Le compositeur espagnol Rafael Sánchez Mombiedro définir le texte bien établi 'O Magnum Mysterium' sur la venue de Dieu de la musique d'une manière nouvelle et inspirante. Il joue avec la dynamique et des harmonies étranges, donnant ainsi le programme du concert des chorales expérimentés que certain de quelque chose. / Choeur Mixte (SATB) A Cappella

A Chamber Cantata for Holy Week or Easter. Par MARTIN JOSEPH M.. From ministry to humility and Calvary to victory, the story of Christ's redemptive grace is clearly presented in this meaningful offering. There is a pleasing blend of original material with familiar hymns, along with a scripture-based narration. This flexible chamber cantata includes two final songs: one for Holy Week, and the other for Easter. A smaller, yet effective orchestration provides instrumental or track options, while voice dominant tracks make learning convenient and approachable. A cantata of remembrance, reflection and resurrection! Songs include:A Quiet Gathering; Somewhere in the Silence; Prepare Your Hearts; I Heard the Voice of Jesus Calling; Just Beyond the Palms; In the Stillness of This Moment; Silent Was the Night: The Lamb Is Silent Now; The Silence Speaks; Set Free Your Alleluia! Score and Parts (fl 1, fl 2/ob, cl, tpt, tbn, vn 1-2, vc, db) available as a digital download. / Date parution : 2023-06-01/ Recueil / SATB

Magnificat Joe Duddell et Nunc Dimtis a été commandée par le Festival Presteigne de musique et des arts avec un financement de Kevin Jones et Laura Woodside-Jones et a reçu sa première représentation par la Chorale de Royal Holloway menée par Rupert Gough au Festival 2011 Presteigne. Duddell a reconnu dans le passé que tout composer un morceau de musique, des problèmes surgissent qui nécessitent des solutions et ce nouveau contexte de la 'Mag and Nunc' n'est pas différent. Le principal défi pour un compositeur qui est ouvertement agnostique est le poids historique derrière le texte liturgique, mais en s'inspirant à la fois musicale et philosophique de compositeurs tels que Holst et Tippett, réglage Duddell est une joyeuse et exaltante.Ouverture avec des harmonies soutenues saturés ouverts 4ths sondes et 5tes, la musique a tôt fait de rapides passages qui chase un de l'autre. L'organe ajoute à la syncope relativement droites rythmes vocaux et à tout autre moment textures plus denses souligne rythmiques. L'oeuvre est dédiée à George Vass. / Choeur Mixte (SATB) Et Orgue

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Par CHILCOTT BOB. for SATB and piano In another successful collaboration between Bob Chilcott and poet Charles Bennett, Lightwaves sees the exploration of light, in its many forms and uses, from stars to electricity and photosynthesis. Piano andvoices are used pictorially, in a musical setting that contrasts moments of high energy and tranquility./ Répertoire / Choeur Mixte SATB et Piano

Par RUBINO JERRY. C'est l'anthologie chorale parfait pour tous les choeurs mixtes qui sont sûrs que le Père Noël arrive en ville! Cette collection rassemble une douzaine arrangements éblouissants des meilleurs classiques de Noël par certains des meilleurs musiciens de jazz de l'Amérique et arrangeurs vocales. Il ya le sentiment de vacances, Broadway verve, esprit froid dans les douze accords stimulantes et engageantes. En outre, chaque arrangeur a écrit les notes de performance pratiques, qui offrent des conseils à la fois chef d'orchestre et chanteur sur la façon de faire de la musique de ce style viennent à la vie. Noël vient juste épicé, alors soyez prêt pour égayer votre concert de vacances et de laisser le public (et chanteurs) pour demander plus! Matériel d'orchestre est disponible à la location pour Winter Wonderland, il faut un peu de Noël, Que faites-vous le réveillon du Nouvel An', Je serai à la maison pour Noël, et c'est le moment le plus merveilleux de l'année./ Recueil / Choeur

This cycle of three psalms captures key ritual moments in the Jewish life cycle. Birth, marriage and death are the powerful milestones that frame our existence. Composed by Bruce L. Ruben, Director of the Debbie Friedman School of Sacred Music at Hebrew Union College and arranged by Broadway composer and arranger Larry Hochman, this setting of the Psalms for SATB choir, solo, piano, clarinet, violin and cello works equally well in worship or concert. Mvt. 1) Baruch Haba (Psalm 118)- Mvt. 2) Adonai Maon (Psalm 90)- Mvt. 3) Ivdu Adonai (Psalm 100). / Choeur Mixte (SATB), Clarinette Et Piano

Un des mélodies populaires les plus aimés du monde reçoit un traitement traditionnellement-romantice dans cet arrangement par Kenneth Neufeld. Simpliste de portée et de la présentation, mais non sans émotion. Le score est, parfois, stark, à d'autres moments, lush - rappellent subtilement riche palette harmonique de Aaron Copland. / Choeur Mixte (SATB) Et Piano

Arranged for SATB, here are five all-time classic Christmas songs with a warm and nostalgic feeling.O Holy Night and Silent Night both originated in 19th century Europe while Have Yourself A Merry Little Christmas was introduced by Judy Garland in a 1944 Hollywood musical. Silver Bells was a 1950 Livingston-Evans pop hit but surely the most famous of them all is Irving Berlin's White Christmas, the 1940 song for which its composer had high hopes the moment he completed it. Conceived as a nostalgic number, White Christmas was a slow starter but went on to become a huge success and, for many, the ultimate Christmas song.These arrangements lend themselves to being performed separately or in seamless succession for a Classic Christmas recital audiences will love. / Choeur Mixte (SATB) Et Piano

Par BAIGENT BERTIE. The composer was drawn to the beautiful stillness and sadness of the poem by Christina Rossetti, which transcends its rigid sonnet structure, and allude via the epigraph to the mysterious Willow-Wood cycle by Christina's brother Dante Gabriel Rossetti. The music suggests a division of the poem into three stanzas, alternating with tranquil interludes (using the opening melody) representing the 'willow-wood' of the title, so that the listener is constantly reminded of the gentle surroundings. As the intensity of the text increases, so does the astringency of dissonance in the verses, reaching its apogee just before consonance breaks through at the crucial phrase 'onemoment joined'. The simplicity of the Vocal writing conveys the serenity of the setting, while simultaneously suggesting the austere melancholy of the lovers. An Echo From Willow-Wood was the winner of the Stainer & Bell Award for Choral Composition 2015. / Date parution : 1905-07-07/ Feuillet / SATB

Arrangeur: Kirby Shaw. Par HORNER JAMES. Le thème de l'amour populaire du film à succès Titanic, initialement enregistré par Céline Dion, est désormais disponible dans un cadre exquis par Kirby Shaw. L'essence de cette très émouvante ballade affectif, avec sa mélodie envoûtante et des paroles tendres, est admirablement capturée avec la peinture mots et d'harmonies luxuriantes. Garanti pour créer un moment de magie pure dans votre concert. Disponible: SATB a cappella, SSAA a cappella. Temps de Performance: Env. 04:30. / Rép International / Feuillet / Chant et Piano

Arrangeur: Roger Emerson. Par COHEN LEONARD. En vedette dans les studios Dreamworks Shrek cinématographiques, cet arrangement bien conçu souligne le plaintif, la mélodie envoûtante écrite par Leonard Cohen. Parfait pour les concerts, à tout moment de l'année. Temps de Performance: Env. 03:00 Disponible séparément:. SATB, SAB, 2-Partie et ShowTrax CD. / Rép Classique / Feuillet / Chant

Par NUNEZ FRANCISCO. Dans ce décor de concert, les voix sont utilisés comme un moyen de créer un logement méditatif pour la prière. La faible voix drone (à l'aide de la résonance nasal) pour symboliser un sentiment de l'éternité suspendu. Le duo isolé les chiffres dans la couleur de voix plus élevée le texte, apportant certains versets au premier plan. Toutes les voix climax dans l'adoration prolongée et travailler harmonieusement pour créer la sensation de suspension awe. La fermeture sreturn moment à un Etat ressemblant à la prière méditatif, pourtant suggèrent que quelque chose a transformé depuis le début de la pièce, ou peut-être que la pièce a été seulement une continuation./ Feuillet / Choeur Mixte (SATB) a Cappella