Arranged by Cindy Berry. For Choir. (SATB). Choral Octavo. Church Choral Series. Sacred. Level: Level 4 (grade L4). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Dale Wood. For SATB choir, 2 trumpets, 2 trombones, handbells 3-octaves. Sacred. Level: Medium. Sacred Anthem. Published by Sacred Music Press. (10/2620S)

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar - Early intermediate

SKU: GI.G-9324

Composed by Jeanne Cotter. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #9324. Published by GIA Publications (GI.G-9324).

UPC: 785147932406. English. Text Source: Based on Ecclesiastes 3:1–9, adapt. JC. Scripture: Ecclesiastes 3:1–9.

The verse lyrics are based on a popular text from Ecclesiastes, and the refrain reminds us we are holy and God’s beloved. Consider it for times of contemplating God’s love for us (say, Thanksgiving Day), or perhaps when members of your community are in need of some assurance, some soothing balm, in their lives. For cantor or soloist.

(O Come, Let Us Adore Him). Composed by R Kevin Boesiger. For SATB choir, piano. Sacred Anthem, Advent, Christmas, Epiphany. Octavo. Published by Lorenz Publishing Company

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068891

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, soprano. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/91. Published by Carus Verlag (CA.4068891).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068892

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, alto. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/92. Published by Carus Verlag (CA.4068892).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068893

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, tenore. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/93. Published by Carus Verlag (CA.4068893).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068894

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, basso. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/94. Published by Carus Verlag (CA.4068894).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Composed by James Mountain. Arranged by John Purifoy. Brookfield Choral Series. General Worship, Sacred. Octavo. 8 pages. Published by Brookfield Press

By Paul Manz. For SATB choir a cappella. Choral Music. Published by MorningStar Music Publishers.

Composed by Robert Convery. E.C. Schirmer Publishing #8999. Published by E.C. Schirmer Publishing

SATB choir, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 2 in B-flat, trombone 1, trombone 2, timpani - Beginning

SKU: GI.G-6002

Music for the Dedication Rites / Música para los Ritos de Dedicación. Composed by David Kauffman. Arranged by William Gokelman. This edition: Book and CD edition. Sacred. Book and CD. With guitar chord names. 64 pages. GIA Publications #6002. Published by GIA Publications (GI.G-6002).

English, Spanish. Text Source: Adapt. from Rite of Dedication, tr. Jaime Cortez; Translation: Jaime Cortez.

It's true that most pastoral musicians never face the challenge of choosing music for the Rite of Dedication of a Church. For those who do, this can be a once-in-a-lifetime event! Specific music is required and the assembly must be educated and prepared for this blessed occasion. In David Kauffman's collection Bless This Church, the same melodic line graces each of the six different texts (each in English and in Spanish) used for the rites of dedication. The repetitive, wonderfully singable tune serves the assembly well, making it easy for the congregation to fully participate in this unique event. Use all six pieces or just one. Assembly reprint boxes in Spanish and in English are included in the music collection. Each and every parish dedicating a new space needs to consider this practical and inspired collection! CONTENTS: Litany of the Saints/Letania de los Santos - Depositing of the Relics/Deposito de las Reliquias - Anointing of the Altar and the Walls/ Unción del Altar y de los Muros - Incensation of the Altar and the Church/Incienso del Altar y la Iglesia - Lighting of the Altar and the Church/ Iluminación del Altar y la Iglesia - Inauguration of the Blessed Sacrament Chapel/Inauguración de la Capilla del Santisimo Sacramento.

SATB choir, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 2 in B-flat, trombone 1, trombone 2, timpani

SKU: GI.G-6002B

Music for the Dedication Rites / Música para los Ritos de Dedicación. Composed by David Kauffman. Arranged by William Gokelman. This edition: Book edition. Sacred. Book. With guitar chord names. 64 pages. GIA Publications #6002B. Published by GIA Publications (GI.G-6002B).

English, Spanish. Text Source: Adapt. from Rite of Dedication, tr. Jaime Cortez; Translation: Jaime Cortez.

It's true that most pastoral musicians never face the challenge of choosing music for the Rite of Dedication of a Church. For those who do, this can be a once-in-a-lifetime event! Specific music is required and the assembly must be educated and prepared for this blessed occasion. In David Kauffman's collection Bless This Church, the same melodic line graces each of the six different texts (each in English and in Spanish) used for the rites of dedication. The repetitive, wonderfully singable tune serves the assembly well, making it easy for the congregation to fully participate in this unique event. Use all six pieces or just one. Assembly reprint boxes in Spanish and in English are included in the music collection. Each and every parish dedicating a new space needs to consider this practical and inspired collection! CONTENTS: Litany of the Saints/Letania de los Santos - Depositing of the Relics/Deposito de las Reliquias - Anointing of the Altar and the Walls/ Unción del Altar y de los Muros - Incensation of the Altar and the Church/Incienso del Altar y la Iglesia - Lighting of the Altar and the Church/ Iluminación del Altar y la Iglesia - Inauguration of the Blessed Sacrament Chapel/Inauguración de la Capilla del Santisimo Sacramento.

SATB a cappella Choral (SATB ACAPPEL)

SKU: HL.365096

Composed by James C. Ward. Arranged by Heather Sorenson. Daybreak Christmas Choral. A Cappella, Christmas. Octavo. Duration 195 seconds. Published by Daybreak Music (HL.365096).

UPC: 840126960822. 6.75x10.5x0.019 inches. Matthew 13:55, Matthew 1:16, Matthew 1:20-21.

This gospel-styled anthem offers a unique perspective by placing Joseph at the center of the lyric. A pleasant change from the usual Christmas repertoire, the ministry of Joseph's faithfulness permeates the message while the music is approachable and endearing. The dialogue between choir and soloist lends an exciting element, adding one more reason to consider this attractive choral offering.

SATB choir, piano reduction - Early intermediate

SKU: GI.G-8621

Composed by Thomas A. Howe. Choral. Choral. Sacred. Octavo. 12 pages. GIA Publications #8621. Published by GIA Publications (GI.G-8621).

UPC: 785147862109. English. Text Source: From the Masnavi; Translation: Reynold A. Nicholson. Text by Rumi.

The verse lyrics are based on a popular text from Ecclesiastes, and the refrain reminds us we are holy and God’s beloved. Consider it for times of contemplating God’s love for us (say, Thanksgiving Day), or perhaps when members of your community are in need of some assurance, some soothing balm, in their lives. .

By David Diamond. Arranged by Judith Clurman. (SATB). Transcontinental Music Choral. Jewish. Size 7x10.5 inches. 12 pages. Published by Transcontinental Music Publications.

By J. Beck. Arranged by J. Beck. (SATB). Choral Collection. Size 6.8x10.5 inches. 56 pages. Published by G Schirmer, Inc.

(A Choral Festival of Traditional Carols). Arranged by Phillip Keveren. For SATB Choir. Christmas. Booklet. Duration 13'00 . Published by Word Music . Booklet. Christmas.

Choir Secular (SATB choir)

SKU: AP.49763

Composed by Mark Burrows. MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Peace/Brotherhood; Secular; Winter. Choral Octavo. 8 pages. Alfred Music #00-49763. Published by Alfred Music (AP.49763).

UPC: 038081568508. English.

When considering various winter holidays, what is the common thread? A candle and a song. Beautiful in its simplicity, here's a quiet celebration crafted to resonate universally. Mark's delicate melody and sweet sonorities float effortlessly over a flowing piano accompaniment. With readable rhythms, easy to learn notes, and sensible vocal ranges, it's intentionally uncomplicated so that the message of the text will clearly speak. Hushed and heartfelt, a memorable moment. This title is available in MakeMusic Cloud.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Mixed choir

SKU: BR.SON-339

Motetten fur 5 Stimmen. Composed by Orlande De Lassus. Edited by Bernhold Schmid. Softbound. Complete Works. Vocal Music Between Genres. Renaissance/early Baroque. Complete Works. 302 pages. Breitkopf and Haertel #SON 339. Published by Breitkopf and Haertel (BR.SON-339).

ISBN 9790004802854. 10.5 x 13.5 inches. Latin.

The present volume contains the Psalmi Davidis Poenitentiales, seven penitential psalms that had already been supplemented with the motet Laudate Dominum de coelis in the first edition (1584). In the Complete Edition, however, the compilation is preceded by the vocal piece S u Su p e r per Super (1567), which experiments with syllables. Though reprinted many times, it was assigned to various genres according to its place of publication: while the piece was considered as a motet in Germany, in France it was classified as a chanson and in Italy as a madrigal a unique case in the reception history of vocal music in the 16th century. To this day we still do not know the significance of the vocal text Super flumina Babylonis, which gradually evolves out of syllables. Perhaps Lasso wanted to depict a biblical scene that evokes the gradual learning of a language.

Choral (SATB Choir)

SKU: HL.233144

Sheet music. Pavane Choral. Festival, Concert. Octavo. Composed 1973. Op. 35. 8 pages. Duration 8'. Pavane Publishing #P1573. Published by Pavane Publishing (HL.233144).

UPC: 888680680428. 6.75x10.5 inches.

This piece is a polite adaptation by famed Scottish poet, Robert Burns, of a traditional bawdy song of the same name. This more charming version presents a poignant and emotive consideration of human relationships and aging. Arranged sensitively for a cappella mixed voices by Michael Weber of North Dakota State University, one feels the lament and the Scottish countryside. Medium in difficulty, for high school, community and college choirs.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002819

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Separate instruments. Sacred concertos, Sacred vocal music, Advent. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 10.028/19. Published by Carus Verlag (CA.1002819).

ISBN 9790007181420. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and parts available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002849

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred concertos, Sacred vocal music, Advent. Single Part, Organ. 4 pages. Duration 4 minutes. Carus Verlag #CV 10.028/49. Published by Carus Verlag (CA.1002849).

ISBN 9790007189389. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and part available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002800

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Full score. 12 pages. Duration 4 minutes. Carus Verlag #CV 10.028/00. Published by Carus Verlag (CA.1002800).

ISBN 9790007171735. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002805

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Choral Score. 8 pages. Duration 4 minutes. Carus Verlag #CV 10.028/05. Published by Carus Verlag (CA.1002805).

ISBN 9790007181352. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800.

Composed by Richard Sorce. Score. Imagine Music Publishing #VMW234. Published by Imagine Music Publishing