Offertorium.
Tenor-Arie mit Chor.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext.
Stuttgart Urtext Edition:
Schubert. Offertorium
Intende Voci Fur Tenor.
Sacred vocal music.
Choral Score. Composed
1828. D 963. 8 pages.
Duration 10 minutes.
Carus Verlag #CV
70.046/05. Published by
Carus Verlag
(CA.7004605).
ISBN
9790007107666. Key: B
flat major. Language:
Latin.
In contrast
to his earlier short
church works, some of
which rely stylistically
on baroque and classical
models, in this work
Schubert has discovered
his own personal and
romantically coloured
church music idiom.
Elements of this new
church style include
iteration which creates
atmosphere, the subtle
introduction of wind
instrument, and sounds
which die away to
nothing, an effect which
Schubert also employed in
the Mass in E flat. Score
available separately -
see item CA.7004600.
Offertorium.
Tenor-Arie mit Chor.
Composed by Franz
Schubert. Edited by
Werner Bodendorff. This
edition: urtext. 1x
70.046/21 oboe, 1x
70.046/22 clarinet 1, 1x
70.046/23 clarinet 2, 1x
70.046/24 bassoon 1, 1x
70.046/25 bassoon 2, 1x
70.046/31 horn 1, 1x
70.046/32 horn 2, 1x
70.046/33 trombone 1, 1x
70.046/34 trombone 2, 1x
70.046/35 trombone 3.
Stuttgart Urtext Edition:
Schubert. Offertorium
Intende Voci Fur Tenor.
Sacred vocal music. Set
of Orchestra Parts.
Composed 1828. D 963. 20
pages. Duration 10
minutes. Carus Verlag #CV
70.046/09. Published by
Carus Verlag
(CA.7004609).
ISBN
9790007227883. Key: B
flat major. Language:
Latin.
In contrast
to his earlier short
church works, some of
which rely stylistically
on baroque and classical
models, in this work
Schubert has discovered
his own personal and
romantically coloured
church music idiom.
Elements of this new
church style include
iteration which creates
atmosphere, the subtle
introduction of wind
instrument, and sounds
which die away to
nothing, an effect which
Schubert also employed in
the Mass in E flat. Score
and parts available
separately - see item
CA.7004600.
SATB choir SKU: CA.2707200 Composed by Kaspar Ett. Edited by Stefan Laasc...(+)
SATB choir
SKU:
CA.2707200
Composed
by Kaspar Ett. Edited by
Stefan Laasch, Norbert
Preisler. German title:
Missa In G. Sacred vocal
music, Masses, Latin.
Full score. Composed
1823. 12 pages. Duration
10 minutes. Carus Verlag
#CV 27.072/00. Published
by Carus Verlag
(CA.2707200).
ISBN
9790007113001. Language:
Latin.
As a pioneer
of the reform of Catholic
church music in southern
Germany, Caspar Ett
brought 16th-century
music back into the
service of the Liturgy.
Memorable in this
connection was his
performance of Allegri's
Miserere at St. Michael's
Church, Munich, in 1816.
His Mass 4 voci in G
minor was composed in the
same spirit.
SATB/SATB choir, basso continuo SKU: CA.4008900 Composed by Luigi Cherubi...(+)
SATB/SATB choir, basso
continuo
SKU:
CA.4008900
Composed
by Luigi Cherubini.
Edited by Oliver
Schwarz-Roosmann. This
edition: Paperbound.
Sacred vocal music, Mass
sections. German title:
Credo. Sacred vocal
music, Mass sections.
Full score. Composed
1806. 80 pages. Carus
Verlag #CV 40.089/00.
Published by Carus Verlag
(CA.4008900).
ISBN
9790007094461. Key: G
major. Language:
Latin.
In
Cherubini's complete
oeuvre and in musical
classicism the Credo a 8
occupies an absolutely
exceptional place. It
represents the summa
summarum of Italian vocal
polyphony since
Palestrina, employing the
rich harmonic means of
the early 19th century,
and at the same time is
Cherubini's masterpiece.
For chamber choirs in
search of new horizons
the work is an exciting
discovery.
SATB Choir, organ - Level 2 SKU: CA.9117600 Composed by P. Franz Xaver Ho...(+)
SATB Choir, organ - Level
2
SKU: CA.9117600
Composed by P. Franz
Xaver Hochmayr. Edited by
Konrad Ruhland. This
edition: Paperbound.
Music from East Bavaria.
German title: Intende
Vocem Orationis 1603701.
Sacred vocal music. Full
score. 12 pages. Duration
6 minutes. Carus Verlag
#CV 91.176/00. Published
by Carus Verlag
(CA.9117600).
ISBN
9790007120498. Key: D
major. Language:
Latin.
SATB choir, piano accompaniment, cello - Intermediate SKU: GI.WW1607 S...(+)
SATB choir, piano
accompaniment, cello -
Intermediate
SKU:
GI.WW1607
Songs of
Love and Loss.
Composed by Alice Parker.
Walton Choral. Classical.
Vocal/conductor score. 40
pages. Walton Music
#WW1607. Published by
Walton Music (GI.WW1607).
UPC: 888680603496.
English. Text by Emily
Dickinson.
A
multi-movement work for
choir, piano, and cello
from Alice Parker using
several Emily Dickinson
poems. Expertly crafted
vocals that are both
complex and singable. The
piano is supportive and
yet exists as its own
entity. The cello soars
above as a heavenly
voice. A fantastic
selection for high
school, university, and
community choirs.
SATB/SATB choir, basso continuo SKU: CA.4008905 Composed by Luigi Cherubi...(+)
SATB/SATB choir, basso
continuo
SKU:
CA.4008905
Composed
by Luigi Cherubini.
Edited by Oliver
Schwarz-Roosmann. Chorus
1. Sacred vocal music,
Mass sections. Choral
Score. Composed 1806. 20
pages. Carus Verlag #CV
40.089/05. Published by
Carus Verlag
(CA.4008905).
ISBN
9790007131173. Key: G
major. Language:
Latin.
In
Cherubini's complete
oeuvre and in musical
classicism the Credo a 8
occupies an absolutely
exceptional place. It
represents the summa
summarum of Italian vocal
polyphony since
Palestrina, employing the
rich harmonic means of
the early 19th century,
and at the same time is
Cherubini's masterpiece.
For chamber choirs in
search of new horizons
the work is an exciting
discovery. Score
available separately -
see item CA.4008900.
SATB/SATB choir, basso continuo SKU: CA.4008906 Composed by Luigi Cherubi...(+)
SATB/SATB choir, basso
continuo
SKU:
CA.4008906
Composed
by Luigi Cherubini.
Edited by Oliver
Schwarz-Roosmann. Chorus
2. Sacred vocal music,
Mass sections. Choral
Score. Composed 1806. 20
pages. Carus Verlag #CV
40.089/06. Published by
Carus Verlag
(CA.4008906).
ISBN
9790007131180. Key: G
major. Language:
Latin.
In
Cherubini's complete
oeuvre and in musical
classicism the Credo a 8
occupies an absolutely
exceptional place. It
represents the summa
summarum of Italian vocal
polyphony since
Palestrina, employing the
rich harmonic means of
the early 19th century,
and at the same time is
Cherubini's masterpiece.
For chamber choirs in
search of new horizons
the work is an exciting
discovery. Score
available separately -
see item CA.4008900.
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo)
SKU:
CA.3550311
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Basso
continuo. Sacred vocal
music, Masses, Latin.
Single Part, basso
continuo. 4 pages. Carus
Verlag #CV 35.503/11.
Published by Carus Verlag
(CA.3550311).
ISBN
9790007213473. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300.
Composed
by Giacomo Puccini.
Edited by Dieter
Schickling. Arranged by
Paul Horn. Complete
editions / Selected
works: Edizione Nazionale
delle Opere di Giacomo
Puccini. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Choral Score. SC
6. 32 pages. Duration 43
minutes. Carus Verlag #CV
56.001/05. Published by
Carus Verlag
(CA.5600105).
ISBN
9790007188306. Language:
Latin.
Available
upon request. New edition
with complete performance
material: 56.001/01.
Score available
separately - see item
CA.5600100.
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo)
SKU:
CA.3550348
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. 8 pages. Carus
Verlag #CV 35.503/48.
Published by Carus Verlag
(CA.3550348).
ISBN
9790007213497. Language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300.
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo)
SKU:
CA.3550349
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. 8 pages. Carus
Verlag #CV 35.503/49.
Published by Carus Verlag
(CA.3550349).
ISBN
9790007213503. Language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300.