SATB Choir a cappella SKU: BT.PMC3603 From Nocturnes. Composed by ...(+)
SATB Choir a cappella
SKU: BT.PMC3603
From Nocturnes.
Composed by Morten
Lauridsen. Peermusic
Classical. Classical.
Choral Score. 14 pages.
Peermusic Classical
#PMC3603. Published by
Peermusic Classical
(BT.PMC3603).
Four poems
sharing a common motif of
'Night' provide the texts
for my choral cycle
Nocturnes, the American
Choral Directors
Association's
commissioned work for its
2005 national convention.
For Rilke's atmospheric
Sa nuit d'ete,several
melodic themes are
supported by dense,
colorful harmonies in
both the choral and piano
parts, leading to a
climactic section where
all are combined and
stated simultaneously.
Neruda's Soneto de la
Noche, from his
CienSonetos de Amor,
speaks of an eternal love
that transcends death
while reaffirming life.
My a cappella setting of
this gorgeous poem is
predominantly quiet,
serene and folk-like,
utilizing direct
harmonies accompanying
long,lyrical vocal lines.
Agee's wondrous Sure on
this Shining Night is set
much like a song from the
American musical theater,
a genre for which I have
held a life-long esteem.
Rilke's poignant Voici le
soir recalls the opening
bellsounds and
jazz-tinged chords of the
first movement and serves
as an epilogue, quietly
concluding this cycle of
night songs as darkness
descends. --Morten
Lauridsen.
Choral SATB choir, piano SKU: CF.CM9761 Composed by Dale Peterson. Durati...(+)
Choral SATB choir, piano
SKU: CF.CM9761
Composed by Dale
Peterson. Duration 3
minutes, 37 seconds. Carl
Fischer Music #CM9761.
Published by Carl Fischer
Music (CF.CM9761).
ISBN 9781491162491.
UPC: 680160921249. Key: C
major. English. Dale
Peterson.
Original.
The text
Can Love Be Found in a
Manger? was inspired by
the four candles of the
Advent Wreath which
symbolically represent:
hope, peace, joy, and
love. Can we still
find these emotions in an
event of long ago? Yes!
We find them in the
manger, in a
star’s bright
light, in a baby’s
first cry, and even
“tonight†as
we both sing and
reflect.The questions
asked by the text give an
opportunity for the choir
to sing beautifully
arched phrases with the
emphasis on the word
found. Do not be
reluctant to bring down
the dynamics at the end
of these phrases. It will
be important for the
singers to carefully
follow the dynamic
indications throughout
the piece. Be especially
careful of intonation and
balance in measures
54-56. In measures 87-90,
avoid singing the Stille
Nacht fragment too
loudly. In the last
two measures, sopranos,
tenors, and basses should
yield to the altos as
they move up on the final
“tonight.â€Whe
n sung with sensitivity
and thoughtfulness, it is
the composer’s
wish that hope, peace,
joy and love be found by
singers and
listeners.
Composed by Gabriel
Jackson. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 12
pages. Duration 5'.
Oxford University Press
#9780193378490. Published
by Oxford University
Press (OU.9780193378490).
ISBN 9780193378490. 12
x 8 inches.
For
SATB with divisions,
unaccompanied This is a
sensitive and uplifting
setting of a text by
Geraldine Atkinson, who
tragically died aged 24.
The reflective nature of
the music makes it
particularly suitable for
memorials. This piece is
suitable for either
amateur and professional
choirs.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
Choral SATB Choir and Piano SKU: CF.CM9619 Composed by Kyle Pederson. Fol...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9619
Composed by
Kyle Pederson. Fold. Jbc.
8 pages. Duration 3
minutes, 48 seconds. Carl
Fischer Music #CM9619.
Published by Carl Fischer
Music (CF.CM9619).
ISBN 9781491156704.
UPC: 680160915248. 6.875
x 10.5 inches. Key: F
major. English.
Original.
The text
of the piece was inspired
by a conviction that the
deepest meanings of
Advent/Christmas are
alive and meaningful
throughout the year. At
the heart, the text is a
prayer. Musically, the
piece affords a great
opportunity for each
voice section to take
turns sharing the melody.
Though mostly homophonic,
a countermelody is
introduced first by the
piano, and then reappears
in the alto line midway
through the piece,
providing a nice contrast
both texturally and
lyrically. The piece
builds to a dramatic
climax in the final
verse, and then scales
back down for a
contemplative finish.
This piece works
especially well in the
season of Advent and
Christmas, though it's
themes resonate and would
be appropriate throughout
the church liturgical
year.
SATB Choir, Piano SKU: CA.926620 From: Sonne, Mond und Sterne. Com...(+)
SATB Choir, Piano
SKU:
CA.926620
From:
Sonne, Mond und
Sterne. Composed by
Peter Schindler. Carus
digital: Extra digital
products. Full Score.
Duration 3 minutes.
Published by Carus Verlag
(CA.926620).
ISBN
9790007295592.
German.
Peter
Schindler's full-length
secular choral work
Sonne, Mond und Sterne
(Sun, Moon and Stars)
narrates a love story
based on old texts which
are given a new
interpretation through
these musical settings.
Some individual numbers
were published in spring,
and now more movements
with piano accompaniment
are available in print
and digitally.-
choral work of medium
difficulty- will
appeal to experienced
Brahms Requiem singers as
well as ambitious chamber
or youth choirs with a
gospel, pop or jazz
background-cross-over
between jazz, chanson,
and chamber music
Peter Schindler
about Gedanken uber die
Zeit:Paul Fleming was
one of the most important
lyric poets in German
Baroque literature. He
wrote his poem Gedanken
uber die Zeit in his
early twenties; it was
first published in 1634
as an epitaph. All the
nuances of the concept of
time are artistically
contrasted, and the motif
Zeit (time) is explored
and played with in a
dialectical
manner.The male
voices begin in unison at
an andante maestoso
tempo, followed by a
leisurely progress in
homophonic writing in a
slightly freer rhythm. A
lively middle section
follows which leads into
the opening motif again
in the last section. The
third section contains a
fugue, and the end is
unison once again. And so
the words are like a
manifesto by the poet.
Mixed choir SKU: BR.SON-341 Composed by Orlande De Lassus. Softbound. Com...(+)
Mixed choir
SKU:
BR.SON-341
Composed
by Orlande De Lassus.
Softbound. Complete
Works. After 112 years, a
carefully prepared
edition.
Renaissance/early
Baroque. Complete Works.
360 pages. Breitkopf and
Haertel #SON 341.
Published by Breitkopf
and Haertel (BR.SON-341).
ISBN 9790004802991.
10.5 x 13.5 inches.
Latin.
This volume
of the Lasso Complete
Edition was first
published in 1900,
apparently under unusual
time pressure which
resulted in a great
number of sometimes
harmless, and sometimes
serious errors, as the
editor now writes in his
preface, looking back
retrospectively. In this
respect, the new edition
which still modestly
calls itself a second
printing takes on a
particular relevance. The
newly engraved and
carefully edited musical
section is supplemented
with extensive texts,
many facsimile
illustrations, a
comprehensive Critical
Report and three
Appendices in which
further pieces are
included for which Lassos
authorship is practically
beyond doubt.
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker / Ruth S.
Kapp. For SATB Choir.
Level: Medium. Published
by Jackman Music
Corporation.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Violin 2.
Composed 1723. BWV 46. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.046/12. Published by
Carus Verlag
(CA.3104612).
ISBN
9790007042981. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1723. BWV 46. 16
pages. Duration 20
minutes. Carus Verlag #CV
31.046/49. Published by
Carus Verlag
(CA.3104649).
ISBN
9790007043018. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Choral Score. Composed
1723. BWV 46. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/05. Published by
Carus Verlag
(CA.3104605).
ISBN
9790007042950. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score available
separately - see item
CA.3104600.
SATB choir, basso continuo SKU: CA.2708800 Composed by Johann Christoph A...(+)
SATB choir, basso
continuo
SKU:
CA.2708800
Composed
by Johann Christoph
Altnickol. Edited by Uwe
Wolf. Arranged by
Angelika Tasler. This
edition: urtext.
Stuttgart Urtext Edition.
Sacred vocal music, Mass
sections. Full score. 8
pages. Duration 2
minutes. Carus Verlag #CV
27.088/00. Published by
Carus Verlag
(CA.2708800).
ISBN
9790007165987. Key: F
major. Text language:
Latin.
Ultimately,
he is a pupil for whom I
need not feel
embarrassed, wrote J. S.
Bach, summarizing the
qualities of his
son-in-law to be, J. C:
Altnickol. Altnickol's
two settings of the
Sanctus, based on a
Gregorian cantus firmus,
are among his few works
which have survived.
While in the second of
these compositions he
chose to write a
polyphonic choral
setting, in the first
Sanctus he allows all
four voices of the choir
to sing unisono,
accompanied by a
polyphonically treated
string ensemble. In both
compositions, however, he
proves himself to be a
contrapuntalist fully
worthy of Bach's
appraisal.
Version
II. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Johannespassion 1725.
Sacred vocal music,
Passions, Lent and
Passiontide. Set of
Orchestra Parts. Composed
1725. BWV 245. Duration
120 minutes. Carus Verlag
#CV 31.245/69. Published
by Carus Verlag
(CA.3124569).
ISBN
9790007097097. Language:
German/English.
The
St. John Passion ranks
alongside the St. Matthew
Passion, the Christmas
Oratorio, the Magnificat
and the B minor Mass as
one of the great vocal
works from Johann
Sebastian Bach's Leipzig
years. In contrast to his
other large-scale choral
works, however, Bach
never gave this work a
definitive final form.
Rather, for every
performance he
substantially revised the
general concept of the
piece and also changed
numerous details. All
previous editions of the
St. John Passion have
combined readings from
various layers of sources
and thus present the work
in a form which was never
heard during Bach's
lifetime. Consequently,
the wish often expressed
by conductors to perform
an authentic version by
Bach could not be easily
achieved. The present
critical, new edition of
the St. John Passion
fulfills this wish and
for the first time makes
available the complete
music of the second
version of the work as it
was performed under
Bach's direction in 1725.
Since a number of
movements were replaced
by others, including the
opening chorus, this
version differs most
dramatically from the
standard version which is
well known today. Score
and parts available
separately - see item
CA.3124500.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext. 1x
31.046/21 recorder 1, 1x
31.046/22 recorder 2, 1x
31.046/23 oboe 1, 1x
31.046/24 oboe 2, 1x
31.046/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1723. BWV 46. 40
pages. Duration 20
minutes. Carus Verlag #CV
31.046/09. Published by
Carus Verlag
(CA.3104609).
ISBN
9790007042967. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and parts available
separately - see item
CA.3104600.
Version
II. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Johannespassion 1725.
Sacred vocal music,
Passions, Lent and
Passiontide. Full score.
Composed 1725. BWV 245.
208 pages. Duration 120
minutes. Carus Verlag #CV
31.245/50. Published by
Carus Verlag
(CA.3124550).
ISBN
9790007058272. Language:
German/English.
The
St. John Passion ranks
alongside the St. Matthew
Passion, the Christmas
Oratorio, the Magnificat
and the B minor Mass as
one of the great vocal
works from Johann
Sebastian Bach's Leipzig
years. In contrast to his
other large-scale choral
works, however, Bach
never gave this work a
definitive final form.
Rather, for every
performance he
substantially revised the
general concept of the
piece and also changed
numerous details. All
previous editions of the
St. John Passion have
combined readings from
various layers of sources
and thus present the work
in a form which was never
heard during Bach's
lifetime. Consequently,
the wish often expressed
by conductors to perform
an authentic version by
Bach could not be easily
achieved. The present
critical, new edition of
the St. John Passion
fulfills this wish and
for the first time makes
available the complete
music of the second
version of the work as it
was performed under
Bach's direction in 1725.
Since a number of
movements were replaced
by others, including the
opening chorus, this
version differs most
dramatically from the
standard version which is
well known today. Score
available separately -
see item CA.3124500.
SATB choir, basso continuo SKU: CA.2708805 Composed by Johann Christoph A...(+)
SATB choir, basso
continuo
SKU:
CA.2708805
Composed
by Johann Christoph
Altnickol. Edited by Uwe
Wolf. Arranged by
Angelika Tasler. This
edition: urtext.
Stuttgart Urtext Edition.
Sacred vocal music, Mass
sections. Choral Score. 4
pages. Duration 2
minutes. Carus Verlag #CV
27.088/05. Published by
Carus Verlag
(CA.2708805).
ISBN
9790007200213. Key: F
major. Text language:
Latin.
Ultimately,
he is a pupil for whom I
need not feel
embarrassed, wrote J. S.
Bach, summarizing the
qualities of his
son-in-law to be, J. C:
Altnickol. Altnickol's
two settings of the
Sanctus, based on a
Gregorian cantus firmus,
are among his few works
which have survived.
While in the second of
these compositions he
chose to write a
polyphonic choral
setting, in the first
Sanctus he allows all
four voices of the choir
to sing unisono,
accompanied by a
polyphonically treated
string ensemble. In both
compositions, however, he
proves himself to be a
contrapuntalist fully
worthy of Bach's
appraisal. Score
available separately -
see item CA.2708800.
Composed by Giuseppe
Verdi. Edited by Albrecht
Gaub. Arranged by
Christiane Hulsmann.
Complete orchestral
parts. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1896/97. Carus Verlag #CV
27.294/19. Published by
Carus Verlag
(CA.2729419).
ISBN
9790007137137. Language:
Latin.
The Stabat
Mater is the last work
composed by Giuseppe
Verdi. He completed it in
1897 at the age of 84.
One year later it was
published with the
somewhat earlier Te Deum
as part of the Quattro
pezzi sacri. Verdi set
Mary's meditation in the
face of her crucified
son, a classic of
Medieval Latin poetry, in
an operatically
expressive style for
choir and large
orchestra. Verdi's Stabat
Mater is now published
for the first time in a
critical edition. Also
available in the series
Choir & organ. Score and
parts available
separately - see item
CA.2729400.
Version
II. Composed by
Johann Sebastian Bach.
Edited by Peter Wollny.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Johannespassion 1725.
Sacred vocal music,
Passions, Lent and
Passiontide. Single Part,
Organ. Composed 1725. BWV
245. 140 pages. Duration
120 minutes. Carus Verlag
#CV 31.245/89. Published
by Carus Verlag
(CA.3124589).
ISBN
9790007211455. Text
language:
German/English.
The
St. John Passion ranks
alongside the St. Matthew
Passion, the Christmas
Oratorio, the Magnificat
and the B minor Mass as
one of the great vocal
works from Johann
Sebastian Bach's Leipzig
years. In contrast to his
other large-scale choral
works, however, Bach
never gave this work a
definitive final form.
Rather, for every
performance he
substantially revised the
general concept of the
piece and also changed
numerous details. All
previous editions of the
St. John Passion have
combined readings from
various layers of sources
and thus present the work
in a form which was never
heard during Bach's
lifetime. Consequently,
the wish often expressed
by conductors to perform
an authentic version by
Bach could not be easily
achieved. The present
critical, new edition of
the St. John Passion
fulfills this wish and
for the first time makes
available the complete
music of the second
version of the work as it
was performed under
Bach's direction in 1725.
Since a number of
movements were replaced
by others, including the
opening chorus, this
version differs most
dramatically from the
standard version which is
well known today. Score
and part available
separately - see item
CA.3124500.
Composed by Giuseppe
Verdi. Edited by Albrecht
Gaub. Arranged by
Christiane Hulsmann.
Violoncello. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello. Composed 1896/97.
4 pages. Carus Verlag #CV
27.294/14. Published by
Carus Verlag
(CA.2729414).
ISBN
9790007201197. Language:
Latin.
The Stabat
Mater is the last work
composed by Giuseppe
Verdi. He completed it in
1897 at the age of 84.
One year later it was
published with the
somewhat earlier Te Deum
as part of the Quattro
pezzi sacri. Verdi set
Mary's meditation in the
face of her crucified
son, a classic of
Medieval Latin poetry, in
an operatically
expressive style for
choir and large
orchestra. Verdi's Stabat
Mater is now published
for the first time in a
critical edition. Also
available in the series
Choir & organ. Score and
part available separately
- see item
CA.2729400.
Composed by Giuseppe
Verdi. Edited by Albrecht
Gaub. Arranged by
Christiane Hulsmann.
Violin 2. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed
1896/97. 4 pages. Carus
Verlag #CV 27.294/12.
Published by Carus Verlag
(CA.2729412).
ISBN
9790007201173. Language:
Latin.
The Stabat
Mater is the last work
composed by Giuseppe
Verdi. He completed it in
1897 at the age of 84.
One year later it was
published with the
somewhat earlier Te Deum
as part of the Quattro
pezzi sacri. Verdi set
Mary's meditation in the
face of her crucified
son, a classic of
Medieval Latin poetry, in
an operatically
expressive style for
choir and large
orchestra. Verdi's Stabat
Mater is now published
for the first time in a
critical edition. Also
available in the series
Choir & organ. Score and
part available separately
- see item
CA.2729400.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1723. BWV 46.
Duration 20 minutes.
Carus Verlag #CV
31.046/19. Published by
Carus Verlag
(CA.3104619).
ISBN
9790007136154. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and parts available
separately - see item
CA.3104600.
Composed by Giuseppe
Verdi. Edited by Albrecht
Gaub. Arranged by
Christiane Hulsmann. 1x
27.294/21 flute 1, 1x
27.294/22 flute 2, 1x
27.294/23 flute 3, 1x
27.294/24 oboe 1, 1x
27.294/25 oboe 2, 1x
27.294/26 clarinet 1, 1x
27.294/27 clarinet 2, 1x
27.294/28 bassoon 1, 1x
27.294/29 bassoon 2, 1x
27.294/31 bassoon 3, 1x
27.294/32 bassoon 4, 1.
Harmony parts. Sacred
vocal music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1896/97. Carus Verlag #CV
27.294/09. Published by
Carus Verlag
(CA.2729409).
ISBN
9790007201159. Language:
Latin.
The Stabat
Mater is the last work
composed by Giuseppe
Verdi. He completed it in
1897 at the age of 84.
One year later it was
published with the
somewhat earlier Te Deum
as part of the Quattro
pezzi sacri. Verdi set
Mary's meditation in the
face of her crucified
son, a classic of
Medieval Latin poetry, in
an operatically
expressive style for
choir and large
orchestra. Verdi's Stabat
Mater is now published
for the first time in a
critical edition. Also
available in the series
Choir & organ. Score and
parts available
separately - see item
CA.2729400.
Composed by Giuseppe
Verdi. Edited by Albrecht
Gaub. Arranged by
Christiane Hulsmann.
Double bass. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Double Bass. Composed
1896/97. 4 pages. Carus
Verlag #CV 27.294/15.
Published by Carus Verlag
(CA.2729415).
ISBN
9790007201203. Language:
Latin.
The Stabat
Mater is the last work
composed by Giuseppe
Verdi. He completed it in
1897 at the age of 84.
One year later it was
published with the
somewhat earlier Te Deum
as part of the Quattro
pezzi sacri. Verdi set
Mary's meditation in the
face of her crucified
son, a classic of
Medieval Latin poetry, in
an operatically
expressive style for
choir and large
orchestra. Verdi's Stabat
Mater is now published
for the first time in a
critical edition. Also
available in the series
Choir & organ. Score and
part available separately
- see item
CA.2729400.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Viola.
Composed 1723. BWV 46. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.046/13. Published by
Carus Verlag
(CA.3104613).
ISBN
9790007042998. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Vocal score. Composed
1723. BWV 46. 32 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/03. Published by
Carus Verlag
(CA.3104603).
ISBN
9790007042943. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score available
separately - see item
CA.3104600.
Composed by Giuseppe
Verdi. Edited by Albrecht
Gaub. Arranged by
Christiane Hulsmann.
Violin 1. Sacred vocal
music, Lent and
Passiontide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed
1896/97. 4 pages. Carus
Verlag #CV 27.294/11.
Published by Carus Verlag
(CA.2729411).
ISBN
9790007201166. Language:
Latin.
The Stabat
Mater is the last work
composed by Giuseppe
Verdi. He completed it in
1897 at the age of 84.
One year later it was
published with the
somewhat earlier Te Deum
as part of the Quattro
pezzi sacri. Verdi set
Mary's meditation in the
face of her crucified
son, a classic of
Medieval Latin poetry, in
an operatically
expressive style for
choir and large
orchestra. Verdi's Stabat
Mater is now published
for the first time in a
critical edition. Also
available in the series
Choir & organ. Score and
part available separately
- see item
CA.2729400.