From Babes in Arms. Composed by Richard Rodgers. Arranged by Mac Huff. Jazz Ch...(+)
From Babes in Arms.
Composed
by Richard Rodgers.
Arranged
by Mac Huff. Jazz
Chorals.
Broadway, Vocal Jazz,
Pop,
Standards. Octavo.
Published
by Hal Leonard
Composed by Harald
Genzmer. This edition:
Saddle stitching. Sheet
music. Choral. Choral
score. Composed 2003. 42
pages. Duration 31' 30''.
Schott Music #ED20660.
Published by Schott Music
(HL.49018058).
ISBN
9790001168724. UPC:
842819110231.
German.
Since an
invitation to the Emerald
Isle, Harald Genzmer
(1909-2007) has been
fascinated with the local
tradition and culture.
Therefore, after the
songs 'Irische Harfe', he
wrote another cycle for
mixed choir at a ripe old
age: 'Lieder einer
Insel'. In three parts
with ten choral settings
altogether, the composer
tells stories from the
mythology of the Emerald
Isle in the Irish poems,
in the texts of old and
modern lyricists,
describes emotions,
desires, laments: from
'Weissagung Cathbads' to
'Lobgesang der
Gerechten', from the
bright 'Monch und seinem
Lieblingskater' to the
sad lament 'Das Lied in
einem Madchenherzen',
from the tender 'Anrufung
des Friedens' to the
contemplate 'Abendgebet'.
The freely tonal settings
range from simple,
chordal-homophonic via
declamatory to
expressive. Of
intermediate difficulty,
these choral miniatures
are suitable not only for
professional ensembles
but also for ambitious
amateur choirs.
Composed by Claudio
Casciolini. Edited by
Ernst Tittel. This
edition: Paperbound.
Sacred vocal music, Mass,
latin, Requiem. German
title: Missa Pro
Defunctis 5014601. Sacred
vocal music, Masses,
Latin, Requiem. Full
score. 24 pages. Duration
12 minutes. Carus Verlag
#CV 92.012/00. Published
by Carus Verlag
(CA.9201200).
Composed by Cecil Frances Alexander (1823-1895). Arranged by Duane Funderbur...(+)
Composed by Cecil Frances
Alexander (1823-1895).
Arranged by Duane
Funderburk.
Jubal House. Sacred.
Octavo.
12 pages. Jubal House
Publications #JH-1470.
Published by Jubal House
Publications
SATB choir, congregation,
organ, optional trumpet -
Early Intermediate
SKU: MN.60-8101
Composed by Robert A.
Hobby. All Saints/All
Souls, 21st Century.
Octavo. MorningStar Music
Publishers #60-8101.
Published by MorningStar
Music Publishers
(MN.60-8101).
UPC:
688670681011.
O
QUANTA QUALIA. All Saints
Day, funeral/memorial
services. Quickly
learned. Basically Unison
(descant on stanza 4)
with one stanza SATB.
Extended organ
introduction (27
measures) functions as
prelude. Trumpeter plays
from choral score.
Composed by Ken Berg. 21st Century. Instrument parts. Duration 3 minutes, 20 ...(+)
Composed by Ken Berg.
21st
Century. Instrument
parts.
Duration 3 minutes, 20
seconds. Galaxy Music
Corporation #1.3553.
Published by Galaxy Music
Corporation
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Set of Orchestra Parts.
Composed 1739. HWV 53.
Duration 165 minutes.
Carus Verlag #CV
55.053/19. Published by
Carus Verlag
(CA.5505319).
ISBN
9790007145804. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and parts
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Violin 2.
Composed 1739. HWV 53. 56
pages. Duration 165
minutes. Carus Verlag #CV
55.053/12. Published by
Carus Verlag
(CA.5505312).
ISBN
9790007226589. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Full score. Composed
1739. HWV 53. Duration
165 minutes. Carus Verlag
#CV 55.053/00. Published
by Carus Verlag
(CA.5505300).
ISBN
9790007167639. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Choral Score. Composed
1739. HWV 53. Duration
165 minutes. Carus Verlag
#CV 55.053/05. Published
by Carus Verlag
(CA.5505305).
ISBN
9790007162603. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score available
separately - see item
CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Cello.
Composed 1739. HWV 53. 60
pages. Duration 165
minutes. Carus Verlag #CV
55.053/14. Published by
Carus Verlag
(CA.5505314).
ISBN
9790007226602. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1739. HWV 53.
102 pages. Duration 165
minutes. Carus Verlag #CV
55.053/49. Published by
Carus Verlag
(CA.5505349).
ISBN
9790007145767. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Viola.
Composed 1739. HWV 53. 44
pages. Duration 165
minutes. Carus Verlag #CV
55.053/13. Published by
Carus Verlag
(CA.5505313).
ISBN
9790007226596. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. 2x 55.053/21
flutes 1 and 2, 1x
55.053/22 oboe 1, 1x
55.053/23 oboe 2, 2x
55.053/24 flutes 1 and 2,
2x 55.053/31 trumpet, 3x
55.053/32 trombone, 1x
55.053/41 timpani, 1x
55.053/42 harp, 2x
55.053/43 carillion.
Stuttgart Urtext Edition:
Handel. Saul Hwv 53
Kartoniert. Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Composed
1739. HWV 53. Duration
165 minutes. Carus Verlag
#CV 55.053/09. Published
by Carus Verlag
(CA.5505309).
ISBN
9790007226565. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and parts
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Full score. Composed
1739. HWV 53. 304 pages.
Duration 165 minutes.
Carus Verlag #CV
55.053/01. Published by
Carus Verlag
(CA.5505301).
ISBN
9790007143367. Language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score available
separately - see item
CA.5505300.
Choral (SATB a cappella) SKU: HL.1312750 By Harry Styles. Arranged by Dek...(+)
Choral (SATB a cappella)
SKU: HL.1312750
By
Harry Styles. Arranged by
Deke Sharon. Pop Choral
Series. A Cappella, Pop.
Octavo. 12 pages.
Duration 190 seconds.
Published by Hal Leonard
(HL.1312750).
ISBN
9798350109627. UPC:
196288177852.
6.75x10.5x0.029
inches.
From Harry
Style's album Harry's
House, comes this funky
and jazzy novelty. Your a
cappella groups are sure
to have fun with this
eclectic concert
option!
SATB choir, piano accompaniment - moderate SKU: WD.080689871429 Tinsel...(+)
SATB choir, piano
accompaniment - moderate
SKU:
WD.080689871429
Tinsel-Time Fun for
Christmas Choir!.
Arranged by Various.
Choral, cantatas.
Christmas. Stem mixes.
Word Music #080689871429.
Published by Word Music
(WD.080689871429).
UPC:
080689871429.
Deck
the hall! Trim the tree!
Light the lights! It's
Christmastime! And that
means it's time to sing!
We love to sing at
Christmas more than any
other time of year.
Carols, hymns, funny
songs, sad songs, songs
about the Christmas story
and about the Savior,
songs about being home
for the holidays, songs
about reindeer that can
fly and mistletoe and
pumpkin pie, and
everything in-between! We
sing because it's a
season of joy. We sing
because it is a
tradition. We sing
because laughter fills
the air, chestnuts are
roasting on the street
corner, bell-ringers are
collecting for charities,
sidewalk Santas are
Ho-Ho-Ho-ing, and
children everywhere (and
some adults, too) are
thrilled with the sights
and sounds of that most
wonderful time of the
year! 'Tis the season to
sing!
Based on March Militaire, Opus 51. By Franz Schubert. Arranged by With New Words...(+)
Based on March Militaire,
Opus 51. By Franz
Schubert. Arranged by
With New Words By Donald
Moore. For Choir.
(SATB). Choral Octavo.
Choral Designs. Novelty.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
SATB choir divisi (a cappella) - Early Intermediate SKU: MN.50-6106 Compo...(+)
SATB choir divisi (a
cappella) - Early
Intermediate
SKU:
MN.50-6106
Composed
by Tyler Heckman. All
Saints/All Souls,
Funeral, 21st Century,
Folk Song, Heaven.
Instrument parts.
MorningStar Music
Publishers #50-6106.
Published by MorningStar
Music Publishers
(MN.50-6106).
UPC:
688670561061.
English.
This early
American folk song is
given a rollicking
setting which is mostly
SATB but occasionally has
the women and the men
dividing into four parts.
The heritage of the tune
is evident in some
cadences that have a sort
of shape-note feel to
them. Fun to sing and
hear.
SATB choir and keyboard or brass quintet - Early Intermediate SKU: MN.50-7083...(+)
SATB choir and keyboard
or brass quintet - Early
Intermediate
SKU:
MN.50-7083
Composed
by Daniel Kallman.
Funeral, 21st Century,
Hope/Assurance. Choral
score. MorningStar Music
Publishers #50-7083.
Published by MorningStar
Music Publishers
(MN.50-7083).
UPC:
688670570834.
English.
Austere
and noble, the hymn tune
THE MORNING TRUMPET is
from The Sacred
Harp, 1844. The
composer has crafted an
unusual setting for SATB
and Brass Quintet. The
voice parts are very
accessible for any size
choir and always take
center stage (for
example, the piece begins
with unison men a
cappella, not the
usual choice in a piece
with brass quintet). The
text looks forward to the
time when we transcend
death to be with Jesus.
Your choir will have fun
singing the recurring
refrain O shout glory,
glory!
Mixed Choir (SATB) and Accompaniment (SATB) SKU: ZB.ZE-4008 Jazz Mass ...(+)
Mixed Choir (SATB) and
Accompaniment (SATB)
SKU: ZB.ZE-4008
Jazz Mass for Mixed
Choir (SATB) and
Accompaniment.
Composed by Christoph
Schoepsdau. Jazz Mass for
Mixed Choir (SATB) and
Accompaniment. Vocal
Jazz. Instrumental Pak.
Zebe Publishing #ZE 4008.
Published by Zebe
Publishing (ZB.ZE-4008).
ISBN
9783940745798.
Swin
ging Jazz passages and
flowing Latin American
rhythms with gripping
Funk and Gospel elements
to form a homogeneous
whole. This
English-language Jazz
Mass for Mixed Voices
(SATB) is an excellent
challenge for
Jazz-ambitious choirs!
This set contains the
entire instrumental
part.
This piece
isn't Jazz-inspired,
that's Jazz! The search
for a larger work that
combines the traditional
ecclesiastical form of
the mass with really
authentic jazz is over
with the New York Mass
... An ambitious amateur
choir, which offbeat
phrasing and almost
continuous four part
chords will encourage
rather than frighten
being able to do justice
to the work - and have
fun doing it. (Musik and
Kirche).
Arranged by Brian Lewis. Traditional English Carol. For Opt. Bells. (SATB). Cho...(+)
Arranged by Brian Lewis.
Traditional English
Carol. For Opt. Bells.
(SATB). Choral Octavo.
Choral Designs. Choral
Octavo. 12 pages.
Published by Alfred
Publishing.
By Bob Chilcott. For SATB choir and piano(s) and percussion/orchestra ([2(1picco...(+)
By Bob Chilcott. For SATB
choir and piano(s) and
percussion/orchestra
([2(1piccolo, 2
flutes).2.2.2 -2.2.3.0],
timpani, 2 percussionists
(1=bongos, woodblock,
drumkit, glockenspiel,
tambourine, triangle;
2=hi hat, glockenspiel,
triangle, suspended
cymbal, side drum), harp,
strings). Untuned
Percussion. Pieces and
Studies. Percussion part
(version for one player).
8 pages. Duration 10'.
Published by Oxford
University Press
Unclouded Day Chorale SATB Soli, chœur mixte et piano - Facile MorningStar Music Publishers
Soli, SATB choir, and piano - Early Intermediate SKU: MN.50-7078 Composed...(+)
Soli, SATB choir, and
piano - Early
Intermediate
SKU:
MN.50-7078
Composed
by Nick Klemetson. All
Saints/All Souls,
Funeral, 21st Century.
MorningStar Music
Publishers #50-7078.
Published by MorningStar
Music Publishers
(MN.50-7078).
UPC:
688670570780.
English.
Around
1880, the inspiration for
this text and tune came
to a circuit-riding
minister named Josiah
Alwood while he was
riding his horse! The
revival-style tune is
sweet and deserves to be
better known. Speaking of
a home far beyond the
skies, this anthem is
perfect for All Saints or
memorial occasions.
Featuring three males
soloists (low, medium and
high voices) sometimes
set against standard SATB
writing, this is fun to
learn and sing.
Choir Secular (SATB choir) SKU: AP.45574 From Bring It On the Music...(+)
Choir Secular (SATB
choir)
SKU:
AP.45574
From
Bring It On the
Musical. Composed
by Amanda Green,
Lin-Manuel Miranda, and
Tom Kitt. Arranged by
Lisa DeSpain. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway;
Secular. Choral Octavo.
20 pages. Alfred Music
#00-45574. Published by
Alfred Music (AP.45574).
UPC: 038081513133.
English.
Co-written
by the composer of
Broadway's smash hit
Hamilton, this funky,
positive finale from
2012's
cheerleading-themed
musical is chock full of
fun. Energetic
call-and-response writing
propels the song forward,
while a super-singable
hook grows each time it
returns until the
brilliant and boisterous
end. Fresh!