Composed by Allan Robert Petker. Pavane Choral. General Worship, Missions, Praise, Sacred, Thanksgiving. Octavo. 12 pages. John Rich Music Press #JR0096. Published by John Rich Music Press

SATB divisi a cappella Choral (SATB a cappella)

SKU: HL.1428501

Arranged by Ken Burton. Gentry Publications. Octavo. 16 pages. Gentry Publications #JG2733. Published by Gentry Publications (HL.1428501).

UPC: 196288202677. 6.75x10.5x0.036 inches.

Ken Burton's “Swing Down, Chariot,” showcased in the Jason Max Ferdinand Choral Series, intricately weaves a tapestry of musical genres intrinsic to Black American sacred music. This arrangement harmonizes African influences, quartet styles, close harmony jazz, big band, and classical elements, delivering a vibrant and diverse sonic landscape. While its entertaining aspects shine, the piece maintains a heartfelt essence, reflecting a deep yearning for freedom. Inspired by twentieth-century gospel quartets like the Fairfield Four and Golden Gate Quartet, Burton's arrangement infuses percussive articulation and dynamic flexibility. Choirs are encouraged to explore creative articulation options, ensuring a spirited and engaging rendition. Ideal for collegiate, chamber, honor, and all-state choirs, this arrangement captivates effortlessly, resonating with its rich musical essence. Excellent choice for your advanced and professional choirs. You can never go wrong with a Ken Burton arrangement or composition.

By Britt. For SATB choir, a cappella. Octavo. 8 pages. Published by Alliance Music Publications

SATB choir/basso continuo (2 SATB Choir, Continuo)

SKU: BA.BA10560

Composed by Johann Pachelbel. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 10. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10560_00. Published by Baerenreiter Verlag (BA.BA10560).

ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Allan Robert Petker. This edition: hard- coverbinding with book jacket. Book. Pavane Secular. Anthem, Praise, Sacred, General Worship. 1491. 12 pages. Pavane Publishing #P1491. Published by Pavane Publishing

Choral (SATB)

SKU: HL.1285764

Composed by Joseph M. Martin and Michael Showalter. Shawnee Sacred. Octavo. 4 pages. Duration 95 seconds. Published by Shawnee Press (HL.1285764).

UPC: 196288167471. 6.75x10.5 inches. Colossians 3:15, II Thessalonians 3:16.

A special blessing for worship services, this piece combines an attractive melody with a nurturing message. Its brief performance time and easy-to-learn music make it an excellent choice for a benediction or parting blessing.

Solo voices, choir, orchestra (Tenor Voice Solo, BarSolo, SATB Choir, Fl-Picc, 2 Fl, 2 Ob, EnglHn, 2 clarinet, 2 clarinet-a, clarinet-B-b, 2 bassoon, bassoon-Co, 4Hn, 2 Trp, 3trombone, Tb, timpani, 2 percussion, harp, v-solo, Va-Solo, vc-solo, Str)

SKU: BA.BA06851

Kantáta pro sóla, Smíseny sbor a orchestr - Kantate für Soli, gemischten Chor und Orchester (1897). Composed by Leos Janacek. Edited by Leoš Faltus, Marie Kucerová, and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek B/1. Complete edition, Score. Composed 1897. Duration 28 minutes, 4 seconds. Baerenreiter Verlag #BA06851_00. Published by Baerenreiter Verlag (BA.BA06851).

ISBN 9790006496723. 34.3 x 27.3 cm inches.

Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.

This edition presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech/German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Vocal soloists, choir, and orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir, 2 Trp, timpani, bassoon, 2 V, Va, Continuo)

SKU: BA.TP01143

Cantata for soloists, choir and orchestra. Composed by Johann Sebastian Bach. Edited by Andreas Glöckner. This edition: urtext edition. Stapled. Barenreiter Urtext. Urtext of the New Bach Edition - Revised Edition. Study score. BWV 143. Duration 30 minutes. Baerenreiter Verlag #TP01143_00. Published by Baerenreiter Verlag (BA.TP01143).

ISBN 9790006205332. 22.5 x 16.5 cm inches. Language: German. Preface: Glöckner, Andreas.

Little is known about the genesis ofLobe den Herrn, meine SeeleBWV 143.

A transcription from the 19th century was for a long time considered the only source; the musical text of theNew Bach Editionwas based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text, rendering a complete revision of the cantata necessary.
On the basis of this new source, the work is presented here as part of theNew Bach Edition - Revisedin what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach's writing than the version for three horns in the surviving B-flat major version.

- Revised Urtext edition of the Weimar Cantata
- Based on theNew Bach Edition - Revised

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (Soprano Voice Solo, Alto Voice Solo, Bass Voice Solo, SATB Choir, 2 recorder, 2 Ob, 2 V, Va, Continuo, Org)

SKU: BA.TP01039

Cantata for the First Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Alfred Durr, James Webster, and Robert Freeman. This edition: urtext edition. Stapled. Barenreiter Urtext. Stimmen und Klavierauszug siehe BA 10039. Study score. BWV 39. Duration 20 minutes. Baerenreiter Verlag #TP01039_00. Published by Baerenreiter Verlag (BA.TP01039).

ISBN 9790006205295. 22.5 x 16.5 cm inches. Language: German. Preface: Antje Wissemann.

This cantata for the First Sunday after Trinity, first performed in 1726, is one of the most musically attractive compositions composed by Bach during his time as cantor at St. Thomas Church, Leipzig.
In its alternating scoring for oboes, recorders and strings, the opulently-structured opening chorus describes the gesture of the breaking of bread. The arias and recitatives for the two soloists, alto and tenor show Bach at the peak of his compositional powers. The two-part cantata concludes with a simple chorus.

- Urtext edition based on theNew Bach Edition
- Richly coloured scoring using recorders and oboes
- Vocal score (Ger/Eng), foreword (Ger/Eng)

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chorus SATB chorus - early intermediate

SKU: XC.2402011

Composed by Pinkzebra. Achievement Plus Grade 2-2.5. Octavo. Pinkzebra #2402011. Published by Pinkzebra (XC.2402011).

10.5 x 6.75 inches.

This energetic and relatable song bursts onto the scene like a show-stopping opening number from Broadway, depicting the comically over-scheduled whirlwind of a typical student's day. Packed with humor, it playfully chronicles the juggling act of classes, commitments, and after school activities. The quirky, catchy melodies will resonate with students and audiences, making this an excellent choice for graduations and general concerts.

Please note the concert band version of this song is in a different key and cannot be combined with the choral version. An accompaniment MP3 and part-dominant MP3 bundles to share with your whole choir are also available to make learning even easier.

SSATB choir/orchestra (SSATB Choir, Orchestra)

SKU: BA.BA10555

Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 5. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10555_00. Published by Baerenreiter Verlag (BA.BA10555).

ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(A Large Print, No Repeats Southern Christmas Musical). By Wayne Haun and Dake Clark. Arranged by Wayne Haun. For SATB choir. Traditional and Southern Gospel. Christmas. Easy. Choral score. Duration 28 minutes. Published by Lillenas Publishing Company

By Barry Rose (Editor). For SATB, Organ Accompaniment. Romantic, Religious, Choral. Sheet Music. 148 pages. Published by Novello and Co Ltd.

By Various. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

SATB chorus - intermediate

SKU: BP.BP2339

Arranged by Howard Helvey. With Hymn Tune;Call To Worship;General. Church. Octavo. Beckenhorst Press #BP2339. Published by Beckenhorst Press (BP.BP2339).

UPC: 748769023396. 6.875 x 10.5 inches.

The ST CLEMENT tune, often associated with an evening hymn, is here paired with a fresh morning hymn of praise: Hail, holy light! The world rejoices as morning breaks and shadows fly; all nature blends her myriad voices to greet the dayspring from on high... Break forth, in glory far excelling, O light eternal, love divine! Howard Helvey's choral and piano writing shine exquisitely as always in this anthem.

Choral (SATB)

SKU: HL.382987

Excellence in Choral Music Series. Composed by Denis Markell and Douglas L. Bernstein. Arranged by Christopher Peterson. Pavane Choral. Broadway, Concert. Octavo. Pavane Publishing #P1698. Published by Pavane Publishing (HL.382987).

UPC: 196288021094. 6.75x10.5x0.036 inches.

You need a concert closer that will have the audience, laughing, clapping, singing and on their feet? This delightful piece from the off-Broadway hit “Showing Off” does just that. Easy to learn.

This edition: paperback. Mixed Voices. Sacred, Choral Collection. Choral score. 256 pages. Published by Oxford University Press