SATB Choir and Organ

SKU: HL.14001154

8th Tone 6th Ending)satb/Org. Composed by Thomas Adams. Music Sales America. Classical. Choral Score. Music Sales #NOV440478. Published by Music Sales (HL.14001154).

SATB choir with vocal solo

SKU: LP.AN-9065

Arranged by Thomas Fettke. Anthems. Mountain-Top Choral Series. Southern Gospel, Easter and Sacred. Octavo. Duration 4 minutes, 59 seconds. Published by Lillenas Publishing Company (LP.AN-9065).

ISBN 9780834193598.

Inco rporating a portion of Christ Arose, this setting features a medium voice solo in a triumphant southern gospel Easter statement. Gone, the stone is rolled back; Gone, the tomb is empty!.

By Craig Courtney. For SATB choir, piano. Eastertide, General, Sacred Anthem. Octavo. Published by Crystal Sea Music Publishing

SATB Choir and Organ

SKU: HL.14001150

3rd Tone. Composed by Thomas Adams. Music Sales America. Sacred. Choral Score. Music Sales #NOV440384. Published by Music Sales (HL.14001150).

SATB Choir and Organ

SKU: HL.14001149

1st Tone 5th Ending. Composed by Thomas Adams. Music Sales America. Classical. Choral Score. Music Sales #NOV440381. Published by Music Sales (HL.14001149).

Composed by Daniel Pinkham (1923-2006). For SSATB choir, optional organ. Easter, General. Octavo. 8 pages. Published by Ione Press

By Anthony Iannaccone (1943-). For SATB, Piano. Standard notation. Published by Tritone Press & Tenuto Publications

Double SATB choir (Mixed choirs (SATB) (2)) - Level 4

SKU: BA.BA08525

Composed by Marten Jansson. Stapled. Choral score. 31 pages. Baerenreiter Verlag #BA08525_00. Published by Baerenreiter Verlag (BA.BA08525).

ISBN 9790006566037. 27 x 19 cm inches. Text Language: English. Text: Silvestri, Charles Anthony.

â??Tonigh t I Dance Aloneâ? for double choir a cappella consists of three poignant episodes from the life of an old man. We encounter him before his wedding, before celebrating his wedding anniversary and now as an elderly widower who says to his grandson:

â??Soon we will dance in the God-light,
My love and I.
Soon will the moon be ours again,
And the endless shining stars
In the halls of heaven.
Soon, my love, very soon;
But tonight, one last time,
Tonight I dance alone.�

The libretto and the descriptive music are deeply moving and constitute an ideal partnership. This is MÃ¥rten Jansson's first collaboration with the well-known librettist Charles Anthony Silvestri. The piece provides a well-worth challenge for ambitious choirs.

It was world-premiered by the Saint Louis Chamber Chorus under the baton of Philip Barnes on 1 October 2017 in Saint Louis, MO (USA)

The performance can be viewed on YouTube

Composed by Mary McDonald. For SATB choir, piano (with optional orchestra). Sacred Anthem. Octavo. SoundForth #10/5063SF. Published by SoundForth

By Jay Althouse. Edited by Jay Althouse. Arranged by Jay Althouse. For SATB choir w/optional clarinet. Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

(Volume 2 of 3) Composed by Johannes Brahms (1833-1897), edited by Kurt Soldan. For SATB voices (see songlist for voicings) and one piano four-hands. Format: piano/vocal score (parts not included). With choral notation and piano duet accompaniment. Romantic period. Text language German. 90 pages. 9x12 inches. Published by C.F. Peters.

Assembly, SATB choir, and organ, with optional brass quartet (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II) - Early Intermediate

SKU: MN.80-106

Composed by Matthew Koraus. Advent, Baptism of Our Lord, Christmas. Instrumental part. MorningStar Music Publishers #80-106. Published by MorningStar Music Publishers (MN.80-106).

UPC: 688670801068. English.

This cheerful set of Eucharistic Acclamations, based on the Christmas melody Resonet in laudibus, was written for assembly, SATB, and organ with optional brass quartet. It is clear that Matthew Koraus knows what works for an assembly. The Holy, Holy and the Amen involve the congregation in a call-and-response fashion, which, combined with the use of a familiar melody, makes it very easy for them to participate. Each of the three memorial acclamations are included, as are two versions of the Amen, one simple and one more involved. For Christmas through the Baptism of the Lord; also appropriate for Advent in a pared down presentation.

The Willamette Master Chorus Series. Composed by Henry Smart. Arranged by Chris Jones. Pavane Choral. Swing. Octavo. 12 pages. Pavane Publishing #P1628. Published by Pavane Publishing

By Joel Raney. For SATB choir and piano. Octavo. 8 pages. Published by Hope Publishing Company

By Joel Raney. For SATB choir and piano. Performance/accompaniment CD. Published by Hope Publishing Company

By Paul Gibson. For SATB Choir and cello. (Mixed Voices). Christmas. Choral. 8 pages. Published by Ione Press.

SATB choir, cantor, voice solo, assembly, piano accompaniment - Early intermediate

SKU: GI.G-9430

Entrance and Communion Antiphons for the Church Year. Composed by M. Roger Holland, II. Palm Sunday B. Sacred. With guitar chord names. 64 pages. GIA Publications #9430. Published by GIA Publications (GI.G-9430).

UPC: 785147943006. English. Text Source: Vv. The Grail, 1963, 1. Ps. 91:15-16, Ps. 91:1-2, 8-9, 10-11, 14-15, 2. Mt. 4:4, Ps. 19:8, 10, 11, 12-13, 15, 3. Ps. 27:8-9, Ps. 27:1, 4abcd, 5, 13-14, 4. Mt. 21:9, Ps. 118:29, 22-23, 27bc-28, 5. Lk. 24:34, Rev. 1:6, Ps. 98:1, 2-3ab, 3. Scripture: Psalm 91:15–16, Psalm 91:1–2, 8–9, 10–11, 14–15, Matthew 4:4, Psalm 19:8, 10, 11, 12–13, 15, Psalm 27:8–9, Ps. 27:1, 4abcd, 5, 13–14, Matthew 21:9, Psalm 118:29, 22–23, 27bc–28, Luke 24:34, Reveleation 1:6, Psalm 98:1, 2–3ab, 3cd–4.

Noted composer M. Roger Holland has taken antiphons from the 2010 Roman Missal and paired them with psalm verses, creating compositions that have wide use in the liturgy. Some parishes will want to use these pieces on the appointed day for entrance or communion processionals. Others may find use for them throughout the entire year, perhaps using them as a weekly song through the season. The songs work well as stand-alone processional pieces and many choirs will want to use them as choir anthems or congregational songs during the preparation of the gifts and altar. While utilizing official texts of the Roman rite, they can be used by congregations of any denomination. Roger explores the wide breadth that is African American music, you’ll find lyric ballades, spiritualinspired offerings, gospel-style songs, and pieces with a more uptempo feel. This is the third volume in this series. Contains: When He Calls on Me • Not by Bread Alone • Hide Not Your Face • Hosanna • The Lord Is Truly Risen, Alleluia For cantor or soloist.

Entrance and Communion Antiphons for the Church Year. Composed by M. Roger Holland, II. Sacred. 64 pages. Published by GIA Publications (GI.G-9233).

By Giancarlo Aquilanti. For ST soli, SATB Choir, orchestra or piano and percussion. (Mixed Voices). Mass. Choral. Level: moderately difficult. Piano/Vocal/Percussion Score. 84 pages. Published by Ione Press.

With works by Sigmund and Tesik. Composed by Jesse Beulke. Arranged by Vaclav Pokorny. Sheet music. Pavane Choral. A Cappella, Concert. Octavo. 1546. 12 pages. Pavane Publishing #P1546. Published by Pavane Publishing

Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

SATB Voices with Organ. By Samuel Sebastian Wesley. Arranged by Hal H. Hopson. Text: Samuel Stone. Choir (SATB, keyboard). For SATB Chorus, Organ. Choral. Choral Part(s). 11 pages. Published by Carl Fischer.

SATB choir, cantor, voice solo, keyboard accompaniment, percussion

SKU: GI.G-7103

Composed by Marc Anderson. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7103. Published by GIA Publications (GI.G-7103).

UPC: 785147710301. English.

Unconditio nal love for one another is the weapon that will end all strife and allow the world to live in peace. After the even-numbered of the six verses, a litany-like section alternates between soloist and choir, with the choir acclaiming “Love is peace.” For cantor or soloist Percussion parts are Hand-Drum, Tambourine or Shaker and Low Drum ad lib.

Unconditional love for one another is the weapon that will end all strife.

By The Afters. By Josh Havens, Matt Fuqua, and Jason Ingram. Arranged by Joseph M. Martin. PraiseSong Choral. General Worship, Memorial, Sacred. Octavo. 16 pages. Published by PraiseSong

By Larry Peterson. For SATB choir divisi with organ accompaniment. (SATB). Choral Octavos. Drew Collins Choral Collections. Choral. Level: Grade 3. Choral Octavo. Published by Neil A. Kjos Music Company.

Choir Secular (SATB choir)

SKU: AP.47123

Composed by Ben Berger, Eli Maiman, Kevin Ray, Nicholas Petricca, Ryan McMahon, Ryan Rabin, and Sean Waugaman. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Rock; Secular. Choral Octavo. 20 pages. Alfred Music #00-47123. Published by Alfred Music (AP.47123).

UPC: 038081538945. English.

Walk the Moon exploded onto the music scene with the hit Shut Up and Dance, and now they're back with another insanely unforgettable single from their third studio album, What If Nothing. A steady rock groove drives this quirky chorus that practically begs for choreography! Flash mob anyone?

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SATB choir

SKU: WD.080689685231

Composed by Cliff Duren. Choral. Sacred Anthem. Octavo. Word Music #080689685231. Published by Word Music (WD.080689685231).

UPC: 080689685231.

Invit ing your congregation into an emotional time of worship is this new anthem, Throne Room Song, made popular by People & Songs. With building dynamics, Cliff Duren has arranged and orchestrated this anthem to be the perfect addition to any worship service throughout the year. This anthem is a captivating reminder that our God, who surrounds us and calls us to be His, has and always will be enthroned in splendor.

SATB chorus

SKU: CA.221570

Composed by Andreas N. Tarkmann. Arranged by Markus Pohlmann. Gattungen vokal: Lieder for choir. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.221570).

ISBN 9790007294632. German. Text: Zuccalmaglio, Anton Wilhelm.

In this a cappella version, the composer Andreas N. Tarkmann extends the well-known folk song Kein schoner Land by adding vocal introductions and interludes (text: Markus Pohlmeyer, 2021). These match the original verses of the song by Anton Wilhelm von Zuccalmaglio both textually and musically. These sections can be sung by a choir, a choral group, or by soloists (ATB). Alternatively, the introductions and interludes can be omitted, so that just the four verses of the song (indicated by numbers) are heard in sequence.Other versions of Kein schoner Land (with instrumental introductions and interludes) by Andreas N. Tarkmann in the LIEDERPROJEKT:in Carus 2.215 for SATB choir and piano duetin Carus 2.215/11 for SATB choir and wind quintetThe wind version has been recorded on CD Carus 83.037 with Canadian Brass and the Hanover Boys' Choir, conducted by Jorg Breiding . Score available separately - see item CA.221500.