Johannes
Uppenbarelse.
Composed by Hilding
Rosenberg. Symphony No. 4
- The Revelation of S:t
John. Choral score. With
Language: English,
Swedish. 60 pages.
Duration 75 minutes.
Published by Gehrmans
Musikforlag (GH.N03157).
ISBN 9790070027731.
185 x 262 mm
inches.
For
recitative (baritone),
mixed chorus and
orchestra.
Lyrics
from the Bible and
chorales to poems by
Hjalmar Gullberg.
SATB Choir a Cappella SKU: HL.14037093 Composed by Bent Lorentzen. Music ...(+)
SATB Choir a Cappella
SKU: HL.14037093
Composed by Bent
Lorentzen. Music Sales
America. Classical.
Choral Score. Composed
2005. 10 pages. Edition
Wilhelm Hansen #WH29212.
Published by Edition
Wilhelm Hansen
(HL.14037093).
ISBN
9788759887639.
Danish.
Fire Digte Af Mao
Tse-Tung (Four Poems by
Mao Tse-Tung)
for Choir SATB
by Bent
Lorentzen
(1972).
Song
cycle after poems by
Johann Wolfgang von
Goethe: Venetian
epigrams. Composed by
Ernst Pepping. Stapled.
Choral score. Composed
1948/1949. Duration 5
minutes. Baerenreiter
Verlag #BA02267_00.
Published by Baerenreiter
Verlag (BA.BA02267).
ISBN 9790006419357. 29
x 23.2 cm inches. Johann
Wolfgang von
Goethe.
Composed by Jack Curtis Dubowsky. For SATB choir. Choral. Secular; contemporary....(+)
Composed by Jack Curtis
Dubowsky. For SATB choir.
Choral. Secular;
contemporary. Octavo.
Composed 2000. 4 pages.
Duration 1:15. Published
by De Stijl Music
Choral SATB choir SKU: PR.512011170 Composed by Tzvi Avni. With Standard ...(+)
Choral SATB choir
SKU:
PR.512011170
Composed
by Tzvi Avni. With
Standard notation.
Duration 4 minutes.
Israel Music Institute
#512-01117. Published by
Israel Music Institute
(PR.512011170).
Choral SATB Choir and Piano SKU: PR.312418800 No. 4 from Second April<...(+)
Choral SATB Choir and
Piano
SKU:
PR.312418800
No. 4
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41880.
Published by Theodore
Presser Company
(PR.312418800).
ISBN
9781491138151. UPC:
680160640225. Second
April, by Edna St.
Vincent
Millay.
Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The final
movement, INTO THE GOLDEN
VESSEL OF GREAT SONG is
an appassionato call to
overcome! The poem
exhorts us to “sing
out” with hope,
determination, and
strength. The music
contrasts turmoil and
times of strife with a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, with the
closing music in major,
resonant and strong.
. SECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
.
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Choral SATB choir, piano accompaniment SKU: CF.CM9607 Composed by Z. Rand...(+)
Choral SATB choir, piano
accompaniment
SKU:
CF.CM9607
Composed by
Z. Randall Stroope. Sws.
Performance Score. 16
pages. Duration 4
minutes, 3 seconds. Carl
Fischer Music #CM9607.
Published by Carl Fischer
Music (CF.CM9607).
ISBN 9781491154298.
UPC: 680160912797. 6.875
x 10.5 inches. Key: Db
major. English. Lord
George Gordon Byron
(1788-1824).
Lord
George Gordon Byron,
described as mad, bad and
dangerous to know, is one
of the greatest British
poets. He was known for
his brilliant use of the
English language, as well
as his flamboyant
lifestyle and romantic
escapades. Scholars
believe that Byron wrote
She Walks in
Beauty in 1814 when
he met his cousin, Mrs.
John Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subjects outer
physical beauty and inner
peace. Byron feels that
the persons beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byrons best
known poem.
. Lord George
Gordon Byron, described
as amad, bad and
dangerous to know,a is
one of the greatest
British poets. He was
known for his brilliant
use of the English
language, as well as his
flamboyant lifestyle and
romantic escapades.
Scholars believe that
Byron wrote She Walks
in Beauty in 1814
when he met his cousin,
Mrs. John Wilmont. It is
an innocent poem, with
seemingly only admiration
of the subjectas outer
physical beauty and inner
peace. Byron feels that
the personas beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byronas
best known poem.
. Lord George
Gordon Byron, described
as mad, bad and dangerous
to know, is one of the
greatest British poets.
He was known for his
brilliant use of the
English language, as well
as his flamboyant
lifestyle and romantic
escapades. Scholars
believe that Byron wrote
She Walks in
Beauty in 1814 when
he met his cousin, Mrs.
John Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subject's outer
physical beauty and inner
peace. Byron feels that
the person's beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byron's
best known poem.
. Lord George
Gordon Byron, described
as mad, bad and dangerous
to know, is one of the
greatest British poets.
He was known for his
brilliant use of the
English language, as well
as his flamboyant
lifestyle and romantic
escapades. Scholars
believe that Byron wrote
She Walks in Beauty in
1814 when he met his
cousin, Mrs. John
Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subject's outer
physical beauty and inner
peace. Byron feels that
the person's beauty is a
perfect union of dark and
light. The cloudless
night is filled with soft
starlight. She exudes a
captivating purity,
almost an expression of
the divine. This is
arguably Lord Byron's
best known poem.
. Lord George
Gordon Byron, described
as “mad, bad and
dangerous to know,â€
is one of the greatest
British poets. He was
known for his brilliant
use of the English
language, as well as his
flamboyant lifestyle and
romantic
escapades.Scholars
believe that Byron wrote
She Walks in Beauty in
1814 when he met his
cousin, Mrs. John
Wilmont. It is an
innocent poem, with
seemingly only admiration
of the subject’s
outer physical beauty and
inner peace. Byron feels
that the person’s
beauty is a perfect union
of dark and light. The
cloudless night is filled
with soft starlight. She
exudes a captivating
purity, almost an
expression of the divine.
This is arguably Lord
Byron’s best known
poem. .
SATB Choir a Cappella SKU: HL.48187531 Composed by Darius Milhaud. Heugel...(+)
SATB Choir a Cappella
SKU: HL.48187531
Composed by Darius
Milhaud. Heugel.
Classical. Softcover. 12
pages. Heugel & Cie
#HE31212. Published by
Heugel & Cie
(HL.48187531).
UPC:
888680843786. 0.116
inches.
Composed by
Darius Milhaud, Valaisian
Quatrains is a piece for
SCBT a capella, based on
poems by Rainer Maria
Rilke. This piece
features five different
parts, each one from a
poem, whose lyrics are
inspired by the Valais
area in Switzerland. The
composition includes
polytonality and
polyrhythms that make it
highly lyrical, cheerful
and nice to sing. The
five poems selected are:
1. Pays, arrete a
mi-chemin / Country that
stops half-way... 2. Rose
de lumiere / Rose of
Light 3. L'annee tourne /
The year revolves 4.
Chemins qui ne menent
nulle part / Paths that
take you nowhere 5. Beau
papillon / Lovely
butterfly Darius Milhaud
(1892-1974) was a
composer and a teacher
who was also known to be
part of Les Six. His
composition were known to
use politonality and to
include some
characteristics drawns
from the jazz genre..
(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSAT...(+)
(SSATB with Solos a
cappella). By Benjamin
Britten (1913-1976). For
Choral (SSATB). BH Large
Choral. 48 pages. Boosey
and Hawkes #M051481666.
Published by Boosey and
Hawkes
Mixed choir SKU: FG.042-05006-4 Composed by Erik Valdemar Bergman. Publis...(+)
Mixed choir
SKU:
FG.042-05006-4
Composed by Erik Valdemar
Bergman. Published by
Fennica Gehrman
(FG.042-05006-4).
ISBN
979-0-042-05006-4.
The four-movement Nox is
fabulously effective.
Four poets, writing in
four different languages,
have provided inspiration
for totally divergent
moods: the setting of
Quasimodo's poem is
tranquil and meditative,
Hans Arp's is bizarre,
Eluard's is elegiac while
the setting of Eliot's
poem is completely
ecstatic. Nox with its
subtle timbres and rich
spectrum of emotions
present two aspects of
Bergman's creative spirit
which, more than every
technical experiment,
constitute the essence of
his artistry.
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
SATB choir, divisi &
piano (SATB) - Moderately
Difficult
SKU:
OU.9780193529007
Composed by Connor J.
Koppin. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 16
pages. Duration 4.5'.
Oxford University Press
#9780193529007. Published
by Oxford University
Press (OU.9780193529007).
ISBN 9780193529007. 10
x 7 inches.
For
SATB (with divisions) and
piano This imaginative
through-composed setting
of a poem by 13th-century
Persian poet Jalal ad-Din
Muhammad Rumi is rich in
dramatic potential. The
composer creates a
mysterious and evocative
soundworld that is
fitting for the realm
'where everything is
music' that this ecstatic
poem describes.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
((1932) SATB and Piano, Complete Edition). By Benjamin Britten (1913-1976). For ...(+)
((1932) SATB and Piano,
Complete Edition). By
Benjamin Britten
(1913-1976). For Choral
(SATB). BH Secular
Choral. 24 pages. Boosey
and Hawkes #M051481941.
Published by Boosey and
Hawkes
SSATB choir and piano SKU: OU.9780193572263 Composed by Katerina Gimon. V...(+)
SSATB choir and piano
SKU:
OU.9780193572263
Composed by Katerina
Gimon. Voice Junction.
Vocal score. Duration 4'.
Oxford University Press
#9780193572263. Published
by Oxford University
Press (OU.9780193572263).
ISBN 9780193572263. 10
x 7 inches.
For
SSATB and piano Come Back
Like the Sea sets a Sara
Teasdale poem that uses
the metaphor of the
ocean's tide to symbolize
life's ups and downs. The
music captures the sea
imagery and sense of
yearning with a
captivating opening
soundscape, melodies that
ebb and flow like the
tide, and an evocative
piano part that weaves
throughout the work.
SATB choir a cappella - Late Intermediate SKU: MN.CH-1129 Composed by Jar...(+)
SATB choir a cappella -
Late Intermediate
SKU:
MN.CH-1129
Composed
by Jaroslav Kricka. Czech
Choral Series. Christmas.
Octavo. Duration 4
minutes. Laurendale
Associates #CH-1129.
Published by Laurendale
Associates (MN.CH-1129).
New music for
the well-known English
Christmas Carol text. The
setting is derived
primarily from the
impulses of Czech folk
music. The Czech text is
an adaptation by V.
Zeithammer of the
original English poem by
John Mason Neale (written
in 1853). The original
English has been
underlayed in the music
by the noted Czech
musicologist Dr. Jarmil
Burghause. Czech
pronunciation guide is
included. Duration
4:00.
SSATB choir, a cappella (SATB) - Easy to Moderately Difficult SKU: OU.9780193...(+)
SSATB choir, a cappella
(SATB) - Easy to
Moderately Difficult
SKU:
OU.9780193407855
Composed by Cecilia
McDowall. Secular Choral
- Mixed Voices. New
Horizons. Vocal score. 12
pages. Duration 4'.
Oxford University Press
#9780193407855. Published
by Oxford University
Press (OU.9780193407855).
ISBN 9780193407855. 10
x 7 inches.
For
SATB unaccompanied
Setting a well-known poem
by Percy Shelley, Love's
Philosophy is a sweet and
tender choral song
reflecting on the idea of
love with reference to
nature and the
interdependent
relationships evident in
the world around us.
Mellifluous choral
writing and sighing
interjections convey the
theme of unrequited or
lost love.
Choral (SATBB) SKU: HL.14048014 For SATBB unaccompanied choir. Com...(+)
Choral (SATBB)
SKU:
HL.14048014
For
SATBB unaccompanied
choir. Composed by
John Tavener. Choral.
Classical. Octavo.
Composed 2016. 4 pages.
Chester Music #CH77550.
Published by Chester
Music (HL.14048014).
UPC: 888680651619.
6.75x9.75 inches.
English.
Ecce
Puer is a composition
by John Tavener for
unaccompanied SATBB
choir. A setting of one
of James Joyce's poems, a
full performance lasts
around 2 and a half
minutes.
Mixed choir SKU: FG.55009-514-4 Composed by Taneli Kuusisto. Octavo. Publ...(+)
Mixed choir
SKU:
FG.55009-514-4
Composed by Taneli
Kuusisto. Octavo.
Published by Fennica
Gehrman (FG.55009-514-4).
ISBN
979-0-55009-514-4.
Taneli Kuusisto (1905-88)
was a versatile influence
in Finnish musical life:
composer, pianist,
organist, church
musician, writer on
music, and Rector of the
Sibelius Academy. Of the
more than 120 solo songs
penned by him,
Suomalainen rukous (A
Finnish Prayer), a
setting of a poem by Uuno
Kailas composed in 1939
on the eve of the Winter
War, has acquired a
status all of its own. It
is here availabe as a
version for mixed
chorus.
SATB choir & organ (SATB) - Easy to Moderately Difficult SKU: OU.978019352783...(+)
SATB choir & organ (SATB)
- Easy to Moderately
Difficult
SKU:
OU.9780193527836
Composed by Cecilia
McDowall. Christmas Songs
& Carols - Mixed Voices.
New Horizons. Christmas.
Vocal score. 16 pages.
Duration 4'. Oxford
University Press
#9780193527836. Published
by Oxford University
Press (OU.9780193527836).
ISBN 9780193527836. 10
x 7 inches.
For
SATB and organ Written
for the 2018 BBC Advent
broadcast from St John's
College, Cambridge, A
Prayer to St John the
Baptist sets an artfully
crafted text that
combines Guido d'Arezzo's
Ut queant laxis (itself a
Hymn to John the Baptist,
as well as a medieval
music-teaching mnemonic)
with Thomas Merton's poem
on the same subject.
A Cradle Song Chorale SATB SATB A Cappella Subito Music
SATB Chorus, a cappella SKU: SU.27040100 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.27040100
For SATB Chorus, a
cappella. Composed by
Gregory J. Hutter.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Subito
Music Corporation
#27040100. Published by
Subito Music Corporation
(SU.27040100).
A fresh lullaby
of the familiar poem by
William Blake
(1757-1827). Harmony:
mostly pan-diatonic with
some chromaticism. USE:
services, concerts,
church choirs (Epiphany
of the Lord.), Christmas,
high schools, college,
community, professional
choruses.SATB Chorus
Duration: 4' Composed:
2011 Published by: Hutter
Music Minimum order
quantity: 8 copies. To
order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
In memoriam Chorale SATB SATB divisi, A Cappella Oxford University Press
SATB choir, a cappella (SATB) - Moderately Difficult SKU: OU.9780193403703(+)
SATB choir, a cappella
(SATB) - Moderately
Difficult
SKU:
OU.9780193403703
Composed by Gabriel
Jackson. Sacred choral -
mixed voices. New
Horizons. Vocal score. 12
pages. Duration 4'.
Oxford University Press
#9780193403703. Published
by Oxford University
Press (OU.9780193403703).
ISBN 9780193403703. 12
x 8 inches.
For
SATB (with divisions)
unaccompanied Setting a
stanza of Tennyson's
monumental and profound
poem In Memoriam A.H.H.,
Jackson's work deals with
reflections on loss and
grief.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
I varje bit brod Chorale SATB SATB A Cappella Gehrmans Musikforlag
SATB choir (a cappella) SKU: GH.GE-11905 The bread in my mouth. Co...(+)
SATB choir (a cappella)
SKU: GH.GE-11905
The bread in my
mouth. Composed by
Karin Rehnqvist. With
Language: English,
Swedish. Gehrmans
Musikforlag #GE 11905.
Published by Gehrmans
Musikforlag
(GH.GE-11905).
ISBN
979-0-070-11905-4. 185 x
262 mm inches. Text:
Goran Sonnevi.
In
Goran Sonnevi's poem all
the universe is seen
collected in a piece of
bread. A playful setting
for SATB a cappella.
Swedish and English
lyrics.
I would be true Chorale SATB SATB, Piano Oxford University Press
SATB choir and piano SKU: OU.9780193566033 Composed by Mack Wilberg. Voca...(+)
SATB choir and piano
SKU:
OU.9780193566033
Composed by Mack Wilberg.
Vocal score. 8 pages.
Duration 4'. Oxford
University Press
#9780193566033. Published
by Oxford University
Press (OU.9780193566033).
ISBN 9780193566033.
Other inches.
For
SATB and piano Mack
Wilberg has arranged the
well-loved Irish folk
melody Londonderry Air,
setting to it the words
of Howard A. Walter's
poem 'I would be true'.
Alternative words to the
second and third verses
by David Warner are also
included.
Psallite
Choral Series.
Composed by Heather
Sorenson. Sacred Choral.
General Worship, Sacred.
Octavo. Duration 255
seconds. Published by Hal
Leonard (HL.365109).
Fragile and
precious, this sacred
tone poem is a prayer for
peace and a plea for
healing of the heart. The
soundscape of the anthem
rises from a single tone,
opening to reveal
glimmering splashes of
choral color. As the
words become more
impassioned, the octavo
surrenders to a flowing
piano episode that
matches its intensity.
This petition for calm
begins to quiet as the
anthem winds down,
allowing the prayer to
end in hushed chords of
assurance. Score and
Parts (vn, vc) available
as a digital
download.
