By Allen Pote. (SATB). Assurance, Communion, Eternal Life, God, Gods Attributes/Character, God-Father, Jesus Christ-Love, Love of God, Communion and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Composed by Thomas C. Griggs, John Hugh McNaughton, Alexander Schreiner, Loren F. Wheelwright. Arranged by David Len Allen. For SATBB choir. Sacred. Medium / Medium-Difficult (accompaniment). Octavo. Duration 3:30. Published by Jackman Music Corporation

By Patti Drennan. For SATB choir and piano. Sacred. Sacred Anthem. Published by Exaltation Publications. (10/3643L)

By Jay Althouse. For Choir. (SATB). Comfort, Encouragement, Gods Attributes/Character, Guidance, Promise and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

By Alan Hovhaness (1911-2000). For SSATBB choir, Organ. The Word of Our God Shall Stand Forever Op. 246, No. 2. Modern. Duration 5 minutes

Composed by Mark Hayes. For SATB choir, piano (with optional rhythm). Sacred anthem. Octavo. Published by Lorenz Publishing Company

SATB choir, piano

SKU: AU.9781451451696

Composed by Sally Kidwell. Octavo. Published by Augsburg Fortress (AU.9781451451696).

Frederick Faber's inspiring and encouraging text is remarkably set by Sally Kidwell. Within the piece, there is a mellow reflection on Faber's original words, which expresses how God's love is beyond what we understand of it. The soft interweaving and rejoining of voices give the anthem a drifting charm, as the phrases are delicately pulled and reshaped.

By Joseph M. Martin. Arranged by David Angerman. For SATB Choir. Sacred Anthem. Easy. Octavo. Published by Monarch Music

By John Purifoy. For SATB choir. Sacred. Level: Moderately easy. Sacred Anthem. Published by Triune Music Inc. (10/1032)

By Pepper Choplin. For SATB choir and piano. Sacred. Octavo. Published by Monarch Music. (10/3605M)

SATB(B) a capella Choral; Mixed Choir; Soprano (SATBB)

SKU: HL.48025402

SATB(B) a capella with Solo Soprano. Composed by James Macmillan. Boosey & Hawkes Sacred Choral. Choral, Classical. Octavo. Boosey & Hawkes #M060141997. Published by Boosey & Hawkes (HL.48025402).

UPC: 196288201038.

Short motet commissioned by St DominicÂ’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be let loose on the world to fulfil their potential: 'Be who God meant you to be and you will set the world on fire'. But where another composer might have made this a fanfare MacMillan writes with the gentleness of sincerity. The music is very straightforward and in wanting a solo soprano line he outlines all the ways this can be achieved: soloist, group of sopranos, or all the sopranos if the altos can be split into two. The choir repeats the mantra text above throughout the motet, while the soprano solo line is given the prayer which follows. Only at the very end do they all join together in the words 'Jesus, love, Jesus, love' with a lovely E major ending.

SSATB chorus and piano - Medium

SKU: JK.01170

Composed by Betsy Lee Bailey. Arranged by Betsy Lee Bailey. Christian, Inspirational. Jackman Music Corporation #01170. Published by Jackman Music Corporation (JK.01170).

Powerful arrangement for mixed chorus (SSATB) and piano, in A flat (3 flats), - inspiring all men and women to declare God's word:
Go forth in the service of God and follow the ways of the Lord. For He is the Light, the Life, and the Way. Who can stay the great pow'r of His word?
Composer: Betsy Lee Bailey
Arranger: Betsy Lee Bailey
Lyricist: Betsy Lee Bailey (text inspired by words of Gordon)
Difficulty: Medium.

By Douglas E. Wagner. For SATB choir. Baptism, Missions, Sacred. Sacred Anthem. Published by Laurel Press. (10/2975LA)

Choral SATB choir, piano accompaniment

SKU: HP.C6246

Composed by Mary McDonald. Piano with optional Orchestra. Scripture-Based, Celebration, Dedication, General Worship, Adoration, God, God - Faithfulness, God - Father, God - Names, God's Attributes/Character, Jesus Christ - King & Lord, Jesus Christ - Lordship, Light, Praise of God, Worship. Octavo. 12 pages. Hope Publishing Company #C6246. Published by Hope Publishing Company (HP.C6246).

UPC: 763628162467. Mary McDonald.

Original anthem This original anthem powerfully proclaims that God is 'the light, he's the courage, he's the strength. Holy, holy, God Almighty! He is the power and the glory, God Almighty is!'Celebrating the many attributes of God, the riveting melody and harmonies will lift the congregation in praise to God. The sweeping orchestration is by Ed Hogan.

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

SATB Choir (Mixed Choir)

SKU: HL.14063892

Composed by John Tavener. Choral. Hymns & Chorals. General Merchandise. Composed 2013. 96 pages. Duration 240 seconds. Chester Music #CH81246R. Published by Chester Music (HL.14063892).

ISBN 9781785588341. UPC: 840126939231. 6.75x9.75x0.304 inches.

This album features 16 of John Tavener's anthems for SATB choir.

Contents include: 'A Christmas Round', 'Advent Antiphon', 'Agnus Dei', 'As one who has slept', 'Exhortation and Kohima', 'TheFounder’s Prayer', 'God is with us (A Christmas Proclamation)', 'A Hymn to the Mother of God', 'The Lamb', 'Mother of God, here I stand', 'Nunc dimittis', 'O that we were there', 'Rocking', 'Song for Athene', 'Today theVirgin' and 'What God is, we do not know'.

SATB choir, piano

SKU: LO.10-5239L

Composed by Kevin Boesiger. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5239L. Published by Lorenz Publishing Company (LO.10-5239L).

ISBN 9780787764203.

Repl ete with delicate and ethereal moments, this original R. Kevin Boesiger anthem reminds us of the majesty and mystery of God’s presence in creation and in our daily living. Be my God, be my comfort; light my path, show me the way. Be my God, be my ev’rything. You who are God of all these, be my God. Lovely sonorities and rich choral writing distinguish this inspiring selection.

By Rosephanye Powell. (SATB). Gentry Publications. Sacred. Size 6.7x10.5 inches. 12 pages. Published by Fred Bock Music Company.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911912

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/12. Published by Carus Verlag (CA.3911912).

ISBN 9790007055578. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911900

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Full score. TVWV 1:58. Duration 18 minutes. Carus Verlag #CV 39.119/00. Published by Carus Verlag (CA.3911900).

ISBN 9790007055547. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911911

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/11. Published by Carus Verlag (CA.3911911).

ISBN 9790007055561. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911914

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, basso continuo. TVWV 1:58. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.119/14. Published by Carus Verlag (CA.3911914).

ISBN 9790007055592. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911919

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. TVWV 1:58. Duration 18 minutes. Carus Verlag #CV 39.119/19. Published by Carus Verlag (CA.3911919).

ISBN 9790007139292. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and parts available separately - see item CA.3911900.

Solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet] - Level 3

SKU: CA.3911913

Christmas cantata. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Allein Gott in der Hoh sei Ehr. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. TVWV 1:58. 4 pages. Duration 18 minutes. Carus Verlag #CV 39.119/13. Published by Carus Verlag (CA.3911913).

ISBN 9790007055585. Key: B flat major. Language: German/English.

In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.

SATB Acappella Mixed Choir; Piano Accompaniment (SATB a cappella)

SKU: HL.48025344

SATB a cappella (piano accompaniment for rehearsal). Composed by Lucy Walker. Boosey & Hawkes Sacred Choral. Choral, Classical, General Worship, Sacred. Octavo. Duration 150 seconds. Boosey & Hawkes #M060141188. Published by Boosey & Hawkes (HL.48025344).

UPC: 196288176428.

A setting of verses 7 and 8 of Psalm 57 ('My heart, O God, is steadfast. I will sing and make music. Awake, my soul! Awake, O harp and lyre! I will awake the dawn.') this work celebrates music's importance in the worship of God. A short motet, particularly suitable as an introit, My heart, O God portraits the captivating allure of music and singing, skilfully weaving luscious harmonies and intricate divisi passages within the vocal parts. Suitable for advanced or intermediate choirs looking for a very rewarding challenge.

SATB choir, cantor, assembly, keyboard accompaniment, C instrument

SKU: GI.G-007581

Composed by Eugene E. Englert. Easter 6 Year B, easter 5 Year C, easter 4 Year B, easter 7 Year B. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #007581. Published by GIA Publications (GI.G-007581).

UPC: 641151075815.

Proli fic composer Eugene Englert has written this charming work for SATB choir, cantor, and assembly based on the memorable words of St. John: God is love and they who abide in love abide in God and God in them (1 John 4:16, NRSV). The lyrical horal refrain in C-major leads to a pleasing diversion in tonality to E-flat major for the cantor's solo verses as the obbligato C instrument gently floats above.

Soli SATB, SATB Choir, 2 Obda, Cor (Ctto), Trb, 2 Vl, Va, Bc - Level 4

SKU: CA.3100349

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1725. BWV 3. 20 pages. Duration 27 minutes. Carus Verlag #CV 31.003/49. Published by Carus Verlag (CA.3100349).

ISBN 9790007204426. Key: A major. Language: German/English. Text: Moller, Martin.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.