Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Complete
orchestral parts. Sacred
vocal music, Tantum ergo.
Set of Orchestra Parts. D
750. Duration 4 minutes.
Carus Verlag #CV
70.051/19. Published by
Carus Verlag
(CA.7005119).
ISBN
9790007145347. Key: D
major. Language:
Latin.
Score and
parts available
separately - see item
CA.7005100.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Oboes. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/22. Published by
Carus Verlag
(CA.7030322).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Aus:
Messe in F (2.
Fassung). Composed by
Franz Schubert. Arranged
by Paul Horn. German
title: Messe in F, Dona 2
alt BA. Sacred vocal
music, Mass sections,
Peace and justice. Single
Part, Organ. Composed
1815. D 105. 4 pages.
Carus Verlag #CV
40.656/99. Published by
Carus Verlag
(CA.4065699).
ISBN
9790007219796. Key: F
major. Language:
Latin.
Piano/Vocal
score available
separately - see item
CA.4065653.
Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Double bass.
Sacred vocal music,
Motets. Single Part,
Double Bass. SC. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/15. Published by
Carus Verlag
(CA.2740315).
ISBN
9790007201999. Language:
Latin.
Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300.
Motetto
Pastorale. Composed
by Johann Adolf Hasse.
Edited by Turdis
Rasmussen, Wolfgang
Hochstein. This edition:
Paperbound. Sacred,
Christmas. Reduction for
organ. 12 pages. Duration
7 minutes. Carus Verlag
#CV 40.964/03. Published
by Carus Verlag
(CA.4096403).
ISBN
9790007078942. Key: D
major. Language:
Latin.
This short,
melodious piece with its
charming instrumentation
displays a typically
Christmas colouring
through the use of a
pedal point and a
Sicilian rhythmic figure.
Score available
separately - see item
CA.4096400.
Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Violoncello.
Sacred vocal music,
Motets. Single Part,
Cello. SC. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/14. Published by
Carus Verlag
(CA.2740314).
ISBN
9790007201982. Language:
Latin.
Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in D. Sacred
vocal music, Tantum ergo.
Single Part, Cello/Double
Bass. D 750. 2 pages.
Duration 4 minutes. Carus
Verlag #CV 70.051/14.
Published by Carus Verlag
(CA.7005114).
ISBN
9790007228194. Key: D
major. Language:
Latin.
For Empress Marie
Therese. Composed by
Franz Joseph Haydn.
Edited by Armin Kircher.
German title: Te Deum
(Maria Theresia). Sacred
vocal music, Praise and
thanks. Single Part,
Cello/Double Bass. Hob.
XXIIIc:2. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
51.999/14. Published by
Carus Verlag
(CA.5199914).
ISBN
9790007225827. Language:
Latin.
Joseph Haydn
made two settings of the
Ambrosian song of praise
the Te Deum. The second
of these is a work of
Haydn's last period and
was written around 1800
for the Empress Marie
Therese. Its large
orchestra gives this
work, which makes no use
of solo singers, a
particular splendour of
sound akin to that of the
choruses in Haydn's
Creation. Score and part
available separately -
see item CA.5199900.
Offertorium.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Offertorium In A Tres
Sunt. Sacred vocal music.
Single Part, Cello/Double
Bass. Composed 1815. D
181. 2 pages. Duration 4
minutes. Carus Verlag #CV
70.044/14. Published by
Carus Verlag
(CA.7004414).
ISBN
9790007227821. Key: A
minor. Language:
Latin.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Complete
orchestral parts. Sacred
vocal music, Mass
sections. Set of
Orchestra Parts. D 66.
Duration 6 minutes. Carus
Verlag #CV 70.041/19.
Published by Carus Verlag
(CA.7004119).
ISBN
9790007145668. Key: F
major. Language:
Latin.
Score and
parts available
separately - see item
CA.7004100.
Heiligmesse.
Composed by Franz Joseph
Haydn. Edited by Andreas
Traub. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
Haydn: Heiligmesse In B
Xxii:10. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. Hob.
XXII:10. Duration 50
minutes. Carus Verlag #CV
40.608/19. Published by
Carus Verlag
(CA.4060819).
ISBN
9790007133252. Language:
Latin.
The Missa
Sti Bernardi von Offida
(1796) stands at the
beginning of Joseph
Haydn's late works. The
Mass earned its nickname
because in the Sanctus
Haydn quoted the then
well-known sacred hymn
Heilig, heilig, heilig.
The text of the music for
this critical edition
presents the work with
the complete scoring for
winds, including the
clarinets and horns
missing in the autograph
score and the first
edition. The optional
horn parts are contained
in the appendix and as
part of the performance
material. However, these
parts cannot be dispensed
with if we wish to fully
re-create the Mass within
the context of
Eisenstadt. Score and
parts available
separately - see item
CA.4060800.
Composed by Vincenzo
Bellini. Complete
orchestral parts. Sacred
vocal music, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Duration
6 minutes. Carus Verlag
#CV 40.061/19. Published
by Carus Verlag
(CA.4006119).
ISBN
9790007217259. Language:
Latin.
Score and
parts available
separately - see item
CA.4006100.
Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Violin 1.
Sacred vocal music,
Motets. Single Part,
Violin 1. SC. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
27.403/11. Published by
Carus Verlag
(CA.2740311).
ISBN
9790007201951. Language:
Latin.
Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300.
Fragment, completed by
Maximilian Stadler.
Composed by Wolfgang
Amadeus Mozart. Edited by
Bernhard Janz. Arranged
by Abbe Maximilian
Stadler. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. Kyrie In
C (Erganzung Stadler).
Sacred vocal music, Mass
sections. Single Part,
Violin 1. Composed 1790
(terminus post quem). KV
323. 4 pages. Duration 3
minutes. Carus Verlag #CV
51.323/11. Published by
Carus Verlag
(CA.5132311).
ISBN
9790007224882. Language:
Latin.
Both of the
Kyrie settings in E flat
major K. 322 (1778/79)
and C major K. 323
(probably not prior to
1790) belong to those
works by Mozart which
were only handed down as
incomplete draft scores.
However, in both cases
Mozart's original drafts
were so extensive and
well advanced that Abbe
Maximilian Stadler,
Mozart's friend and known
from the history
associated with the
Requiem, could complete
both settings. In 1830,
for the first edition of
the Kyrie K. 323 Stadler
employed the text of the
Marian Antiphon for
Easter Regina coeli
laetare for the vocal
parts. The Carus edition
presents both the
original text (Kyrie), as
well as the text from the
first edition (Regina
coeli), so that the work
may be performed in the
Mass or in the context of
a solemn Vespers during
the time of Easter. Score
and part available
separately - see item
CA.5132300.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in D. Sacred
vocal music, Tantum ergo.
Choral Score. D 750. 2
pages. Duration 4
minutes. Carus Verlag #CV
70.051/05. Published by
Carus Verlag
(CA.7005105).
ISBN
9790007107802. Key: D
major. Language:
Latin.
Christmas cantata.
Composed by Christian
Ehregott Weinlig. Edited
by Klaus Winkler. Ein
Kind Ist Uns Geboren
(Kantate). Sacred vocal
music, Cantatas, Advent,
Christmas. Set of
Orchestra Parts. Composed
1798. Duration 9 minutes.
Carus Verlag #CV
10.020/19. Published by
Carus Verlag
(CA.1002019).
ISBN
9790007140434. Language:
German.
This is a
beautiful and rewarding
composition by a former
member of the famous St.
Thomas Boys Choir in
Leipzig and later Dresden
Kreuzkantor. Inspite of
the relatively easy level
of difficulty, its effect
will not fail to impress.
This three-movement
Christmas cantata for
mixed choir and orchestra
makes it possible to
perform the piece both in
worship services and in
concert. Score and parts
available separately -
see item CA.1002000.
Christmas cantata.
Composed by Josef Gabriel
Rheinberger. Edited by
Harald Wanger. This
edition: Paperbound.
German title: Der Stern
von Bethlehem. Innovative
practice aids, Sacred
vocal music, Christmas.
Full score. Composed
1890. Op. 164. Duration
48 minutes. Carus Verlag
#CV 50.164/00. Published
by Carus Verlag
(CA.5016400).
ISBN
9790007080211. Language:
German/English. Text: von
Hoffnaass, Franziska
(Fanny). Text: Franziska
(Fanny) von
Hoffnaass.
He who
seeks a moving and
lyrical work with
rewarding roles for the
choir could do no better
than to choose
Rheinberger's Stern von
Bethlehem. In nine scenes
(Expectation, The
shepherds, The appearance
of the angels, The Star,
etc.) the Christmas story
is lyrically portrayed.
Songlike and pastoral
choruses, a heartfelt
soprano part and finally,
the exotic, charming
procession of the Wisemen
through the desert have
insured this work an
increasing popularity. It
was written in 1890 to a
libretto by Rheinberger's
wife Fanny. On account of
their similar scoring,
this work can be easily
combined for a
performance with
Mendelssohn's Vom Himmel
hoch or Die Geburt
Christi.
Composed by Gunther
Martin Gottsche.
Arrangement for choir/
organ. Sacred vocal
music, Magnificats,
Advent. Full score. Op.
Op. 94. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
27.210/45. Published by
Carus Verlag
(CA.2721045).
ISBN
9790007186333. Language:
Latin.
The
Magnificat shows the
typical personal style of
the composer Gunther
Martin Gottsche, who was
inspired by the colorful
harmonics of French
Impressionism as well as
by elements of jazz
music. He has given equal
consideration to both the
vocal line and the ease
of execution as well as
an understanding for the
musical events and a
comprehensible
interpretation of the
text. The work, which was
revised at the beginning
of 2016, is based on an
earlier work commissioned
for the Dresden
Kreuzkirche. A version
with organ accompaniment
(instead of orchestra) is
also available. Score
available separately -
see item CA.2721000.
Composed
by Wilhelm Friedrich
Ernst Bach. Complete
orchestral parts. Sacred
vocal music, Our Father.
Set of Orchestra Parts.
Duration 15 minutes.
Carus Verlag #CV
30.901/19. Published by
Carus Verlag
(CA.3090119).
ISBN
9790007204396. Language:
German/English.
Sco
re and parts available
separately - see item
CA.3090100.
Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Viola. Sacred
vocal music, Motets.
Single Part, Viola. SC. 8
pages. Duration 15
minutes. Carus Verlag #CV
27.403/13. Published by
Carus Verlag
(CA.2740313).
ISBN
9790007201975. Language:
Latin.
Puccini's
first known sacred work
was composed during his
school days at the
Istituto Pacini in Lucca.
It was first performed
there in 1877. The text
was a hymn to the Patron
Saint of Lucca which was
probably written by the
composer himself. The
work was so popular that
by 1880 it had received
three further
performances, though it
was also inserted in the
Messa a 4 voci, after the
Credo. Thereafter it
disappeared from the
music world and was only
first rediscovered in the
1990s. Since, with the
exception of the lack of
a solo tenor in the
piece, it is identical
with this one in the
Messa, for this reason it
would seem only natural
to perform these two
works together. Score and
part available separately
- see item
CA.2740300.
Motetto
Pastorale. Composed
by Johann Adolf Hasse.
Edited by Turdis
Rasmussen, Wolfgang
Hochstein. Violin 1.
Sacred, Christmas. Single
Part, Violin 1. 4 pages.
Duration 7 minutes. Carus
Verlag #CV 40.964/11.
Published by Carus Verlag
(CA.4096411).
ISBN
9790007078973. Key: D
major. Language:
Latin.
This short,
melodious piece with its
charming instrumentation
displays a typically
Christmas colouring
through the use of a
pedal point and a
Sicilian rhythmic figure.
Score and part available
separately - see item
CA.4096400.
Composed by Franz Joseph
Haydn. Edited by Armin
Kircher. German title:
Insanae et vanae curae.
Sacred vocal music,
Motets. Set of Orchestra
Parts. Composed 1775.
Hob. XX:1/13c. Duration
10 minutes. Carus Verlag
#CV 51.995/19. Published
by Carus Verlag
(CA.5199519).
ISBN
9790007133665. Language:
Latin.
For the
revival in the
Burgtheater, Vienna in
March 1784, Haydn
modernized his oratorio
Il ritorno di Tobia. He
added the choruses Ah,
gran Dio and Svanisce in
un momento, the second of
which, called Der Sturm,
was reworked in the
sacred motet Insanae et
vanae curae. This was an
authentic or an
authorized parody. Score
and parts available
separately - see item
CA.5199500.
Motetto
Pastorale. Composed
by Johann Adolf Hasse.
Edited by Turdis
Rasmussen, Wolfgang
Hochstein. Complete
orchestral parts. Sacred
vocal music, Christmas.
Set of Orchestra Parts.
Duration 7 minutes. Carus
Verlag #CV 40.964/19.
Published by Carus Verlag
(CA.4096419).
ISBN
9790007221423. Key: D
major. Language:
Latin.
This short,
melodious piece with its
charming instrumentation
displays a typically
Christmas colouring
through the use of a
pedal point and a
Sicilian rhythmic figure.
Score and parts available
separately - see item
CA.4096400.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Kyrie in F. Sacred vocal
music, Mass sections.
Single Part, Organ.
Composed 1815. D 66. 4
pages. Duration 6
minutes. Carus Verlag #CV
70.041/49. Published by
Carus Verlag
(CA.7004149).
ISBN
9790007227654. Key: F
major. Language:
Latin.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Flutes. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/21. Published
by Carus Verlag
(CA.7030321).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.