Cantata for the 18th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Whitsun. Choral
Score. Composed 1726. BWV
169. 2 pages. Duration 17
minutes. Carus Verlag #CV
31.169/05. Published by
Carus Verlag
(CA.3116905).
ISBN
9790007170752. Text
language: German/English.
Text: Birkmann,
Christoph.
Bach's
cantata My God alone this
heart possesses BWV 169
is from his third annual
cantata cycle in Leipzig;
it was first performed on
20 October 1726 for the
18th Sunday after
Trinity. As recent
research has shown, the
text was written by the
Leipzig student,
Christoph Birkmann. With
the exception of the
final chorale, this is a
cantata for solo alto
with, of course, a rich
orchestral scoring
consisting of three
oboes, obbligato organ
and strings. The first
purely instrumental
movement can be traced
back to an instrumental
concerto, which has been
lost, after Bach had also
composed the Keyboard
Concerto in E major BWV
1053. The lyrical-vocal
highpoint of the cantata
is the fifth movement,
which is also based on
the concerto and it shows
off Bach's arranging
artistry to the highest
degree. Among the
movements are an
aria-like recitative
vocal movement, as well
as another aria with an
almost virtuoso organ
accompaniment. Score
available separately -
see item CA.3116900.
In the Beginning Chorale SATB SATB, Piano Oxford University Press
By Alan Smith. For SATB choir and piano/organ/orchestra (flute, oboe, clarinet, ...(+)
By Alan Smith. For SATB
choir and
piano/organ/orchestra
(flute, oboe, clarinet,
bassoon, horn, trumpet,
timpani, percussion,
strings). Mixed Voices.
Christmas, Choral
Leaflet. Vocal score. 8
pages. Duration 3'.
Published by Oxford
University Press
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (BLST) -
intermediate
SKU:
HL.49006379
(Moosburger
Cantional). Composed
by Harald Genzmer. Sheet
music. Edition Schott.
Classical. Set of Wind
Parts. Composed 1971. 4
pages. Duration 16'.
Schott Music #ED 6505-11.
Published by Schott Music
(HL.49006379).
ISBN
9790001069120.
9.25x12.0x0.011 inches.
Latin.
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (VA) -
intermediate
SKU:
HL.49006384
(Moosburger
Cantional). Composed
by Harald Genzmer. Sheet
music. Edition Schott.
Classical. Individual
part. Composed 1971. 4
pages. Duration 16'.
Schott Music #ED 6505-16.
Published by Schott Music
(HL.49006384).
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (V2) -
intermediate
SKU:
HL.49006383
(Moosburger
Cantional). Composed
by Harald Genzmer. Sheet
music. Edition Schott.
Classical. Individual
part. Composed 1971. 4
pages. Duration 16'.
Schott Music #ED 6505-15.
Published by Schott Music
(HL.49006383).
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (VC/KB) -
intermediate
SKU:
HL.49032106
(Moosburger
Cantional). Composed
by Harald Genzmer. Sheet
music. Edition Schott.
Individual part. Composed
1971. 8 pages. Duration
16'. Schott Music #ED
6505-17. Published by
Schott Music
(HL.49032106).
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (V1) -
intermediate
SKU:
HL.49006382
(Moosburger
Cantional). Composed
by Harald Genzmer. Sheet
music. Edition Schott.
Classical. Individual
part. Composed 1971. 4
pages. Duration 16'.
Schott Music #ED 6505-14.
Published by Schott Music
(HL.49006382).
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (SCHLGZ) -
intermediate
SKU:
HL.49006380
(Moosburger
Cantional). Composed
by Harald Genzmer. Sheet
music. Edition Schott.
Classical. Individual
part. Composed 1971. 4
pages. Duration 16'.
Schott Music #ED 6505-12.
Published by Schott Music
(HL.49006380).
ISBN
9790001069137.
9.25x12.0x0.011 inches.
Latin.
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (CHP) -
intermediate
SKU:
HL.49006378
(Moosburger
Cantional). Composed
by Harald Genzmer. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Choral Score.
Composed 1971. 8 pages.
Duration 16'. Schott
Music #ED 6505-01.
Published by Schott Music
(HL.49006378).
Mixed choir (SATB) with solo (high) and strings; recorder, flute, oboe, bassoon ...(+)
Mixed choir (SATB) with
solo (high) and strings;
recorder, flute, oboe,
bassoon and percussion ad
libitum (PK) -
intermediate
SKU:
HL.49006381
(Moosburger
Cantional). Composed
by Harald Genzmer. Sheet
music. Edition Schott.
Classical. Individual
part. Composed 1971. 4
pages. Duration 16'.
Schott Music #ED 6505-13.
Published by Schott Music
(HL.49006381).
SATB choir, strings and basso continuo SKU: M7.DOHR-14106 Composed by Joh...(+)
SATB choir, strings and
basso continuo
SKU:
M7.DOHR-14106
Composed by Johann
Rosenmuller. Edited by
Michael Heinemann. Sheet
music. Set of parts. 32
pages. MDS (Music
Distribution Services)
#DOHR 14106. Published by
MDS (Music Distribution
Services)
(M7.DOHR-14106).
SATB choir, strings and basso continuo SKU: M7.DOHR-14105 Composed by Joh...(+)
SATB choir, strings and
basso continuo
SKU:
M7.DOHR-14105
Composed by Johann
Rosenmuller. Edited by
Michael Heinemann. Sheet
music. Score. 60 pages.
MDS (Music Distribution
Services) #DOHR 14105.
Published by MDS (Music
Distribution Services)
(M7.DOHR-14105).
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Violin 1. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Violin 1. Composed
1763/64. 24 pages.
Duration 42 minutes.
Carus Verlag #CV
97.004/11. Published by
Carus Verlag
(CA.9700411).
ISBN
9790007238810. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Viola. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Viola. Composed 1763/64.
20 pages. Duration 42
minutes. Carus Verlag #CV
97.004/13. Published by
Carus Verlag
(CA.9700413).
ISBN
9790007238834. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Violin 2. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Violin 2. Composed
1763/64. 24 pages.
Duration 42 minutes.
Carus Verlag #CV
97.004/12. Published by
Carus Verlag
(CA.9700412).
ISBN
9790007238827. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Complete orchestral
parts. Sacred vocal
music, Requiem, Mourning,
death. Set of Orchestra
Parts. Composed 1763/64.
Duration 42 minutes.
Carus Verlag #CV
97.004/19. Published by
Carus Verlag
(CA.9700419).
ISBN
9790007133764. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
parts available
separately - see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
1x 97.004/21 flute 1, 1x
97.004/22 flute 2, 1x
97.004/23 oboe 1, 1x
97.004/24 oboe 2, 1x
97.004/31 horn 1, 1x
97.004/32 horn 2. Harmony
parts. Sacred vocal
music, Requiem, Mourning,
death. Set of Orchestra
Parts. Composed 1763/64.
64 pages. Duration 42
minutes. Carus Verlag #CV
97.004/09. Published by
Carus Verlag
(CA.9700409).
ISBN
9790007238803. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
parts available
separately - see item
CA.9700400.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Organ. Sacred vocal
music, Requiem, Mourning,
death. Single Part,
Organ. Composed 1763/64.
32 pages. Duration 42
minutes. Carus Verlag #CV
97.004/49. Published by
Carus Verlag
(CA.9700449).
ISBN
9790007238858. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score and
part available separately
- see item
CA.9700400.
Composed
by Johann Adolf Hasse.
Edited by Wolfram Hader.
This edition: Paperbound.
German title: Requiem in
Es. Sacred vocal music,
Requiem, Mourning, death.
Full score. Composed
1763/64. Duration 42
minutes. Carus Verlag #CV
97.004/00. Published by
Carus Verlag
(CA.9700400).
ISBN
9790007113155. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764.
Requiem
in Es. Composed by
Johann Adolf Hasse.
Edited by Wolfram Hader.
Sacred vocal music,
Requiem, Mourning, death.
Choral Score. Composed
1763/64. Duration 42
minutes. Carus Verlag #CV
97.004/05. Published by
Carus Verlag
(CA.9700405).
ISBN
9790007111489. Key: E
flat major. Language:
Latin.
Two complete
settings of the Requiem
by Johann Adolf Hasse are
extant. Hasse composed
the Requiem in C major on
the death of the Elector
Friedrich August 11 of
Saxony. Only a few weeks
later his son the elector
Friedrich Christian also
died. Presumably for this
reason Hasse wrote the
Requiem in D flat, and
because of the shortage
of time he used the
Sanctus and Agnus of a
Requiem in B flat which
he had composed earlier.
The principal sections
Introitus/Kyrie and Dies
irae probably date from
1763 and 1764. Score
available separately -
see item CA.9700400.
Composed by Philipp
Heinrich Erlebach. German
title: Ich will Wasser.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Viola 2. 2 pages.
Carus Verlag #CV
10.101/14. Published by
Carus Verlag
(CA.1010114).
ISBN
9790007019099. Language:
German.
Score and
part available separately
- see item
CA.1010100.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, End of the church
year. Single Part, basso
continuo. Composed 1715.
BWV 163. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.163/14. Published by
Carus Verlag
(CA.3116314).
ISBN
9790007208981. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, End of the
church year. Set of
Orchestra Parts. Composed
1715. BWV 163. Duration
18 minutes. Carus Verlag
#CV 31.163/19. Published
by Carus Verlag
(CA.3116319).
ISBN
9790007141219. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and parts
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, End of the
church year. Single Part,
Organ. Composed 1715. BWV
163. 12 pages. Duration
18 minutes. Carus Verlag
#CV 31.163/49. Published
by Carus Verlag
(CA.3116349).
ISBN
9790007209001. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music, End
of the church year.
Single Part, Violin 2.
Composed 1715. BWV 163. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.163/12. Published by
Carus Verlag
(CA.3116312).
ISBN
9790007208967. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music, End
of the church year.
Single Part, Violin 1.
Composed 1715. BWV 163. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.163/11. Published by
Carus Verlag
(CA.3116311).
ISBN
9790007208950. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. 2
violoncellos. Sacred
vocal music, End of the
church year. Single Part,
2 Cellos. Composed 1715.
BWV 163. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.163/15. Published by
Carus Verlag
(CA.3116315).
ISBN
9790007208998. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, End of the
church year. Single Part,
Viola. Composed 1715. BWV
163. 2 pages. Duration 18
minutes. Carus Verlag #CV
31.163/13. Published by
Carus Verlag
(CA.3116313).
ISBN
9790007208974. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score and part
available separately -
see item CA.3116300.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912013
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Da, Jesu, deinen
Ruhm zu mehren. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Single Part,
Cello/Double Bass. TVWV
1:531a. 4 pages. Duration
12 minutes. Carus Verlag
#CV 39.120/13. Published
by Carus Verlag
(CA.3912013).
ISBN
9790007055653. Language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score and part available
separately - see item
CA.3912000.