By Joel Raney. For SATB choir with optional oboe, strings and harp. The Joel Raney Choral Series. Christmas, General Worship, Sacred. Octavo. 16 pages. Published by Hope Publishing Company

(A Song Cycle For Mixed Choir And String Quartet). Composed by Chen Yi (1953-). For SATB choir and strings (2 violins, viola, violoncello). Secular, choral. Full score - study. Standard notation. 74 pages. Duration 35 minutes. Theodore Presser Company #412-41090. Published by Theodore Presser Company

By Wolfgang Amadeus Mozart. Edited by Monika Holl. For Mixed Choir (SATB), Strings, Organ. Score; Urtext Edition (folded). KV 223 (166e). Duration 2'. Published by Baerenreiter-Ausgaben (German import).

Composed by Ryan Murphy. For Choral, Strings (Full Score). Walton Choral. Walton Music #WW1555A. Published by Walton Music

Composed by Antonio Vivaldi (1678-1741). This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Mass Sections. Complete orchestral parts. RV 591. Duration 10 minutes. Published by Carus Verlag (CA.4000419).

By Ola Gjeilo. For Cello, Choral, Viola, Violin 1, Violin 2 (SCORE/PARTS FOR STRINGS). Walton Choral. 38 pages. Walton Music #WW1490A. Published by Walton Music

Mixed Choir [SATB] and Strings

SKU: HL.14005550

Composed by Dietrich Buxtehude. Music Sales America. Classical. Choral Score. Composed 2002. 16 pages. Edition Wilhelm Hansen #WH29408. Published by Edition Wilhelm Hansen (HL.14005550).

UPC: 884088435448. 9.0x12.0x0.091 inches. English.

By Gabriel Faure (1845-1924). Arranged by John Rutter. For SATB choir and keyboard/strings (Violin 1 [optional], violin 2 [optional], viola 1, viola 2, cello 1, cello 2, double bass, harp). Orchestral. Classic Choral Works. Miscellaneous. Set of parts (co

By Hal H. Hopson. For SATB choir, Children/Unison treble choir, congregation, flute, organ (Harp, strings). Choral Music. Published by MorningStar Music Publishers.

(from Missa brevis). Composed by David Perry, Jean Perry. For SATB choir, Keyboard, Optional Strings and Harp. Octavo. Duration 2 minutes, 43 seconds. Published by Carl Fischer

Composed by John Rutter (1945-). For SATBB choir and organ/chamber ensemble (flute, oboe, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Christmas Carols. Level A (very easy). Vocal score. Duration 4 minutes. Published by Oxford University Press

SATB Chorus & Strings

SKU: SU.91770865

For SATB Chorus & Strings. Composed by Paul Moravec. Vocal/Choral, Sacred Choral, Strings, String Ensemble. Score & Parts. Subito Music Corporation #91770865. Published by Subito Music Corporation (SU.91770865).

Full Score & Set of String Parts (8-7-6-5-4)
Instrumentation: SATB Chorus & Strings
Duration: 2'30
Composed: 2014
Published by: Subito Music Publishing.

By Henry Purcell. Arranged by Robin Langley. For Mixed Choir and Organ. CMSR86. Published by Oxford University Press.

Mixed choir: SSATB, descant recorder, alto recorder, bass recorder, strings (Mixed choir: SSATB, Descant recorder, Treble recorder, Bass recorder, Strings)

SKU: BA.BA03983

Geistliches Konzert - Lobgesang in der Jahresfeier der Weihnacht für 5 Solostimmen oder Chor und Instrumente. Composed by Johannes H. E. Koch. Stapled. Score, Set of parts. Composed 1959. Baerenreiter Verlag #BA03983_00. Published by Baerenreiter Verlag (BA.BA03983).

ISBN 9790006442270. 27 x 19 cm inches. Text: Kurt Muller-Osten.

Geist liches Konzert - Lobgesang in der Jahresfeier der Weihnacht fur 5 Solostimmen oder Chor und Instrumente

Print on demand (POD).

SATB choir & piano/strings (SATB)

SKU: OU.9780193860704

Composed by Libby Larsen. Secular Choral - Mixed Voices. Vocal score. 16 pages. Duration 5'. Oxford University Press #9780193860704. Published by Oxford University Press (OU.9780193860704).

ISBN 9780193860704. 12 x 8 inches.

For SATB chorus and piano or strings. A haunting depiction of the 'magic made by melody . . . Held in the arms of rhythm and of sleep', from a poem by Elizabeth Bishop. Instrumental parts for the original version (SATB and strings) are available on hire from the publisher.

SATBB choir & orchestra (2222-2200-00-0-strings-c elesta)

SKU: GH.SK-176

For baryton, blandad kor och orkester. Composed by Birger Anrep-Nordin. Gammal Svensk Julkantat for Baritone, Mixed Chorus and Orchestra. Choral score. With Language: Swedish. Duration 22 minutes. Gehrmans Musikforlag #SK 176. Published by Gehrmans Musikforlag (GH.SK-176).

Text: Oscar Levertin.

Score and parts available on hire from the publisher.

SATB Chorus & Strings

SKU: SU.29050112

For SATB Chorus & Strings. Composed by Richard White. Vocal/Choral, Sacred Choral. Accompanied by orchestra. Score & Parts. Subito Music Corporation #29050112. Published by Subito Music Corporation (SU.29050112).

Full Score & Set of String Parts (5-4-3-2-2)Suitable for Christmas or Epiphany.SATB Chorus & Strings Duration: 3’ 30 Composed: 2001 Published by: Whitco Press.

By John Rutter (1945-). For SATB choir and piano/orchestra (I saw three ships: 2 flutes (II opt), 2 oboes, clarinet, 2 bassoons (II opt), 2 horns, piano or harp, strings Down in yon forest: flute, 2 oboes, 2 horns, harp, strings Quelle est cette odeur agr'eable: flute, 2 oboes, bassoon, 2 horns, harp, strings The ). Mixed Voices. Christmas, Choral Collection. Vocal score. Published by Oxford University Press

SATB choir & piano/strings (SATB) - Moderately Difficult

SKU: OU.9780193400566

Composed by Bob Chilcott. Secular Choral - Mixed Voices. Vocal score. 20 pages. Duration 10'. Oxford University Press #9780193400566. Published by Oxford University Press (OU.9780193400566).

ISBN 9780193400566. 11 x 7 inches.

For SATB and piano or strings This work is an emotive setting of Shakespeare's Sonnet 116, a favourite text for weddings. The music ranges from passionate and optimistic to contemplative yet resolute. The closing couplet is a fusion of both characters, leading to a heartfelt, touching finale. An accompaniment for strings is available on hire/rental.

By David Willcocks. For SATB choir and organ/strings/orchestra/b rass and percussion (Full orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 2 horn, 3 trumpet (III optional), 3 trombone (optional), tuba (optional), timpani, strings; OR strings only Brass and percussion: 2 trumpet, horn, trombone, tuba, timpani, percussion (Snare Drum, ). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 4.5'. Published by Oxford University Press

By Jaakko Mantyjarvi. For mixed choir and strings (SSATBB choir with string orchestra). Score. Published by Sulasol

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732119

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Complete orchestral parts. Sacred vocal music, Requiem. Set of Orchestra Parts. Duration 48 minutes. Carus Verlag #CV 27.321/19. Published by Carus Verlag (CA.2732119).

ISBN M-007-25337-0. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732149

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Organ. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/49. Published by Carus Verlag (CA.2732149).

ISBN M-007-25439-1. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732113

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Viola. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/13. Published by Carus Verlag (CA.2732113).

ISBN M-007-25437-7. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732103

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Sacred vocal music, Requiem. Vocal score. Duration 48 minutes. Carus Verlag #CV 27.321/03. Published by Carus Verlag (CA.2732103).

ISBN M-007-24052-3. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.