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| Ay Li Lu
Chorale SATB
SATB A Cappella
Bosworth
Par MUHLRAD JACOB. Ay Li Lu explores the concept of lullabies as a universal hum...(+)
Par MUHLRAD JACOB. Ay Li Lu explores the concept of lullabies as a universal human phenomenon by incorporating elements of Yiddish folk music and the chanting of the transfinite number of Pi. The piece aims to create a transition from an awakened state to an unconscious state through its musical transformations. The composer draws inspiration from Judaistic notions of sleep and the idea of the body and soul splitting into two parts during sleep, with the soul refueling itself with spiritual energy. The piece is an interesting exploration of the power of music in creating a mood and a sense of transition. Commissioned by the Vancouver Chamber Choir, SYC Ensemble Singers, Vox Chamber Choir and Kampin Laulu. / Date parution : 2023-10-31/ Répertoire / SATB (div) A Cappella
Délais: 2-5 jours - En Stock Fournisseur | | |
| Alleluia Tree SATB
Chorale SATB
Alfred Publishing
The shame and pain of the cross was transformed into a triumphant symbol of hope...(+)
The shame and pain of the cross was transformed into a triumphant symbol of hope through the message of Easter. This well-crafted 25-minute five song cantata beautifully and poetically depicts the Easter journey with fresh songs and familiar hymns . . . from reflection to resurrection. It's easily prepared, yet powerful, and perfect for large and small choirs alike. It can be performed as a complete cantata or as separate anthems during Lent, Holy Week, and Easter. Titles: Ride On! * I Am * Sing an Alleluia * The Alleluia Tree * Rejoice! My Redeemer Lives! / Choeur (SATB)
Délais: 2-5 jours - En Stock Fournisseur | | |
| La Traviata
 Italiano
Chorale SATB
SATB, Piano
Ricordi
Ricordi, the well-known printer of classical opera, presents the works of the gr...(+)
Ricordi, the well-known printer of classical opera, presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions, in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical, easy-to-follow editorial lay-out. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair... this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves. / Voix Et Piano
Délais: En Stock | | |
| Ave Verum Corpus (GAGNEUX
RENAUD)
 En Français
Chorale SATB [Partition]
Chant du Monde
Par GAGNEUX RENAUD. Commande du Festival d'Art Sacre de la Ville de Paris, 1992,...(+)
Par GAGNEUX RENAUD. Commande du Festival d'Art Sacre de la Ville de Paris, 1992, et de Stephane Caillat. Je me suis beaucoup interesse dans les annees 80 aux differentes liturgies chretiennes notamment à l'emploi du chant gregorien dans la liturgie catholique, des chorals (M. Luther, J. Cruger) et du psautier genevois dans la liturgie protestante que j'ai souvent cites dans mes partitions ecrites sur des textes religieux (Requiem, Magnificat, Nunc dimittis). Pour l'Ave verum, qui fait allusion à la transformation par le prêtre de l'hostie en veritable chair du Christ, iletait hors de question d'utiliser des fragments de chants de la Reforme puisque le protestantisme refute la 'transsubstantiation'. Comme je n'y crois pas non plus, j'ai donc choisi le texte de l'Ave verum uniquement pour sa simplicite et son aspect sonore, mais peut-être aussi son mystère. J'ai ecrit ici en outre pour la première et la dernière fois 'a cappella', un exercice delicat qui requiert beaucoup d'attention dans l'ecriture et j'ai emprunte à la melodie gregorienne correspondante la quasi totalite des parties de tenors (la 'teneur'), melodie sur laquelle j'ai construit toute la polyphonie de la partition. J'ai cependant fait appel vers le milieu de celle-ci à la vois de soprano soliste sur le texte en grec (langue originale du Nouveau Testament) du verset 34 du chapitre XIX de l'evangile de Jean : '. . . un des soldats lui perça le cô te avec une lance, et aussitô t, il en sortit de l'eau et du sang. . . ' dont on retrouve ensuite l'idee au verset 6 du chapitre V de la Première epî tre à Jean : '. . . c'est lui Jesus-Christ, qui est venu avec de l'eau et du sang. . . ', deux recits auxquels fait echo le texte / Hymnes et chorals / Répertoire / Choeur Mixte
Délais: 2-5 jours - En Stock Fournisseur | |
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