By James Lyman Molloy (1837-1909). Arranged by David Lantz. For SATB Voices with Keyboard and Optional Flute(S) or Violin(S) and Bodhran. Piano reduction/vocal score. Standard notation. 20 pages. Published by Carl Fischer

By James Hopkins. For SATB Choir, Orchestra (Mixed Voices). Secular. Choral. 48 pages

Choir Book For SATB and Piano - English - Swedish. Arranged by Clemens Schaefer. This edition: Saddle stitching. Sheet music. Choral. Was ware ein guter Film ohne den passenden Soundtrack? Angefangen von James Bond - Goldfinger, uber It Must Have Been Love aus Pretty Woman, bis zu Happy aus Ich - einfach unverbesserlich 2 - Ein Konzert, das sich um den Film dreht, wird durch diese Stuck. Classical. Choir book. 52 pages. Schott Music #ED 22122. Published by Schott Music

By James Wallace. For SATB choir, Organ. Cathedral. Choral, Evensong. Medium Difficult. Choral score. Published by Paraclete Press

SSATB choir - Level 2

SKU: CA.326410

Composed by James Lord Pierpont. Arranged by Ludwig Bohme. Separate edition with choral collection. Sacred vocal music, Christmas Carols, Advent, Christmas. Full score. 6 pages. Duration 3 minutes. Carus Verlag #CV 03.264/10. Published by Carus Verlag (CA.326410).

ISBN 9790007167592. Key: B flat major. Language: English. Text: Pierpont, James Lord. Text by James Lord Pierpont.

(No. 1 from Nocturnes ). By Rene Clausen. For SATB Choir (divisi) and Piano (with optional string quintet). Prima Cantate Series. Concert. Octavo. Published by Roger Dean Publishing

Congregation, SATB choir, and organ, with optional brass quartet and timpani (Instrumental Parts include: Trumpet I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Timpani) - Early Intermediate

SKU: MN.60-6114

Composed by James Biery. Reformation, Epiphany, 21st Century, Word of God. MorningStar Music Publishers #60-6114. Published by MorningStar Music Publishers (MN.60-6114).

UPC: 688670661143. English.

From the mysterious to the glorious, Biery perfectly captures the wide-ranging moods of this text, set to the enduring tune EBENEZER. This hymn concertato was written for the Schola Cantorum of Concordia Theological Seminary, Fort Wayne, Indiana in observance of the 500th anniversary of the Reformation. So, it's no surprise that the setting has considerable sweep and gravitas, with some fresh harmonic twists. A beautiful choir-only section spans stanzas three and four in major tonalities that nicely complement the staid minor of the rest of the hymn. The sixth and final stanza is unison with descant and concludes with a choir Alleluia and Amen. Stirring and majestic. Duration 4:00.

Performed by Five for Fighting, composed by John Ondrasik, arranged by Ryan James. Octavo for SATB chorus and piano accompaniment. With chord names. Choral. G Major. Series: Hal Leonard Pop Choral Series. 12 pages. Published by Hal Leonard.

Music by Galt Macdermot, lyrics by Gerome Ragni, James Rado, arranged by Jay Althouse. Octavo for SATB choir and piano accompaniment. Eb Major. Series: Alfred Pop Choral Series. 12 pages. Published by Alfred Publishing.

SATB(B) a capella Choral; Mixed Choir; Soprano (SATBB)

SKU: HL.48025402

SATB(B) a capella with Solo Soprano. Composed by James Macmillan. Boosey & Hawkes Sacred Choral. Choral, Classical. Octavo. Boosey & Hawkes #M060141997. Published by Boosey & Hawkes (HL.48025402).

UPC: 196288201038.

Short motet commissioned by St Dominic’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be let loose on the world to fulfil their potential: 'Be who God meant you to be and you will set the world on fire'. But where another composer might have made this a fanfare MacMillan writes with the gentleness of sincerity. The music is very straightforward and in wanting a solo soprano line he outlines all the ways this can be achieved: soloist, group of sopranos, or all the sopranos if the altos can be split into two. The choir repeats the mantra text above throughout the motet, while the soprano solo line is given the prayer which follows. Only at the very end do they all join together in the words 'Jesus, love, Jesus, love' with a lovely E major ending.