm, Heiliger Geis. Sacred vocal music, Missa brevis in Latin, Whitsun. Single Part, Violin 1. Composed 1720. TVWV 9:10. 4 pages. Duration 7 minutes. Carus Verlag #CV 39.099/11. Published by Carus Verlag (CA.3909911).

ISBN 9790007215378. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909912

On the hymn for Pentecost Komm, Heiliger Geist, Herre Gott. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Komm, Heiliger Geis. Sacred vocal music, Missa brevis in Latin, Whitsun. Single Part, Violin 2. Composed 1720. TVWV 9:10. 4 pages. Duration 7 minutes. Carus Verlag #CV 39.099/12. Published by Carus Verlag (CA.3909912).

ISBN 9790007215385. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909905

On the hymn for Pentecost Komm, Heiliger Geist, Herre Gott. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Komm, Heiliger Geis. Sacred vocal music, Missa brevis in Latin, Whitsun. Choral Score. Composed 1720. TVWV 9:10. 8 pages. Duration 7 minutes. Carus Verlag #CV 39.099/05. Published by Carus Verlag (CA.3909905).

ISBN 9790007215361. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score available separately - see item CA.3909900.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101814

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 4. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 4. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/14. Published by Carus Verlag (CA.3101814).

ISBN 9790007204877. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101849

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Holy Week. Single Part, Organ. Composed 1715(?). BWV 18. 12 pages. Duration 21 minutes. Carus Verlag #CV 31.018/49. Published by Carus Verlag (CA.3101849).

ISBN 9790007204907. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909813

Zum Osterfest Christ lag in Todes Banden. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Christ Lag In Todes. Sacred vocal music, Missa brevis in Latin, Easter and Eastertide. Single Part, Viola. Composed 1720. TVWV 9:3. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.098/13. Published by Carus Verlag (CA.3909813).

ISBN 9790007215347. Language: Latin.

Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909819

Zum Osterfest Christ lag in Todes Banden. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Christ Lag In Todes. Sacred vocal music, Missa brevis in Latin, Easter and Eastertide. Set of Orchestra Parts. Composed 1720. TVWV 9:3. Duration 10 minutes. Carus Verlag #CV 39.098/19. Published by Carus Verlag (CA.3909819).

ISBN 9790007134747. Language: Latin.

Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and parts available separately - see item CA.3909800.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101812

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 2. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 2. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/12. Published by Carus Verlag (CA.3101812).

ISBN 9790007204853. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909919

On the hymn for Pentecost Komm, Heiliger Geist, Herre Gott. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Komm, Heiliger Geis. Sacred vocal music, Missa brevis in Latin, Whitsun. Set of Orchestra Parts. Composed 1720. TVWV 9:10. Duration 7 minutes. Carus Verlag #CV 39.099/19. Published by Carus Verlag (CA.3909919).

ISBN 9790007134730. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and parts available separately - see item CA.3909900.

Orchestra STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101807

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Holy Week. Study score. Composed 1715(?). BWV 18. 32 pages. Duration 21 minutes. Carus Verlag #CV 31.018/07. Published by Carus Verlag (CA.3101807).

ISBN 9790007165680. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score available separately - see item CA.3101800.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101815

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Holy Week. Single Part, Cello/Double Bass. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/15. Published by Carus Verlag (CA.3101815).

ISBN 9790007204884. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909914

On the hymn for Pentecost Komm, Heiliger Geist, Herre Gott. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Komm, Heiliger Geis. Sacred vocal music, Missa brevis in Latin, Whitsun. Single Part, Cello/Double Bass. Composed 1720. TVWV 9:10. 4 pages. Duration 7 minutes. Carus Verlag #CV 39.099/14. Published by Carus Verlag (CA.3909914).

ISBN 9790007215408. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101800

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Holy Week. Full score. Composed 1715(?). BWV 18. 32 pages. Duration 21 minutes. Carus Verlag #CV 31.018/00. Published by Carus Verlag (CA.3101800).

ISBN 9790007143190. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909812

Zum Osterfest Christ lag in Todes Banden. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Christ Lag In Todes. Sacred vocal music, Missa brevis in Latin, Easter and Eastertide. Single Part, Violin 2. Composed 1720. TVWV 9:3. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.098/12. Published by Carus Verlag (CA.3909812).

ISBN 9790007215330. Language: Latin.

Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909900

On the hymn for Pentecost Komm, Heiliger Geist, Herre Gott. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Komm, Heiliger Geis. Sacred vocal music, Missa brevis in Latin, Whitsun. Full score. Composed 1720. TVWV 9:10. 20 pages. Duration 7 minutes. Carus Verlag #CV 39.099/00. Published by Carus Verlag (CA.3909900).

ISBN 9790007097530. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101811

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola 1. Sacred vocal music, Cantatas, Holy Week. Single Part, Viola 1. Composed 1715(?). BWV 18. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.018/11. Published by Carus Verlag (CA.3101811).

ISBN 9790007204846. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909811

Zum Osterfest Christ lag in Todes Banden. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Christ Lag In Todes. Sacred vocal music, Missa brevis in Latin, Easter and Eastertide. Single Part, Violin 1. Composed 1720. TVWV 9:3. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.098/11. Published by Carus Verlag (CA.3909811).

ISBN 9790007215323. Language: Latin.

Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909800.

SATB choir, basso continuo, [2 oboes, 2 violins, viola, cello, violins/double bass, bassoon]

SKU: CA.3909913

On the hymn for Pentecost Komm, Heiliger Geist, Herre Gott. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Missa Brevis Uber Komm, Heiliger Geis. Sacred vocal music, Missa brevis in Latin, Whitsun. Single Part, Viola. Composed 1720. TVWV 9:10. 4 pages. Duration 7 minutes. Carus Verlag #CV 39.099/13. Published by Carus Verlag (CA.3909913).

ISBN 9790007215392. Key: G major. Language: Latin.

Telemann's Missa brevis on the chorale for Pentecost Komm, Heiliger Geist, Herre Gott is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score and part available separately - see item CA.3909900.

STB vocal soli, SATB choir, 2 recorders, bassoon, 4 violas, basso continuo

SKU: CA.3101819

Cantata for Sexagesima. Leipzig version. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Holy Week. Set of Orchestra Parts. Composed 1715(?). BWV 18. Duration 21 minutes. Carus Verlag #CV 31.018/19. Published by Carus Verlag (CA.3101819).

ISBN 9790007204891. Text language: German/English.

The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and parts available separately - see item CA.3101800.

Kommt, eilet und laufet. By Johann Sebastian Bach. Edited by Leisinger, Ulrich. For SATB soli, SATB choir, 2 recorders, flte, 2 oboes with 1 oboe d'amore, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo. BWV 249. Full score available separately - see item CA.3124900. Oratorios; Stuttgart Urtext editions; Use during church year: Easter and Eastertide. Part: Basso continuo. Language: German/English. Composed 1725. 16 pages. Duration 40 min. Published by Carus Verlag (German import).

SATB vocal soli (solo tenor voice, SATB or select choir), SATB choir, bassoon, 2 trumpets, 2 violins, 2 violas, basso continuo

SKU: CA.1001915

Composed by Philipp Heinrich Erlebach. German title: Siehe, ich verkundige euch. Sacred vocal music, Cantatas, Christmas. Single Part, basso continuo. 4 pages. Carus Verlag #CV 10.019/15. Published by Carus Verlag (CA.1001915).

ISBN 9790007016487. Language: German.

Score available separately - see item CA.1001900.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117417

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, basso continuo. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/17. Published by Carus Verlag (CA.3117417).

ISBN 9790007209704. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

STB vocal soli, SSATB choir, oboe, 3 trumpets, timpani, 2 violin, 2 viola, basso continuo, [2 oboes, taille, bassoon]

SKU: CA.3103119

Cantata for Easter Sunday. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1715. BWV 31. Duration 24 minutes. Carus Verlag #CV 31.031/19. Published by Carus Verlag (CA.3103119).

ISBN 9790007136062. Language: German/English.

The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring - which changed slightly from performance to performance - Bach called upon a five-part choir, three trumpets and timpani, three oboes, taille and bassoon, strings and basso continuo. Score and parts available separately - see item CA.3103100.

STB vocal soli, SSATB choir, oboe, 3 trumpets, timpani, 2 violin, 2 viola, basso continuo, [2 oboes, taille, bassoon]

SKU: CA.3103149

Cantata for Easter Sunday. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Organ. Composed 1715. BWV 31. 16 pages. Duration 24 minutes. Carus Verlag #CV 31.031/49. Published by Carus Verlag (CA.3103149).

ISBN 9790007205515. Language: German/English.

The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring - which changed slightly from performance to performance - Bach called upon a five-part choir, three trumpets and timpani, three oboes, taille and bassoon, strings and basso continuo. Score and part available separately - see item CA.3103100.

STB vocal soli, SSATB choir, oboe, 3 trumpets, timpani, 2 violin, 2 viola, basso continuo, [2 oboes, taille, bassoon]

SKU: CA.3103115

Cantata for Easter Sunday. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Cello/Double Bass. Composed 1715. BWV 31. 12 pages. Duration 24 minutes. Carus Verlag #CV 31.031/15. Published by Carus Verlag (CA.3103115).

ISBN 9790007205508. Language: German/English.

The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring - which changed slightly from performance to performance - Bach called upon a five-part choir, three trumpets and timpani, three oboes, taille and bassoon, strings and basso continuo. Score and part available separately - see item CA.3103100.

STB vocal soli, SSATB choir, oboe, 3 trumpets, timpani, 2 violin, 2 viola, basso continuo, [2 oboes, taille, bassoon]

SKU: CA.3103113

Cantata for Easter Sunday. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Viola 1. Composed 1715. BWV 31. 8 pages. Duration 24 minutes. Carus Verlag #CV 31.031/13. Published by Carus Verlag (CA.3103113).

ISBN 9790007205485. Language: German/English.

The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring - which changed slightly from performance to performance - Bach called upon a five-part choir, three trumpets and timpani, three oboes, taille and bassoon, strings and basso continuo. Score and part available separately - see item CA.3103100.

STB vocal soli, SSATB choir, oboe, 3 trumpets, timpani, 2 violin, 2 viola, basso continuo, [2 oboes, taille, bassoon]

SKU: CA.3103112

Cantata for Easter Sunday. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 2. Composed 1715. BWV 31. 8 pages. Duration 24 minutes. Carus Verlag #CV 31.031/12. Published by Carus Verlag (CA.3103112).

ISBN 9790007205478. Language: German/English.

The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring - which changed slightly from performance to performance - Bach called upon a five-part choir, three trumpets and timpani, three oboes, taille and bassoon, strings and basso continuo. Score and part available separately - see item CA.3103100.