STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119422

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 2. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/22. Published by Carus Verlag (CA.3119422).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119411

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/11. Published by Carus Verlag (CA.3119411).

ISBN 9790007210311. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119412

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/12. Published by Carus Verlag (CA.3119412).

ISBN 9790007210328. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119421

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 1. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 1. Composed 1724. BWV 194. 12 pages. Duration 39 minutes. Carus Verlag #CV 31.194/21. Published by Carus Verlag (CA.3119421).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

By Pepper Choplin. For SATB choir and soloist (a cappella). Sacred. Octavo. Published by Monarch Music. (10/3611M)

SATB choir, organ accompaniment - Beginning

SKU: GI.G-5852

Composed by Gary James. Eastertide, Easter 3 A, Holy Thursday. Choral. Sacred. Octavo. 8 pages. GIA Publications #5852. Published by GIA Publications (GI.G-5852).

UPC: 785147585206. English. Text by Brian A. Wren.

This eucharistic hymn with an attractive new tune contains stanzas in unison, canon, SAB, and finally, unison again with free accompaniment. A satisfying, easy learn.

A satisfying, easy learn.

SATB choir, assembly, organ accompaniment - Beginning

SKU: GI.G-7408

Composed by Robert Kreutz. Arranged by John Ferguson. Body and Blood of Christ. Oramos cantando series. Sacred. Octavo. 8 pages. GIA Publications #7408. Published by GIA Publications (GI.G-7408).

UPC: 785147740803. English, Spanish. Translation: Georgina Pando-Connolly. Text by Omer Westendorf.

Ferguso n's classic concertato setting of the evergreen hymn is new again through the inclusion of a recent Spanish translation of the text. The poetry of Westendorf has said so much to believers for so many years, now these sentiments will be appreciated by a widening circle of Christians.

By Jeff Smallman. For SATB Choir, Harp or Piano. Secular. Piano/Vocal Score. Composed 2008. 12 pages. Duration 3:00. Published by Lighthouse Music Publications

(They Are Holy). Composed by Nick Page. Transcontinental Music Choral. 20 pages. Transcontinental Music #993431. Published by Transcontinental Music (HL.191656).

Composed by Daniel Kantor. Spirituals. 21st Century. Octavo. MorningStar Music Publishers #50-8013. Published by MorningStar Music Publishers

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB choir - Grade 2.5

SKU: KJ.8974

Composed by Bradley Ellingboe. Collection. Music for the Church Year. Sacred, Choral. Octavo. Neil A. Kjos Music Company #8974. Published by Neil A. Kjos Music Company (KJ.8974).

UPC: 8402700341.

A haunting melody wafts back and forth between sections throughout the piece. The use of seconds at the beginning and again at the end, pleads to the Lord for mercy. Latin and English; from Ellingboe's Requiem.

Composed by Mark Hayes. Arranged by Mark Hayes. For SATB choir. Faith. Octavo. 12 pages. Published by Hope Publishing Company

Choral (SATB)

SKU: HL.1332353

Composed by Robert Sirota. Judith Clurman Choral Series. Concert. Octavo. Published by Hal Leonard (HL.1332353).

UPC: 196288185925. 6.75x10.5 inches.

Migrants all over the globe are seeking refuge for numerous different reasons: for new life, new joy, new destiny. It takes courage to dream of a life afresh, especially when uprooting one's beginnings for a chance to start over again and the Sirota's have crafted a choral work brimming with daring consonance.

Solo voices, choir, orchestra (3Soprano Voice Solo, Mezzo Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, bassoon, 2 Hn, 2 Trp, timpani, Str, Continuo)

SKU: BA.BA04070

Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 41. Complete edition, Score. HWV 42. Duration 3 hours. Baerenreiter Verlag #BA04070_00. Published by Baerenreiter Verlag (BA.BA04070).

ISBN 9790006495870. 33 x 26 cm inches. Text Language: Italian. Text: Paolo Antonio Rolli.

Handel� ��s “Deidamia” was premièred on 10 January 1741 only a few weeks after “Imeneo”.
The librettist Paoli Rolli , a previously unsucessful librettist for Handel, delivered with his finest work “Deidamia”. On 10 February 1741 the third and final opera performances of this work took place under Handel’s direction. Oddly enough “Deidamia” would not be performed again until the beginning of the 20th century. This opera is based on the themes of humour and seriousness. The personal harmonising of Heroism (Achilles) and Love ( Deidamia ) build on the essential dramatic features of this work. “Deidamia” is the last great opera in a series of masterpieces: “Orlando”, “Poro”, “Ezio”, “Ariodante”, “Alcina”, “Serse” and “Imeneo”. The vocal score is based on the Urtext of the Halle Handel Editon.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Arranged by John Osterhagen. For SATB choir, vocal soloist, a cappella. Choral motet based on familiar Latin chant. Lent. Octavo. Published by CanticaNOVA Publications

SATB choir divisi and organ - Late Intermediate

SKU: MN.56-0076

Composed by Howard Goodall. 21st Century. Instrument parts. Duration 7 minutes, 33 seconds. MorningStar Music Publishers #56-0076. Published by MorningStar Music Publishers (MN.56-0076).

UPC: 688670220791. Latin.

This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Benedictus� �¢â‚¬Â is for SATB divisi and begins with a short 6/8 declamation, then moves into a section where the rhythmic idea is set in a sort of off-the-beat fashion, with all parts divisi playing against each other. A unison section with the off-the-beat motif follows. A majestic “Hosannaâ € follows. The “Agnus Dei” is set in a rubato triple meter in a homophonic style with close chords (also divisi.) At the “miserere,à ¢â‚¬Â the choir 1/choir 2 call and response motif from the “Gloriaâ� �‚¬Â returns. That same motif continues into the “dona nobis pacem,” as the movement (and the entire Mass) ends with a long decrescendo into a quiet call, “Pacem.â� �‚¬Â Duration 7:33.

By Andrew Pryce Jackman. For Mixed Choir and Piano. This edition: X454. Choral octavo

Composed by Kevin Siegfried. Christmas, Sacred, 21st Century. Instrument parts. E.C. Schirmer Publishing #8816. Published by E.C. Schirmer Publishing

SATB choir, organ accompaniment - Beginning

SKU: GI.G-5419

Composed by Raymond H Haan. Ordinary Time 4 A. Choral. Sacred. Octavo. 8 pages. GIA Publications #5419. Published by GIA Publications (GI.G-5419).

Text Source: Matthew 5:10. Text by Raymond H. Haan. Scripture: Matthew 5:10.

Matthew 5:10 in a highly romanticized setting for SATB voices. The organ underpins the choir with moving eighths in the 3/4 section, and toward the end moves into 12/8 against the choir’s 4/4 for the final ten measures. If you like this sort of thing, you’ll love this anthem.

Matthew 5:10 in a highly romanticized setting for SATB voices.