Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn (1732- 1809). Edited by Leonhard Riedel. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE MARIAZELLER-MESSE IN C XXII:5. Innovative practice aids, Sacred vocal music, Masses, Latin. Choral Score. Composed 1766. Hob. XXII:5. Duration 68 minutes. Carus Verlag #CV 40.604/05. Published by Carus Verlag

(Incorporating Sacred Harp Tunes White and Long Sought Home ). Arranged by Andrea Ramsey. For SATB choir. Octavo. 12 pages. Duration 3 minutes, 37 seconds. Published by Carl Fischer

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709619

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. CG 74. Duration 35 minutes. Carus Verlag #CV 27.096/19. Published by Carus Verlag (CA.2709619).

ISBN 9790007239794. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and parts available separately - see item CA.2709600.

Choral SATB choir (SATB choir)

SKU: HP.A715

Composed by Jay Althouse. Piano Accompaniment. General Worship, Guidance, Sacred. Octavo. Hope Publishing Company #A715. Published by Hope Publishing Company (HP.A715).

UPC: 763628050955.

Origi nal anthem Jay Althouse is well known for his strong, solid choral writing and this original entitled The Presence of God carries on that tradition. Jay once again pairs a useful, singable text with cohesive, well thought-out musical ideas, so that an appropriate sense of awe pervades this choral piece.

Choral (SATB)

SKU: HL.1311612

Composed by Larry Visser. Hinshaw Music. Christian, General Worship, Sacred. Octavo. Hinshaw Music #HMC2708. Published by Hinshaw Music (HL.1311612).

UPC: 196288177456. 6.75x10.5x0.019 inches.

A lush and lyrical SATB setting of the Aaronic blessing from Numbers 6:24-26, set in the style of the Anglican choral music tradition with piano or organ accompaniment. Reminiscent of the classic rendering by John Rutter, Larry Visser's majestic setting is perfectly suited for high school, community, and church choirs in religious contexts and commencement events.

SATB choir/basso continuo (2 SATB Choir, Continuo)

SKU: BA.BA10560

Composed by Johann Pachelbel. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 10. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10560_00. Published by Baerenreiter Verlag (BA.BA10560).

ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709603

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Sacred vocal music, Mass sections. Vocal score. CG 74. 40 pages. Duration 35 minutes. Carus Verlag #CV 27.096/03. Published by Carus Verlag (CA.2709603).

ISBN 9790007187644. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score available separately - see item CA.2709600.

Chorus a cappella

SKU: BR.CHB-5381-00

Composed by Howard Arman. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Music post-1945; New music (post-2000). Choral score. 80 pages. Breitkopf and Haertel #ChB 5381-00. Published by Breitkopf and Haertel (BR.CHB-5381-00).

ISBN 9790004413821. 7.5 x 10.5 inches. English.

As director of the Bavarian Radio Choir, Howard Arman has been actively engaged with international Christmas carols through various Christmas-related CD productions in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du frohliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du frohliche and classical double choir settings such as Resonet in laudibus. The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It's a Birthday and Wasn't That a Mighty Day to form a medley, Ain't That a Rockin' gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709648

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Pianoforte. Sacred vocal music, Mass sections. Single Part, Piano. CG 74. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.096/48. Published by Carus Verlag (CA.2709648).

ISBN 9790007239862. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709605

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Sacred vocal music, Mass sections. Choral Score. CG 74. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.096/05. Published by Carus Verlag (CA.2709605).

ISBN 9790007186289. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709647

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Harp. Sacred vocal music, Mass sections. Single Part, Harp. CG 74. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.096/47. Published by Carus Verlag (CA.2709647).

ISBN 9790007239855. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Composed by A. M. Cagle and George Clinton. Arranged by George Clinton. Octavo. Duration 2 minutes. Laurendale Associates #CH-1024. Published by Laurendale Associates (MN.CH-1024).

Composed by Peter-Anthony Togni. Sacred. Octavo. Published by Cypress Choral Music (C3.CP1365).

Composed by Joel Raney. For SATB choir with optional handbells and orchestra (harp, flute, trumpet, french horn, violin, cello, bass, percussion). Contemporary, Mercy, Praise, Christmas, Sacred. Set of instrumental parts. Published by Hope Publishing Company

Composed by Tom Trenney. Comfort / Healing / Hope; General; Justice. Secular. Octavo. Beckenhorst Press #BP2288. Published by Beckenhorst Press

SATB Choir (Mixed choir (SATB)) - Level 3

SKU: BA.BA08521

Composed by Marten Jansson. Stapled. Choral score. 14 pages. Baerenreiter Verlag #BA08521_00. Published by Baerenreiter Verlag (BA.BA08521).

ISBN 9790006563203. 27 x 19 cm inches. Key: E-flat minor. Text Language: Latin.

The “Missa brevis in E flat minor” for mixed choir a cappella has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness, it is suitable for use in church services, while its delightful harmonic layout and consciously simple melodies (with clear allusions to folk music) also make it perfect for concert performance.

†œMy music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings’ but also as ‘the happiest classical music that we have ever heard‘.
My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.“

Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmen”, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.

Please find a recording of the “Missa brevis” performed by the Ensemble Sonoro, Neil Ferris (Conductor) by clicking on Multimedia.

Choral (SATB)

SKU: HL.1146759

Composed by Diana Saez and Suzzette Ortiz. Eugene Rogers Choral Series. Concert, Festival, Latin, Spanish. Octavo. Duration 245 seconds. Published by Hal Leonard (HL.1146759).

UPC: 196288117872. 6.75x10.5x0.036 inches.

Commissione d and premiered at the 2023 ACDA National Conference by the SATB honor choir directed by Eugene Rogers. This is an Afro-Puerto Rican folk style â??bomba,â? one of the oldest musical traditions of Puerto Rico. â??Canto' E Libertadâ? is a song of hope with an invitation to free ourselves of hate and prejudice. A detailed IPA pronunciation guide is provided. Pronunciation Guide can be found here.

Choral SATB choir (SATB choir)

SKU: HP.C5367

Arranged by Mark Kellner. Piano Accompaniment. Hymntune, Hymn Arrangements, General Worship, Commitment, Devotion, Love, Adoration & Praise, Sacred. Octavo. 8 pages. Hope Publishing Company #C5367. Published by Hope Publishing Company (HP.C5367).

UPC: 763628153670. Joshua 22:5, Psalms 18:1, Deuteronomy 11:1,13,22, Deuteronomy 19:9.

Tune from Christian Harmony Arranger Mark Kellner looks back to the Sacred Harp tradition with this setting of a tune from Christian Harmony, a compilation of shaped-note songs from 1805. This arrangement approximates the flavor of this unique style, emphasizing that all parts be sung with gusto and a fairly stright tone. The overall effect is a strong, bracing declaration of praise.

Composed by Antonin Dvorak (1841-1904). Arranged by Karel Solc. Stapled. The Complete Works of Antonin Dvorak, Volume II/6. Czech title: Te Deum op. 103. Classical, Sacred. Piano reduction. With Publication language: Latin. Opus 103. Published by Editio Baerenreiter Praha (PA.H4523-90).

Chorus a cappella

SKU: BR.CHB-5380-00

Composed by Howard Arman. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Music post-1945; New music (post-2000). Choral score. 40 pages. Breitkopf and Haertel #ChB 5380-00. Published by Breitkopf and Haertel (BR.CHB-5380-00).

ISBN 9790004413814. 7.5 x 10.5 inches. German / Latin.

As director of the Bavarian Radio Choir, Howard Arman has been actively engaged with international Christmas carols through various Christmas-related CD productions in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du frohliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du frohliche and classical double choir settings such as Resonet in laudibus. The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It's a Birthday and Wasn't That a Mighty Day to form a medley, Ain't That a Rockin' gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance.

Composed by Rex Isenberg. E.C. Schirmer Publishing #8866. Published by E.C. Schirmer Publishing

By Various. Edited by Kircher, Armin / Graulich, Gunter. Choral Collections for Mixed Choir; Occasions: Eucharist, Communion, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms; Use during church year: Advent, Lent and Passiontide, Corpus Christi, Ascension, Holy We. Choral collection. 88 pages

Composed by Hugh Benham. H.T. Fitzsimons Co. Anthem, Good Friday, Holy Week, Lent, Sacred. Octavo. 6 pages. H.T. FitzSimons Company #F2377. Published by H.T. FitzSimons Company

The Music of Rollo Dilworth (Henry Leck Creating Artistry) Series. Composed by Rollo Dilworth. Rollo Dilworth Choral Series. Concert, Festival, Inspirational. Octavo. 16 pages. Published by Hal Leonard

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709649

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Organ. Sacred vocal music, Mass sections. Single Part, Organ. CG 74. 28 pages. Duration 35 minutes. Carus Verlag #CV 27.096/49. Published by Carus Verlag (CA.2709649).

ISBN 9790007239879. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.

Composed by John F. Wade. Arranged by James Chepponis. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day. Sacred. Octavo. 12 pages. Published by GIA Publications (GI.G-9194).

SATB choir and chamber orchestra or piano

SKU: MN.CH-1343

Composed by Dale Jergenson. 21st Century. Laurendale Associates #CH-1343. Published by Laurendale Associates (MN.CH-1343).

UPC: 765844006727. English.

Isaac Watts (1674 –1748) was born in Southampton, England and was brought up in the home of a committed religious Nonconformist; his father, also Isaac Watts had been incarcerated twice for his views. Watts could not attend Oxford or Cambridge because of being a Noncomformist and because these universities were restricted to Anglicans, instead attending the Dissenting Academy at Stoke Newington in 1690. Watts lived at Abney Hall in Stoke Newington until his death in 1748; he was buried in Bunhill Fields. He left an extensive legacy of hymns, treatises, educational works, and essays. His work was influential amongst Nonconformist independents and religious revivalists of the 18th century by contributing to English hymnody with new poetry to be used in worship. The older tradition was based on the poetry of the Bible which was developed from the teachings of the 16th-century Reformation leader John Calvin. Watts’ introduction of extra-Biblical poetry opened up a new era of Protestant hymnody with other poets following in his path. Many of Watts’ hymns are included in the Christadelphian Hymnal, the Episcopal Church’s Hymnal 1982, Evangelical Lutheran Worship, the Baptist Hymnal, the Presbyterian Trinity Hymnal, and the Methodist Hymns and Psalms. Many of his texts are also used in the American Hymnal and The Sacred Harp. Several of his hymns are used in the hymnals of the Church of Christ, Scientist and The Church of Jesus Christ of Latter-day Saints. Of the more that 600 tunes in the Sacred Harp, 149 of them have words by Isaac Watts. Similarly, of the 180 tunes in the Missouri Harmony 2005 Edition, Isaac Watts is credited with the words for 75 of them. The majority of these words come from Watts monumental Psalms and Hymns, first published in 1707.

SATB chorus divisi, piano - Grade 4

SKU: CA.5293903

Composed by Max Reger. Edited by Christopher Grafschmidt, Claudia Seidl. Gattungen vokal: Sacred vocal music. Vocal score. Op. 106. Duration 30 minutes. Carus Verlag #5293903. Published by Carus Verlag (CA.5293903).

ISBN 9790007300272. German.

Max Reger’s setting of Psalm 100 is one of the “grand style” choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerful expressiveness, rich in contrasts. The full harmonic and stylistic breadth of the early 20th century sings out, not only in frenetic song, but also in the search for awareness in quieter passages. Reger’s opulence, tonal and contrapuntal almost throughout, finally culminates in a double fugue with an off-stage orchestra similar to the trumpets of Jericho over “Ein feste Burg ist unser Gott”. The composer’s declared aim was: “The psalm must go so brilliantly, that all will be simply ’bowled over‘.”.

Choir (SATB choir)

SKU: AP.48316

Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Lawson-Gould. Folk; Secular. Choral Octavo. 16 pages. Alfred Music #00-48316. Published by Alfred Music (AP.48316).

UPC: 038081551395. English.

Originally published in The Social Harp in 1855, this revivalist song has become deeply woven into the American folk music tradition. A powerful and insistent rhythmic foundation is laid by the low voices, as the agile melody darts over top. A slower middle section offers some warm homophonic harmony in a setting that is largely polyphonic. The dance returns and builds to a dazzling and multitextured finish. Exquisite!