By Joseph M. Martin. Words by Joseph M. Martin; Additional text by Cleland B. McAfee (1866-1944). For SATB Choir. Choral. Single Sheet. Published by Shawnee Press.

Choral SATB Choir and Piano

SKU: CF.CM9560

Composed by Jacob Narverud. SWS. Performance Score. With Standard notation. 20 pages. Carl Fischer Music #CM9560. Published by Carl Fischer Music (CF.CM9560).

ISBN 9781491150924. UPC: 680160908424. 6.875 x 10.5 inches.

Young singers are encouraged to examine the numerous aspects and challenges of their lives with positivity, and to always dance your dance. Written in a feeling of one, always moving forward, the varied vocal combinations are supported throughout by an undulating piano accompaniment which sets the whimsical tone for this lovely piece.

By Don Besig, Nancy Price. For SATB Choir and Flute. Sheet Music. Published by Harold Flammer Music.

By David Bednall. Choir Sacred. For with Organ (SATB choir). Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Hymn; Sacred. Early Intermediate. Published by Faber Music

Composed by Richard Burchard. National/Emerson Fred Bock. Octavo. 16 pages. Hal Leonard #NM1082. Published by Hal Leonard

SATB choir

SKU: ST.CN11P

Composed by Edmund Jolliffe. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN11P. Published by Stainer & Bell Ltd. (ST.CN11P).

ISBN 9790220224683.

Alth ough the English madrigal has been fairly described by John Rutter as a completed historical form, its younger sibling the partsong still flourishes in the hands of sympathetic composers like Edmund Jolliffe, who can clothe secular texts with music a cappella that fits their sentiments like a glove. In fact John Donne's verse, though of a later period, receives a setting that might even be described as madrigalean in its sensitive response to verbal rhythm and feeling. And for anyone who treasures the heritage of music for chorus by English composers such as Walton and Britten, and indeed Rutter himself, Jolliffe's command of a tonal idiom that is rich in sensuous detail yet also broadly appealing is an additional pleasure.