By Morten Lauridsen (1943-). SATB A Cappella. Peermusic Classical. Softcover. 14 pages. Peermusic #62129-121. Published by Peermusic

SATB Choir a cappella

SKU: BT.PMC3603

From Nocturnes. Composed by Morten Lauridsen. Peermusic Classical. Classical. Choral Score. 14 pages. Peermusic Classical #PMC3603. Published by Peermusic Classical (BT.PMC3603).

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke's atmospheric Sa nuit d'ete,several melodic themes are supported by dense, colorful harmonies in both the choral and piano parts, leading to a climactic section where all are combined and stated simultaneously. Neruda's Soneto de la Noche, from his CienSonetos de Amor, speaks of an eternal love that transcends death while reaffirming life. My a cappella setting of this gorgeous poem is predominantly quiet, serene and folk-like, utilizing direct harmonies accompanying long,lyrical vocal lines. Agee's wondrous Sure on this Shining Night is set much like a song from the American musical theater, a genre for which I have held a life-long esteem. Rilke's poignant Voici le soir recalls the opening bellsounds and jazz-tinged chords of the first movement and serves as an epilogue, quietly concluding this cycle of night songs as darkness descends. --Morten Lauridsen.

Choral SATB choir, piano

SKU: CF.CM9761

Composed by Dale Peterson. Duration 3 minutes, 37 seconds. Carl Fischer Music #CM9761. Published by Carl Fischer Music (CF.CM9761).

ISBN 9781491162491. UPC: 680160921249. Key: C major. English. Dale Peterson. Original.

The text Can Love Be Found in a Manger? was inspired by the four candles of the Advent Wreath which symbolically represent: hope, peace, joy, and love.  Can we still find these emotions in an event of long ago? Yes! We find them in the manger, in a star’s bright light, in a baby’s first cry, and even “tonight” as we both sing and reflect.The questions asked by the text give an opportunity for the choir to sing beautifully arched phrases with the emphasis on the word found. Do not be reluctant to bring down the dynamics at the end of these phrases. It will be important for the singers to carefully follow the dynamic indications throughout the piece. Be especially careful of intonation and balance in measures 54-56. In measures 87-90, avoid singing the Stille Nacht fragment too loudly.  In the last two measures, sopranos, tenors, and basses should yield to the altos as they move up on the final “tonight.”Whe n sung with sensitivity and thoughtfulness, it is the composer’s wish that hope, peace, joy and love be found by singers and listeners.

(from 'Nocturnes'). By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 12 pages. Peermusic #62128-122. Published by Peermusic

SATB choir (divisi) unaccompanied (SATB) - Moderately Difficult

SKU: OU.9780193378490

Composed by Gabriel Jackson. Secular Choral - Mixed Voices. New Horizons. Vocal score. 12 pages. Duration 5'. Oxford University Press #9780193378490. Published by Oxford University Press (OU.9780193378490).

ISBN 9780193378490. 12 x 8 inches.

For SATB with divisions, unaccompanied This is a sensitive and uplifting setting of a text by Geraldine Atkinson, who tragically died aged 24. The reflective nature of the music makes it particularly suitable for memorials. This piece is suitable for either amateur and professional choirs.

About Oxford New Horizons

N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 4 pages. Peermusic #62330-122. Published by Peermusic

Choral SATB Choir and Piano

SKU: CF.CM9619

Composed by Kyle Pederson. Fold. Jbc. 8 pages. Duration 3 minutes, 48 seconds. Carl Fischer Music #CM9619. Published by Carl Fischer Music (CF.CM9619).

ISBN 9781491156704. UPC: 680160915248. 6.875 x 10.5 inches. Key: F major. English. Original.

The text of the piece was inspired by a conviction that the deepest meanings of Advent/Christmas are alive and meaningful throughout the year. At the heart, the text is a prayer. Musically, the piece affords a great opportunity for each voice section to take turns sharing the melody. Though mostly homophonic, a countermelody is introduced first by the piano, and then reappears in the alto line midway through the piece, providing a nice contrast both texturally and lyrically. The piece builds to a dramatic climax in the final verse, and then scales back down for a contemplative finish. This piece works especially well in the season of Advent and Christmas, though it's themes resonate and would be appropriate throughout the church liturgical year.

SATB Choir, Piano

SKU: CA.926620

From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926620).

ISBN 9790007295592. German.

Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Gedanken uber die Zeit:Paul Fleming was one of the most important lyric poets in German Baroque literature. He wrote his poem Gedanken uber die Zeit in his early twenties; it was first published in 1634 as an epitaph. All the nuances of the concept of time are artistically contrasted, and the motif Zeit (time) is explored and played with in a dialectical manner.The male voices begin in unison at an andante maestoso tempo, followed by a leisurely progress in homophonic writing in a slightly freer rhythm. A lively middle section follows which leads into the opening motif again in the last section. The third section contains a fugue, and the end is unison once again. And so the words are like a manifesto by the poet.

Mixed choir

SKU: BR.SON-341

Composed by Orlande De Lassus. Softbound. Complete Works. After 112 years, a carefully prepared edition. Renaissance/early Baroque. Complete Works. 360 pages. Breitkopf and Haertel #SON 341. Published by Breitkopf and Haertel (BR.SON-341).

ISBN 9790004802991. 10.5 x 13.5 inches. Latin.

This volume of the Lasso Complete Edition was first published in 1900, apparently under unusual time pressure which resulted in a great number of sometimes harmless, and sometimes serious errors, as the editor now writes in his preface, looking back retrospectively. In this respect, the new edition which still modestly calls itself a second printing takes on a particular relevance. The newly engraved and carefully edited musical section is supplemented with extensive texts, many facsimile illustrations, a comprehensive Critical Report and three Appendices in which further pieces are included for which Lassos authorship is practically beyond doubt.

Composed by Mark Patterson. Octavo. Heritage Music Press #15/3407H. Published by Heritage Music Press (LO.15-3407H).

By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry / Neal A. Maxwell / Orrin G. Hatch / David B. Larsen / Olga S. Whitaker / Ruth S. Kapp. For SATB Choir. Level: Medium. Published by Jackman Music Corporation.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104612

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/12. Published by Carus Verlag (CA.3104612).

ISBN 9790007042981. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104649

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Single Part, Organ. Composed 1723. BWV 46. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.046/49. Published by Carus Verlag (CA.3104649).

ISBN 9790007043018. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104605

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Choral Score. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/05. Published by Carus Verlag (CA.3104605).

ISBN 9790007042950. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600.

SATB choir, basso continuo

SKU: CA.2708800

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Full score. 8 pages. Duration 2 minutes. Carus Verlag #CV 27.088/00. Published by Carus Verlag (CA.2708800).

ISBN 9790007165987. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.

SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo

SKU: CA.3124569

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Set of Orchestra Parts. Composed 1725. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/69. Published by Carus Verlag (CA.3124569).

ISBN 9790007097097. Language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and parts available separately - see item CA.3124500.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104609

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. 1x 31.046/21 recorder 1, 1x 31.046/22 recorder 2, 1x 31.046/23 oboe 1, 1x 31.046/24 oboe 2, 1x 31.046/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1723. BWV 46. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.046/09. Published by Carus Verlag (CA.3104609).

ISBN 9790007042967. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and parts available separately - see item CA.3104600.

SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo

SKU: CA.3124550

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Full score. Composed 1725. BWV 245. 208 pages. Duration 120 minutes. Carus Verlag #CV 31.245/50. Published by Carus Verlag (CA.3124550).

ISBN 9790007058272. Language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score available separately - see item CA.3124500.

SATB choir, basso continuo

SKU: CA.2708805

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Choral Score. 4 pages. Duration 2 minutes. Carus Verlag #CV 27.088/05. Published by Carus Verlag (CA.2708805).

ISBN 9790007200213. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708800.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729419

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Complete orchestral parts. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1896/97. Carus Verlag #CV 27.294/19. Published by Carus Verlag (CA.2729419).

ISBN 9790007137137. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2729400.

SATBB vocal soli, SATB choir, 2 flutes, 2 oboes (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violins, viola, basso continuo

SKU: CA.3124589

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Single Part, Organ. Composed 1725. BWV 245. 140 pages. Duration 120 minutes. Carus Verlag #CV 31.245/89. Published by Carus Verlag (CA.3124589).

ISBN 9790007211455. Text language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and part available separately - see item CA.3124500.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729414

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Violoncello. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Cello. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/14. Published by Carus Verlag (CA.2729414).

ISBN 9790007201197. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729412

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Violin 2. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/12. Published by Carus Verlag (CA.2729412).

ISBN 9790007201173. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104619

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1723. BWV 46. Duration 20 minutes. Carus Verlag #CV 31.046/19. Published by Carus Verlag (CA.3104619).

ISBN 9790007136154. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and parts available separately - see item CA.3104600.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729409

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. 1x 27.294/21 flute 1, 1x 27.294/22 flute 2, 1x 27.294/23 flute 3, 1x 27.294/24 oboe 1, 1x 27.294/25 oboe 2, 1x 27.294/26 clarinet 1, 1x 27.294/27 clarinet 2, 1x 27.294/28 bassoon 1, 1x 27.294/29 bassoon 2, 1x 27.294/31 bassoon 3, 1x 27.294/32 bassoon 4, 1. Harmony parts. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1896/97. Carus Verlag #CV 27.294/09. Published by Carus Verlag (CA.2729409).

ISBN 9790007201159. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729415

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Double bass. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Double Bass. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/15. Published by Carus Verlag (CA.2729415).

ISBN 9790007201203. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104613

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/13. Published by Carus Verlag (CA.3104613).

ISBN 9790007042998. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo

SKU: CA.3104603

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Vocal score. Composed 1723. BWV 46. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.046/03. Published by Carus Verlag (CA.3104603).

ISBN 9790007042943. Key: D minor. Language: German/English.

The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729411

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Violin 1. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/11. Published by Carus Verlag (CA.2729411).

ISBN 9790007201166. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.