Orchestra Soli SATB, SATB Choir, 4 Fl, 2 Ob, 2 Eh, 4 Fg, 4 Cor, 4 Trb, 4 Arpa, Grand Orgue, Orgue d'accompagnement, 2 Vl, Va, Vc, Cb (reduzierte Fassung: 2 Fl, 2 Ob, 2 Eh, 2 Fg, 2 Cor, Trb, 2 Arpa, organ, 2 Vl, Va, Vc, Cb)

SKU: CA.2731749

Composed by Camille Saint-Saens. Edited by Fritz Naf. Requiem Op. 54. Sacred vocal music, Requiem. Single Part, Organ. Composed 1878. Op. 54. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.317/49. Published by Carus Verlag (CA.2731749).

ISBN 9790007201845. Language: Latin.

During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces. Score and part available separately - see item CA.2731700.

Orchestra Soli SATB, SATB Choir, 4 Fl, 2 Ob, 2 Eh, 4 Fg, 4 Cor, 4 Trb, 4 Arpa, Grand Orgue, Orgue d'accompagnement, 2 Vl, Va, Vc, Cb (reduzierte Fassung: 2 Fl, 2 Ob, 2 Eh, 2 Fg, 2 Cor, Trb, 2 Arpa, organ, 2 Vl, Va, Vc, Cb)

SKU: CA.2731712

Composed by Camille Saint-Saens. Edited by Fritz Naf. Requiem Op. 54. Sacred vocal music, Requiem. Single Part, Violin 2. Composed 1878. Op. 54. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.317/12. Published by Carus Verlag (CA.2731712).

ISBN 9790007201791. Language: Latin.

During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces. Score and part available separately - see item CA.2731700.

Orchestra Soli SATB, SATB Choir, 4 Fl, 2 Ob, 2 Eh, 4 Fg, 4 Cor, 4 Trb, 4 Arpa, Grand Orgue, Orgue d'accompagnement, 2 Vl, Va, Vc, Cb (reduzierte Fassung: 2 Fl, 2 Ob, 2 Eh, 2 Fg, 2 Cor, Trb, 2 Arpa, organ, 2 Vl, Va, Vc, Cb)

SKU: CA.2731748

Composed by Camille Saint-Saens. Edited by Fritz Naf. Requiem Op. 54. Sacred vocal music, Requiem. Single Part, Organ. Composed 1878. Op. 54. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.317/48. Published by Carus Verlag (CA.2731748).

ISBN 9790007201838. Language: Latin.

During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces. Score and part available separately - see item CA.2731700.

Orchestra Soli SATB, SATB Choir, 4 Fl, 2 Ob, 2 Eh, 4 Fg, 4 Cor, 4 Trb, 4 Arpa, Grand Orgue, Orgue d'accompagnement, 2 Vl, Va, Vc, Cb (reduzierte Fassung: 2 Fl, 2 Ob, 2 Eh, 2 Fg, 2 Cor, Trb, 2 Arpa, organ, 2 Vl, Va, Vc, Cb)

SKU: CA.2731715

Composed by Camille Saint-Saens. Edited by Fritz Naf. Requiem Op. 54. Sacred vocal music, Requiem. Single Part, Double Bass. Composed 1878. Op. 54. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.317/15. Published by Carus Verlag (CA.2731715).

ISBN 9790007201821. Language: Latin.

During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces. Score and part available separately - see item CA.2731700.

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB Choir, Piano

SKU: CA.926400

Composed by Camille Saint-Saens. Arranged by Denis Rouger, Denis Rouger. Carus digital: Extra digital products. Full Score. Composed 1862. Op. 13, No. 1. Duration 5 minutes. Published by Carus Verlag (CA.926400).

ISBN 9790007261870. French. Text: Victor Hugo.

In his poem Soiree en mer, Victor Hugo describes how the sea can be perceived very differently by two lovers at the same time in the same place. While the man perceives the deepening shadows on the dancing waves, the woman marvels at the stars shining ever brighter in the firmament. In nature, as in the words of the poem, the painful ambiguity that represents life at its core can be experienced. Like no other poet, Hugo captures this almost unbearable simultaneity of living and dying, of love and suffering. Saint-Saens translates this into music - probably the most ephemeral and contemporary of all art forms. His balanced musical form leaves plenty of room for the poetry and his subtle variations in timbre, which also inspired Denis Rouger to his choral arrangement, create a seething motion under the surface of the sea.

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD ...wo die Ztronen bluhn (Carus 83.514).

Soprano solo, Mixed choir (SATB), Saxophone quartet, Organ, Strings

SKU: BA.BA11305-90

Composed by Camille Saint-Saens. This edition: urtext edition. Paperback. Piano reduction. Baerenreiter Verlag #BA11305-90. Published by Baerenreiter Verlag (BA.BA11305-90).

ISBN 9790006567034. 27 x 19 cm inches. Text Language: Latin. Preface: Stahl, Christina M.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

Saint-Sa� �«ns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.

(SATB a cappella). Composed by Camille Saint-Sa and Camille Saint-Saens (1835-1921). For Choral (SATB a cappella). Editions Durand. 8 pages. Editions Durand #DF0888500. Published by Editions Durand

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309-91

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. Paperback. Choral score. Baerenreiter Verlag #BA11309-91. Published by Baerenreiter Verlag (BA.BA11309-91).

ISBN 9790006569182. 27 x 19 cm inches. Text Language: English.

Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.

Soli SATB, Coro SATB, 2 (1) Arpa, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2731750

Arrangement for strings, harp and organ (Rothaupt). Composed by Camille Saint-Saens. Arranged by Klaus Rothaupt. Carus sheet music series: Great choral works in small scorings. Foreword in German and English. Sacred vocal music, Requiem. Full Score. Composed 1878. Op. 54. Duration 35 minutes. Carus Verlag #CV 27.317/50. Published by Carus Verlag (CA.2731750).

ISBN 9790007253424. Latin.

Score available separately - see item CA.2731700.

By Camille Saint-Saens. For Orch. (SATB with SATB Soli). Choral Extended Work. Masterwork. 80 pages. Published by Alfred Publishing.

SATB a cappella. By Camille Saint-Saens. (SATB a cappella). Editions Durand. Size 7.25x10.75 inches. 4 pages. Published by Durand.

SATB a cappella. By Camille Saint-Saens. (SATB a cappella). Editions Durand. Size 7.5x10.5 inches. 6 pages. Published by Durand.

SATB and Organ (Piano). By Camille Saint-Saens. (SATB). Editions Durand. 4 pages. Published by Editions Durand.

Composed by Camille Saint- Saens (1835-1921). Arranged by Denis Rouger. Carus digital: Extra digital products. Full Score. Composed 1868. Duration 3 minutes. Published by Carus Verlag

SATB Choir, organ

SKU: CA.335070

Composed by Camille Saint-Saens. Edited by Denis Rouger. Separate edition with choral collection. Secular choral music. Full score. Op. op. 145. 4 pages. Carus Verlag #CV 03.350/70. Published by Carus Verlag (CA.335070).

ISBN 9790007240110. Key: F major. Language: Latin.

Vocal Score. By Camille Saint-Saens. (SATB). Editions Durand. Book only. 68 pages. Published by Editions Durand.

SATTBB a cappella. By Camille Saint-Saens. Arranged by Pierre Kunc. (SATB a cappella). Editions Durand. Size 5.8x10.8 inches. 4 pages. Published by Durand.

SATB Choir, organ

SKU: CA.336990

Composed by Camille Saint-Saens. Edited by Stefan Schuck. Separate edition with choral collection. Sacred vocal music, Psalms, Latin. Full score. Carus Verlag #CV 03.369/90. Published by Carus Verlag (CA.336990).

ISBN 9790007246389. Language: Latin.

By Camille Saint-Saens (1835-1921). Arranged by Raymond H Haan. For SATB choir, organ, optional cello/bass instrument. Advent, Trust/Guidance. Moderately Easy. Octavo. Scripture: Psalms 40. Published by MorningStar Music Publishers . Octavo. Advent, Trust/Guidance.

SATB Choir, Piano

SKU: CA.335040

Composed by Camille Saint-Saens. Edited by Denis Rouger. Arranged by Andre-Charles Messager. Separate edition with choral collection. Secular choral music. Full score. 8 pages. Carus Verlag #CV 03.350/40. Published by Carus Verlag (CA.335040).

ISBN 9790007240080. Key: C minor. Language: Latin.

From the Christmas Oratorio, Op. 12. By Camille Saint-Saens. Arranged by Walter Ehret. (SATB). Boosey and Hawkes Sacred Choral. Size 7x10.5 inches. 4 pages. Published by Boosey & Hawkes.

SATB Choir, Piano - Level 2

SKU: CA.926000

Composed by Charles Francois Gounod. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Composed 1870. CG 449. Duration 3 minutes. Carus Verlag #CV 09.260/00. Published by Carus Verlag (CA.926000).

ISBN 9790007249229. Key: F major. Language: French. Text: Barbier, Jules.

The three verses of Aimons-nous, separated by piano interludes, are cheerful and amorous, an invitation to everlasting mutual love. The text portrays this almost as a law of nature: rivers and streams combine, the sun embraces the earth, and the birds snuggle close to each other in their nest. Light, rippling syncopations in the piano accompany Gounod's typical catchy melodic writing in the vocal parts. The writer Jules Barbier was Gounod's favored opera librettist (Faust, Romeo et Juliette), but many other 19th century opera composers also set his texts, including Camille Saint-Saens, Giacomo Meyerbeer, and Jacques Offenbach. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

By Camille Saint-Saens (1835-1921). Arranged by William Livingston. For SATB Choir. Standard notation

Vocal Score. By Camille Saint-Saens. Arranged by Pierre Kunc. Editions Durand. Size 10.5x13.5 inches. 4 pages. Published by Durand.

Composed by Camille Saint-Saens (1835-1921). Arranged by James Mccray. For SATB choir a cappella, optional keyboard. Lent, Good Friday, Holy Week/Three Days, Communion. Medium. Octavo. Published by MorningStar Music Publishers

Collection. Secular. 228 pages. Published by Editions a Coeur Joie (CJ.A135300034).