Choral (SATB)

SKU: HL.40355

Composed by George Walker. LKM Music. Classical. Octavo. 8 pages. Lauren Keiser Music Publishing #S944004. Published by Lauren Keiser Music Publishing (HL.40355).

UPC: 884088289546. 7.0x10.5x0.02 inches.

Choral (SATB)

SKU: HL.42266

Composed by George Walker. LKM Music. Classical. Octavo. 12 pages. Lauren Keiser Music Publishing #X944002. Published by Lauren Keiser Music Publishing (HL.42266).

UPC: 884088308650. 7.0x10.5x0.036 inches.

Choral (SATB)

SKU: HL.40357

Composed by George Walker. LKM Music. Classical. Octavo. 8 pages. Lauren Keiser Music Publishing #S944006. Published by Lauren Keiser Music Publishing (HL.40357).

UPC: 884088289560. 7.0x10.5x0.02 inches.

Choral (SATB)

SKU: HL.40343

Composed by Robert Starer. LKM Music. Classical. Octavo. Lauren Keiser Music Publishing #S924002. Published by Lauren Keiser Music Publishing (HL.40343).

UPC: 884088289423. 7.0x10.0x0.048 inches.

Composed by William Byrd (1540-1623). For Choral (SATB). LKM Music. Lauren Keiser Music Publishing #S940006. Published by Lauren Keiser Music Publishing

Choral (SATB)

SKU: HL.40356

Composed by George Walker. LKM Music. Classical. Octavo. 8 pages. Lauren Keiser Music Publishing #S944005. Published by Lauren Keiser Music Publishing (HL.40356).

UPC: 884088289553. 7.0x10.5x0.017 inches.

Choral (SATB)

SKU: HL.40358

Composed by George Walker. LKM Music. Classical. Octavo. 12 pages. Lauren Keiser Music Publishing #S944007. Published by Lauren Keiser Music Publishing (HL.40358).

UPC: 884088289577. 7.0x10.5x0.047 inches.

Composed by Stuart Townend, Keith Getty. Arranged by Lloyd Larson. For SATB choir with optional cello (part included). Easter, Pentecost, Prayer, Christian Community. Performance/Accompaniment CD. Published by Hope Publishing Company

Mixed choir (SATB) - very easy

SKU: HL.49026525

Composed by LANG. This edition: Folding. Sheet music. Schott Chorblattreihe (Choral Music). Choral Score. 4 pages. Schott Music #CHBL 298. Published by Schott Music (HL.49026525).

ISBN 9790001019217.

Composed by Stuart Townend, Keith Getty. Arranged by Lloyd Larson. For SATB choir with optional cello (part included). Easter, Pentecost, Prayer, Christian Community. Octavo. Published by Hope Publishing Company

By Keith Getty and Stuart Townend. Arranged by Jack Schrader. For SATB choir and piano accompaniment. (SATB). Contemporary and Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company.

By Keith Getty / Stuart Townend. Arranged by Larry Nickel. For SATB choir, a cappella. Octavo. Published by Cypress Choral Music

SSATB choir

SKU: CA.2037400

Aus: Geistliche Chormusik. Composed by Heinrich Schutz. Edited by Michael Heinemann. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Geistliche Chormusik 1648 SWV 369-397. Stuttgart Urtext Edition: Schutz. German title: Unser keiner lebet ihm selber. Sacred, Motets; Stuttgart Urtext editions; Occasions: Confirmation, Mourning, Death; Use during church year: New Year. Full score. Composed 1648. SWV 374. Duration 3 minutes. Carus Verlag #CV 20.374/00. Published by Carus Verlag (CA.2037400).

ISBN 9790007034689. Key: G dorian. Language: German/English.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106014

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Cello/Double Bass. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/14. Published by Carus Verlag (CA.3106014).

ISBN 9790007043452. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106007

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Study score. Composed 1723. BWV 60. 64 pages. Duration 20 minutes. Carus Verlag #CV 31.060/07. Published by Carus Verlag (CA.3106007).

ISBN 9790007043407. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106019

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. Duration 20 minutes. Carus Verlag #CV 31.060/19. Published by Carus Verlag (CA.3106019).

ISBN 9790007134044. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106013

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Viola. Composed 1723. BWV 60. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.060/13. Published by Carus Verlag (CA.3106013).

ISBN 9790007043445. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106005

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Choral Score. Composed 1723. BWV 60. 2 pages. Duration 20 minutes. Carus Verlag #CV 31.060/05. Published by Carus Verlag (CA.3106005).

ISBN 9790007043391. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106000

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Full score. Composed 1723. BWV 60. 60 pages. Duration 20 minutes. Carus Verlag #CV 31.060/00. Published by Carus Verlag (CA.3106000).

ISBN 9790007043377. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106011

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Violin 1. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/11. Published by Carus Verlag (CA.3106011).

ISBN 9790007043421. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106009

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.060/21 oboe d'amore 1, 1x 31.060/22 oboe d'amore 2, 1x 31.060/31 horn, 1x 31.060/32 trumpet. German title: O Ewigkeit, du Donnerwort 4. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.060/09. Published by Carus Verlag (CA.3106009).

ISBN 9790007043414. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

By Keith Getty; Stuart Townend. Arranged by John Ferguson. For SATB choir and piano. Level: Moderately Easy. Octavo. Published by MorningStar Music Publishers.

By Robert Sterling, Keith Getty. For SATB choir and piano. Christmas, Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3754L)

By Keith Getty, Lloyd Larson. For SATB choir and piano. All Saints Day, General, Holy Communion, Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3764L)

By Keith Getty; Kristyn Getty. For SATB choir and piano. Advent, Christmas, Sacred. Sacred Anthem

By Keith Getty and Stuart Townend. Arranged by Lloyd Larson. For SATB choir. Choral music. General, Lent, Communion, Cross of Christ, Good Friday, Holy Week, Humility, Lord's Supper, Maundy Thursday, Sacrifice, Contemporary. Choral octavo. 12 pages. Published by Hope Publishing Company

By Keith Hampton. For SATB choir, soloist and piano. Mixed Voices Series. Sacred Anthem. Octavo. Published by Chorister's Guild

By Keith Getty and Stuart Townend. For SATB choir and piano (with optional orchestra). Christ the King, Eastertide, General, Lent, Palm Sunday, Sacred. Sacred Anthem