Peace in the world Chorale SSATB SSATB A Cappella Oxford University Press
From Images of Peace. Composed by Alan Bullard (1947-). Secular Choral - Mixe...(+)
From Images of Peace.
Composed by Alan Bullard
(1947-). Secular Choral -
Mixed Voices. Secular.
Vocal
score. 8 pages. Duration
3'.
Oxford University Press
#9780193527874. Published
by
Oxford University Press
Boosey and Hawkes Contemporary Choral Series SATB divisi with Piano. Composed ...(+)
Boosey and Hawkes
Contemporary
Choral Series SATB divisi
with
Piano. Composed by Karl
Jenkins. BH Secular
Choral.
Classical. Octavo. 16
pages.
Duration 240 seconds.
Boosey and
Hawkes #M060134357.
Published
by Boosey and Hawkes
(No. 3 from Songs of My Beloved ). Composed by Robert Applebaum. For SATB choir...(+)
(No. 3 from Songs of My
Beloved ). Composed by
Robert Applebaum. For
SATB choir divisi a
cappella. Secular,
Jewish. Medium. Octavo.
Published by E.C.
Schirmer Publishing
(No. 3 from Songs of My Beloved ). Composed by Robert Applebaum. For SATB choir...(+)
(No. 3 from Songs of My
Beloved ). Composed by
Robert Applebaum. For
SATB choir and piano.
Secular, Jewish. Medium.
Octavo. Text Language:
English, Hebrew. Duration
2 minutes, 24 seconds.
Published by E.C.
Schirmer Publishing
Oalla Mohololi Chorale SATB SATB - Intermédiaire Faber Music Limited
(Three Songs from Africa). Arranged by Mike Brewer. Choir Secular. SATB choir. B...(+)
(Three Songs from
Africa). Arranged by Mike
Brewer. Choir Secular.
SATB choir. Book; Choral
Collection. Faber
Edition: Mike Brewer's
Choral World Tour.
Multicultural;
Traditional; World.
Intermediate. Published
by Faber Music
Choral (Children's
Voices, SATB choir, SATB
and Unison w/opt. 4
Handbells)
SKU: HP.C5745
Composed by Joseph M.
Martin. Piano with
Optional Unison Choir and
4 Handbells. Palm Sunday,
Adults and Children,
Sacred. Octavo. 12 pages.
Hope Publishing Company
#C5745. Published by Hope
Publishing Company
(HP.C5745).
UPC: 763628157456. Joseph
M. Martin. Matthew
21:1-11, Mark 11:1-11,
Luke 19:29-44, John
12:12-19.
Original anthem This
charming Palm Sunday
anthem from Joe Martin
builds from the
children's opening
statement, then gradually
adds adult voices and
even includes a few
antiphonal moments. It's
easily learned and a
great way to begin your
Holy Week services. The
handbell part for 4 bells
(D5, G5, A5, D6) is
included and
reproducible.
Choir Secular SATB choir and piano (SATB) SKU: PE.EP73184 VOCES8 Singl...(+)
Choir Secular SATB choir
and piano (SATB)
SKU:
PE.EP73184
VOCES8
Singles. By Voces8.
By Paul Smith. Choral
Works (inc. Oratorios).
Edition Peters. Choral
Octavo. 24 pages.
Duration 5:09. Edition
Peters #98-EP73184.
Published by Edition
Peters (PE.EP73184).
ISBN 9790577015453.
190 x 272mm inches.
English.
A
New World is a
musical story across five
movements with texts by
authors from Cicero and
Ovid to George William
Russel; from nursery
rhymes to war
poets.
The music
and texts link to form a
narrative that questions
what sort of âNew
Worldsâ have come
into existence, or could
be created in our future,
and considers how we
balance human traits of
fear, displacement,
isolation and conflict
with equally human traits
of love, hope,
forgiveness and
unity.
2. The
Dream
A
standalone work for SATB
choir and SATB solo
quartet, painting a
picture of the different
characters of a dream.
This movement is both
comforting and confusing,
and is inspired by the
Palestinian poet Mahmoud
Darwish.
Se
ries
information
<
p>The
internationally-renowned
British vocal ensemble
VOCES8 is proud to
inspire people through
music and share the joy
of singing. The
celebration of diverse
musical expression is
central to the
ensembleâs ethos,
and this is shown in
their versatile concert
programmes and innovative
educational work. The
âVOCES8
singlesâ series
includes songs for which
the group is particularly
well known and which have
been composed or arranged
specifically for
VOCES8.
Choral; Flute Accompaniment; Piano Accompaniment (SATB) SKU: HL.292925 Co...(+)
Choral; Flute
Accompaniment; Piano
Accompaniment (SATB)
SKU: HL.292925
Composed by Daniel
McDavitt. Gentry
Publications. Americana,
Concert. Octavo. 12
pages. Gentry
Publications #JG2543.
Published by Gentry
Publications (HL.292925).
UPC: 888680932879.
6.75x10.5x0.029 inches.
Abraham Lincoln/Daniel
McDavitt.
Daniel
McDavitt has composed an
exquisite trilogy using
texts from three American
greats: Ralph Waldo
Emerson, Abraham Lincoln,
and William Wordsworth.
Although they can be
performed individually,
they are most powerful as
a set, each with flute
obbligato. The first
ââ¬Åmemoryâ
¬Â from Emerson is
about music, and is
joyful and buoyant. The
second
ââ¬Åmemoryâ
¬Â is from
Lincoln, and is more
reflective about
childhood. The final
ââ¬Åmemoryâ
¬Â by Wordsworth
combines the thoughts of
the previous two in a
mature understanding. A
delightful trilogy for
high school choirs.
Psalm 51 from Mass for
the World Church
(Argentina). Composed
by John W. Worst. Edited
by Pearl Shangkuan.
Arranged by John W.
Worst. Lent, Ash
Wednesday, Lent 1 A, Lent
5 B, Easter Vigil, OT 24
C. Calvin Institute.
Sacred. Octavo. 8 pages.
GIA Publications #5476.
Published by GIA
Publications (GI.G-5476).
Text Source: Psalm 51.
Text by John W. Worst.
Scripture: Psalm
51.
In this excerpt
from Mass for the World
Church, Psalm 51 is set
to a traditional
Argentine tune. Every
section in the choir has
the melody at some point
and the keyboard
accompaniment is
accessible to pianists of
most skill levels.
Traditional Argentine
melody.
from Mass for
the World Church,
Traditional Argentine
melody.
By Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman. Arranged by Eric Van ...(+)
By Marc Shaiman, lyrics
by Scott Wittman and Marc
Shaiman. Arranged by Eric
Van Cleave. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Broadway. 16
pages. Published by
Alfred Music
(from Three Choral Settings from Alice in Wonderland). By Irving Fine. (SATB). ...(+)
(from Three Choral
Settings from Alice in
Wonderland). By Irving
Fine. (SATB). Boosey and
Hawkes Secular Choral.
Size 6.8x10.5 inches. 12
pages. Published by
Boosey and Hawkes.
By Sergei Rachmaninoff (1873-1943). Edited by Anthony Antolini. For SATB choir d...(+)
By Sergei Rachmaninoff
(1873-1943). Edited by
Anthony Antolini. For
SATB choir divisi (a
cappella). General. Text:
from Russian Orthodox
Liturgy. 152 pages.
Published by Galaxy Music
Corporation General
By George Frideric Handel. Arranged by Patrick M. Liebergen. For Choir. (SATB)....(+)
By George Frideric
Handel. Arranged by
Patrick M. Liebergen. For
Choir. (SATB). Choral
Octavo. Choral Designs.
Masterwork. Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
SATB Choir, organ - Level 3 SKU: CA.322440 Aus: Ach Gott, vom Himmel s...(+)
SATB Choir, organ - Level
3
SKU: CA.322440
Aus: Ach Gott, vom
Himmel sieh darein.
Composed by Felix
Bartholdy Mendelssohn and
Martin Luther. Arranged
by Paul Horn. Hymns by
Martin Luther: Ach Gott,
vom Himmel sieh darein.
Separate edition with
choral collection. Sacred
vocal music, Psalms,
German, Psalms. Full
score. MWV A 13/1.
Duration 2 minutes. Carus
Verlag #CV 03.224/40.
Published by Carus Verlag
(CA.322440).
ISBN
9790007177928. Key: A
major. Language: German.
Text: Luther, Martin.
Text: Martin
Luther.
Arrangement
of the chorale from the
cantata of the same
name.
(from Spirit Suite ). By Mark Hayes. For SATB choir, solo voice, piano (with op...(+)
(from Spirit Suite ). By
Mark Hayes. For SATB
choir, solo voice, piano
(with optional
orchestration
(instrumental
accompaniment)). Prima
Cantate Series. General,
Spiritual, Sacred.
Octavo. Published by
Roger Dean Publishing
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 2x 31.002/21 2
oboes, 1x 31.002/31
trumpet, 1x 31.002/32
trombone 1, 1x 31.002/33
trombone 2, 1x 31.002/34
trombone 3, 1x 31.002/35
trombone 4. Hymns by
Martin Luther: Ach Gott,
vom Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein 7.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. 20 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/09. Published by
Carus Verlag
(CA.3100209).
ISBN
9790007041335. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/13. Published by
Carus Verlag
(CA.3100213).
ISBN
9790007041366. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/05. Published by
Carus Verlag
(CA.3100205).
ISBN
9790007041311. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score available
separately - see item
CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/14. Published by
Carus Verlag
(CA.3100214).
ISBN
9790007041373. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. Duration 20
minutes. Carus Verlag #CV
31.002/19. Published by
Carus Verlag
(CA.3100219).
ISBN
9790007135904. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200.
Soli ATB, SATB Choir, 2 Ob, 4 Trb, Vl solo, 2 Vl, Va, Bc - Level 3 SKU: CA.31...(+)
Soli ATB, SATB Choir, 2
Ob, 4 Trb, Vl solo, 2 Vl,
Va, Bc - Level 3
SKU:
CA.3100249
2nd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. Hymns
by Martin Luther: Ach
Gott, vom Himmel sieh
darein. Organ. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1724. BWV 2. 20
pages. Duration 20
minutes. Carus Verlag #CV
31.002/49. Published by
Carus Verlag
(CA.3100249).
ISBN
9790007204419. Key: D
minor. Language:
German/English. Text:
Luther,
Martin.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Violin 2. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/12. Published by
Carus Verlag
(CA.3100212).
ISBN
9790007041359. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Single Part,
Violin solo + Vio.
Composed 1724. BWV 2. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.002/11. Published by
Carus Verlag
(CA.3100211).
ISBN
9790007041342. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.