By Johann Rosenmuller. Edited by Tunger, Albrecht. For SATB Choir, Basso continu...(+)
By Johann Rosenmuller.
Edited by Tunger,
Albrecht. For SATB Choir,
Basso continuo. Motets.
Score. Language: German.
Composed 1652. 8 pages.
Duration 3 min. Published
by Carus Verlag (German
import).
Motet. By Johann Pachelbel. Edited by Hans H. Eggebrecht. For Mixed Choir-SATB, ...(+)
Motet. By Johann
Pachelbel. Edited by Hans
H. Eggebrecht. For Mixed
Choir-SATB, Basso
continuo. Singing Score;
Playing Score. Published
by Baerenreiter-Ausgaben
(German import).
By Jan Dismas Zelenka. Edited by Kohlhase, Thomas. Arranged by Paul Horn. For SA...(+)
By Jan Dismas Zelenka.
Edited by Kohlhase,
Thomas. Arranged by Paul
Horn. For SATB Choir,
Basso continuo. ZWV 207.
Full score available
separately - see item
CA.4046100. Occasions:
Praise and thanks; Use
during church year:
Easter and Eastertide.
Part:
Violoncello/Contrabass.
Language: Latin. 2 pages.
Duration 3 min. Published
by Carus Verlag (German
import).
Aus: Sehet, welch eine
Liebe hat uns der Vater
erzeiget. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sehet,
welch eine Liebe. Sacred
vocal music, Christmas.
Full score. Composed
1723. BWV 64,1. 16 pages.
Carus Verlag #CV
01.662/00. Published by
Carus Verlag (CA.166200).
ISBN 9790007005832.
Key: E minor. Language:
German/English.
Aus: Gottlob! nun geht das Jahr zu Ende. By Johann Sebastian Bach. Edited by Hor...(+)
Aus: Gottlob! nun geht
das Jahr zu Ende. By
Johann Sebastian Bach.
Edited by Horn, Paul. For
SATB Choir, Basso
continuo. BWV 28 no. 2.
Sacred, Motets;
Occasions: Psalms; Use
during church year: Holy
Week. Score. Language:
German. Composed 1725. 12
pages. Duration 5 min.
Published by Carus Verlag
(German import).
Te gloriosus Chorale SATB SATB, Basse continue Carus Verlag
(Motetto in Festo Omnium Sanctorium). By Domenico Scarlatti (1685-1757). Edited ...(+)
(Motetto in Festo Omnium
Sanctorium). By Domenico
Scarlatti (1685-1757).
Edited by Robert
Scandrett. For SATB
Choir, Basso continuo.
C-Dur (C major). German
title: Te gloriosus.
Sacred, Motets. Level 3.
Full score. Language:
Latin. 12 pages. Duration
6 mi full score Sacred,
Motets
(Canticum Zachariae). By Jan Dismas Zelenka (1679-1745). Edited by Thomas Kohlha...(+)
(Canticum Zachariae). By
Jan Dismas Zelenka
(1679-1745). Edited by
Thomas Kohlhase. Arranged
by Thomas Kohlhase. For
SATB Choir, Basso
continuo. This edition:
paperbound. ZWV 206. Holy
Week. Level 2. Score.
Language: Latin. 16
pages. Duration 9 min
By Georg Philipp Telemann (1681-1767). For mixed choir (SATB) and basso continuo...(+)
By Georg Philipp Telemann
(1681-1767). For mixed
choir (SATB) and basso
continuo. Moseler
Chorreihe. Choral score.
8 pages. Published by
Moseler Verlag
By Johann Michael Haydn. Edited by Sherman, Charles H. For SATB Choir, Basso con...(+)
By Johann Michael Haydn.
Edited by Sherman,
Charles H. For SATB
Choir, Basso continuo. MH
553. Masses, Latin; Use
during church year: Lent
and Passiontide. Score.
Language: Latin. Composed
1794. 32 pages. Duration
17 min. Published by
Carus Verlag (German
import).
By Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB Choir, Bass...(+)
By Michael Haydn
(1737-1806). Edited by
Charles H. Sherman. For
SATB Choir, Basso
continuo. This edition:
paperbound. MH 552. Latin
Masses; Use during church
year: Lent and
Passiontide. Score.
Language: Latin. Composed
1794. 32 pages. Duration
17 min. Published by
Carus Verlag
Aus: Selva morale et spirituale. By Claudio Monteverdi. Edited by Blazey, David....(+)
Aus: Selva morale et
spirituale. By Claudio
Monteverdi. Edited by
Blazey, David. Arranged
by Paul Horn. For SATB
(SAABar) Choir, [Basso
continuo]. Magnificat;
Occasions: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Advent,
Christmas. Score.
Language: Latin. Composed
1641. 20 pages. Duration
9 min. Published by Carus
Verlag (German import).
Der Herr ist mit mir Chorale SATB SATB, Basse continue [Conducteur et Parties séparées] Barenreiter
Kantate. By Dietrich Buxtehude. Edited by Bruno Grusnick. For Mixed Choir-SATB, ...(+)
Kantate. By Dietrich
Buxtehude. Edited by
Bruno Grusnick. For Mixed
Choir-SATB, Strings,
Basso continuo. Score;
Set of Parts. BuxWv 15.
Published by
Baerenreiter-Ausgaben
(German import).
By Jan Dismas Zelenka. Edited by Kohlhase, Thomas. Arranged by Paul Horn. For SA...(+)
By Jan Dismas Zelenka.
Edited by Kohlhase,
Thomas. Arranged by Paul
Horn. For SATB Choir,
Basso continuo. ZWV 207.
Occasions: Praise and
thanks; Use during church
year: Easter and
Eastertide. Score.
Language: Latin. 8 pages.
Duration 3 min. Published
by Carus Verlag (German
import).
By Georg Philipp Telemann. Edited by Graulich, Gunter. Arranged by Paul Horn. Fo...(+)
By Georg Philipp
Telemann. Edited by
Graulich, Gunter.
Arranged by Paul Horn.
For SATB Choir, Basso
continuo. TVWV 8: 8.
Motets; Occasions:
Prayer. Score. Language:
German. 4 pages. Duration
4 min. Published by Carus
Verlag (German import).
By Johann Rosenmuller. Edited by Tunger, Albrecht. For SATB Choir, Basso continu...(+)
By Johann Rosenmuller.
Edited by Tunger,
Albrecht. For SATB Choir,
Basso continuo. Motets;
Use during church year:
Lent and Passiontide,
Holy Week. Score.
Language: German.
Composed 1652. 8 pages.
Duration 2 min. Published
by Carus Verlag (German
import).
Stabat Mater Chorale SATB SATB, Basse continue [Conducteur] Carus Verlag
By Antonio Caldara (1670-1736). Arranged by Godehard Weithoff. For SATB Choir, B...(+)
By Antonio Caldara
(1670-1736). Arranged by
Godehard Weithoff. For
SATB Choir, Basso
continuo. Occasions:
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Score. Language:
Latin. 4 pages. Duration
3 min
Choir; Orchestra; Early Music SKU: UT.TME-1 Composed by Giovanni Battista...(+)
Choir; Orchestra; Early
Music
SKU:
UT.TME-1
Composed by
Giovanni Battista
Bassani. Edited by
Elisabetta Pasquini.
Hardback (Cloth Hard
Cover). Tesori Musicali
Emiliani (Emilian Musical
Treasures). Classical. Ut
Orpheus #TME 1. Published
by Ut Orpheus (UT.TME-1).
ISBN 9790215316096. 9
x 12 inches.
P
erformance Material on
Hire
[S
olo: SAATB - Str -
Bc]
Thanks to its
patron the Duke Francesco
II, Modena became a
capital city worldwide
for the oratorio genre:
renowned maestro di
cappella in Ferrara, also
Bassani wished to offer
to the Duke his own work,
setting aside for him the
summit of his melodic and
dramaturgical
inventiveness. Accordi
ng to the documents that
we have, the performance
of Giona was
Bassani's debut at the
court of Francesco II.
Born in Padua around
1650, the composer
carried out the main part
of his activities in
Ferrara, where he was
organist (probably from
1667), and maestro di
cappella at the
Accademia della Morte
(from 1683), and
subsequently also at the
Cathedral (from 1686); he
also became a member of
the Accademia Filarmonica
of Bologna (in 1677) and
was committed to
Alessandro II Pico, Duke
of Mirandola and Marquis
of Concordia. In 1712 he
moved to Bergamo, where
he was maestro di
cappella at S. Maria
Maggiore; he died there
on 1st October 1716.
Before his commission in
Modena, the <> - as he was
often called at that time
- had already printed
seven instrumental and
vocal works as well as a
few operas and
oratorios.
By Jan Pieterszoon Sweelinck. Edited by James Jordan. For Voices: SSATB. Instrum...(+)
By Jan Pieterszoon
Sweelinck. Edited by
James Jordan. For Voices:
SSATB. Instruments:
Cello, double bass, or
bassoon (instruments
optional). Keyboard
accompaniment. Latin text
(English provided only
for convenience; not
singable to setting).
Evoking Sound Choral
Series Sacred. Published
by GIA Publications.
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044071
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover. 8
pages. Schott Music
#ED21773-11. Published by
Schott Music
(HL.49044071).
ISBN
9790001199063.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Cantata for the Feast of Annunciation Day. By Johann Sebastian Bach. Edited by M...(+)
Cantata for the Feast of
Annunciation Day. By
Johann Sebastian Bach.
Edited by Matthias Wendt.
For Soprano solo, Tenor
solo, Bass solo, Mixed
Choir-SATB, 2 Violin, 2
Horn, 2 Oboe, Organ,
Strings, Basso continuo.
(SATB). This edition:
Urtext Edition. Piano
Reduction/Vocal Score. 37
pages. Published by
Baerenreiter Verlag
(German import).
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Cantatas, End
of the church year,
Trinity. Single Part,
basso continuo. Composed
1726. BWV 52. 12 pages.
Duration 18 minutes.
Carus Verlag #CV
31.052/14. Published by
Carus Verlag
(CA.3105214).
ISBN
9790007206345. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
Cantata
for Trinity Sunday.
Composed by Johann
Sebastian Bach. Edited by
Tobias Rimek. Arranged by
Angelika Tasler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1724.
BWV 194. 24 pages.
Duration 39 minutes.
Carus Verlag #CV
31.194/14. Published by
Carus Verlag
(CA.3119414).
ISBN
9790007210342. Text
language:
German/English.
The
cantata Hochsterwunschtes
Freudenfest BWV 194 was
composed for an organ
dedication on 2 November
1723 in Stormthal,
Saxony. A year later, and
with just a few
alterations, the cantata
was performed again in
Leipzig on Trinity
Sunday. Our edition takes
this Leipzig version of
1724 as its source. The
special occasion of its
composition is reflected
in the extent of the
composition which has
twelve, instead of the
usual six, movements. The
orchestral scoring is for
strings and three
obbligato oboes. A
special feature of the
cantata is its structure
as an orchestral suite.
The beginning is a
spirited opening chorus
in the style of a French
overture. The bass aria
in the third movement has
the character of a
pastorale, and the
following aria (movement
5) in turn has the
character of a gavotte,
etc. A simple four-part
chorale concludes this
multifaceted composition,
marked by some extremely
heartfelt moments. Score
and part available
separately - see item
CA.3119400.
Funeral
music. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Basso
continuo. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, basso continuo.
TVWV 4:17. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
39.139/14. Published by
Carus Verlag
(CA.3913914).
ISBN
9790007216191. Text
language:
German.
With the
final verse of the Book
of Daniel from the Old
Testament and a related
cantata text, Telemann
mourns the death of a
prominent, but until now
unknown dignitary in a
cantata marked by great
intimacy and with
exquisite
instrumentation. Jakob
Ditmar, the Kantor of the
Nikolaikirche in Berlin,
to whom we owe the
survival of this work,
contributed two beautiful
chorale settings for a
performance in 1757.
First critical edition of
this cantata. Score and
part available separately
- see item
CA.3913900.
Cantata
for the 2nd day of
Pentecost. Composed
by Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Basso continuo.
Sacred vocal music,
Cantatas, Whitsun, Praise
and thanks. Single Part,
basso continuo. Composed
1729. BWV 174. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.174/17. Published by
Carus Verlag
(CA.3117417).
ISBN
9790007209704. Text
language: German/English.
Text: Henrici (Picander),
Christian
Friedrich.
The
cantata Ich liebe den
Hochsten von ganzem
Gemute (I love the
Almighty with all of my
spirit) BWV 174 was
composed for Whit Monday
1729. It probably belongs
to Bach's fourth cycle of
cantatas, known as the
Picander cycle. Most of
the cantata is taken up
by the introductory
Sinfonia. This is a
reworking of the first
movement of the famous
third Brandenburg
Concerto BWV 1048. Bach
took the movement almost
unaltered and simply
added wind parts to
strengthen the sound to
the nine string parts
(three violins, three
violas, three
violoncelli) and basso
continuo - two corni da
caccia and two oboes,
reinforced by two
violins, an oboe da
caccia (taille) and a
viola. The following
movements (aria,
recitative, aria) form a
distinct contrast with
their chamber music
scoring (two oboes or one
or two string parts with
basso continuo). A simple
four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3117400.
Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Basso continuo.
Sacred vocal music,
Cantatas. Single Part,
basso continuo. BWV 197.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.197/64. Published by
Carus Verlag
(CA.3119764).
ISBN
9790007210557. Text
language:
German/English.
Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and part
available separately -
see item CA.3119700.
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext. 1x
31.018/21 flute 1, 1x
31.018/22 flute 2, 1x
31.018/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Holy
Week. Set of Orchestra
Parts. Composed 1715(?).
BWV 18. Duration 21
minutes. Carus Verlag #CV
31.018/09. Published by
Carus Verlag
(CA.3101809).
ISBN
9790007204839. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score and parts
available separately -
see item CA.3101800.
Christmas cantata.
Composed by Johann
Wendelin Glaser. Edited
by Eberhard Hofmann. This
edition: urtext.
Stuttgart Urtext Edition.
Basso continuo. Sacred
vocal music, Cantatas,
Christmas. Single Part,
basso continuo. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 10.018/11.
Published by Carus Verlag
(CA.1001811).
ISBN
9790007189129. Text
language:
German.
Johann
Wendelin Glaser was born
in 1731 in Ostheim vor
der Rhon, Bavaria. In
1751 he became music
director in Wertheim, a
position he held until
his death in 1783. The
300 cantatas by this
exceptionally productive
composer were long
unknown, and were only
rediscovered by chance in
1910. The Christmas
cantata Daran ist
erschienen die Liebe
Gottes comprises five
movements, beginning with
an opening chorus,
followed by alternate
arias and recitatives. A
simple four-part chorale
concludes the work. The
cantata is
easy-to-perform for
choral singers and also
because of its small
instrumental scoring for
just two flutes (or other
melody instruments) and
basso continuo. Score and
part available separately
- see item
CA.1001800.
Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged b...(+)
Composed by George
Frideric
Handel (1685-1759) and
James
Chepponis. Arranged by
James
Chepponis. Easter, Christ
the
King, Building
Dedication,
Church Anniversary,
Ordination/Installation,
21st
Century,
Praise/Thanksgiving.
Choral score. MorningStar
Music Publishers
#50-4710.
Published by MorningStar
Music Publishers