Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018500

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Full score. Composed 1832. MWV A 13. 56 pages. Duration 14 minutes. Carus Verlag #CV 40.185/00. Published by Carus Verlag (CA.4018500).

ISBN 9790007064273. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107911

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Violin 1. Composed circa 1725. BWV 79. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.079/11. Published by Carus Verlag (CA.3107911).

ISBN 9790007045258. Key: G major. Language: German/English.

Aft er the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018512

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/12. Published by Carus Verlag (CA.4018512).

ISBN 9790007064310. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018514

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/14. Published by Carus Verlag (CA.4018514).

ISBN 9790007064334. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107913

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Viola. Composed circa 1725. BWV 79. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.079/13. Published by Carus Verlag (CA.3107913).

ISBN 9790007045272. Key: G major. Language: German/English.

Aft er the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107912

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Violin 2. Composed circa 1725. BWV 79. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.079/12. Published by Carus Verlag (CA.3107912).

ISBN 9790007045265. Key: G major. Language: German/English.

Aft er the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018711

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/11. Published by Carus Verlag (CA.4018711).

ISBN 9790007064471. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018719

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all an einen Gott. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1831. MWV A 12. Duration 8 minutes. Carus Verlag #CV 40.187/19. Published by Carus Verlag (CA.4018719).

ISBN 9790007137861. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018700.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018505

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Choral Score. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/05. Published by Carus Verlag (CA.4018505).

ISBN 9790007064280. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018500.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018513

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/13. Published by Carus Verlag (CA.4018513).

ISBN 9790007064327. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107914

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Cello/Double Bass. Composed circa 1725. BWV 79. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.079/14. Published by Carus Verlag (CA.3107914).

ISBN 9790007045289. Key: G major. Language: German/English.

Aft er the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018605

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Choral Score. Composed 1830. MWV. Duration 12 minutes. Carus Verlag #CV 40.186/05. Published by Carus Verlag (CA.4018605).

ISBN 9790007064358. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018600.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018609

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. 1x 40.186/21 flute 1, 1x 40.186/22 flute 2, 1x 40.186/23 oboe 1, 1x 40.186/24 oboe 2, 1x 40.186/25 clarinet 1, 1x 40.186/26 clarinet 2, 1x 40.186/27 bassoon 1, 1x 40.186/28 bassoon 2, 1x 40.186/31 horn 1, 1x 40.186/32 horn 2. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut 10. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Set of Orchestra Parts. Composed 1830. MWV. 32 pages. Duration 12 minutes. Carus Verlag #CV 40.186/09. Published by Carus Verlag (CA.4018609).

ISBN 9790007064365. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018600.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018713

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/13. Published by Carus Verlag (CA.4018713).

ISBN 9790007064495. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018709

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. 1x 40.187/21 oboe 1, 1x 40.187/22 oboe 2, 1x 40.187/23 clarinet 1, 1x 40.187/24 clarinet 2, 1x 40.187/25 bassoon 1, 1x 40.187/26 bassoon 2, 1x 40.187/31 horn 1, 1x 40.187/32 horn 2, 1x 40.187/33 trumpet 1, 1x 40.187/34 trumpet 2, 1x 40.187/35 trombone 1, . Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all an einen Gott 14. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1831. MWV A 12. 44 pages. Duration 8 minutes. Carus Verlag #CV 40.187/09. Published by Carus Verlag (CA.4018709).

ISBN 9790007064464. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018714

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/14. Published by Carus Verlag (CA.4018714).

ISBN 9790007064501. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018712

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/12. Published by Carus Verlag (CA.4018712).

ISBN 9790007064488. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112814

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Ascension. Single Part, basso continuo. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/14. Published by Carus Verlag (CA.3112814).

ISBN 9790007207748. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112812

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 2. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/12. Published by Carus Verlag (CA.3112812).

ISBN 9790007207724. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112819

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Ascension. Set of Orchestra Parts. Composed 1725. BWV 128. Duration 22 minutes. Carus Verlag #CV 31.128/19. Published by Carus Verlag (CA.3112819).

ISBN 9790007140199. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and parts available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112849

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Ascension. Single Part, Organ. Composed 1725. BWV 128. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.128/49. Published by Carus Verlag (CA.3112849).

ISBN 9790007207755. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112805

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Ascension. Choral Score. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/05. Published by Carus Verlag (CA.3112805).

ISBN 9790007161927. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112813

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Ascension. Single Part, Viola. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/13. Published by Carus Verlag (CA.3112813).

ISBN 9790007207731. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112811

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 1. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/11. Published by Carus Verlag (CA.3112811).

ISBN 9790007207717. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

Orchestra ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe d'caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112807

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Ascension. Study score. Composed 1725. BWV 128. 40 pages. Duration 22 minutes. Carus Verlag #CV 31.128/07. Published by Carus Verlag (CA.3112807).

ISBN 9790007142841. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112809

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. 1x 31.128/21 oboe 1, 1x 31.128/22 oboe 2, 1x 31.128/23 oboe d'amore, 1x 31.128/24 oboe da caccia, 1x 31.128/31 horn 1, 1x 31.128/32 horn 2, 1x 31.128/33 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Ascension. Set of Orchestra Parts. Composed 1725. BWV 128. Duration 22 minutes. Carus Verlag #CV 31.128/09. Published by Carus Verlag (CA.3112809).

ISBN 9790007207700. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and parts available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112803

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Ascension. Vocal score. Composed 1725. BWV 128. 28 pages. Duration 22 minutes. Carus Verlag #CV 31.128/03. Published by Carus Verlag (CA.3112803).

ISBN 9790007140205. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119519

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Set of Orchestra Parts. BWV 195. Duration 16 minutes. Carus Verlag #CV 31.195/19. Published by Carus Verlag (CA.3119519).

ISBN 9790007182953. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and parts available separately - see item CA.3119500.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119503

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Vocal score. BWV 195. 44 pages. Duration 16 minutes. Carus Verlag #CV 31.195/03. Published by Carus Verlag (CA.3119503).

ISBN 9790007182908. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119549

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Organ. BWV 195. 16 pages. Duration 16 minutes. Carus Verlag #CV 31.195/49. Published by Carus Verlag (CA.3119549).

ISBN 9790007210427. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.