SATB Choir

SKU: BT.MUSM570200696

Composed by Anne Boyd. Vocal Score. 23 pages. University of York Music Press #MUSM570200696. Published by University of York Music Press (BT.MUSM570200696).

English.

Anne Boyd 's A Vision: Jesus Reassures His Mother for 6 unaccompanied voices (SSATBB). Composed in 1999, published in 2001. Duration: 14 minutes. Commissioned by the Song Company and performed by them in Australia, Italy and the UK. Recorded and broadcast by the BBC and the ABC.

Arranged by Joseph M. Martin. For SATB choir choir. General, Mother's Day, Father's Day, Christian Community. Octavo. Published by Hope Publishing Company

By John Tavener (1944-). For Choral (SATB). Music Sales America. Choral. 22 pages. Chester Music #CH55914. Published by Chester Music

By Brent Jorgensen, Penelope Moody Allen. For SATB choir. Mother's Day. Octavo. Duration 4:45. Published by Jackman Music Corporation

By Keith and Kristyn Getty. By Fionan DeBarra, Keith Getty, and Kristyn Getty. Arranged by Thomas Grassi and Thomas Fettke. For Choral, Violin (SATB). Daybreak Choral Series. 16 pages. Published by Daybreak Music

By John Tavener (1944-). For Choral (SATB). Music Sales America. Choral. Chester Music #CH61759. Published by Chester Music

By John Purifoy. For Choral (SATB). Harold Flammer Easter. Octavo. 12 pages. Published by Shawnee Press

Composed by Paul Winter. Arranged by Larry Nickel. Octavo. Published by Cypress Choral Music (C3.CP1538).

Craig Hella Johnson Choral Series. Composed by Doug Brandt. Craig Hella Johnson Series. Christmas, Concert, Festival. Octavo. 12 pages. Published by G. Schirmer

By Linda Spevacek. For SATB choir, unison. Sacred Anthem, Family Days, General. Moderately easy. Octavo. Published by Lorenz Publishing Company Octavo Sacred Anthem, Family Days, General

SATB chorus and piano - Medium

SKU: JK.01303

Composed by Thayne Martin. Arranged by Brent Jorgensen. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Easter, Seasonal Music Mothers Day, Atonement, Easter, God's Love, Jesus Christ - Savior, Jesus Christ-Son of God, Love, Motherhood. Christian, Inspirational. Duration 4:45. Jackman Music Corporation #01303. Published by Jackman Music Corporation (JK.01303).

Tender Easter anthem arranged for mixed chorus (SATB), female solo and piano. Sung from the perspective of Mary, the mother of Jesus:
I kneel at His wounded feet, once washed with revr'ent care, now wet with mother's tears, this cross too much to bear.... Hold Him in thine arms for me, until I see Him again and take Him home to Thee. He is my Son.
Composer: Thayne Martin
Arranger: Brent Jorgensen
Lyricist: Julia Ryan
Difficulty: Medium
Performance time: 4:45.

SATB chorus, solo voices and piano

SKU: JK.20420

Composed by Marvin Payne and Steven Kapp Perry. Choral Cantata, Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Fathers Day, Seasonal Music Mothers Day, Special Events Home and Family, Family, Fatherhood, God the Father, Jesus Christ - Savior, Joy, Love, Motherhood, Vocal Solo. Christian, Inspirational. Jackman Music Corporation #20420. Published by Jackman Music Corporation (JK.20420).

Doctrine and Covenants 138:47-48, Alma 37:35*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

A cantata written to celebrate the Proclamation on the Family, for chorus, soloists, and readers.
Original songs include: Children of God, In Whose Image Am I Made?, Half a Million Skies, We'll Make Our Father's Dream Our Own, God Gave You to Me, The Song of Ages, Travelers Who Shelter Here, Father Mother We Need Your Love, Come to the River, No Other Love, The Path to Joy, Our Brother Walked This Way, Turning the Hearts, Love One Another, and We'll Make Our Father's Dream Our Own/This Is Our Choice
Composer: Steven Kapp Perry & Marvin Payne
Lyricist: Steven Kapp Perry & Marvin Payne
Reference: Doctrine and Covenants 138:47-48, Alma 37:35
*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

SATB chorus and piano - Medium / medium acc.

SKU: JK.01121

Composed by David Len Allen. Arranged by David Len Allen. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Fathers Day, Seasonal Music Mothers Day, Joy, Prayer. Christian, Inspirational. Duration 3:10. Jackman Music Corporation #01121. Published by Jackman Music Corporation (JK.01121).

Choral anthem for mixed chorus (SATB) and piano, effective for either Mother's Day or Father's Day. With text describing the joy of a parent on hearing a young daughter's righteous prayer.
Composer: David Len Allen
Arranger: David Len Allen
Lyricist: David Len Allen
Difficulty: Medium / medium acc.
Performance time: 3:10.

By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry / Neal A. Maxwell / Orrin G. Hatch / David B. Larsen / Olga S. Whitaker / Ruth S. Kapp. For SATB Choir. Level: Medium. Published by Jackman Music Corporation.

Composed by John Rutter (1945-). For SATBB choir and organ/chamber ensemble (flute, oboe, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Christmas Carols. Level A (very easy). Vocal score. Duration 4 minutes. Published by Oxford University Press

By Patricia Kelsey Graham. Arranged by Donald H. Ripplinger. Text: Patricia Kelsey Graham. For SATBB Choir. Christmas. Level: Medium. Duration 3:00. Published by Jackman Music Corporation.

SSATBB choir, piano reduction - Intermediate

SKU: GI.G-8398

Composed by Charles Snider. Christmastide, Christmas Vigil, Christmas Night, Mary Mother of God. Christmas. Sacred. Octavo. 4 pages. GIA Publications #8398. Published by GIA Publications (GI.G-8398).

English. Text Source: Anonymous, English, 15th c.

Bring new life to your Lessons and Carols service through the ancient beauty of this 15th-century English text, which reflects on the mystery of the sin of Adam that led to Mary’s queenship—thanks be to God! A pronunciation guide and paraphrase are provided.

(Choral Works a cappella). Composed by Marten Jansson. For SSATBB choir. Stapled. Level 4. Choral score. Published by Baerenreiter Verlag

By Nielle Mann. For SATB choir, a cappella. Mixed Voices. ...for Choirs Collections. Sacred, Choral Collection. 272 pages. Published by Oxford University Press

By Gwyneth W. Walker (1947-). For SATB choir and Piano (Mixed Voices). General, Secular. Choral. 16 pages

By Matthew N. Lundquist. For SATB Choir (Mixed Voices). General. Choral. 12 pages

SATB choir, piano reduction - Beginning

SKU: GI.G-8556

Composed by Paul Ritchie. Advent, Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Mary Mother of God. Christmas. Sacred. Octavo. 8 pages. GIA Publications #8556. Published by GIA Publications (GI.G-8556).

UPC: 785147855606. English. Text Source: Tr. 'Es ist ein' Ros' entsprungen,' 1599.

This translation of “Es ist ein’ Ros’ entsprungen” (more commonly translated as “Lo, How a Rose E’er Blooming”) includes the medieval imagery of Christ as the flower that “springeth from earth.” The doxology portion also makes reference to “Mary, God’s own Mother,” making the piece of worthy consideration for repertoire on January 1. The melody is passed between tenors and sopranos, while the remaining voices take up a wordless choral accompaniment.

Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. John Rutter Anniversary Edition. Full score (SATB or SSAA version). 16 pages. Duration 4'. Published by Oxford University Press (OU.9780193410558).

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

SATB choir, keyboard - Intermediate

SKU: MN.50-0007

Composed by Thomas Keesecker. Catholic Year A Immaculate Conception; Catholic Year A Advent4; Catholic Year A Solemnity of Mary, Holy Mother of God; Catholic Year C Solemnity of Mary, Holy Mother of God. Advent, Annunciation, Feast of the Holy Family. Octavo. MorningStar Music Publishers #50-0007. Published by MorningStar Music Publishers (MN.50-0007).

UPC: 688670500077.

Sixth century text by Fortunatus (tr. John Mason Neale) centering on God's selection of Mary as the chosen one. Appropriate for Advent and Annunciation of Mary. Opening and closing sections are homophonic with contrasting lyrical 6/8 middle section.

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE19350. Published by Universal Edition

SATB choir, assembly, keyboard accompaniment, oboe - Beginning

SKU: GI.G-3940

Composed by John B. Foley. This edition: oboe part. Trinity Sunday. Celebration Series. Sacred. Solo instrument part. With guitar chord names. 12 pages. GIA Publications #3940. Published by GIA Publications (GI.G-3940).

Text Source: based on the writing of Julian of Norwich. Text by Jean Janzen.

Composed by Tom Trenney. For SATB choir, piano. Octavo. 8 pages. Published by Augsburg Fortress

Composed by Tyler Joseph. Arranged by Bryan Sharpe. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Secular. 16 pages. Published by Alfred Music