Composed by Mark Hayes. For SATB choir, piano. Sacred Anthem, Advent, Christmas. Octavo. Published by Lorenz Publishing Company

By Pepper Choplin. For SATB choir and piano. Sacred: All Saint's Day, Christ the King, General, Thanksgiving. Octavo. Published by Lorenz Publishing Company

Arranged by Glenn A. Pickett. For Choral (SATB). Fred Bock Publications. 12 pages. Fred Bock Music Company #BG2576. Published by Fred Bock Music Company

By Larry Shackley, Herb Frombach. (SATB). This edition: BG2523. Fred Bock Publications. Sacred. 8 pages. Published by Fred Bock Music Company.

By David R. Naylor. For SATB Choir. Medium / Medium-Difficult (accompaniment). Duration 5:30

Composed by Larry Shackley. Sacred Anthem. Octavo. Lorenz Publishing Company #10/4904L. Published by Lorenz Publishing Company (LO.10-4904L).

By Ann Kapp Andersen. Text: Ann Kapp Andersen. For SSATB Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 4:30. Published by Jackman Music Corporation.

By Thomas Morley (1557-1602). Edited by John Leavitt. Arranged by John Leavitt. For Choral (SSATB A Cappella). Treasury Choral. 8 pages. Published by Hal Leonard

SATB Acappella Mixed Choir; Piano Accompaniment (SATB a cappella)

SKU: HL.48025344

SATB a cappella (piano accompaniment for rehearsal). Composed by Lucy Walker. Boosey & Hawkes Sacred Choral. Choral, Classical, General Worship, Sacred. Octavo. Duration 150 seconds. Boosey & Hawkes #M060141188. Published by Boosey & Hawkes (HL.48025344).

UPC: 196288176428.

A setting of verses 7 and 8 of Psalm 57 ('My heart, O God, is steadfast. I will sing and make music. Awake, my soul! Awake, O harp and lyre! I will awake the dawn.') this work celebrates music's importance in the worship of God. A short motet, particularly suitable as an introit, My heart, O God portraits the captivating allure of music and singing, skilfully weaving luscious harmonies and intricate divisi passages within the vocal parts. Suitable for advanced or intermediate choirs looking for a very rewarding challenge.

(Music to Make the Heart Sing). For SATB choir, 4-part hymnal style. This edition: Spiral Bound. Hymnals And Congregational Songbooks. Perfect for churches, youth groups, personal use, or nursing homes and care facilities.. Hymns and Sacred. 143 pages. Published by Lillenas Publishing Company

Choir Secular (SATB choir)

SKU: AP.45578

Composed by Barrett Yeretsian, Christina Perri, and Drew Lawrence. Arranged by J. D. Frizzell. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Secular. Choral Octavo. 16 pages. Alfred Music #00-45578. Published by Alfred Music (AP.45578).

UPC: 038081513171. English.

Christina Perri's heart-wrenching debut single is perfect for pop a cappella groups of all levels. Recording provided by Briarcrest OneVoice, directed by J. D. Frizzell.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by Craig Carnahan. For SATB choir divisi, a cappella. Medium. Octavo. Published by MorningStar Music Publishers

Composed by Connor Koppin. For SATB choir (divisi) a cappella. Choral. Secular. Octavo. Published by E.C. Schirmer Publishing

By Craig Courtney. For SATB Choir and Piano. Sacred Anthem: Easter, General, Holy Week, Lent. Octavo. 8 pages. Published by Lorenz Publishing Company

By Joseph M. Martin. Words by Joseph M. Martin; Additional text by Cleland B. McAfee (1866-1944). For SATB Choir. Choral. Single Sheet. Published by Shawnee Press.

Arranged by Lloyd Larson. For Choir. (SATB (with Opt. Soloists and Congregation)). Choral Octavo. Sacred. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Cameron Pollock. Arranged by Brian Buda. Choral. Sacred Anthem, General, Memorial Services. Octavo. Lorenz Publishing Company #10/4881L. Published by Lorenz Publishing Company (LO.10-4881L).

Composed by Melodie Tunney. Arranged by Dick Tunney. Choral. Sacred Anthem. Octavo. Medallion Music #10/5288MD. Published by Medallion Music

Composed by Brian Buda. Choral. Sacred Anthem. Octavo. Medallion Music #10/5170MD. Published by Medallion Music

SATB chorus and piano - Medium

SKU: JK.01258

Composed by David R. Watson. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Pioneer Day, Special Events Home and Family, Temple and Family History. Christian, Inspirational. Duration 4:02. Jackman Music Corporation #01258. Published by Jackman Music Corporation (JK.01258).

Doctrine and Covenants 2.

Original family history anthem written for mixed chorus (SATB) and piano, with scriptural text from Doctrine and Covenants 2: I'll turn my heart to you who went before me.... I'll find your name in records filled with miracles and promptings that tell me you are there.

Composer: David R. Watson
Lyricist: Doctrine and Covenants 2 / David R. Watson
Difficulty: Medium
Performance time: 4:02
Reference: Doctrine and Covenants 2.

SATB chorus and piano - Medium

SKU: JK.00944

Composed by Robert P. Manookin. Choral SATB, Difficulty Medium, Piano Choir, Courage, Faith, Guidance, Jesus Christ - Example, Jesus Christ - Savior, Obedience, Scriptures. Christian, Inspirational. Duration 2:45. Jackman Music Corporation #00944. Published by Jackman Music Corporation (JK.00944).

Proverbs 3:5-6.

Gently flowing anthem by Robert P. Manookin, with scriptural text from Proverbs 3:5-6, arranged in A flat major for SATB and piano.
Trust in the Lord with all thine heart and lean not unto thine own understanding. In all thy ways acknowledge Him and He shall direct thy paths.
Composer: Robert P. Manookin
Lyricist: Proverbs 3:5-6
Difficulty: Medium
Performance time: 2:45
Reference: Proverbs 3:5-6.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113613

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613).

ISBN 9790007208134. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116913

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Whitsun. Single Part, Viola. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/13. Published by Carus Verlag (CA.3116913).

ISBN 9790007209346. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116909

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. 1x 31.169/21 oboe d'amore 1, 1x 31.169/22 oboe d'amore 2, 1x 31.169/23 English horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 169. Duration 17 minutes. Carus Verlag #CV 31.169/09. Published by Carus Verlag (CA.3116909).

ISBN 9790007209315. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and parts available separately - see item CA.3116900.