Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708211

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. ZWV 14. 24 pages. Duration 38 minutes. Carus Verlag #CV 27.082/11. Published by Carus Verlag (CA.2708211).

ISBN 9790007242930. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708200

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Full score. ZWV 14. 176 pages. Duration 38 minutes. Carus Verlag #CV 27.082/00. Published by Carus Verlag (CA.2708200).

ISBN 9790007145187. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708249

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Organ / tiorba. Sacred vocal music, Masses, Latin. Single Part, Organ / Theorba. ZWV 14. 32 pages. Duration 38 minutes. Carus Verlag #CV 27.082/49. Published by Carus Verlag (CA.2708249).

ISBN 9790007242923. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Choir Secular (SATB choir)

SKU: AP.45690

Composed by Ali Payami, Katy Perry, Max Martin, and Savan Kotecha. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Secular. Choral Octavo. 16 pages. Alfred Music #00-45690. Published by Alfred Music (AP.45690).

UPC: 038081514291. English.

Inspiring and empowering, Katy Perry's latest was featured prominently in 2016 Summer Olympics coverage. Simple opening verses lead into an explosive, encouraging chorus featuring a descant. Sure to be a favorite!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Choir Secular (SATB choir)

SKU: AP.50220

(Am I Ready). Composed by Ilya Salmanzadeh, Lizzo, Music by Max Martin, Peter Svensson, Savan Kotecha, and Words. Arranged by Jack Zaino. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Radio; Secular. Choral Octavo. 16 pages. Alfred Music #00-50220. Published by Alfred Music (AP.50220).

UPC: 038081573908. English.

From high school flutist turned pop superstar Lizzo, here's a high-energy hit about self-confidence and accepting the love we deserve. An '80s rock sound drives singers to answer the question: Am I ready to be loved? This powerhouse anthem will leave you feeling energized, uplifted, and ready to dance!

Choir Secular (SATB choir)

SKU: AP.41858

(Crazy 'Bout You). Composed by Diane Warren. Arranged by Greg Gilpin. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop; Secular. Choral Octavo. 12 pages. Alfred Music #00-41858. Published by Alfred Music (AP.41858).

UPC: 038081469386. English.

From the opening solo to the final chord, this Grammy-nominated theme song from the film Silver Linings Playbook rocks with a strong techno-beat and easy-to-sing hook. Originally recorded by Jesse J, it charted in multiple countries.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Soli SATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708205

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Sacred vocal music, Masses, Latin. Choral Score. ZWV 14. 28 pages. Duration 38 minutes. Carus Verlag #CV 27.082/05. Published by Carus Verlag (CA.2708205).

ISBN 9790007241971. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score available separately - see item CA.2708200.

SATB/SATB choir

SKU: CA.7003705

Composed by Franz Lachner. Stabat Mater Op.154. Sacred vocal music, Holy Week. Choral Score. Op. 154. 24 pages. Duration 25 minutes. Carus Verlag #CV 70.037/05. Published by Carus Verlag (CA.7003705).

ISBN 9790007103750. Language: Latin.

Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.7003700.

SATB choir unaccompanied

SKU: ST.W213

Composed by Derek Healey. A carol in the manner of Delius. SATB unaccompanied. Choral. Octavo. Stainer & Bell Ltd. #W213. Published by Stainer & Bell Ltd. (ST.W213).

ISBN 9790220221019.

Thou gh Frederick Delius was in no sense a man of traditional religious beliefs, the distinguished composer and organist Derek Healey has imagined the sound of a Christmas carol he might have written, and given us Sleep, Holy Babe!, a delightful unaccompanied SATB setting of Edward Caswall's classic hymn.

The result will delight all lovers of Delius's music, and not least those who wish to add a dash of his unique style to this year's Christmas festivities. A slow and expressive lullaby, Sleep, Holy Babe! adds a different nuance to each of the four verses, reflecting their changing moods. In turn, sopranos, tenors, basses and altos have solo roles, and together create a richly Delian sonority that stays well within the technical range of an average choir.

Version for Organ. Composed by Antonin Dvorak (1841-1904). Paperback. The Complete Works of Antonin Dvorak II/7. Czech title: Mae D dur op. 86 (varhanni verze). Classical. Organ reduction. With Publication language: Latin. Opus 86. Duration 34 minutes, 5 seconds. Editio Baerenreiter Praha #H04952. Published by Editio Baerenreiter Praha

By Pentatonix. Arranged by Mark A. Brymer. Pop Choral Series. Concert, Jazz. Octavo. Published by Hal Leonard

SSATB vocal soli, SSATB choir, 2 clarinos, 3 trumpets, 3 trombones, timpani, 2 violins, 3 violas, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067649

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1696. 24 pages. Carus Verlag #CV 40.676/49. Published by Carus Verlag (CA.4067649).

ISBN 9790007220167. Text language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067613

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Viola 1. Composed 1696. 8 pages. Carus Verlag #CV 40.676/13. Published by Carus Verlag (CA.4067613).

ISBN 9790007220112. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067611

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed 1696. 12 pages. Carus Verlag #CV 40.676/11. Published by Carus Verlag (CA.4067611).

ISBN 9790007220099. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067609

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1696. 48 pages. Carus Verlag #CV 40.676/09. Published by Carus Verlag (CA.4067609).

ISBN 9790007220082. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and parts available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067612

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Composed 1696. 12 pages. Carus Verlag #CV 40.676/12. Published by Carus Verlag (CA.4067612).

ISBN 9790007220105. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067615

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Viola 3. Composed 1696. 16 pages. Carus Verlag #CV 40.676/15. Published by Carus Verlag (CA.4067615).

ISBN 9790007220136. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinets/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067619

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1696. Carus Verlag #CV 40.676/19. Published by Carus Verlag (CA.4067619).

ISBN 9790007220150. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and parts available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067614

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Viola 2. Composed 1696. 8 pages. Carus Verlag #CV 40.676/14. Published by Carus Verlag (CA.4067614).

ISBN 9790007220129. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

SSATB vocal soli, SSATB choir, 2 clarinos/trumpets, 3 trumpets, 3 trombones, timpani, 2 violins, 3 viola, basso continuo (cello/bassoon/contrabass , organ)

SKU: CA.4067616

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Missa Sti Henrici. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1696. 12 pages. Carus Verlag #CV 40.676/16. Published by Carus Verlag (CA.4067616).

ISBN 9790007220143. Language: Latin.

The Missa Sancti Henrici is a work of Biber's later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the stile antico and the stile moderno, as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber's magnificent sacred music brought this tradition to a point of culmination in a ,,colossal style that was unique in transalpine Europe. Score and part available separately - see item CA.4067600.

Composed by Arvo Part (1935-). Bible, St Luke 3, 23-38. In Hallgrimskirkja Cathedral Reykjavik / Iceland by the Voices of Europe 2000 conducted by Thorgerdur Ing?lfsd?ttir. Choral part(s). With Standard notation. Composed 2000. Duration 7 minutes. Universal Edition #UE31507. Published by Universal Edition

Choral (SATB)

SKU: HL.365826

Composed by William G. Cooper. Arranged by Joshua Metzger. Shawnee Sacred. General Worship, Sacred. Octavo. Duration 250 seconds. Published by Shawnee Press (HL.365826).

UPC: 840126962178. 6.75x10.5x0.029 inches. James 3:18, John 16:33, Numbers 6:26, Psalm 85:8.

A classic hymn is remembered and arranged with sensitivity in this lovely rendition. This text affirming the promises of God's peace and protection is a favorite of many and the music is like an old friend, comfortable and satisfying. The arrangement is filled with lovely moments to savor and the piano writing is decorative, yet supportive. Remind your congregation again of this treasured hymn and its message of hope and grace.

SATB choir, priest, Narrator, cantor, assembly, organ accompaniment

SKU: GI.G-005269

Composed by Paul M. French. Holy Thursday. Sacred. Octavo. GIA Publications #005269. Published by GIA Publications (GI.G-005269).

UPC: 641151052694.

Paul� �€™s distinctive setting for cantor, presider or second cantor, and optional chorus is from the approved text of the Order for the Reception of the Holy Oils .(the oil of the sick, the oil of catechumens, the holy Chrism). Paul always writes choral music that is direct and supports the ritual. This indeed is a perfect setting for Holy Thursday when the oils are received at the Evening Mass of the Lord‚ Supper. .

SATB choir - Level 2

SKU: CA.306490

Composed by Kyrilo Stecenko. Separate edition with choral collection. Lieder for choir, Sacred vocal music, Christmas Carols, Christmas. Full score. Duration 5 minutes. Carus Verlag #CV 03.064/90. Published by Carus Verlag (CA.306490).

ISBN 9790007148959. Key: F major. Text language: Russian.